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    I.A Torre Do Relógio I.Clock Tower: 140 Contemplativo

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    Diogo Santos
    The document is a musical score containing musical notation. It depicts the melodic and rhythmic elements of a piece of music across five staffs over 37 measures. The score utilizes standard notation symbols including notes, rests, dynamics, and expressive markings to represent the music.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    I.A Torre Do Relógio I.Clock Tower: 140 Contemplativo

    Uploaded by

    Diogo Santos
    8 views2 pages
    The document is a musical score containing musical notation. It depicts the melodic and rhythmic elements of a piece of music across five staffs over 37 measures. The score utilizes standard notation symbols including notes, rests, dynamics, and expressive markings to represent the music.

    Original Title

    4.I

    Copyright

    © © All Rights Reserved

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    The document is a musical score containing musical notation. It depicts the melodic and rhythmic elements of a piece of music across five staffs over 37 measures. The score utilizes standard notation symbols including notes, rests, dynamics, and expressive markings to represent the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    8 views2 pages

    I.A Torre Do Relógio I.Clock Tower: 140 Contemplativo

    Uploaded by

    Diogo Santos
    The document is a musical score containing musical notation. It depicts the melodic and rhythmic elements of a piece of music across five staffs over 37 measures. The score utilizes standard notation symbols including notes, rests, dynamics, and expressive markings to represent the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    I.A Torre do Relógio I.Clock Tower

                                       
     = 140 Contemplativo

    
    5

                              
                


    5

    3                                   
           

      
    5

                           
               


           

                                
        
    9
    1

                 
         
     

             


    1
       

                     
         

    
     

    13

                    
                 
    cresc. 


       


     4             4            
            
    17

                               
     

    2 3
           

    5                       
            
    21

                                
      

     


                     
    3

      
    5 2

        
      

        
         


    25 5

                                
            


    3                                   
    5
           

      
    29

                             
              


                         
           

     
            
    33
    1

             
            
     

            


    1

       
       

                           

    37

                         
     



     
            
       

     
    40 3
    

          
      

    

       

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