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    03 Kundagoura Geetham

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    Jayant Rapelli
    This document provides the ragam, talam, arohanam, and avarohanam for the carnatic composition "Kunda Goura" in the malahari ragam and rupakam talam. It then presents the lyrics and notation for the composition in two sections, with annotations on how to interpret places where one syllable spans multiple notes.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    03 Kundagoura Geetham

    Uploaded by

    Jayant Rapelli
    110 views2 pages
    This document provides the ragam, talam, arohanam, and avarohanam for the carnatic composition "Kunda Goura" in the malahari ragam and rupakam talam. It then presents the lyrics and notation for the composition in two sections, with annotations on how to interpret places where one syllable spans multiple notes.

    Original Title

    03-kundagoura-geetham

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    This document provides the ragam, talam, arohanam, and avarohanam for the carnatic composition "Kunda Goura" in the malahari ragam and rupakam talam. It then presents the lyrics and notation for the composition in two sections, with annotations on how to interpret places where one syllable spans multiple notes.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    110 views2 pages

    03 Kundagoura Geetham

    Uploaded by

    Jayant Rapelli
    This document provides the ragam, talam, arohanam, and avarohanam for the carnatic composition "Kunda Goura" in the malahari ragam and rupakam talam. It then presents the lyrics and notation for the composition in two sections, with annotations on how to interpret places where one syllable spans multiple notes.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    KUNDA GOURA

    Ragam: Malahari
    Talam: Rupakam (Chathurasra Jathi)

    Arohanam : S R1 M1 PD1 S
    Avarohanam : S D1 PM1 G2 R1 S

    D P | M G R S || R M | P D M P ||
    Kun da | Gou - - ra || Gou - | Ri - va ra ||

    D R | R S D P || D P | M G R S ||
    Man di | - ra - ya || ma - | na ma ku ta ||

    S - | R - R - || D P | M G R S ||
    Man - | da - ra - || ku su | ma - ka ra ||

    S R | M - G R || S R | G R S - ||
    Ma ka | ran - dam - || va - | si thu va - ||

    D P | M G R S || R M | P D M P ||
    He ma | ku - - ta || sim - | ha - sa na||

    D R | R S D P || D P | M G R S ||
    Vi ru | pa ra - ksha|| ka ru | na - ka ra ||
    (Man)

    D P | M G R S || R M | P D M P ||
    Chan da | ma - - ma || man - | da - gi ni ||

    D R | R S D P || D P | M G R S ||
    Man - | di ra - ya || ma - | na ma ku ta ||

    (Man)
    Process:
    1. Find out where one syllable absorbs more than one swara. The dashes among the
    lyrics will help.
    2. The dashes will become slides or hammer ons or pull offs as needed.
    3. Figure out how you can play the slides. You will need to place the two swaras in
    the beginning and end of the slide, on the same string.
    4. Future thinking: Think in advance if after each move you need a finger to the left
    or right. Play the current phrase based on the next phrase’s/note’s requirement.

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