ENGLISH WORKSHOP

BOOKLET
1 YEAR st

2024

NAME: ……………………………….……………………………
COURSE: 1 Year “………”
st

TEACHER: …………………………………………………………….
1
Example: Susan lives in Argentina. She lives in Argentina

Juliet and Peter are students. They are students

The dog is sleeping. It is sleeping

The cats are beautiful. They are beautiful

2
 Rewrite the sentences using a suitable Personal Pronoun.

1- When Kate plays the piano Kate is very happy

When Kate plays the piano she is very happy
2- Steven is from Australia so Steven is Australian
……………………………………………………………………….
3- Christopher and Nick live in the same house, Christopher and Nick are brothers
………………………………………………………………………………………………………………………
…….
4- The bird is hungry. The bird is flying around the house.
…………………………………………………………………………………….
5- Pat, Izzie and I never study. Pat, Izzie and I failed the exams

3
……………………………………………………………………………………

4
The meanings of the verb "to be"
1- Exists

There is a rabbit inside.

There is nothing in the fridge.

2- Happens

The party is tonight.

The meeting is down the hall

3- Located

They are at school.

She is in bed

4- Shows identity

She is Alexandra and this is Bob.

He is a singer.

5- Shows a quality

She is beautiful.

It is stinky.

5
6
7
8
9
10
 BIBLIOTECA 2-:0 '8
CODI:LC-~

IDIOMA: tlhl NIVELL: ~

OBSV: CJ)
 SALLY'S PHONE

Do you have a phone? Who do you cal!? Who calls you?

an you live without your phone?

Sally has a phone, and a busy life. She gets many phone
calls - mostly from her boyfriend, Andrew. Andrew likes
telling Sally what to do - and what to wear.

Sally and Andrew are going to a party tonight. 'Wear

your blue skirt', says Andrew. But Sally can't wear it -
it's dirty, so she has to go shopping for a new one.

But when Sally goes shopping she gets more than just
a new skirt - she gets something that will change her life.
OXFORD BOOKWORMS LIBRARY
Human Interest

Sally's Phone
Starter (250 headwords)
 CHRISTINE LINDOP

Sally's Phone

Illustrated by
Gavin Reece

Generailtit da catalunya
Oepartament d'Educació
Escola Oficia' d'diomeS
Barcelona IV -la Pau
BIBUOTECA

OXFORD UNIVERSITY PRESS

 OXFORD
UNIVERSITY PRESS
CONTENTS
Great Clarendon Street, Oxford OX2 6DP

Oxford University Press is a department of the University ofOxford.

lt furthers the University's objective of excellence in research, scholarshíp, STORY INTRODUCTION
and education by publishing worldwide in
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OXFORD and OXPORD ENGLI$H are registered trade marks of
Oxford University Press in the UKand in certaín other countries
This edition © Oxford University Press 2008 GLOSSARY 25
The moral rights ofthe author have been asserted
Database right Oxford University Press (rnaker) ACTIVITIES: Before Reading 29
First published in Oxford Bookworms 2003
2 4 6 8 10 9 7 5 3 1 ACTIVITIES: While Reading 30
No unauthorized photocopying
ACTIVITIES: After Reading 32
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
without the prior permission in writing of Oxford Universiry Press,
ABOUT THE AUTHOR 34
01' as expressly permitted by law, 01' under terms agreed with the appropriate
reprographics rights organization. Enquiries concerning reproduction ABOUT THE BOOKWORMS LIBRARY 35
outside the scope of the above should be sent to the ELTRights Department,
Oxford University Press, at the address above
You must not circulate this book in any other binding or cover
and you must impose this same condition on anyacquirer
Any websites referred to in this publication are in the public dornaín and
theír addresses are provided by Oxford University Press for inforrnatíon only.
Oxford University Press disclaims any responsibility for the content

ISBN: 978 o 19 423426 9

A complete recording of'this Bookworms edition of

Sally's Phone is available on audio CD. ISBN 978 O 194234085

Printed in Hong Kong

Word count (main text): 1400

For more information on the Oxford Bookworms Library, visit

www.oup.comfeltfbookworms
 1 Morning 1

It is Thursday morning. SalIy is in bed. Suddenly - Ring

ring! Her phone is ringing - but where is it?
SalIy gets out of bed and looks in her bag. No phone.
She looks under the bed. No phone. Then she looks
behind the door. There is her phone. SalIy picks up her
phone and answers it.

1
 Sally's Phone

Sally is having breakfast with her mother and her brother

Jack.
'I'm going out tonight,' Sally tells her mother. 'Andrew
and I are meeting his new boss.'
'Andrew?' Jack says. 'Huh!'
'Oh be quiet, Jack,' Sally says. 'Andrew is very nice to
me.'
'Nice?' Jack says. 'Huh! "Sally, I want a sandwich."
"Yes, Andrew." "Sally, I don't like your hair." "No,
Andrew, sorry Andrew." "Sally-'"
But then Sally stands up, and J ack runs out of the
room.

'Hello Sally, it's Andrew.'

Andrew is Sally's boyfriend. He has got a lot of money
and a beautiful and expensive car.
'Andrew, it's only seven o'clock-'
'Don't forget, Sally - we're meeting Michael tonighr.
It's an important evening, beca use Michael's my new
boss. Wear your blue skirt, Sally, I like that skirt. I must
go now. See you at half past six. Bye.'
'But Andrew ... Bye.'
'1 can't wear the blue skirt,' Sally thinks, 'It's diny.
What can I wear?'

2 3
 Sallv's Phone

Sally gets on the train. There are a lot of people on the

train. Most of them are talking on their phones.
'John? John! Get up and go to work. It's late!'
'Have you got my money? 1 need it today. 1 must have
it today.'
'Remember - go to the supermarket tonight. Don't
forget!'
And Sally is listening to Andrew.
'Sally, meet me at six o'clock, not at half past six. OK?'
'OK Andrew - but my blue skirt-'
'1 must go, Sally - bye.'

Then the train goes into a tunnel. The people on the train
can not talk on their phones. They must talk to the other
people on the train.
'Hello, Max! How are you?'
'Oh, hello Graham! I'm very well.'
'Where are you working now, Lucy?'
'I'm in a new office in Bank Street.'
'Those are nice shoes, J ane.'
. 'Thank you, Mary.'
After three minutes, the train comes out of the tunnel.
Everyone talks on their phones again.
'Hello? John? Are you out of bed now?'

4 5
 [2 Lunrhtime J

It is one o'clock. Sally and Claire are looking at skirts.

'Do you like this one, Sally?' Claire says.
'Yes, it's beautiful, but 1 never wear red.'
'Do you like red?' Claire asks.
'Yes, 1 do - but Andrew doesn't.'
'Well,' Claire says, 'it's a beautiful skirt. You like red.
What do you want to do?'
Sally buys the skirt.

Now Sally is at work. She is talking to her friend Claire,

and she tells her about Andrew, Michael, and the blue
skirt.
'It's OK, Sally,' Claire says. 'Let's go out at lunchtime.
We can find a new skirt. You can wear it tonight.'
Later, Claire and Sally are having coffee with Louise.
She works with them.
Ring ring! It is Andrew again.
'Hi, Sally. Look, meet me at the Bar Bogart, not the
Cosmo Bar - OK? The Bar Bogart is nearer. Bye.'
'Bar Bogart,' Claire says. 'Mmm - that's nice.'
'Huh!' Louise says. 'Forget him, Sally. Who needs men?
"Do this, do that, go there, don't go there." Huh!'

6 7
 Sally's Phone

Next to Sally, Paul is finishing his coffee. He phones his

[riend and ralks to him. Then he stands up. The bag with
rhe red skirt falls on rhe floor.
'Oh! I'm sorry,' Paul says. He puts down his phone and
picks up the bag. 'Here's your bag.'
'That's OK,' Sally says. 'Thank you.' She smiles.
'What a nice smile!' Paul thinks.
Paul picks up his phone and goes out of rhe café. Sally
finishes her coffee. She picks up her bag and her phone,
11 nd goes back to work.

Claire goes back to work, but Sally wants a coffee. She

goes into a café. She buys a coffee and sits down. Then
she phones her mother.
'Hi, Mum. I've got a new skirt - it's beautiful' I want
to wear it tonight.'
'What colour is it?'
'It's red.'
'That's nice. Red is a good colour for you,' says her
mother.

8 9
 [ 3 Afternoon 1

Paul is in his office.

Ring ring!
'What's that noise?' Paul thinks. He answers the
phone. It is Andrew.
'Hello, Sally?'
'It's not Sally, it's Paul.'
'Paul? Paul who? Where's Sally?'
'Who's Sally? There's no Sally here.'
'Huh!'
Andrew finishes the callo

Paul wants to phone his mother. He finds 'Mum' on the

I hone, and presses the button.
'Hello, Mum. It's Paul.'
'Paul? Who's Paul? I'm not Paul's Mum. I'm Sally's
Mum and Jack's Mum.'
'What's happening?' Paul thinks.
'What number is that?' he asks.
-'It's 0783 491839.'
'I'm very sorry,' Paul says. 'It's the wrong number.'
'That's OK,' Sally's Mum says. 'What a nice voice!' she
thinks.

10 11
 Sally's Phone

SnIly talks to Claire and Louise.

'l've got a message for Paul - but who's Paul? Do you
know a Paul, Claire?' she asks.
'No. What's the message?' Claire asks.
'It's his sister Katharine's birthday, and she's having a
party tonight. Do you think it's a wrong number?'
'Yes, I think it is,' Claire says.
'Hey, Sally!' Louise says. 'Put on your red skirt and go
lO the party. Forget Andrew!'

Sally is at work.
Ring ring!
'What's that noise?' Sally thinks. She answers the
phone.
'Hello, is Paul there?'
'No, I'm sorry, this-'
'Can you give a message to him? This is his sister
Katharine. There's a party at my house tonight. It's my
birthday.'
'But I-'
'8 o'clock - OK? Bye.'

12 13
 Sally's Phone

Paul talks to a friend at work.

'This is Sally's phone - and Sally's got my phone.'
'But who is Sally?'
'1 don't know,' says Paul.
'Why don't you phone her?'
'What's my number?' Paul asks. '1 don't know my
number.'
'Why not?'
'Because I never call my number!'

P;l ul phones his mother.

Mum, what's the number of my phone?'
'Why do you want your phone number, Paul?'
'Beca use Sally's got my phone.'
'Who's Sally?' his mother asks.
'1 don't know, but she's got my phone, and I've got her
phone.'
'1 don't understand.'
'1 know, , says Paul. 'It doesn't matter. Have you got my
uurnber?'
'Here it is. 0781 644834.'
'Thanks, MUl11.'

14 15
 Sally's Phone

Pau) phones Sally.

'Hello, Sally - this is Paul.'
'Paul- are you Katharine's brother?' Sally asks.
'Yes, that's right. And I've got your phone.'
'My phone? Oh - wait a minute. The Café Cuba at
lunchtime? The bag on the f1oor?'
'Yes, that's right. Well, we need to change phones.'

'0« - where are you now, Paul?'

'In College Road. 1 work there.'
'I work in Manchester Street. Can we meet in Queen's
Square?' Sally asks.
'OK. What time do you finish work?'
'At half past five.'
'Let's meet in Queen's Square at a quarter to six,' says
l'aul, 'Phone me then.'
'OK, Paul,' says Sally.

16 17
 Sally's Phone

[ 4 Evening
lhcre are lots of people in Queen's Square, and many of
11ll'1l1 are talking on phones.
It is half past five. Sally puts on her new skirt. Which is Paul? Sally can not remember. She phones
'Do you like it, Louise?' she asks. l'uul.
'Oh yeso It's very nice.' 'Paul+ have you got black hair?'
It is twenty to six. Paul arrives in Queen's Square. He 'No, I haven't.'
looks for Sally. Is that Sally? He can not remember. He , ;ood!' Sally thinks.
phones Sally. 'Have you got a book in your hand?' asks Sally.
'Hello, Sally. It's Paul. I'm in Queen's Square.' 'No, I haven't.'
'Hello, Paul. I'm coming.' , ~ood!' Sally thinks.

18 19
 Sally's Phone

Sally can not find Paul.

'Where are you, Paul?'
'I'm near the trees.'
Sally goes across the square to the trees.
'Are you Paul?' Sally says.
Paullooks at Sally. 'She's beautiful!' he thinks.
'Yes, I'm Paul.'
'He's nice!' Sally thinks.
'I'm Sally. So - we meet again.'

"'111 sorry about your phone, Sally. Here ir is.'

"I'hat's OK. Here's your phone, Paul.'
'Sally - would you like a drink? I want to say sorry.'
'OK, but I haven't got much time.'
l'nul Iooks for a bar.
'Ler's go to the Blue Moon. We can have a drink there.'

20 21
 Sally's Phone

Paul and Sally are at the Blue Moon. Sally sits down at a
table. Paul brings their drinks.
'Here's your drink, Sally. And I am sorry about your
phone.'
'Forget it, Paul - it doesn't matter. Oh, I've got a
message for you. It's from your sister Katharine.'
'From Katharine? What is it?'
'She says that it's her birthday today, and there's a
party at her house.'

( )11no!' Paul says. 'I always forget birthdays. What can I

dllr'
.rlly I oks across the square. ear the trees a woman
clliu flowers.
'BlIy some flowers for your sister, and take thern to the
I .11 I " she says to Paul.
'(). curse! That's the answer. Look, Sally - do you
'.1111 lO come to the party with me? Katharine always has
••••d parties.'
•W -11,I .. .' Sally says.

22 23
 Sally's Phone

L ARY
'Oh, I must tell you,' Paul says. 'I've got a message for you
from Andrew. He says-'
1 11 ,1 pl.ln' wh .r pcople can buy and have drinks
'It doesn't matter, Paul,' says Sally. '1 don't want the
1 IIlh 1.1 111· clny whcn your age changes
message. I would like to go to the party with you. But I
hu dI!' p '1'1-0(111
t hat you work for
must do something before we go.'
1••• tti ,tlll ,\ 111:\11
or b y that a girllikes and goes out with
Sally takes her phone out of her bag and turns it off.
huuun ,1 phon . has buttons with numbers on
In the Bar Bogart, Andrew phones Sally. Sally does not
hll~' I,II'\' ~()I1Il'()11
' 1110neyfor sornething
answer. 'Sally?' says Andrew. 'Sally? Answer me!'
1111 ' .1 111)\ lriuk
Sally and Paulleave the Blue Moon.
"j 111 1111
'That's a nice skirt,' says Paul. '1 like red.'
11111 hlillll' Ihl' t imc (usually between 12 o'clock and 2
Sally smiles at him.
.1\ 1.11 1 ) wlu-r: p .opl . stop work to have something to eat
1111 '~l' ,'IlIIll'llIillg you want to tell somebody
1'"111 ,1 IlIV'[il1g of friends to eat, drink, talk, dance etc
1'1' , I ush with your finger
I lit (1') mnkc a ound like a bell (a telephone rings)
11 ".IV·sorncone something, and get money for it
Iltt 11 off SI' p omething working
IIll' OLl peak and sing with your voice

24 25
',dI l' 1101

, 'J' I I'J' I 11,

 !\C'I'IVII'II',

H '{ore Reading

1111 1I di' 110111 uul ha ,1 cover of the book and choose

1111 11 1111111 fOl' 111 'S' S .ntences.

1 It 1" 11 11'1" 11

111 1111 '11111111 \

111 1111 11 \

I I 11 1 I

11" 1111 \ It '1 '1'1 11 •••

1 I 1 111 1'1 O
1, 1 I 111 '100
, I I 111.1.11,

• 11 wli l' h IPP 'liS •

1111 111.1 Id ,11, story S;1Ily h ot ...

Yes No
1 111 \\ "lIoll!:. D D
, Itl 1 .,Id phon '. D D
1 111'1\' hoyfri<.:nd. D D
1 III'W hrothcr, D D
1 1L '\ ';1 r. D D
1 III'W sk irt. D D
"

29
 ACTIV/TIES: While Readin

11'1 's I 17. Now answer these questions.

ACTIVITIES
111 dor~ l'nul not know his phone number?
While Reading 1111 dovs Pnul phone first?
'IIt11 I~ 1 h~·nnrnc of Paul's sister?
1 Read pages 1-5. Are these sentences true (T) or false (F)? ~ 11,11 .111 1I:"d nnd ally need to do?

1 In the morning, Sally's phone is behind the door. \ lt, 11' di! '., Snlly work?

2 Sally is meeting Jack tonight.

1II'II~I' IH 1. Are these sentences true (T) or false (F)?
3 Michael is Andrew's boss.
4 J ack does not like Andrew. 111111 , Id ,'H S,dly's skirt.
5 Lucy is working in High Street. , l' 1111 "" 1',\11 h 1: 1 ck ha ir.
6 Mary likes J ane's shoes. 1',1111 I "'\111 ¡lIf', 1ll':11' rhc tr es.
11" \ 1',\' 111 1\,11' I\ogart for a drink.
2 Read pages 6-9 and answer the questions.
, "1111 \'1111 \1' 111 P I~ ·s - 4, can you guess what happens?
Where ...
1 is Sally meeting Andrew? Yes No
2 does Sally go for a coffee? l' 11 ti 111, I ,d" 1111','1 'II,'·w. O O
Who ... ".1 11 111.1 I.dh )',01\) 1\:\1' Bog:1I't. O O
3 does not like red? 1'lId 11111 ti" 1'" 111 1 ,11 II,\I'í11 ,'s I :Irry. O O
4 picks up Sally's bag? 11 11 1" 111111 .u, O O
di 1" It 1111 ".111 \ , D O
3 Read pages 10-13. Who says or thinks these words? l' ,,1 1,,, 1111 , 1 1111 \11t ti, 1\ 1\', D D
1 'Who's Sally? There's no Sally here.' I 1 11 1111 ,1 1" , ,11 h, D D
2 'What a nice voice!'
3 'It's my birthday.'
4 'Put 011 your red skirt and go to the party.'

30
 1111 (~llOdoll.·' '\,11111
ACTIVITIES

After Reading 111,

, 11 1 I
1 Put these sentences in the correct order. Number them 1-10.
1, I "1'
a O Panl finishes his coffee.
b O Paul says 'l'm sorry,' and he gives the bag to Sally.
01 111 1111 y. l' . 111 .,. words:
c O She buys a coffee and sits down.
d O She finishes her coffee and picks up her bag and 1/",111' "1/\' ",111\' 11111,/11/1111' "/'1'/,111111/1 piel: MI'
phone. "/111,,1,/1' /'"\'1/11'1111 ,I/I'/I'I'/' m//I'I'
e O Then she goes to the café.
f O When he stand s up, Sally's bag falls on the floor. 111\' ."" ••................. Andrcw phones her early in the
g O Sally goes to the shops with Claire and buys a skirt, 111111111111' •• 1 Iv w.uus LO n cet her that evening. At
h O Then he picks np a phone and goes out of the café. " •••••....... S:1I'Y a nd her friend Claire buy a new skirt
O She goes back to work. 1'11 .dl\'. 1'11'11 S:dly ha a in a café. When
O She phones her mother and tells her about the new dl\' ',.11'. I.dls to th floor, Sally meets Paul. He
skirt. ." h '1' bag, but he takes her phone - and
d" t." \'~ his phone. That ,Andrew
2 What do you know about Sally? Write a description using
1,1111111 .rl 1 bu t be talks to Paul. Paul's sister wants to
these words. I 11 111111 .ihotu her party - but she speaks

livelmother/brother 111 dl\, 111 111, .nd, Paul phones Sally, and they meet after

go to workJtrain 111 lit (lll\' '11'- •.••••.•.•.•••••••••.•... Paul .

work/friends/Claire and Louise 111 t IllIw('l's for bis sister, and he and Sally go to her

lihelred ", Andrew phones Sally, but she does not

has gotlboyfriend/Andrew .... " .

32 33
 tU BOOKWORMS LIBRARY
1, ,. • Crin!« & Mystery • Factfiles • Fantasy & Horror
//1111I,111i nt erest • Playscripts • Thriller & Adventure
ABOUT THE AUTHOR
'/I'I/e tories » World Stories

Christine Lindop was born in ew Zealand and taught English in 11 '1"1'1' 1\11111Wi1I1MSI.IllRARY provides enjoyable reading in English,
France and Spain before moving to Britain. She has written many 11111 Id. 1,1111\1'IIf clussic and modern fiction, non-fiction, and plays,
It IIIt 1II,It IIlq,IIIoII ,11111.ulnptcd texts in seven carefully graded language
books, including several for tbe Oxford Bookworms Library.
11 111.11I,d 1 II'oIll1\'r~ rl'0111 beginner to advanced level. An overview
These include Ned Kelly (Stage 1) and Australia and New Zealand
1 1111/',\",
(Stage 3), She has also written for other Oxford readers series,
including Dominoes and Classic Tales, 11 111' 1 1111, 11' IIl'oIl1lll1l':lS audio recordings, as well as over eighry
dI 11111, 1111111 '''''111'1 111SI:IJ.!,' 6, AII Starters and many titles at Stages
1 111 t 111 1".1 dh 1I.1I11I1I1\'lId .d for younger learners. Every Bookworm
1 1111111 111.1, 11,,1'11.1111'1"11111.1lncrfiles have full-colour illustrarions.

lit "1'1111' 11111"Wllll~l~ I.lIlilAI\\' also offers extensive suppor t. Each

1111. 11I1I1,1I11~,"1111111111t1't iou to thc story, notes about the author, a glos-
11 111.1 1111\1111', Addilioll:1I r 'SOLII'ces indude tests and worksheets,
1111 111 .1 11111111'l' 1111.1rOl' 1h ' nctivities in the books, There is advice
11111111111111'1.1" • hhrnr • II.~illg .iudi rccordings, and the many ways of
11 111111 1t t "11\,,, ti \\'111111"in 1'('lldil1l-\prograrnrnes. Resource rnaterials are
1 111tI,l. "" 111' \\.11111' IVIVW,Ollp, '(lI1I/-lr/bookworms>,

II¡ 1 1 1,,/,1 /1,1111/1'11/111 (',,11/'1111I11 i~ n s .ric for advanced learners. Ir

111111 ,,1 ,.111111/ ••1 111111 "'''I'~
h wcll-kn wn authors, both classic
1111111.111.111 l. 1 111 111.1.IIIIIIII','d 111'udaprcd in any way, but carefully
lo 111111,1" 1111 ,iI,h 11I111I'.tll',11I ,1,1111'11(.

11 111Il1ld .1, 1.111 "lid ,1 11111li~1 (l( tules in the xford Bookworms
I , 1/ \ 1 ,/1,11,1\'11" .\IId (>, '/01'11 1~lIl!.lish language Teaching Catalogues,
, , 11111dI, \ lo 111', 1VIVIV,O\lp,I:()111/elt/b okworrns>.

34 35
 THE OXFORD BOOKWORMS LIBRARY " 1IIIIIIIIJli\IlWORI
GRADING AND SAMPLE EXTRACTS .111 1" 11•• 1 IIIIIIIIIIIIIII~ usrti t c) pasr perfect-
lO 1111 1 ,11111 Ilidlll'll 111.11i'IIH:IIIS ...
STARTER • 250 HEAD\"X70RDS
presenr simple - present continuous - imperarive-
canlcannot, must - going to (future) - simple gerunds ...

Her phone is ringing - but where is it?

Sally gets out of bed and looks in her bag. No phone.
tI! 11
She looks under the bed. No phone. Then she looks
behind the door. There is her phone. Sally picks up her
phone and answers it. Sally's Phone

11111111111 h.. 11 1.1 I 111 1111 wlldd

STAGE I • 400 HEAD\"X70RDS
'1 111 1 11111 I 111 111 111 IlIlIdelll \\'lIldd 11('
... pasr simple - coordination with and, but, or-
11111 111111 111 111 11111 , /11 ¡"¡~I'II ,'lid MI 11vd"
subordination with before, a.[ter, when, because, so .,.

1 knew him in Persia. He was a famous builder and 1 \1,1 IHIIII 111'i\I)\'(/()RI)~

worked with him rhere. For a time 1 was his friend, but 11111111 IlIlIllIlIlPlIN 1111111" pcrfect >

P,I 11'1' (1IIIId.II" coutinuous forrn )-

not for long. when he came to Paris, 1 came after him -
" 111',"',11', 111111/1111111.11 d,IW,'S m dal + perfecr infinirive ...
1 wanted to watch him. He was a very clever, very
111" hld '1l1dl'III':HIVIl;l'SI1;l1l1 ,Iwould have hit him. Iwasso
dangerous mano Tbe Phantom of the Opera
11111 11 h 111111, .uul so dcprc sed about my future, that 1 could
11111 I 11 1111' 1111',11 hs!. In .read 1 went straight to the old house.
STAGE 2 • 700 HEADWORDS
1 I .11 I '/,,'1/111 Il/I/$
... present perfect - will (future) - (don't) haue to , must not, could=
comparison of adjectives - simple if clauses - pasr continuous+-
~'i'A ;E 6 • 2500 HEADWORDS
tag questions - ashltell + infinitive ...
l' 1 IV' (infinirives, gerunds) - advanced moda] meanings-
while 1 was writing these words in my diary, 1 decided clauses of concession, condition
what to do. 1 must try to escape. 1 shall try to get down 11 I II'PP'd up to the piano, 1 was confident. Ir was as if 1
the wall outside. The window is high above the ground, 11 rh . prodigy side of me really did existo And when 1
111,11

but 1 have to try. 1 shall take some of the gold with me - I 111 1111 pl:ty, 1 was so caughr up in how lovely 1 looked that
if 1 escape, perhaps it will be helpful later, Dracula 1 11111'( , OI'ry how 1 would sound. TheJoy Luck Club

36 37
 BOOK\XIORMS . HUMAN INTEREST . STARTER
1111111· \'(/I)I(M~· 'l'IIRILLER & ADVENTURE· STARTER

Star Reporter Orca

JOHN ESCOTT 1'1111111' IILJRROWS AND MARK FOSTER

'There's a new girl in town,' says Joe, and soon Steve is out I 11 /1111\11 .tucl h '1' friends decide to sai/ around the world they
looking for her. Marietta is easy to find in a small town, but every 111 111 1'1' I',dl ill!!, things and visit exciting places.
time he sees her sornething goes wrong ... and his day goes from 11111 11111 .Id , t h 'y mcct an orca - a kil!er whale - one of the most
bad to worse. 1111 111111' dllilll:lis in the sea. And life gers a little too exciting.

BOOK\XIORMS . HUMAN INTEREST . STARTER

1111111, \'(/01\ MS . THRILLER & ADVENTURE . STARTER

Survive! Th Fifteenth Character

HELEN BROOKE ROSEMARY BORDER

You are in a smal! plane, going across the Rocky Mountains. 11 111 11111'1' ,~ting job,' says Sally about her work at Happy Hills.
Suddenly, the engine starts to make strange noises ... 111/11111,1\ I~ :1 very exciting day beca use Zapp the famous singer
Soon you are alone, in the snow, at the top of a mountain, and 111111111\, lwcrybody is having a wonderful time. But suddenly
it is very, very cold. Can you find your way out of the mountain? 111t11l1l1l1 J'O .s wrong - very wrong.

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