7 Vol4 Epaper
7 Vol4 Epaper
7 Vol4 Epaper
Auspicious start to
Maha Kumbhabhishekam
Nootana Rjagopura / Vimna, Mah Kumbhbhiishekam for ri Mah Vallabha Ganapati and ri Venkatewara,ri Mah Lakshmi, ri Hanumn Sannidhis & Vimnas, ri Navagraha and ri Ngendra Swmy Sannidhis from June 1-June 5, 2011. The consecration ceremonies are being organized by The Hindu Temple Society of North America, NY at Sri Mah Vallabha Ganapati Devasthnam (Ganesh temple) at 45-57 Bowne Street, Flushing, NY.
oojas for the various yantras (flat metal plates with prescribed engravings) are the first rituals performed for 45 days prior to Kumbhbhishekam. Sanctifying the yantras captures the essence or akti of the Deities. During a Kumbhbhishekam, the yantras are installed under the stone vigrahas of the Deities inside their sanctums.
WEDNESDAY, JUNE 1 Karta, the main representative of the temple, formally gives permission (Anuja) as well as asks the priests to start the Kumbhbhishekam proceedings. After this, a Vighnewara pooja to ri Mah Vallabha Ganapati ensures a smooth sailing as He is capable of placing and also removing obstacles. The karta, on behalf of the public, takes a Mah Sankalpam (resolve), to complete the ceremony. Grha Preeti is performed to invoke the Navagrahas (nine planets) to nullify any negative influences of the planets on all those gathered. By doing the cryavaranam, the karta, on behalf of the public, formally chooses and asks the priests to conduct the consecration ceremony. Punyhavcanam is done to purify the place, the items used for the occasion, and also to bless and appeal for blessings from those gathered. Divinity is invoked in the Pancagavya, a mixture of five ingredients derived from a cow. This is also used to purify the priests, the Deities and the devotees. In the dhana pooja, four symbolic portions of the temples wealth are bundled for (1) Kumbhbhishekam, (2) nitya (daily) and future pooja requirements, (3) priests appreciation, and (4) for community, respectively. These are offered to express gratitude and also to appeal for dhana vriddhi (growth
pots. The sprouts are offered (Ankurrpanam) for the yajas growth. The participating priests are protected with the tying of a protective binder (Raksh bandhanam) around their wrists, which requires them to complete the yaja. By Kumbha Alankram, Kalaas (also known as Kumbhs) are prepared to receive the divine energy of the Deities. Kalkarshanam is done to transfer the divine akti from the pictures to the kalaas. In the ygal praveam the kalaas with the divine energy are ceremoniously carried to the ygal. Seven separate self-contained custom ygal, for the six Deities, who are to be consecrat-
of wealth). ri Mah Vallabha Ganapati homam seeks His blessings. A homam or havan is an ancient form of fire worship, where the fire god Agni is the messenger to the Deity being propitiated. Poornhuti is the final huti (offering) of the homam. Mangala Hrati is the showing of the lamp in front of the Lord and moving it in a circular clockwise motion, signals the completion of a ritual. Following Abhishekam for ri Mah Vallabha Ganapati, Devata Anugna is sought, asking His divine permission and blessings to allow the Mah Kumbhbhishekam to proceed unhindered. Prasdam is the sacred food that is first offered to and blessed by the Lord and is thus charged with divine vibrations. Go (cow) pooja is done before the consecration because they are considered to be sacred, and hold
a very important place in many religious rites. Vstunti is making an offering to the Vstu Purusha, the spirit who resides in all built structures, to bring about balance, peace and prosperity. This is kept in the form of a drawing outside and for which a white pumpkin is cut and offered as praveabali (sacrifice) to satisfy its hunger. Rakshoghna Homam is performed to ward off the rkshasas (the negative tendencies or evil forces in our minds). The purification of the stone vigraha of ri Hanumn takes place alongside the Kumbhbhishekam rituals. The first of the Prna-Pratishth (infusing divine life into the vigraha) ritual, Dhnydivsam (grain habitat), is immersion of the vigraha in Dhnya (grains). THURSDAY, JUNE 2 Navagraha Homam nullifies any The July 2009 Maha Kumbhabhishekam marked the massive renovation and expansion that time of the Ganesh temple.
ed, and one for Rjagopuram with other gopuras are constructed for this occasion. Yaja is performed in six kls or sessions. The prathama kla (first session) Yga Pooja is offered before offering the first homa in the homa kunda or fire pit. FRIDAY, JUNE 3 The days rituals begin with Viesha (special) Sandhi (evening offering). This is when the participating cryas (priests) make special offerings to their pitrus (forefathers), gods and other devas to get their blessings before the afternoon yaja session. The priests then enter the Ygala and offer the Dwiteeya (second) Kla (session) pooja. In the Nava Kalaa Sthpanam, eight outer kalaas designated as protecting and supporting Deities for ri Hanumn, and one middle kalaa for ri Hanumn are invoked and installed in honor of ri Hanumn. ri Hanumns vigraha is now removed from His Jaldivsam and placed for Panchagavydi (a mixture of five ingredients derived from the cow) Vsam. Inside the Mah Mandapam, the stone vigrahas are getting ready to be permanently installed in their respective Sannidhis. Yantra, Navaratna (precious stones) & Swarna (gold) Sthpanam (are placed) inside a small hollow space in the peetam (pedestal) on which the vigraha will be installed. These enhance the divine akti of the Deities. Ashtabandhanam is
Elaborate rituals--poojas and homams - are part of the holy program. the process of affixing the vigraha to its peetham with a clay-like paste made of eight (ashta) specific herbs and brick powder. The paste is rolled two cms thick and applied directly around the joint between base of the idol and the pedestal. This dries to form a water tight seal harder than cement, lasting for twelve years. A silver bandhanam applied over the ashtabandhanam lasts for 25 years, and a swarna (gold) bandhanam for 100 years. SATURDAY, JUNE 4 ri Venkatewara Mah nti Homam is offered to invoke His blessings, and ri Mah Lakshmi Pooja appeals for Her grace. Nayanonmelanam - nayana (eyes) unmelanam (opening) is a very important ritual which opens the eyes of all the Deities. The vigraha of ri Hanumn is removed from jaldivsam and placed in Sayandivsam (lying down posture) after His eyes are opened. With Devata vhanam the divine akti of ri Hanumn is instilled into the vigraha. SUNDAY, JUNE 5 MAH KUMBHBHISHEKAM DAY This day begins with the final Viesha Sandhi, the final shatkla (sixth session) ygala pooja, and the much awaited ri Venkatewara Suprabhtam (a collection of verses to wake up the Lord.) Bimba (vigraha) uddhi is to clean the bimba since it was in bllaya. This rakshbandhanam (protective binder) is to bind the divine spirits to the vigraha and to keep the evil spirits away. During the Sparhuti, connection is maintained between the ygasla and the moola (stone) vigraha by silver threads. The offerings are taken from the ygasla to the sanctum three times. Gaja (elephant) Pooja is scheduled on this last day. A majestic elephant is brought in for this occasion to bless the Kumbhbhishekam as the elephant is also considered to represent ri Ganea. With the Mah Poornhuti and Deeprdhana, the Ygala Pooja for the Kumbhbhishekam comes to a close. The Daa Dnam (charity of ten different items) and the Ytr Dnam (charity before a journey) are given by the karta, to receive the blessings of the invoked Deities. The sanctified kalaas from the ygasla are ceremoniously carried around the prkra (the perimeter of the Temple) for a full pradakshinam (clockwise circum-
ambulation) and are finally brought into (praveam) the Temple (laya). Some of the kalaas are taken to the rooftop for the gopura/vimana Kumbhbhishekam and the others are brought into the mah mandapam for the samprokshanam of the Deities. Rja Gopura, Vimna Mah Kumbhbhisheka daranam is auspicious because it is said to give the same contentment/punya (good karma) as coming to the temple for twelve years. Kumbhbhishekam is the only time we can do abhishekam to the kumbha/vimna, where divine spirits are said to reside. Both the vimnas of ri Venkatewara and ri Mah Lakshmi get the abhishekam simultaneously. Silver threads connect the vimnas to the Deity directly under them, transferring their akti. After the rooftop Kumbhbhishekam, Mah Kumbhbhishekam for ri Mah Vallabha Ganapati, ri Venkatewara, ri Mah Lakshmi, ri Hanumn, ri Ngendra & ri Navagraha are performed next with the sanctified teertha. A full Mandala pooja for 48 days, until July 23rd, enhances the divine presence in the consecrated moola (main) vigrahas as well as the society in general. MANDALA POOJA A mandala is a cycle of 48 days. Traditionally, the consecration ceremony is followed by special abhishekams for the duration of a full (48 days), half (24) or a quarter mandala (12 days). The Mandala Pooja, which consists of special abhishekam enhances the divine presence in the consecrated moola (main) vigrahas as well as the society in general. In these abhishekams, corrosive ingredients such as juices, yogurt, etc. are not used. This gives the sealant more time to harden and form a better seal. Tradition says that if one is unable to witness a kumbhbhishekam, witnessing the mandala abhishekams bring about the same benefits. Our Temple will conduct mandala pooja from Monday, june 6th thru Saturday, july, 23rd, 2011. For Mandala Abhisheka only following dravyas will be used: 1. Sesame oil 2. Dravya Pudi 3. Milk 4. Vibhooti or Manjal powder. Also Rose water and Chandana. No panchamrita, yogurt, juices & coconut water.
Gaja (elephant) Pooja is scheduled on the last day, June 5. A majestic elephant is brought in for this occasion to bless the Kumbhbhishekam as the elephant is also considered to represent ri Ganea.
MAH KUMBHBHISHEKAM
From June 1 to June 5
WEDNESDAY, JUNE 1 7:30 AM Ganapati Suprabhatam 9:00 AM Anujnai, Vighnewara Pooja, Mah Sankalpam, Gruha Preethi chrya Varnam, Punyhavchanam, Panchgavya Sammeelanam, Dhana Pooja, ri Mah Vallabha Ganapati Homam, Poornhuti, Mangala Hrati, Prasdam. 10:30 AM ri Mah Vallabha Ganapati Abhishekam, Devata Anujnai, Go (cow) Pooja. 12:00 Noon Mangala Hrati. 5:30 PM Vstu nti, Pravea Bali, Rakshogna Homam. 7:15 PM ri Hanumn Dhnydi Vsam. 8:30 PM Mangala Hrati. THURSDAY, JUNE 2 7:00 AM Ganapati Suprabhatam 8:00 AM Navagraha Homam, ri Mah Lakshmi Sudarana Homam. 11:00 AM ri Hanumn Jaldi Vsam, Ygal Alankram. 12:00 Noon Mangala Hrati. 4:30 PM Agnimathanam. 5:00 PM Mruthsangrahanam, Ankurrpanam, chrya Raksh Bandhanam, Kumbha Alankram, Kalkarshanam Ygala Praveam, Prathama Kla Ygala Pooja, Dravyhuti. 8:30 PM Poornhuti. 9:00 PM Mangala Hrati. FRIDAY, JUNE 3rd, 2011 8:00 AM Viesha Sandhi, Dwitiya Kla Ygala Pooja, Navakalaa Sthpanam for ri Hanumn, Panchagavydi Vsam, Dravyhuti. 11:15 AM Poornhuti. 12:00 Noon Mangala Hrati. 5:00 PM Viesha Sandhi, Thrithiya Kla Ygala Pooja. 5:30 PM Yantra, Navaratna & Swarna Sthpanam. 6:30 PM Ashta Bandhanam, Dravyhuti. 8:00 PM Poornhuti, Upachrs. 9:00 PM Mangala Hrati. SATURDAY, JUNE 4 8:00 AM Viesha Sandhi, Turiya Kla Ygala Pooja (ri Venkatewara), Mah nthi Homam. 10:00 AM Dravyhuti. 11:30 AM Poornhuti, Upachram, Mangala Hrati. 5:00 PM Viesha Sandhi, Panchama Kla Ygala Pooja. 6:00 PM ri Mah Lakshmi Pooja. 7:15 PM Swarna Bandhana Pooja. 7:30 PM Nayanamelanam, Sayandi Vsam, Devta hvnam, Dravyhuti. 8:30 PM Poornhuti. 9:00 PM Mangala Hrati. SUNDAY, JUNE 5
his Holy event will be graced by the auspicious presence of His Holiness Parama Pujya Sri Ganapati Sachchidananda Swamiji, Pontiff off Avadhoota Datta Peetham, Mysore on June 4 who will bless the Kumbhbhishekam ceremonies on June 5. Sri Swamiji is renowned for His Healing and Meditation Music and Nama Sankeertana. His Holiness, through His divine guidance, cultivates the ancient Vedic traditions. Sri Swamiji with His Celestial Music troupe will be rendering Bhajans on Saturday June 4 at the Temple Auditorium.
Discourses will be delivered by Pujya Swmini Pramnanda on various topics including those related to Kumbhbhishekam and youth from May 31 thru June 7.
MAH KUMBHBHISHEKAM DAY 6:30 AM Viesha Sandhi, Shatkla Ygala Pooja (ri Venkatewara) Suprabhtham. 7:30 AM Bimba uddhi Rakshbandhanam. 8:00 AM Sparhuti. 9:30 AM Gaja Pooja. 10:00 AM Mah Poornhuti, Deeprdhana, Daa Dnam, Ytr Dnam. 10:30 AM Kalaa Prkra Pradakshanam, laya Praveam. 11:10 AM RI
RJAGOPURDI VIMNA MAH KUMBHBHISHEKAM, RI MAH VALLABHA GANAPATI, RI VENKATEWARA, RI MAH LAKSHMI, RI HANUMN, NAVAGRAHA & RI NGENDRA SWMY MAH KUMBHBHISHEKAM. 12:30 PM Mah Mangala Hrati, Prasdam chrya Sambhvana.
5:30 PM ri Mah Vallabha Ganapati Mah Abhishekam. 7:00 PM Sarva Devt Hrati. 7:15 PM Pancha Moorthy Prkra Utsavam for ri Mah Vallabha Ganapati, ri iva - ri Prvati, ri Valli Devasen sameta, ri Shanmukha, ri ridevi Bhudevi sameta, ri Venkatewara & ri Hanumn. 9:00 PM Mangala Hrati. DAILY CHATUR VEDA / DIVYA PRABHANDA PRYANAM
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Sri Ganapati is the main Deity of this temple. He has the powers to remove obstacles and as such, is the first Deity to be worshipped. But there are four other main sanctums: ri iva, ri Shanmukha with His Consorts, ri Venkatewara and ri Mah Lakshmi. Most other idols installed in the 20 smaller sanctums on the two walls along the length of the temple are called Utsava Moorthys (festival idols) and are taken out during festivals to offer special prayers.
TEMPLES MAIN ENTRANCE he ri Mah Vallabha Ganapati Devasthnam (popularly known as Ganesh mandir) is located in Flushing. Its main entrance is on Holly Avenue between Bowne and Smart Streets and is easy to locate because of the decorative, beautifully carved pyramid-like structure above the arch at the entrance. This is called the Dwra Gopura or the entrance tower. A gopura or a tower is a distinguishing architecture in a ndHiHindu Temple. Traditionally, as is in this temple, all four entrances (on the East, West, North and South) have carved towers above them welcoming and blessing all who pass under them. The towers are topped with metal pots which were sanctified when the towers were consecrated, sanctifying the entire tower. inception of the Temple for the first time on July 4, 1977. This process is repeated once every 12 years. The first re-consecration of the idols and of this Temple was performed in 1988. Again, in July 2009, when the sanctum of ri Ganea was renovated and two new granite sanctums with towers for ri iva, ri Shanmukha and his Consorts, and two smaller new granite sanctums for ri Prvati and ri Kmkshi were built, the second re-consecration was performed with traditional and religious prayers including prayers to a live elephant and a cow, considered very holy by Hindus. In order to maintain purity of the sanctums, only the priests are allowed inside the sanctum. At the time of consecration/reconsecration, the shiny gold covered pots atop the gopurams (towers) installed over all the sanctums were also consecrated by the sacred waters. This was done for all the sanctums. We could view all the pots inside the Temple as well as through the two big sky lights, which let in abundant sunlight. THE DEITIES INSIDE THE TEMPLE There are five main sanctums in the Temple ri Maha Vallabha Ganapati, ri iva, ri Shanmukha with His Consorts, ri Venkatewara and ri Mah Lakshmi and two smaller sanctums on the walls of ri Prvati and ri Kmkshi behind the sanctums of ri iva and ri Shanmukha. All the vigrahas (idols) installed in these sanctums and also the sanctums themselves are made of granite stones. The vigrahas installed in these sanctums are permanently fixed. Whereas, all the other idols except those of ri Gyatri, tma Linga and Sri Nandikeswara (made of marble) installed in the 20 smaller sanctums on the two walls along the length of the Temple are made of pancha loha (an alloy of five metals copper, brass, iron, silver and gold in different proportions). These are called Utsava Moorthys (festival idols). These vigrahas are mobile unlike the seven vigrahas installed perma-
The walkway from the entrance of the temple complex to the main prayer hall has 16 pillars each with different forms of Ganapati. At the far end is Dhwaja stambha, or flag post. spoken language now. The flag of the main Deity of a Hindu Temple is usually flown on the flag post during a festival signaling that a festival is being celebrated. In Ganesh Temple, the flag of Mooshika (Mouse), ri Ganeas vehicle, is hoisted up at the beginning of the annual nineday Ganea Chaturthi celebrations and lowered on the ninth day, both times with rituals. This post also represents all the Deities installed in the Temple; and therefore, devotees traditionally prostrate and pay their obeisance at the base of the post, satisfied having prostrated before all the Deities in the Temple at the same time. MOOSHIKA SANCTUM After the flag post is the Mooshika sanctum or sacred place. This is a small open sanctum house, where Mooshika, the Divine Vehicle of ri Ganea, sits guard, facing His master. It is customary to pay our respects to Mooshika before worshipping ri Ganea. Mooshika, the mouse which cannot remain still, symbolizes our constantly wandering mind. Just as ri Ganapati is able to control the restless mouse, He will empower us to gain control over our restless mind. C I R C U M A M B U L AT I N G THE TEMPLE It is the tradition in Hinduism to go around a Deity (circumambulating) as an expression of our devotion, and a reminder that we must keep God at the center of everything we do. The temple has an outer passageway around the entire temple, enabling the devotees to go around the temple, thereby circumambulating all the Deities housed in the Temple at the same time. We start by going clockwise (as is customary) around the Temple. On the four outer walls of the Temple are exquisite vigrahas of 32 different forms of ri Ganea, as in the Shodaa walkway. YGALA The open space on the right hand side (Smart Street side) of the Temple is the Ygala the place of Yg fire worship, where there is a fire pit. The priests perform this religious service (Yg) sitting around this fire pit as was done in ancient times. The desired Deity is ritually invoked through the chanting of relevant mantras (chants) and through the divine powers of the fire God, the messenger, the offerings made to the Deity are conveyed. This religious service is done for the benefit of individuals and for the entire universe. RJA GOPURAM OR THE ROYAL TOWER This tower is the tallest of all towers; and is correctly referred to as the rja or royal tower. This tower is designed to be seen from really far away. Catching a glimpse of this royal tower brings the same satisfaction as a visit to the Temple. This enables those who cannot come to the Temple, to reverentially look at this tower from far and feel like they had visited the Temple. This tower usually has many different forms of deities and animals carved on it, making it both divine and a representation of the universe. CONSECRATION OF DEITIES & TEMPLE The vigrahas (granite stone idols) of the Deities and the shrines of the Temple were consecrated at the
THE SHODAA (16) GANAPATI WALKWAY The walkway from the entrance of the Temple complex on Holly Avenue leads to the main entrance of the Prayer Hall or the Mah Mantapa, where the Deities are installed. There are 16 pillars, eight on either side with exquisite figures of shodaa (16) different forms of Ganapati, the main Deity of the Temple, mounted on them, transforming the entire atmosphere into a sacred one. DHWAJA STHAMBHA, OR FLAG POST At the end of the Shodaa Ganapati walkway is the tall Dhwaja Sthambha or the flag post. This has the pictures of Mooshika (Big Mouse) and other symbols related to ri Ganea engraved on it. All the different forms of Deities have divine animals or birds as their mode of transportation or vehicle. Mooshika, which is the Sanskrit word for mouse, is the divine vehicle of ri Ganea. Sanskrit is a very old Indian language in which the Hindu Holy Scriptures are written. It is not a
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nently. During festivals we move the utsava moorthys out of the sanctum to offer special prayers and then place them back. Devotees in the Maha Mantapa, where Sri Ganapati is majestically seated, and (right) only the temple priests perform abhishekam (divine shower) to idols to maintain the sanctity of the sanctums. RI MAH VALLABHA GANAPATI Seated majestically in the center of the Mah Mantapa, the Prayer Hall in His Sanctum Sanctorum is ri Mah (great) Vallabha (omnipotent) Ganapati (Leader of the ganas, the guards of ri iva), the main Deity of this Temple. ri Ganea has the inherent powers to remove obstacles; and as such, is the first Deity to be worshipped. ri Ganea can be readily identified by his elephant face and a human body with four hands and a big belly. He is the oldest son of ri iva and ri Prvati, and the older brother of ri Shanmukha. ri iva is one of the Trinity. The other two Deities of the Trinity are ri Brahma and ri Vishnu. In the Hindu belief that the Universe is an unending cycle, ri Brahma, Vishnu and iva are designated as
the creator, preserver and destroyer/recreator, although their actual roles and capacities are not limited to only these. In Hinduism, circumambulation of the deity is always done clockwise. We will therefore explain the various deities in that order. RI MAH LAKSHMI As we stand in front of ri Ganeas sanctum, behind us and to our left, is the sanctum of ri Mah Lakshmi. She is the Goddess of Wealth, Who blesses us with everything we value in this life, apart from divine grace, such as material wealth, children, company of good people, etc. She is considered as the counterpart or the akti or energy of ri Vishnu, Who is one of the Trinity. ri Lakshmi is also portrayed as the personification of beauty. UTSAVA MAH LAKSHMI To the right of ri Mah Lakshmis Sanctum, along the wall are smaller sanctums for the various idols utsava moorthys. In the first enclosure is Sri utsava Mah Lakshmi. This idol is a smaller version of the granite stone idol. RI SARASWATI Next on the right is ri
Sri Nagendra Swamy Yantra Pooja as part of the Maha Kumbhabhishekam Saraswati, the embodiment of knowledge. She is considered to be the female akti or energy of ri Brahma. Gracing us with the wisdom to discriminate right from wrong, She also bestows jna (divine spiritual knowledge). Her Divine Vehicle is the mystical White Swan capable of separating and drinking just the milk from a mixture of milk and water! RI RMA PARIVR Next is ri Rm with His consort. He is the seventh avatr (incarnation) of ri Vishnu. ri Rm, along with His consort ri Sita, His beloved brother Sri Lakshmana and His ardent devotee, ri Hanumn, are also housed in this sanctum. ri Rm was the personification of dharma (doing the right thing at the right time), even under difficult circumstances.
It is not a polytheistic religion. Hinduism believes there is only One Supreme Being in the universe, The Brahman. But realizing our limited powers of concentration, the ancient Indian sages, through their mystic powers, identified the various manifestations of Brahman such as Vishnu, iva, Ganea, Devi and Surya.
* Its the oldest and third largest religion. * It does not have a founder. * Its time of origin is unknown. Based on events in ancient scriptures and archaeological findings, one can conclude that it has been in existence at least since 5,000 B.C. * It is formally known as Santana Dharma, or eternal righteousness. * It is not polytheistic (the worship of many Gods). * There is ONLY One Supreme Being in the universe, The Brahman, Who is Omnipresent (all pervasive), Omniscient (all knowing) & Omnipotent (all powerful). * There is divinity within everyone and everything. * When we join our hands to say Namaste to each other, the divinity within us pays respect to the divinity within others. * There are many paths to salvation to choose from. * It is heno-theistic (worship of ONE, and respecting others). * The four Vedas are the most divine Holy Scriptures. * A soul is inside each one of us and it never gets destroyed. * Souls reincarnate (re-born) in different bodies until all karmas are resolved and are finally liberated from re-birth. * Ahimsa or non-injury to others by the thought-word-deed combination is the main guiding principle of Hinduism. * Devotion and worship is the lynchpin of all practices. * Celebrating Holy Days, living a virtuous life, going on pilgrimages to holy places and observing rites of passage are the main practices of a devout Hindu. * It is an individualistic religion. One can choose his/her own spiritual path. * The Universal Vibration or Divine Energy that is present within all animate and inanimate objects is referred to as the Supreme Brahman. * Brahman without any definitive form or name is an abstract Energy or formless Supreme (Nir-guna Brahman). * OM is the first sound, and is the sound that continues to be reverberated in the Universe. * Realizing our limited powers of concentration, the ancient sages, through their mystic powers obtained from ardent penance, identified the various manifestations of Brahman. * Brahman with these many forms is referred to as Saguna Brahman. A few such forms are Brahma, Vishnu, iva, Ganea, Devi, Surya, etc. * Although these Divine forms are not born like humans, they are humanized with familiar relationships. For example, Ganea is considered to be the son of iva and Prvati. * All these Deities have relevant stories that tell us the reason for adopting their particular form and roles. These stories are important, as they help us understand and relate to them better. These stories are several, and hence have not been dealt with in this introduction to Hinduism. From a booklet prepared and distributed by The Hindu Temple Society of North America, NY.
A Primer on Hinduism
* The Universe is a never ending cycle of Creation, Preservation, Destruction and Recreation. * The law of karma is the law of cause and effect, by which we create our destiny by our thought-word-deed choices.
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sanctum of ri iva, are three small niches, where three Deities are placed. As we go around in the clockwise direction, ri Dakshinmoorthy is seated facing South. Here He is depicted as the supreme Guru, RI LINGODBHAVA On the backside wall is Lingodbhava, showing the existence of ri iva inside the Linga. RI BRAHMA As we come around, we see ri Brahma facing south. He is one of the Trinity, and is the creator. He is considered to be representative of the four Vedas. His consort ri Saraswati bestows knowledge and wisdom on us. RI PRVATI The sanctum of ri Prvati is installed against the back wall of the Temple. She is referred to as the Mother of all creation and the Goddess of energy. ri iva and ri Prvati are the universal parents and also of ri Ganea and ri Shanmukha. ri Prvati is depicted in Her different forms, personalities and roles. ATMA LINGA To the right of ri Prvati is
tma Linga and Sri Nandikeswara. Here is a iva Linga in marble, where devotees can themselves perform a mini abhishekam (divine shower) with a small amount of Gang jal (water from the holy river Ganges). This is the only sanctum where the devotees themselves can offer the divine bath. In all others, only the priests perform this ritual to maintain the sanctity of the sanctums. PORCH AREA If we go through the open door to the back of the Temple, we can find ourselves in the porch area where the ritual Homa or Havan and other religious services are performed. Hinduism can be described as a two sided coin. On the one hand, there are numerous forms with names and corresponding deities as are found inside the Temple, to pay our respects to. On the other hand, to worship the all-pervading energy of the Supreme Being, the ancient sages had realized that no particular form or name is needed. A good example of a ritual where this practice of worshipping the formless is still followed is in a homa or havan (a fire ritual). In a homa or Havan no vigraha (idol) of the Deity being propitiated is need-
Devotees in the Maha Mantapa, where Sri Ganapati is majestically seated, and (bottom right) only the temple priests perform abhishekam (divine shower) to idols to maintain the sanctity of the sanctums. He was the ideal son, husband, Vedas (Holy Scriptures), a female lent grace ensures success in both king, friend, and even an ideal representation of the Vedas and the material and spiritual pursuits. enemy to Ravana. Meditating on Supreme Brahman (from Whom ri Rm would inspire us also to the ancient sages received the DEVI KHODIYAR MT Devi Khodiyr Mt is seated in strive towards a dhrmic way of Vedas). the next sanctum to bless us. Devi life. ri St was the ideal consort RI AYYAPPA Khodiyr Mt is an incarnation of as was Lakshmana, an ideal brothri Ayyappa has the combined Devi bestowed with power to help er and ri Hanumn, an ardent devotee. ri Hanumn stands with energy of both ri Vishnu and ri the sick and the disabled. closed palms expressing His devo- iva. He empowers us with physition for ri Rm. ri Hanumn cal and mental discipline. His UTSAVA IVA AND PRVATI The idols of ri iva and Prvati was ri Rms ardent devotee, ardent devotees observe strict menwho had helped ri Rm in find- tal and physical austerities which as ri Chandrasekhara Swamy and ing ri Sita in Lanka. Meditating culminate in a pilgrimage to His ri Anandavalli, are in the next on ri Hanumn would give us shrine on abari hill in Kerala in sanctum. ri iva is worshipped mental strength, and also the inspi- India to unburden themselves. both with and without form, most ration to become a selfless devotee Those who have observed these commonly without form. Here ri austerities generally emerge as iva is shown in a human form, in service of our Lord. being able to gain better control along with His consort, ri Prvati. RI KRISHNA Both of them are shown with four over their senses. ri Krishna along with His conhands. ri iva is the father of ri sort ri Rdh is in the next sancSAGE RI AGASTYAR AND Ganesa, leader of the ganas, the tum. He is the ninth incarnation of SRI LOPA MUDRA guards of Sri Siva and ri ri Vishnu. His birth was a mirari Agastyar is a much revered Shanmukha, and the male energy cle; and He continued to perform guru (spiritual teacher) and was of ri Prvati. miracles all His life. He was a lov- one of the early great sages of RI IVALINGA able child with the charisma that India. He is revered in this Temple We now come to the main shrine attracted everyone towards Him. because of His close association He was always on the side of those with ri Ganea. He is said to have of ri iva as the iva Linga, withwho were dhrmic. He gave In the lived long and contributed a lot to out a human form, the most comepic story Mahbhrat, during the field of medicine and astrology. mon way to depict ri iva. Linga, historical battle between the His medicinal preparations, meaning symbol, symbolizes ri cousins Pndavas and the according to our epics, are said to iva, just as smoke symbolizes the existence of fire. A Linga is comKauravs, He sided with the right- have worked miraculously. monly described as having three eous Pndavas, and has given us RI DURGA parts, each one representing each the sacred scripture Bhagavad Git ri Durga, is the embodiment of of the Trinity-Brahma, Vishnu and (The Lords Song), containing the akti Divine (female) energy. She iva. It is also interpreted as the blueprint for righteous living. is said to have the combined ener- union of both ri iva and ri RI GYATRI gies of powerful Deities such as ri Prvati. Next, r Gyatri Mt is seated iva, Vishnu, Indra, etc making RI DAKSHINMOORTHY (on a Lotus). She is considered as her a virtual power house. It is On each of the three walls of the Veda Mt the mother of the strongly believed that Her benevo-
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ed. A kalaa (a metal pot) filled with water represents the Deity being invoked, and the Deity invoked resides in the kalaa for the duration of the homa. The mantras pertaining to the invoked Deity are chanted over and over again, and the belief is that the Deities, bound by the power of the mantras, would be present at the homa in the kalasa. Homas or Havans can be performed for any occasion. The prasda of this homa or havan is the charred remains of the offerings which we apply on our forehead as holy ash and also the teertha (sanctified water) in the kalaa which is sprinkled on our heads by the priest and also sipped, so as to infuse the blessing of the Deity that had permeated into the kalaa. LAMP LIGHTING AREA To the left of this area is the place where devotees light a mud lamp filled with oil (sesame oil) or ghee (melted butter) and offer to the Navagrahas (nine planets) and ri Durga with their prayers. Lighting of the lamps is very similar to lighting candles in other faiths. RI KMKSHIAs we come back inside the grand hall and continue inside the Temple, we would find ri Kmkshi in the next black stone sanctum. She is another form of ri Prvati. Here we see Her peaceful demeanor, standing on one foot and meditating at the center of a circle of fire. Her meditative state illustrates Her absolute control over Her senses, inspiring and blessing us to adopt that higher goal in life. MAH MERU Maha Meru, a three-dimensional Sri Yantra placed in front of Sri Kamakshi is the embodiment of Sri Lakshmi (prosperity), Sri Tripura Sundari (Beauty) and Sri Vidya (sacred knowledge). Special prayers are offered in a ritual called Navavarana Pooja usually on Poornima (full moon) days with Maha Meru as deity/idol worshipped. The presiding deity in Maha Meru is Sri Kamakshi. RI SHANMUKHA, RI VALLI & SRI DEVASENA In the far North-West corner, is the sanctum of ri Shanmukha along with ri Valli and Sri Devasena, His Consorts. ri Shanmukha is the younger son of ri iva and ri Prvati, and the younger brother of ri Ganea. He holds a divine spear (Vel), blessed and given to him by His Mother ri A good example of a ritual where the practice of worshipping the formless is followed is in a homa or havan (a fire ritual). Prvati and a flag of cock in two of His hands. In a war between the Asuras (demonic forces) and Devas, Sri Shanmukha destroyed all the Asuras including the Asura Surapadman and redeemed the Devas. In the form of a monstrous mango tree this Asura became invisible and hid himself at the bottom of the ocean. ri Shanmukha hurling his divine and blessed spear (Vel) split the mango tree and thus splitting the Asuras body into two, one half becoming a cock and the other, a peacock. ri Shanmukha made the peacock His vehicle and the cock, the emblem on his battle flag. On the three walls of ri Shanmukhas sanctum are three niches of ri Subrahmanya, ri Dandayutha Pni, and ri Guha, different forms of ri Shanmukha. RI SUBRAHMANYA ri Subrahmanya is another form of ri Shanmukha. Here He is portrayed as our spiritual guru, Who had also imparted divine knowledge and wisdom to His own Father ri iva, according to an episode in Hindu scriptures. RI DANDYUTHAPNI Here Sri Shanmukha is in the form of an ascetic, He reminds us to control our senses and become detached from mundane pursuits. RI GUHA As Guha, He reminds us that He resides in the cave of our hearts. This form illustrates the Hindu philosophy that divinity exists within us. ri Guha reminds us to get rid of the unnecessary clutter in our minds and focus on the divine energy within us. UTSAVA RI SHANMUKHA WITH RI VALLI AND SRI DEVASENA In the other wall enclosures, the first one has the utsava vigrahas (festival idols) of ri Shanmukha with ri Valli and ri Devasena. There is also the idol of ri ArunaGiri-Nthar, who was a 15th Century Tamil saint-poet and an ardent devotee of ri Shanmukha. We pray to ri Shanmukha by singing the devotional songs written by this poet-devotee Who inspires us to become a devotee like Him and hence the place for him in the same sanctum. RI DAKSHINAMOORTHY To their right is the utsava vigraha of ri Dakshinmoorthy. As mentioned before, He sits facing the South and is our foremost spiritual teacher. He is said to have imparted spiritual knowledge silently encouraging us to acquire wisdom through silent meditation. He is seated under a banyan tree, stepping a dwarfish demon who represents ignorance and ego, symbolically assuring us that with His blessings, we could get rid of both our ignorance and ego. RI NATARJ ri Natarj is the dancing form of ri Siva. He is another aspect of ri iva. He is shown with His right foot on a dwarfish demon representing ignorance and ego, and lifting and crossing His left foot to His right. Similar classic vigraha is collected as an artifact also. Here, He is portrayed along with ri Prvati as ivakmi on His left. Mnickavchagar, a staunch devotee and poet who had written a number of hymns, and finally merged with ri iva, is by the side for his contribution and also to inspire us to become a devotee like Him. RI SWARNA BHAIRAVAR Swarna Bhairavar, seated next, is generally given the role of the custodian of the temple. Traditionally, He is symbolically given the keys of the Temple after the Temple has been locked for the day and the keys are placed for a moment in His hands before opening the door in the morning. His divine vehicle
is a dog. He is another aspect of ri iva. RI UTSAVA KMKSHI & RI ANKUAM This utsava moorthy of ri Kmkshi is in the next wall sanctum. Along with Her is the Ankuam a deity in the form of weapon held by ri Ganea, ri iva, and ri Prvati. Ankuam is taken around the perimeter of the Temple during the Ganesa Chaturthi celebrations in symbolic supervision of the offerings made to ri Brahma and the presiding deities of the eight directions to derive favorable results in a ritual called Nava Sandhi Pooja. RI SUDARANA CHAKRA Similar to the Ankua, the Sudarana Chakra is also a divine weapon. ri Sudarana Chakra is one of the five weapons of ri Vishnu, Who is a powerful ally of and protects the devotees of ri Vishnu and also goes after those who wrong the devotees. We need to purify our body and mind before approaching ri Sudarana, as He would empower us to fight our demonic tendencies as we make our spiritual progress. RI NARASIMHA ri Narasimha is the 4th incarnation of ri Vishnu. He had taken this form of half lion and half human to rescue His child devotee ri Prahlda from the hands of his cruel and demonic father Hiranya Kasipu. Both ri Sudarana and ri Narasimha have fierce dispositions, feared by evil doers and revered by Their devotees. To illustrate this similarity, ri Sudarana and ri Narasimha are depicted back-to-back. Unlike Sri Lakshmi Narasimha, this form of Yoga
It is the tradition in Hinduism to go around a Deity (circumambulating) as an expression of our devotion, and a reminder that we must keep God at the center of everything we do.
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that when we unconditionally and totally surrender to Him our minds will be rid of mundane attachments and the way to liberation will be paved. RI RGHAVENDRA SWAMY ri Guru Rghavendra Swami (1595-1671), a respected 16th century saint who advocated Madhava philosophy (worship of Sri Vishnu as the supreme God) and Sri Madhavacharyas dualism philosophy attained jeeva samadhi (voluntarily stopped His breathing in deep meditation) and entered Brindavana (a specially constructed stone enclosure) in Mantralaya in Andhra Pradesh on Dwitiya Day of Sravana Krishna Paksha in the year 1671. This date is celebrated each year as Sri Raghavendra Swamy Aradhana at Brindavanas all over the world. We have in our temple also such Brindavana and His aradhana is celebrated every year in the month of August. He is considered to be an incarnation of Sri Prahlada, the child devotee who was saved from His cruel uncle Hiranyakasipu by Lord Vishnu and
hence a panchaloha vigraha of Sri Prahlada is also placed in this sanctum. RI NGENDRA SWAMY Worship of ri Ngendra Swmy is a part of nature worship and is meant to give message that each aspect of nature is crucial for the survival of the other. Imbalance in nature will lead to total destruction of all living beings. Important festivals are Naga Chaturthi after Diwali and Naga Panchami in August. NAVAGRAHA The Navagraha, the nine planetsseven of the solar system and two lunar nodes - are believed to influence and shape the lives of individuals as well as nations. Individuals also interact with the planets to accentuate or mitigate their influence. Especially during times of turmoil, the Navagrahas are invoked to nullify any negative influences. They have an important role to play in the lives of human beings. They are installed in Temples facing in set directions and in our Temple they are located outside the Maha Mantapam.
Sri Raghavendra Swamy Sannidhi Narasimha, without ri Lakshmi on His lap, is generally seen only from the reflection on the mirror which is placed behind this vigraha which is back-to-back. RI SATYANRYANA WITH RI RAM DEVI ri SatyaNryana and His consort ri Ram Devi are in the next wall sanctum. ri Satyanryana is another form of ri Vishnu, considered to be an extremely graceful, benevolent and powerful Deity. A resolve or promise to observe certain austerities as an offering of ourselves to ri Satyanryana is often taken up by His devotees. This is followed by a pooja ritual on full moon days. UTSAVA RI HANUMN ri Hanumn, an ideal and ardent devotee of ri Rma is on the right of ri Satya Nryana. Instantly recognizable by the face of a monkey, He is portrayed with palms clasped in devotion to ri Rma. Praying to ri Hanumn would empower us with positive messages of courage and would also inspire us to offer humble and selfless service to ri Rama. RI RANGANTHA Next to Sri Hanuman is ri Rangantha. In this form ri Vishnu, also known as ri Nryana, is in a lying posture of yogic meditation on a bed of coiled five-headed snake, in a milky ocean. This is considered as the original form of ri Nryana and from His navel appeared ri Brahma, the creator of the universe. RINVSA WITH RI DEVI & SRI BHU DEVI The utsava vigrahas of ri rinivsa and Sri ri Devi (ri Lakshmi) and Sri Bh Devi (Mother Earth) are next to ri Rangantha. RI VENKATEWARA ri rinivasa, or Venkatewara, is also ri Vishnu or Nryana, and like ri Satyanryana is in a standing posture. ri Venkatewara is believed to erase our sins and also bless us by granting boons. The usual blessing in the shrines of Sri Venkateswara & ri Maha Lakshmi is the distribution of sacred water (teertha) to devotees and the placing of the dome shaped shatri on devotees heads. The shatari has images of two feet on the top representing the sacred feet of ri Venkateswara reminding us
The Navagraha, nine planets are invoked to nullify any negative influences
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An exclusive interview with Dr Uma Mysorekar, the tireless President of the Hindu Temple Society (HTS) of North America, NY, under whose watch the Ganesh temple has reached new heights, literally and metaphorically.
Hindu Leader,
Poor (ADOP) under the auspices of HTS. She has also contributed substantially toward the construction of a hostel for poor working women in Bangalore. Dr Mysroekar has received several awards over the years for her contributions and community service including the Ellis Island Medal of Honor here in the US and the Kannada Rajyotsava Award of the Karnataka Government back in India. As a Hindu leader, she has also been invited by three successive US Presidents. Extracts from an exclusive interview she gave to the South Asian Times: Tell us how the temple started. Dr Uma Mysorekar: The Hindu Temple Society (HTS) of North America, NY was developed in 1970. There was a group of people, like late CV Narasimhan, then Under Secretary General of UN, and Dr Alagappan, and Mr Vaidyanathan, and several others. Mr Narasimhan, because of being with the UN, was able to help in getting things from India. They decided that
A devotee brought a crown for Lord Ganapati. started, all the priests here came from the south. The rituals are south Indian rituals. But the temple is a temple for the entire community. Unfortunately the misconception that has gone across is that the temple itself if south Indian, it is not and it does hardships in raising funds? UM: The bulk of donations to the temple come from the one dollar devotees and we are grateful to them. What they get here is an inexplicable bliss. There are big donors also. But sometimes we have fallen short of funds. I took an initiative to raise funds for the community center in 92. Lot of money was required to buy the houses adjoining the temple and demolish them and build auditoriums and other amenities and expand the temple. I went from bank to bank, but none of them was willing to give us the loan fearing foreclosing on a religious institution in case of a default. But our passion, faith and love did not fail us. An idea came to float bonds. People used to come to us and ask, We want to buy them, but what is the guarantee? I used to say there is no other guarantee; the Lord is the only guarantee. They came forward and supported us. The building was completed. Then I found Bank of the West in California which gives loans to religious institutions. We were able to refinance mortgage, and paid off all the people who had purchased the bonds. Now it has a mortgage, and hopefully within the next two or three years our goal is to completely pay off the balance and have no liability. Therefore, now we wont take any loans for construction projects. We the trustees said we will raise the money through our own fundraising efforts, if we cannot we as trustees have to come forward, we have that obligation, that responsibility. Continued on page 17...
Dr Uma Mysorekar By Parveen Chopra with Swathi A.K. ome people say she functions like a CEO of the Ganesh temple. Dr. Uma Mysorekar, President of the Hindu Temple Society (HTS) of North America, NY, since 1994, takes it as a compliment for managing the affairs of the temple efficiently. One can give her many more compliments. She has emerged as a strong but non-strident voice of the Hindu community, representing the faith at key forums. She has initiated interfaith meetings and spoken at numerous events and functions to increase public understanding of Hinduism. As president of HTS, that runs the most important and oldest temple in this part of the country, Dr. Mysorekar has initiated programs to bring the community together, including spiritual, educational, and cultural activities. Her most visible achievement is of course the stunning expansion of the temple that started from a small church building in 1977. The Maha Kumbhabhishekam this week marks the completion of renovation and expansion that took several years, but she has already envisioned more projects for the growing Hindu community. Born and raised in Bangalore in Karnataka, India, she studied medicine at the University of Bombay, before coming to the US in 1970. She has practiced obstetrics and gynecology from her Elmhurst clinic in Queens for four decades and lost count of the thousands of babies she has delivered. Her streak of community work showed up early when she pioneered fundraising for Aid to the Disabled, Orphaned and
there should be a small temple, and those days most Indians first came to live in the Flushing area and that is one of the reasons this site was chosen. At the planning stage and subsequently too, raising money was difficult--not that it is easy now! A Russian church was purchased for $50,000 and plans made to build the temple. Tirupati Tirumala Devasthanam (of Lord Venkateswara/Balaji temple fame) in Andhra Pradesh got involved. TTD had the vision to take Hindu dharma across the Atlantic. They wanted to establish temples that could propagate Hindu dharma. They helped out by sending the deities and also experts to help out architecturally in formulating a temple, and what it should do. They helped our temple as well as the one in Pittsburgh. In 1974-75 Ganesh temple was ready and consecrated in 1977. Is the expansion of the temple complete now? UM: More or less it is, except the outside of the building has to be completed, the flooring has to be done. But we must never say it is finished because it has to continue to grow and grow. There is a perception that this temple is for south Indians only. UM: Originally when this temple was
Communicator,
bother me how to erase this misconception. The architecture of the temple is south Indian, yes. It is beautiful architecture, but then architecture of some north Indian temples too is beautiful--that should not be a differentiation point at all. Many of the devotees who come to the temple are north Indians, Punjabis, Sindhis, from all walks of life. Initially I used to ask them, whether theyd like north Indian priests. Theyd tell me, no need, as long as we have a priest who can speak Hindi. This is because they enjoyed south Indian rituals. Now there are at least four Hindi speaking priests. To my mind, Lord Ganapati is more associated with Maharashtra; for a south Indian temple Lord Venkateswara would have been the first choice. UM: That is not true. For example, when you walk up to the Sri Venkateswara temple in Pittsburgh, the first shrine is of Lord Ganapati. Ganesha is the remover of obstacles, so we pray to him first. The temple has undertaken expansion and renovation projects, did you face
Temple CEO
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Tell us about the temple societys outreach center UM:.Last 10-12 years our services have taken a good turn. Now everyone recognizes that the social side is very, very important. After all, Hindu dharma is incomplete without extending our hand to the needy. We cannot just be doing pooja and rituals only, this is well emphasized here and that is why we established the Hindu Outreach Center, which is not just for the Hindus or Indians, but the entire community here in America. Besides whenever there is a certain disaster or a need, we do take tremendous initiatives. For example when there was an earthquake in Haiti and tsunami in Japan, we provided what help we could. The temple has ways to raise money and the temples own funds--we give from there. Does the temple provide social services like helping domestic violence victims? UM: We have discussed it many times. It becomes a very delicate situation to handle it here. There was an episode when a lady was abused and came here running, followed by a threatening husband. The police had to be called, there were lot of problems. When you make it so open at a place like a temple, it will hit newspapers all over the place. So, we have some people, some agencies, like Sakhi, with whom we communicate. We have been to meetings asking for people to come forward and talk about the abuse, but nobody from our community opens up. I think it is because of stigma. You are considered a good communicator on Hinduism UM: I go out and give lectures on Hinduism--what little I know I try to impart what I can. I am involved in various interfaith activities, and I am on the board of the Interfaith Center of New York. Essentially, it is not for me, but for the temple, the Hindu Temple Society gets represented, that is my main objective. We have told all our committee members and trustees to represent the temple at all the community events.
How did your meetings with three American Presidents transpire? UM: Firstly, about Barack Obama. I was invited as a guest of honor during his inauguration as President (in January 2010). George Bush Jr., after the 9/11 attacks, had invited the leaders of different faiths to get a feel of how the attack had affected people of different communities individually. I was one of them sharing our thoughts. Indians lost a few hundred in that attack, as did others. Regarding Bill Clinton, it was an inter-
There is a misconception going around that Hindus worship so many million different gods. That should be erased because we know as Hindus that we only worship one Supreme Brahman and these are all different aspects or attributes of the Lord.
faith meeting on social causes for example, to learn how individual communities were tackling issues like HIV/AIDS. The meeting with the Pope (Benedict XVI) in 2008 was fascinating. He is highly religious and pro-Catholic. It was for the first time this Pope had shown interest in meeting with leaders of other faiths. He was pretty cordial in our one-on-one meeting for a few minutes. I said to him, There are lot of Hindus here. He said, Yes, I have seen, lot of Hindus all over the place, and I appreciate the work that you as Hindus do. The very fact that he agreed to meet leaders of other faiths was significant. For someone in like his stature as Pope, it was a big opening. Others must realize that
all faiths are well recognized in this country. And Hindus, which is a small minority, need to get due recognition. The Hindu American Foundation (HAF) is doing a good job, but it is concentrating more on issues such as human rights. They are young, dynamic people, believers and practicing Hindus. But on controversial issues such as the caste system, on which they have produced a paper, to understand what is the significance, they should have gone back to speak to some scholars, even swamijis, who would give them a correct anlaysis, how it was, how it is and what can be done if anything needs to be done. Any famous personalities from India have visited the temple? UM: Sometime around 1981, the then chief minister of Andhra Pradesh, NT Rama Rao visited us and even one chief minister from Karnataka has visited the temple in the 90s. How much interest non-Hindus have shown in the temple activities? UM: I have a whole list of non-Hindus who come to the temple. Then, there are also some seminaries, colleges, institutions. They make appointments and our people take them around, explain to them everything. We have prepared a small booklet, which gives an introduction to the temple, and essentially talks about all the different deities. It is like me going to a church. It is about learning what are the practices, how do Hindus worship and what do those deities mean? Because there is a misconception going around that Hindus worship so many million different gods. That notion should be erased because we know as Hindus that we only worship one Supreme Brahman and these are all different aspects or attributes of the Lord. Just like I develop a rapport with you when I sit across a table, I also develop a rapport with a form of a deity. I can sit across and cry over the shoulder of that deity. This concept that is narrated in the Vedas and the scriptures is what needs to be explained to
Dr Mysorekar has only admiration for the one dollar donors, who fill a bulk of the coffers of the temple. many of these non-Hindus and for that matter to Hindus also. I do see that a lot of people are interested in this. Youngsters particularly. Once I went and addressed students at Princeton University, and they all seemed so fascinated because there is so much to compare to bring Hinduism to science, to astronomy, to astrology-- everywhere Hinduism comes into play. It is necessary for us to explain that Hinduism is Sanatana Dharma, which is Universal Religion and anyone can follow this religion. One does not need any kind of conversion, nor go through any procedures like some other religions require. When some of these non-Hindus call me and say wed like to follow Hinduism, what do I need to do, I tell them, just come to the temple, stand in front of the Lord and say I am a Hindu and you are a Hindu. That is the end of it, there is no ritual whatsoever. When you are so broad and vast and able to embrace everyone and all the faiths, we as Hindus need to do service in that direction. Others who are also trying to safeguard and promote Hinduism may have harder approaches. How do you deal with that? UM: When Mr Narain Kataria, President of the Indian American Intellectuals Forum first approached us with the proposal of Hindu Unity Day, I thought that it was a very good idea to bring Hindus together. After all, Continued on page 18....
While renovation and construction at the temple premises was going on, the temple President was constantly on the move -- supervising..
and to have a common organization where the temples can be represented whether at the local level, state level or federal level. And we have done good service, especially when we had problems with visas for our religious workers. Today there are at least 500 temples across the US and some are major temples built with authentic temple architecture. But only a few are formally become members of the Council. The Council meets once a year to discuss issues pertaining to management of temples, etc. The meeting for 2011 was held in May at Sri Meenakshi Temple, Pearland, TX.
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Continued from page 17 the temple is there mainly for that reason. But I was very clear in my message to him: I said it is termed Hindu Unity Day, so the speakers that you bring, the message that we give is how can we untie Hindus. There is nothing to belittle or degrade any other faith. That is a must. I said I will not tolerate anything at all if somebody stands here and speaks against any other faith. Personally you may have any opinion but not (to voice it) in the premises of this temple. I personally believe that we in the temple can do anything and everything possible with all different ideas which can unify Hindus, solidify this great dharma and then impart this message to the globe, give this tremendous offering to bring up world peace. And as Mahatma Gandhi has put it, what can you do as Hindus, we have so much to do, we must not expect anything to be done for us, we have lot of responsibility. Mr Kataria took lot of time to come to grips with it and now he has accepted it, at least when he is with us. I even mentioned to Dr Subramanian Swamy who regularly speaks at the Hindu Unity Day, that in this premises that is my vision, that is it. When Swami Vivekananda landed here in 1893, he was practically the first one to introduce this Sanatana Dharma, Hinduism, and then somehow it got lost because no other saint came and did that kind of work to impart Hinduism. It was only in the 1970 when the (Ganesh) temple began that Hinduism got really revived here that people began to understand what it is. In fact, when we started this temple, there was so much of vandalism here. Because people around this area did not know what was happening. They thought it was a cult. The fault was ours because we did not educate them. We
need to notify the people who we are and what kind of practices we do. And over the years we are great friends now with our neighbors. They all know what we do. Recently I sent out over 200 letter all around, that our big celebrations is coming up and that morning some streets near the temple will be blocked and if there is any inconvenience like somebody blocking your driveway or there is garbage in your driveway, bring it to our notice, we are here to
Mutual respect of each others faith, acceptance of other faiths, which our dharma really tells us, and then to bring Hindus together is primarily what our objectives are.
take care of it. So, we buid up that relationship with the neighbors. Mutual respect of each other s faith, acceptance of other faiths which our dharma really tells us, and then to bring Hindus together is primarily what our objectives are. Early on, you raised funds for a lot of causes, mainly for aid to the disabled, orphaned and poor (ADOP) both in the US and India, but how did you move to working for religious/spiritual and educational programs to bring the community together? UM: The interest to help others always existed, as a volunteer in the beginning, I chaired the ADOP. I was busy with my private practice as a doctor but whatever time I
could I did spare. Being quite a religious person I wanted to extend a hand to the needy, for religion and caring for others go hand in hand. Altruism, selfless servicedid you have any influences, role models? UM: My biggest influence was my maternal grandfather, who was a lawyer by profession and a passionate scout. He was excommunicated because he went overseas, a taboo in those days. He turned into an atheist after that incident but being a kind-hearted man wanted to start a school in his hometown, some 25 miles from Bangalore, but my grandmother was insisting on a temple. While they were laying the foundation they found the idols of their family deities Lord Narayana, and his two consorts Sridevi and Bhoodevi. This opened his eyes and helped him carry out the activities he envisioned, inspiring the next generations. The school is still run by his children and grandchildren. What was the motivational factor that propelled you to become a Hindu leader and educator despite being a doctor by profession? UM: I was always passionate about the Dharma as a Hindu. While I was growing up, nobody explained the meaning of Hinduism or what it is. But hailing from a fairly religious family, the practices of Hinduism were inculcated deeply in me. Before I came to the US for my higher studies, an uncle gave me a book on Hinduism. While in South Carolina, with very few Hindus around, I practiced my religion quietly in my own way. My roommate at the university, who was a Catholic, got fascinated by my practises like mediation, and requested me to give lectures at her church. Gradually the passion to spread the message
and help others became intensified. Gradually I cut down on my medical practice--last eight years I have cut off completely except for consulting my regular patients. How did you juggle your professional life and volunteer work? Currently, you contribute 40 plus hours of service a week as president of the temple. UM: Like I admitted earlier, I was busy with my profession as a doctor, but I strongly believed where there is a will, there is a way and followed the motto, Do the very best you can. Tell us about your family? UM: I have two brothers. One lives in India and the other in Singapore. I lost my husband, an engineer, a year ago and we had no children. Your experience as the temple president so far? UM: It has been immensely satisfying and enriching. Though I had decided to move back to India a few years ago, God had a different plan for me and Im happy to serve people here. Do you have any succession plans? UM: I still have not thought about it. I will work as President of HTS as long as I can. Every day I ask God to give me the strength to serve him. But the institutions should go on and we are constantly looking for individuals with interest and passion and Im sure we will find somebody. We will provide training of course. No one is indispensible, and being Gods place, He will have to take care of it. I wanted to do just some service, never expected it to go this far. Continued on page 20...
Dr Mysorekar with Bishop Desmond Tutu at James Parks Morton Awards dinner 2009. She is a vice chair at Interfaith Center of New York, that has instituted these awards
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Uma Mysorekar
Continued from page 18. In a temple, or any institution, it is very important to realize that we must continue to serve the community. Now what all can we do additionally, keep on doing, to serve the community? For example, we need to build an outreach center, a free place where our youth can come to play, have discussions. We need a good pathsala, good classrooms where our children can be educated (we have one rather a small one.) Third, a place where visitors from India can stay for a couple of days, maybe half a dozen room hostel. That is my vision--I may be satisfied if I can achieve this. This is step by step and not easy, because lot of funds are required, and there is no land around the temple. The only way we can do it is purchase houses, demolish them and raise the building that we need, and that doubles the cost. Though this is how we did the community center and also did the expansion of the temple.
Kumbhabhishekam Explained
by G. Padmanabhan
umbhabishekam is done once in 12 years in any temple for Punrudhara( purification) caused by intended or non-intended lapses by the priests or devotees having physical impurities. For kumbabishekam the idols of the deities are showered with milk and other offerings amidst the chanting of holy hymns by the priests. The kumbhabishekam at Ganesh temple will be performed for all the deities, first it will be Lord Ganesha followed by other deities for whom the new granite sannidhis (sanctum) will be dedicated. Most importantly, the idols of Lord Balaji, Goddess Mahalakshmi, Lord Hanuman and Sri Nagendra Swamy will also re-consecrated on June 5 followed by abishekam. We also plan to inaugurate the Rajagopuram (King of Towers), which has been under construction for the last two years. On the occasion of Kumbhabhishekam, Dr. Mysorekar along with a couple of priests will climb to the top of the tower and the priests will perform a small ritual and sprinkle some milk on the kalasas (bulbous metal thing) of the tower. To perform the daily rituals and rites and religious discourses we have priests from two main sects of Hinduism: Shaivites and Vaishnavites. To take part in Kumbhabhishekam we expect a few thousand devotees. Coming to the amenities of the temple, we have a Saraswati Hall, which can hold 125 people and two other small halls which can hold 250-300 people and one huge state-of-the-art auditorium, which has a capacity to accommodate 700 people at a time and a Senior Center for the elderly people, a block away from the temple premises. The temple canteen has 10 cooks working for us and is visited by at least 100
G. Padmanabhan people on weekdays and 2000 people on the weekends. We are also actively involved in a lot of volunteer activities. Volunteers from different backgrounds and skills conduct discourses and teach classes like Carnatic music, piano, veena, classical dance and yoga. Languages like Hindi, Kannada, Tamil, Telugu and Sanskrit are also taught. We also run a small school called Ganapathy Patshaala on weekends to help poor kids get free education. Our Hindu Community Outreach program provides even more focused and far reaching community service and promotes cultural, educational, and fine arts activities for youth, adults, and seniors and plays an active role in establishing cordial relationships with local communities. The Hindu Community Choir, formed in mid-2009 has been steadily growing, having staged several choir events in and outside the Temple. The Temple has been actively participating in several interfaith programs and is taking leadership role in many interfaith dialogues. Ganesh temple is also one of the prestigious sites selected by the Open House in New York. They have selected 80 sites as a place of interest for architecture or other qualities and we have been a part of the program for 9th year in succession. Many students from different schools come with their teachers in groups to learn about Hinduism and I show them around the temple and explain about different deities and architectural structures of the temple. --As told to the SATimes team by Mr G. Padmanabhan, Public Relations Officer of the temple
The kumbhabishekam at Ganesh temple will be performed for all the deities, first it will be Lord Ganesha followed by other deities for whom the new granite sannidhis (sanctum) will be dedicated.Most importantly, the idols of Lord Balaji, Goddess Mahalakshmi, Lord Hanuman and Sri Nagendra Swamy will also reconsecrated on June 5 followed by abishekam.
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by Brahm Kanchibhotla
senior official of the Hindu Temple Society of North America has emphasized the need for all Hindus to follow the path of dharma and respect other religions. Dr Gaddam Dasaradharama Reddy, chairman of the board of trustees at the Ganesh temple, Flushing, urged Hindus of all national and ethnic origins to follow four noble teachings, describing them as RICE. They have to Respect others, maintain Integrity, show Compassion and exhibit Excellence, he noted in an interview on the eve of the rare Maha Kumbhabhishekam event, set for this weekend. Righteousness is the hallmark of our religion. There is no positive quality that our dharma does not touch. Aatma jnaana (self-realization) is important, and if it improves everything will be set right. Reddy says Hinduism is growing in his adopted by leaps and bounds, while pointing out that it is more than a religion, it is a way
Dr Gaddam Dasaradharama Reddy of life. He said in the late 1960s, when he arrived in the US, the Hindu presence was not recognizable. There was no temple and a Russian Orthodox Church stood on the site where the Ganesh temple currently stands. Now there are about 800 temples, Hindu festivals are cel-
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1976/1977 The magnificent Ganesh Temple structure was built and opened for worship completed early in 1977. His Holiness Sri La Sri Padrimalai Swamigal, a great siddha from Madras, had prepared 26 yantras for the temple and done pujas for them for five years before installing them on July 4, 1977, the day of consecration of the temple. The temple has since blossomed into what it is today, particularly over the last decade, with a series of continuous achievements all of which are focused on meeting the needs of the ever-increasing number of devotees that Lord Ganeh and His Divine grace have been attracting. As the first Hindu Temple in North America made with of largely imported materials, and constructed by artisans from India, ri Mah Vallabha Ganapati Devasthnam (or the Ganea Temple) is one of the most impressive and historically important Hindu temples in the West. Flushing, Queens was chosen as Continued on page 25...
GROWTH & PROGRESS A chronological list of developments from the inception of the Society in 1970 until present with pictorial representations given below. A Russian Orthodox Church located on Bowne Street was purchased in 1970 and the beautiful Temple built on this site. July 4th, 1977 First Kumbhabhishekam Independence Day of the United States of America
Historical Landmarks
1985-1997 Acquisition of (14) properties for Staff Quarters, Community Center, Temple Office & Parking Lot 1991 Ground-breaking ceremony for Community Center 1987-1988 Beautification project of the temple Installation of black granite stone, Silver Kavachas and relocation of Dwajasthamba 1990 Raghavendra Sannidhi moved to present site (45-52A Bowne Street) 1992 Beginning of demolition of properties (5) on Holly Avenue to build the Community Center 1992 Gift Shop open for Devotees offers various religious books, idols, dvd/cds and other items 1993 Ganea Prasadam Canteen open
1998 Temple Canteen opened, which also prepares temple prasadam within premises.
for Devotees CONSTRUCTION OF COMMUNITY CENTER BEGAN1993 AUDITORIUM Likewise, in order to promote Hindu culture & heritage and give a flavor of it to the younger generation of the Hindu population in this country, the need for a state-of-the art auditorium was felt. As a Continued on page 25...
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proof partition in between, so that two functions can take place simultaneously. The second floor has the auditorium with a seating capacity of over 700 and it is equipped with state-of-the-art audio and lighting facilities. On the lower level are the Temple Canteen with a large dining hall which includes comfortable seating facility, and the Temples Gift shop. The Canteen which is open daily prepares naivedyam (offerings) to the presiding Deities and provides delicious vegetarian food. Cultural programs, discourses, weddings and many other
social and religious events take place in the Community Center. The Center is open to the entire community of Hindus and nonHindus. There is an urgent need for more parking spaces for devotees visiting the Temple and the patrons using the Community Center and also to avoid inconveniencing our neighbors. The Temple Expansion Projects symbolically began on May 4, 2001 when Temple priests performed ankustpana, Bhoomi Pooja & Vstu Pooja (prayer to Mother Earth). This project began in the summer of 2002 after demo-
lition of the three houses situated on Bowne Street, located adjacent to ri Rghavendra Swmy Temple. The construction of eight apartments in addition to basement is complete. Out of eight apartments, two are designated for Senior Citizens Center and the basement named as Saraswati Hall is available for use for cultural programs including discourses. To meet the growing desire for knowledge about Hinduism and Vedanta philosophy expressed by members of the Indian-American community and the general popu Continued on page 26...
2004 Completion of Saraswati Hall and Senior Center, etc. Staff Quarters/ Additional Parking Facility 2002 arrival of Silver Ratha from India 2002 (Sept) Establishment of Senior Center 2002 - Construction of Staff Quarters, Senior Center & Saraswati Hall. Purchase of property for the purpose of Library. 2004 - Completion of Staff Quarters, Senior Center & Saraswati Hall. 2004 - Renovation & relocation of Ganea Ptala (School). Educational activities draw many youngsters to the Continued on page 26...
Historical Landmarks
Continued from page 24 result this auditorium with modern acoustic facilities was built. This auditorium also caters to the needs of the Community. WEDDING HALLS The devotees were increasingly feeling the need for a large and convenient facility where they could perform the prescribed Hindu religious rites such as weddings etc. These halls meet this need TEMPLE CANTEEN Also, in accordance with the traditional Hindu way of worship, the need for preparing prasadam (or food for the deities) within the Temple premises was felt. In order to meet this need and to serve the devotees with traditional Indian food the Temple Canteen, (place for preparation of prasadam) was established. For the first time ever, the temple floated a bond issue in August 1993 followed by two others in August 1994, and August 1997 as part of the financing for the Community Center. June 1998 Grand Opening of the
Community Center Opening of the Temple School Establishment of Youth Club Establishment of Veda Classes 1999 Establishment of Yoga Classes 2000 (summer) Establishment of Summer Camp April 2000 All the bonds redeemed and conventional mortgage obtained 2001 (May) Commencement Expansion Projects consisting of: Establishment of Specialty Library Senior Citizens Center of
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religion, culture, Educational Excellence Program, Indoor/Outdoor Sports and Competitions etc. One thing is certain unless we continue to nurture in our children a spirit of tradition, a sense of belonging, and a desire for knowledge about Hindu culture and values, all structural improvements we make in the name of progress will not be fruitful. With this in mind, in October 1998, the Ganea Ptala (school) opened its doors to meet the growing needs of the children for getting religious education and language skills in their respective mother tongues. In addition, the Ptala (school) serves to promote excellence in students in a variety of academic pursuits, such as Mathematics, Science, and High School entrance examination preparation. A great number of talented and dedicated teachers volunteer their time to supplement our childrens
he logo of the Temple Society of North America, NY is alight surrounded by insignias of several religions with OM on top. It signifies universality, catholicity and spirit of tolerance of Hinduism. While stressing the supremacy of the Absolute and deifying some of the major aspects as represented by the main deities, the Center stresses the totality and fundamental unity at the core of all religion. Hinduism has no place for crusades.
educational activities and help ground them not only in religion and languages but also in skills they will need to pursue their future careers. The Ganea Ptala, which was occupying the house adjacent to the Temple since 1998, was relocated in January 2004 to a house (behind the Temple) fully renovated to fulfill the needs of the Ptala. All these will transform our Temple, which started as a dream project in 1970 with a mere $51, into one of the most impressive and historically significant Hindu temples outside India. We should all be immensely proud of the cultural, spiritual, religious and edu-
cational legacy we will be leaving behind for many generations to come. Enriching the community While the principal mission of the Society is to nourish and preserve Hindu culture, the Temple has come to embody more than a place of worship it represents an important conduit of communication, understanding and mutual respect between Indian and American cultures. The Temple reaches out to non-Hindu residents of Queens, many of whom utilize the Community Center for a variContinued on page 28...
2004 Renovation & relocation of Ganea Ptala (school) Ganapati walkway completed 2008 - The old Dwajasthambha was removed from its location on January 31st 2007 and new Dwajasthambha Pratisthapana was performed on April 4th, 2007. 2009 - *Bllaya was performed for ri iva, ri Prvati, ri Kmkshi & ri Shanmukha from February 2nd thru March 1st 2009. Bllaya for ri Mah Vallabha Ganapati, ri Venkatewara, ri Mah Lakshmi, ri Navagraha, ri Brahma and ri Ngendra Swmy was performed from April 24th thru April 27th, 2009. *Whenever the moola vigraha, the permanently installed stone vigraha inside the sanctum, has to be moved or if poojas have to be temporarily suspended in order to renovate the sanctum, the stone image has to undergo bllayam. Kalkarshanam temporarily retains and transfers the divya akti (divine energy which is infused in the Deity by the chanting of mantras) from the Deity to a kalaa (a pot filled with water and designated to represent the Deity). The kalaa is sanctified by homams; and the divine energy is transferred to the Deity. The stone vigraha with the divine energy removed is now in bllayam.
Historical Landmarks
Continued from page 25 Temple. Various Classes are conducted in the Ganea Patala every Saturday & Sunday. These classes include languages, academic classes such as math, science, religion classes, and High school Entrance Exam. The fine arts activities such as Dance, Music, and Veena are also assets to the Ptaala. We request our devotees to encourage their children to participate in and benefit from all these activities 2004 - Renovation of ri Rghavendra Swmy Sannidhi 2006 DYOPALESHTIKA STPANAM - Laying foundation stone for Rjagopuram / Mah Mantapam Expansion Project. 2007 - Vastu Pooja for starting the project was performed on Janaury 28th, 2007. Phase I of the Rjagopuram / Mah Mantapam Expansion Project on January 29th 2007. 2008 - Dwara Gopuram (Entrance to Temple - Holly Ave) and Shodaa
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year after year. Continuous streams of visitors come to our Temple in the first weekend of October every year and are entertained to a tour of the Temple. The visitors are happy and expressed their appreciation. This honor is being continuously conferred on the Society and this will be our 9th year of participation. We are truly elated about this recognition accorded to our Temple by OHNY. The Society is the Secretariat of the Council of Hindu Temples of North America and the President (currently Dr Uma Mysorekar) of the Society is the Secretary/Treasurer of the Council. The Societys Panchangam and Calendar The Society has been publishing Panchangam (almanac) from 1998 and calendar from 1990 and these have been found very useful by the devotees and the demand for these is increasing year after year. Although the Panchangam and the calendar from the year 1998 are compiled for application according to the Eastern Standard Time for use in New York, the table of time corrections provided in the
2008 Dwara Gopuram (Entrance to TempleHolly Avenue) and Shodasa Ganapati walkway completed. Panchangam helps its adaptation to the other major cities of North America. Every effort will be made to improve its presentation as necessary. Neighborhood and community The Ganesh Temple is situated right in the heart of Flushing, which is a part of Queens County. Queens, politically speaking, is one of the five boroughs of New York City, and is largely a residential area. The Temple is easily accessible both by private and public transportation. Within walking distance of the Temple are two branches of the New York Public Library, the Queens Botanical Garden, Kissena Park, Flushing Meadow Park and the Main Post Office. The Flushing Council on Culture and the Arts and the Queens Museum are also close to the Temple. The Society is embarking on an ambitious expansion plan with three principal goals: to leave behind a legacy for the future generations; to fulfill the religious and spiritual needs of an ever-increasing number of devotees and also to reach out to non-Hindu residents of the community. The Societys goal is to consolidate the gains made during the last 30 years and lay the groundwork for the future growth of our beloved institution. The Hindu Temple Society of North America today has over twenty thousand devotees on its mailing list. There are thousands of other devotees not necessarily on the mailing list who benefit from religious and cultural activities of the Temple, and to which they make generous contributions. It is the intent of the Society to offer formal instructions in religion, philosophy, culture and the arts to its devotees and their families. Fund Raising activities of the temple include organizing pooja sponsorship (services), cultural events, temple gift certificate, fund raising dinner, gold coin mala, sponsorship of chairs and constituent parts for the community center and other projects.
2009 Balalaya was performed for Sri Siva, Sri Parvati, Sri Kamakshi and Sri Shanmuka Feb 2-March 1..
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housands of devotees thronged Holy Avenue in Flushing to witness a rare spectacle - Kumbhabhishekam of Maha Vallabha Ganapathy temple on July 13, 2009. Vedic chants, personal blessings of acharyas of Hinduism, presence of an elephant and a cow, havans, men and women dressed in traditional Indian attire, live nadaswaram piped music and much more converted Flushing into a mini India for five days from July 9 - 13. The Shivacharyas poured the holy water that was kept at yagasala on the three vimanas (towers) of the three main deities at the appointed hour to the chants of mantras in the presence of Pujya Sri Jayendrapuri Swami, Sri Muthiah Sthapati, the chief temple architect and Dr. Uma Mysorekar, president of the temple. The temple had its initial consecration on July 4, 1977. The occasion in 2009 was completion of most of the expansion projects started in early 2007. This included renovated granite sannidhi and vimna for ri Mah Vallabha Ganapati and new granite sannidhis and vimnas for ri iva, and ri Prvati, ri Shanmukha, Valli-Devasena and ri Kmkshi. The celebrations began with offering of gold, silver, and precious stones to be placed at the bases of the Deities. Gold yantras of the respective Deities with mantras inscribed on them and worshipped
Temple priest Maruthiji addressing a small congregation. Priests offer poojas, lookup auspicious days for devotees and are sometimes called to console a family who has lost a loved one. Helpless in facing the challenges life throws at us, we beseech the Lord and surrender ourselves to Him.
Closer look reveals paintstakingly detailed decorative work on the gopurams and inner temple walls, with design direction from Muthiah Sthapati.
Parents are forever finding ways to protect their young; many find out that God is the best protection.
Initially children have to be dragged to the temple. But as they grow, regular darshan of the Lord becomes a habit.
Offerings to their deity come in different shapes and sizes; this family brought a crown to offer to Lord Ganapati.
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The baton of love of India is passed on to the younger generation growing up 10,000 miles away from the motherland.
Kamlesh Mehta, Chairman, Forsythe Media Group, being honored by Dr. Uma Mysorekar at Hindu Temple Society Auditorium during Republic Day of India celebrations 2011.
Musicmaestro Pt Jasraj at the performance in 2009 of dance drama Kanh Kahani at the Ganesh temple auditorium, which often hosts classy programs.
A religious center like the Ganesh temple has to play the dual role of keeping Indian art and culture alive and relevant through performances and imparting training in classical music and dance. Community leader Champakbhai Parikh (left) and Raja Amar, chief of Portables Unlimited, hoisting Indias tricolor at Republic Day celebrations at the temple auditorium in January 2011.
Special ThankS
Our special thanks to Mr. Xitij Joshi, a highly acclaimed photo artist for providing his excellent services and helping us create such a colorful and collectible edition with exclusive photographs of the Ganesh Temple. He was commissioned by The South Asian Times to shoot pictures with rare permission from the management of the Hindu Temple Society of North America, NY. He took over a thousand snaps, submitted over 350, out of which over a hundred got used in this issue. His hard work is stamped on every page of this special edition published to commemorate the Maha Kumbhabhishekam of the Temple.
Catching them young, are we! The dance teachers trying that at the community center are Devika and Radhika.
Xitij Joshi started photography as a teenager in India and later graduated from the Government College of Arts and Crafts, Kolkata. He went on to work as the personal concert tour photographer for personalities such as Amitabh Bachchan, Rekha, and Anil Kapoor. He also worked with TIME magazine in the photo department. Since 2010 he is a contributing photographer for The South Asian Times. He is also well-known for high quality wedding and portraits photography. www.xitijphoto.com We also thank Ms. Nupur Joshi, a high school student and multi-talented daughter of Xitij Joshi, for contributing articles and photos of her father.
The gift shop of the temple is in the basement next to the canteen. There you can find devotional music, books, malas and such items of religious life.
During one of his shoots at the temple, Xitij Joshi came upon a young, racially mixed, newly-wed couple seeking blessings of Lord Ganapati for a happy married life.
Relationship beyond banking Bank of India greets all devotees on the auspicious occasion of
Maha Kumbhabhishekam
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Seniors programs help spark creativity, dexterity and love of life, and offer opportunities to just have fun.
HCO has created the first ever Hindu community choir in Queens, which currently has 60 members. what is termed as road to life to compete in a global economy. The programs at the outreach center for other members of the community such as adults and seniors are designed to help them find intellectual stimulation, spiritual growth and practical assistance. They include yoga/meditation, Gita study, bhajan etc. Seniors have especially commented that they find friendship, sense of purpose and comfort in their golden years as these programs help spark creativity, dexterity and love of life, and offer the elderly many opportunities to be creative or just have fun. HCO has also created the first ever Hindu community choir in Queens. This ground breaking initiative currently has some 60 participants. The choir meets for weekly rehearsals and has also performed at various locations. The HCO is an initiative for the community, run by the community and, in the long run, it will succeed only if it gets all of the community to participate actively, share their time and skills, and of course donate generously to carry out programs for enrichment.HCO invites volunteers, interns, teachers and participants to join its programs --an exciting way to become a focal point for all community activities, so we can learn from one another and grow to our full potential.
The HCO is an initiative for the community, run by the community and it will succeed only if it gets all of the community to participate actively.
The temple school has programs for academic enrichment for children.
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Go puja (cow worship) and Gaja pooja (elephant worship) form part of the Kumbhabhishekam
service by his father, who was an All India Radio (Hari Katha) artist in the state capital. He learned the Vedas and studied other religious texts. Fifty-four-year-old Maruthi worked at Siddhi Vinayak Temple in Secunderabad for nearly three decades before arriving in the US in 2008. One of the main purposes for conducting Kumbhabhishekam is the removal of 'doshas', the unwanted energies that are absorbed by the idol while it is made by sculptors. Another is that the unseen divine energy in the idol is decreased over time necessitating its rejuvenation. The idol has to be re-energized after 10-12 years as its power recedes, like one has to recharge one's cellphone when its battery is down, Maruthi explained. Aside from the nithya puja (daily ritual), visesha pooja (special ritual) has to be performed to propitiate the gods, added Sivakumar. The sprawling temple has eight cooks who prepare food prasadam in a certain religious fashion, and nine priests who have different religious duties. Special events such as Kumbhabhishekam attract more priests; for the upcoming event, both Sivakumar and Maruthi said up to 40 priests are expected to arrive from India. Go puja (cow worship) and Gaja pooja (elephant worship) form part of the Kumbhabhishekam. The priests explained that the cow is an embodiment of goddess Lakshmi and the elephant represents Lord Ganesh. Worshiping both these animals can ward off any evil that might occur during the Kumbhabhishekam process, they noted, adding that 108 mantras are chanted during the rituals while 108 dravyaas (items used in the worship) are used. During weekdays, the temple draws a few hundred devotees while weekends could witness thousands, temple officials estimated. They said the five-day event could attract as many as 25,000-30,000. According to the information available from the priests and the temple itself, puja for various yantras (flat-metal plates with prescribed engravings) was performed for 45 days in the run-up to the Kumbhabhishekam. Sanctifying the yantras captures the essence or power of the deities. During Kumbhabhishekam, the yantras are installed under the stone idols of the deities inside their sanctum.There is a daily discourse till June 7 given by Pujya Swami Pramananda on various topics, including Kumbhabhishekam, on the temple premises.
Priest Hariharanji
Priest Srinathji
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Honored with a Padma Shri, the traditional temple architect and builder as well as idol maker has designed over 36 grand temples in America and has been associated with renovation of the Ganesh temple, NY.
by Swathi A.K. ndia is known for its temples big and small in every nook and corner of the country. Now in our time, majestic temples have come up in North America too. Their beautiful architecture and divine idols have enamored hundreds of thousands of devotees and visitors from all over the world. One name behind the splendor of many of these temples is Muthiah Sthapati, the master architect from Chennai, South India. (Sthapati is a traditional temple architect and builder). His expertise, and unparalleled devotion to his work has earned him the credit of creation of 36 temples in North America and a host of temples in India and other Asian countries. Muthiah is the younger brother of V. Ganapathi Sthapati, perhaps the best known sthapati and head of the College of Architecture and Sculpture in the Vastu Shastra tradition at Mamallapuram, Tamil Nadu.SATimes interviewed Muthiah --who speaks Tamil--about his work during his visit to the US on the occasion of the Maha Kumbhabhishekam at the Ganesh temple in Flushing. What is a Sthapati? Muthiah Sthapati : Sthapathi is not my family name. A design architect of a temple is generally called by this name in Tamil Nadu. For how many years have you been working as a temple architect? Is this also your family occupation? MS: I have been working as a temple architect for the past 45 years. Yes, this is also my family occupation and can be traced back to the last three generations. My grandfather, my father and my brother have all been Sthapatis before me, and a lot of credit goes to them for having passed on their valuable knowledge and experience
Muthiah Sthapati with Dr. Uma Mysorekar before the new sannidhi for Lord Kal Bairav during 2009 Kumbhabhishekam to me. I also received formal educa- Tampa, Florida, among others. Other tion in the art of sculpting and town than America, I have also designed planning way back in 1957 at the the Murugan Temple in East Shilpa Kalaikudam, a sculpture London, U.K., the Mariamman school run by the Tamil Nadu gov- temple in Thailand, a Perummal ernment in Mamallapuram, now temple in Africa and a Kamakshi called the College of Architecture Temple in Rangoon, Burma. In and Sculpture. The course required addition, we recently built an 18-feet us to study for five years and com- idol of Hanuman and a 70-feet sinprised 28 volumes, taught in gle-stone statue of Buddha in sitSanskrit. We became well-versed in ting position in Colombo, Sri Lanka. Shilpa Shastra (Science of This project took nearly 8 long years Sculpture), a specialized knowledge to complete. to construct temple towers (gopuWhat about India? rams) and make idols of different MS: In India, I have designed and deities in accordance with ancient constructed the granite stone religious treatises. Arupadai Veedu Temple complex in So far how many temples have Chennai; Sri Meenakshi you planned and supervised con- Sundareswra Temple, Uttaraswami struction of? Malai in New Delhi; Sri Utthara MS: First, let me start with tem- Chidambara Nataraja Temple in ples in North America. My brother, Satara, Maharashtra; and a 60-feetV. Ganapathi Sthapati, was working high granite carving of Lord on the Flushing temple before the Krishna at Birla Museum, Kolkata. project was taken over by me. My other outstanding projects in Gradually, I got involved with 36 India also include some of the other temples. My notable projects Hyderabad and Badrachalam teminclude the Sri Venkateswara ples in Andhra Pradesh; the Kala Temple in Pittsburgh; temples in Bhairavi Temple in Karnataka, for Memphis and Nashville in which nearly 350 Shilpis have Tennessee; Mahalakshmi Temple in worked under my direction for the Boston; Balaji temple in Los last nine years; Murugan temple in Angeles; Shiva Temple in Georgia; New Delhi; Nataraja Temple in Meenakshi Temple in Houston, Maharashtra; and the Texas; Perumal temple in Chicago; Pandaranganathan Temple in Kasi, and Satyanarayana Temple in which has been designed on the
Vimana, which varies based on the presiding deity. For Ganapati Temple, it is square and for Shiva temple it is round. We follow a method called Prathimaal Lakshanam for idols, wherein every part of the deitys body, from eyes, ears, stomach and legs, is in the right proportion. How many people work under you? MS: I run a sculpture shop called Swarnam Shilpakudam and have 50 sculptors and 100 workers under my guidance. I don't just employ them, but also train and nurture them to create the wonderful interior designs and decorations of the temples. I get them visas for one or two years for projects outside India and send them to different places to work. How long have you been associated with the Flushing temple's renovation work? MS: Nearly two years now. We have replaced the brick and stone idols with black granite to last for a 1,000 years. How has been your journey as Sthapati been so far? MS: Definitely quite enriching in the service of God. I have received several awards and honors from various temples and government organizations. I was also honored with the prestigious Padma Shri by the President of India in 1992. In the coming years, what is on your design table? MS: We have started work on the Shiva-Vishnu Temple and Ganapati Temple in Austin, TX. Back in Chennai, I will be starting a school of my own to train people to become Sthapatis with the help of Venu Srinivasan. The idea behind this school is to uphold the ancient tradition and share the knowledge I have gathered all these years with people who are interested in learning this art.
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he Hindu temple is not just a congregational structure or a prayer hall. It is the house of God, and the deity inside is the soul. The Agamas and Upanishads make several references to the correspondence of the structure of the temple to the human body and soul. Temples are normally dedicated to one primary deity (Pradhana Devata), with decorations specific to the deity being worshipped. Temples are often elaborately decorated on the outside, with stone or plaster carvings depicting religious stories. Hindus of South Asian origin are an increasing presence in the American society and Hindu communities have settled in most parts of the United States. To maintain the religious traditions and celebrate their cultural heritage, the community has dedicated more than 500 temples in the US over the past 3-4 decades. Some of these are becoming centers of pilgrimage. Initially, the temples were open only during weekends and now over the years the temples are functioning like those in India allowing the devotees to come throughout the day for worship. Only a few communities in large metropolitan areas have been able to build grand structures in traditional styles. Smaller communities are opting for more modest buildings with a simplified exterior. Traditional features of Hindu temple architecture when incorporated into American designs are the east-west orientation of the main sanctum. Interior spaces of American Hindu temples are designed to be more communal as compared with the intimate spaces within the traditional Hindu temples, reflecting adjustments in the ritual practices among the diverse Hindu community in the US. Entering a temple in India is like entering a mountain cavern there is little natural light and one progresses through a series of dark and damp chambers until one reaches the innermost chamber, the Sanctum Sanctorum (garbagriha) of the temple where the main deity resides. Temples in America are typically built in stages according to a master plan developed by an architect. The plans often incorporate hous-
Housing God
Hindu temples are designed by sthapatis (architects) who follow the age-old guidelines for sacred architecture. They work in accordance with the rules expounded in texts called Vastu Shastras and Silpa Shastras. The rules in these texts determine the form and proportion as well as techniques for the construction of a building.
hall called the Maha Mantapa is the central portion of the body, and the rajagopura symbolizes the feet. It is believed that just having a glimpse of the rajagopura, even from a distance, is equivalent to coming to the temple and offering prayers to the deities in the temple. The dwajastambha is placed between the rajagopura and the main sanctum, and the balipitha, between the dwajastambha and rajagopura. Final services are conducted at this site after the completion of the daily pooja for all the deities in the temple. The vimana is raised to its final height above the sanctum as the last stones are put into place. Resembling a great mountain, the vimana is crowned with a golden spire called kailasa, the heavenly abode. At the sides of the vimana are fixed the fierce faces of Yali, the protector of the temple. The temple is now ready for the ceremony known as Pratishthana, the installation of the deity. The sacred altar in the central shrine (Brahmasthana) is located directly above the gold box, placed in the earth during garbhadhana ceremony. Here on the sacred altar representing the heart of the Cosmic Being, the deity of Godhead called the archa-vigraha is the manifest form of total divinity, is installed. The mandala, the mantra, and above all the sincerity and faith of the participants combine to invoke the appearance of the Godhead. The universe is the manifestation of the divine form of Godhead in the world of mundane existence. The body of the Temple is the representation of that cosmic form, whereas the archa-vigraha is the manifestation of the transcendental form of the Godhead descending from beyond the mundane. The ceremony for installing the deity is performed with great pomp, and upon its completion the Temple is complete. Only highly evolved beings like saints and sages can visualize God as a formless, all-pervasive force that, in spite of its boundless power, can be encased within the confines of a human heart. Common people need a physical form that they can see with their eyes and worship, as they do not possess the inward sight to look
A view of the Tirupati Balaji complex: the golden main sanctum and gopuras. The grand entrance tower of a temple is called rajagopura, which is in line with the main sanctum, flagpole (dwajastambha), and the offering pedestal (balipitha). ing for the priest and most communities arrange to have traditional architects (sthapatis) and stone carvers (silipis) and other artisans to come from India to the US to work on the Indian dcor of the temple. Most Hindu temples in America also serve as cultural centers for families of South Asian background and the diverse cultural and religious needs of these communities are often taken into consideration in the design and the layout of the temples. However, the sthapatis (architects) of these temples have followed the age-old guidelines for sacred architecture. They work in accordance with the rules expounded in texts called Vastu Shastras and Silpa Shastras. The rules in these texts determine the form and proportion as well as techniques for the construction of a building. Hindu temples contain exquisite structures and images - rich array of sculptures and figures on the temple walls including mythological figures, elephants, elaborately designed towers, etc. One of the most enduring achievements of Indian civilization is its architecture. The artistic and architectural heritage is at least five millennia old. A construction plan is required, and here begins the highly technical aspect of sacred architecture - to bring about the descent or manifestation of the unmanifest and unseen. The architect (sthapati) begins by drafting a square. The square is literally the fundamental form of sacred architecture in India. It is considered the essential and perfect form. It presupposes the circle and results from it: expanding energy shapes the circle from the center; it is established in the shape of the square. The circle and curved lines suggest life in its growth and movement, whereas the square is the mark of order, the finality to the expanding life, lifes form, and the perfection beyond life and death. From the square all requisite forms can be derived: the triangle, hexagon, octagon, circle, and so on. The architect calls this square the vastu-purusha-mandala, the manifest; purusha, the Cosmic Being; and mandala, in the case, the polygon. The prakaras that fortify the temple may vary in size and number according to the dimensions of the temple. Larger temples are sometimes surrounded by up to seven concentric walls that represent seven layers of matter - earth, water, fire, air, space mind, and intelligence - that cover the original consciousness of the living entities in the material world. The gateways through the prakaras are symbolic of being liberated from the bondage of matter as one enters the Temple and proceeds toward the central shrine. The grand entrance tower of the temple is called rajagopura, its very name, raja royal implying its high significance. Depending on its size, a temple can have one or more towers representing different entrances of the temple; however, the rajagopura is the main entrance. It is in line with the main sanctum, flagpole (dwajastambha), and the offering pedestal (balipitha). Normally, the rajagopura will be the largest in size of all the gopuras in the temple. When the images of the deities are taken out of the temple, they leave and reenter the temple by way of the rajagopura. The rajagopura is a fine representation of Hindu temple architecture. It has many sculptures and decorations placed in it, meeting the requirements of a solid structure. If the temple structure can be compared to a human body, the main sanctum is the head, the large
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Vedic rites accompany the consecration and installation of the vigraha in the garbagriha. The purpose of these ceremonies is to purify the vigraha and to confer divinity upon it. The power and vibrations of the Vedic mantras recited clearly and loudly have their echoes captured within the divine image for all time to come.
symbolizes the body. The water kept inside it with its dissolved air is life-giving and life-sustaining matter in fluid form. To it are added flavoring agents such as cardamom, saffron, camphor, nutmeg, mace, and sandalwood (dugandha dravyas). The vessel is surrounded by a ceremonial thread that is wound around it in a crisscross pattern, symbolizing a cloth covering for the body. The mouth of the vessel is covered by a bunch of mango leaves that represent the head. A bundle made of 16 special grass (kusa grass) blades known as dharba is used as a conductor for transmitting the power of the Vedic mantras and the ceremonial fire (agni kunda) to the kumbha through the performing priests. The darbha, which is held in one hand while performing oblations to the holy fire, can be compared to a blood vessel or an artery through which flows life principle. The kumbha, properly prepared as described earlier, is installed in the yajnashala, the place where oblations to the holy fire (homa) are performed. One end of the darbha is placed on the kumbha, which thus absorbs the power and divinity of the fire and the Vedic mantras. The water, thus consecrated and purified, is used for bathing the vigrahas and is also sprinkled over the precincts of the temple. A kumbhabhisheka is usually held for three to five days in a row. The minor ritualistic details vary depending upon such factors as the
The Sanctum Sanctorum (garbagriha) of the Kandariya Mahadeva Temple in Khajuraho. Entering a temple in India is like entering a mountain cavern there is little natural light and one progresses through a series of dark and damp chambers until one reaches the innermost chamber, or garbagriha, where the main deity resides. within themselves. That is why the Vedas have sanctioned vigraha worship as one of the approaches to God. Any vigraha cannot become a true house of God. The shastras have laid down rules regarding how a vigraha has to be cast, consecrated, and installed with Vedic rites before it can become a divine form. The metals used for casting the images (utsavamoorthys, the images that can be transported during religious festivals) are carefully chosen and purified. Similarly, the stone used for carving the main deity is obtained from mountainsides known for the purity of their location. By the sound that a tock emits when struck, an expert sculptor can differentiate between a male and a female rock. The artisans who sculpture the stone into a vigraha are skilled workers who are well versed in the art of transforming a stone into a divine figure. The external beauty and perfection of form of the sculptured vigraha contribute to the godliness of the figure. Vedic rites accompany the consecration and installation of the vigraha in the garbagriha. The purpose of these ceremonies is to purify the vigraha and to confer divinity upon it. The power and vibrations of the Vedic mantras recited clearly and loudly have their echoes captured within the divine image for all time to come. During the consecration, the vigraha is given a ceremonial bath (abhisheka). The water used for this purpose is kept in a kumbha, a receptacle with a narrow mouth and a wide middle portion. Water for the Kumbhabhisheka is collected from holy rivers or from a pushkarni (holy tank that gets its water from springs located in the bed) situated within or near the precincts of the temple. Before major festivals the old water is drained out, and the openings of the springs are cleaned so that fresh ground water can seep in to fill up the tank. Ground water can be called water from the heavens, as it is formed from captured rainwater. The kumbha (ceremonial vessel)
occasion (such as the first installation of the vigraha or the consecration of the rajagopura) as well as upon the local traditions of the temple. In the case of the consecration of the rajagopura itself, the kalasas atop the gopura are washed with the water from the kumbha. When a temple is newly constructed, the Kumbhabhisheka performed thereafter is called avartha; when additions are made to the existing temple complex, one speaks of a punaravartha, whereas an anthanitha is performed after a natural catastrophe has damaged the temple. Kumbhabhisheka, being a purifying as well as a rejuvenating ceremony, is also held periodically, usually every 12 years depending upon the developmental activities in the temple. Any new erection like a tower, or the installation of a new vigraha, or any new structural addition to the temple complex is consecrated with a Kumbhabhisheka. A comprehensive ritual of this kind which incorporated the daily form of worship into a larger framework, invoking the power of the elements, the divine force of the Vedas, and the benefits accruing from propitiating the different gods strengthens and consolidates the inherent divinity residing in the vigraha. Frequent ceremonies of this type and annual religious festivals add luster to the temple and enhance its inner spirit, as well as provide opportunities for bonding among the devotees.
Dwajasthambam (flagpole) of Ekambareshwara Temple, Kanchipuram. Dwajasthambam is the Sanskrit name for this sacred altar (don't know if its close though). The sanctum sanctorum is right behind this pillar like structure.
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Vakratunda Mahaakaaya Suryakotee Sama Prabha, Nirvighnam Kuru Mey Deva, Sarva Kaaryeshu Sarvadaa
By Nupur Joshi
his mantra is often recited at the start of any ritual or important occasion. Many of us recite it along with the Brahmin without giving a second thought as to its meaning. So, what is the significance of this mantra? It translates to mean: Oh Lord Ganesha, with a large body and a curved trunk and with the brilliance of a million suns, please make my work free of obstacles, always. From this we learn that Lord Ganesha is He who eliminates hurdles and helps us to overcome those that remain in our path to success. To better understand every aspect of Ganesha, it is important to know the story of His life. He is the son of Parvati and Lord Shiva; although there are many stories in regard to His birth, the most widely accepted one states that Parvati created Him from Her very being in order to guard Her personal quarters while She bathed. Upon returning home, Shivas attempts to enter Parvatis quarters were foiled by Ganesha and, in His rage, Shiva, ignorant to the fact that the boy before Him was His son, decapitated Ganesha. In an attempt to console the grieving mother, Shiva decided to replace Ganeshas missing head with that of the first creature He came across, which happened to be an elephant, and bestow a boon granting Him lordship of all followers. This can be seen in the breakdown of His name: gana means the followers while isha means Lord. Hundreds of centuries later, that day is still celebrated around the world as Ganesha Chaturthi. Ganeshas newly acquired head was that of an elephant and it is in this manner that He is depicted. It is important to note the significance of each aspect of His portrayal that we oft take for granted. For example, the elephants head was bestowed upon Him because elephants are known to have the greatest intellect throughout the animal kingdom. Also, when elephants travel through the forest, the leader of the group marches ahead, clearing the path for all of his followers by use of his trunk. Similarly, Lord Ganesha, as the remover of obstacles, charges ahead of us to make our journey through life hassle-free. He is also depicted with one full tusk and one severed tusk, ekdanta. Of the many explanations offered for this matter, the most popular states that when sage Vyasa asked Ganesha to scribe the Mahabharata, he came to a realization that this was not a task for an average pen
The Ganapati mantra translates as: Oh Lord Ganesha, with a large body and a curved trunk and with the brilliance of a million suns, please make my work free of obstacles, always. From this we learn that Lord Ganesha eliminates hurdles and helps us to overcome those that remain in our path to success.
and thus broke off his tusk for use as a pen, signifying that no sacrifice is too great in the pursuit of knowledge. He is also shown with large ears to symbolize His ability to hear out each and every one of His followers wishes. He is also depicted with small eyes, signifying His ability to see minute details. Furthermore, Ganesha is always illustrated with four or more arms to make His divinity apparent. Each of these limbs holds different objects that vary from image to image. The most prevalent of these objects are the modaka (sweet), the anuksha (goad), and the pasha (noose). The modaka signifies the sweetness of the inner self, the anuksha signifies Ganeshas ability to guide us to the truth, and the pasha signifies worldly desires, suggesting that these desires will bring self-destruction. One hand is often left unoccupied and upraised to symbolize the protection from harm that He bestows upon His followers. There are three more beings associated with Ganesha that are important to consider. The first is His vahana: the mouse at His feet. The mouse is known to be the cleverest in the entirety of the animal kingdom. Its size allows it to enter the smallest nooks and crannies, signifying Ganeshas ability to enter the deepest and most guarded corners of our mind. The two remaining beings are Ganeshas wives: Riddhi and Siddhi. Riddhi and Siddhi, the daughters of Brahma, represent fortune and success, respectively, and Ganeshas marriage to the two. The story behind His marriage to Riddhi and Siddhi is quite intriguing. Both Ganesha and His brother, Kartikeya, were keen to marry the two women. In order to choose one of the two sons,
their parents decided that whichever son was first to circle the world seven times would win the womens hands in marriage. Kartikeya immediately set off on foot to accomplish the task while Ganesha sat upon His mouse and circled His parents seven times, saying that His parents were His world and that He had accomplished the task. By the time Kartikeya returned, his clever and loving brother had already married Riddhi and Siddhi, much to his disappointment. As unbelievable as it may seem to have an elephant God, the meaning hidden behind every stroke of the artists brush is overwhelming. The remover of obstacles is omniscient and omnipotent. He is loving and protective and seeks to guide us to the truth, success, and prosperity.
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Not only Hindu gods, even in the Judeo-Christian tradition, God has several names, and Islam has a list of 99 names of Allah. All this conveys that God has infinite attributes.
91. Varaprada : Granter of wishes and boons 92. Varadavinayaka : Bestower of success 93. Veeraganapati : Heroic lord 94. Vidyavaridhi : God of wisdom 95. Vighnahara : Remover of obstacles 96. Vignaharta : Demolisher of obstacles 97. Vighnaraja :Lord of all hindrances 98. Vighnarajendra : Lord of all obstacles 99. Vighnavinashanaya : Destroyer of all obstacles and impediments 100. Vigneshwara : Lord of all obstacles 101. Vikat : Huge and gigantic 102. Vinayaka : Lord of all 103. Vishwamukha : Master of the universe 104. Vishwaraja : King of the world 105. Yagnakaya : Acceptor of all sacred and sacrificial offerings 106. Yashaskaram : Bestower of fame and fortune 107. Yashvasin : Beloved and ever popular lord 108. Yogadhipa : The lord of meditation
An artists impression of 12 forms of Ganapati based on his names. 56. Mundakarama : Abode of happiness 57. Muktidaya : Bestower of eternal bliss 58. Musikvahana : One who has mouse as his charioteer 59. Nadapratithishta : One who appreciates and loves music 60. Namasthetu : Vanquisher of all evils and vices and sins 61. Nandana : Lord Shiva's son 62. Nideeshwaram : Giver of wealth and treasures 63. Omkara :One who has the form Of OM 64. Pitambara : One who has yellow-colored body 65. Pramoda : Lord of all abodes 66. Prathameshwara : First among all 67. Purush : The omnipotent personality 68. Rakta : One who has red-colored body 69. Rudrapriya : Beloved Of Lord Shiva 70. Sarvadevatman : Acceptor of all celestial offerings 71. Sarvasiddhanta : Bestower of skills and wisdom 72. Sarvatman : Protector of the universe 73. Shambhavi : The son of Parvati 74. Shashivarnam : One who has a moon like complexion 75. Shoorpakarna : Large-eared 76. Shuban : All auspicious lord 77. Shubhagunakanan : One who is the master of all virtues 78. Shweta : One who is as pure as the white color 79. Siddhidhata : Bestower of success and accomplishments 80. Siddhipriya :Bestower of wishes and boons 81. Siddhivinayaka : Bestower of success 82. Skandapurvaja : Elder brother of Skand (Lord Kartik) 83. Sumukha : Auspicious face 84. Sureshwaram : Lord of all lords 85. Swaroop : Lover of beauty 86. Tarun : Ageless 87. Uddanda : Nemesis of evils and vices 88. Umaputra : The son of Goddess Uma (Parvati) 89. Vakratunda : Curved trunk lord 90. Varaganapati : Bestower of boons
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By Ashok Vyas
riting is not easy. It is indeed a challenge to put ones thoughts in order, to find appropriate words and share it with others. This demands sincerity, perseverance and clarity of thoughts. As we live, we write our lives through our actions. It is not easy; we need some help here and there. Who am I? Why am I here? What are my potentials? How am I related to my surroundings? Why is my being alive dependent on the air around me? Why does my body need water? How do I manage to digest the food? What is my relationship with the food that I eat? What is it that makes me react to certain words in a particular way? What makes me feel good about myself? What is the ultimate satisfaction that I can derive as a human being? It is a long series of questions. Many basic questions about life draw our attention like the purpose of life, our relationship with other human beings and other living beings. Our immediate needs take the priority and in the rhythm of building a comfortable life, we ignore the key questions of life. Yes! Celebrate Life! It is worth celebrating but one should celebrate with understanding. This has been the recurring theme of the message of Indian sages. I am thankful to The South Asian Times for giving me this opportunity to refine myself by writing about Hinduism. The occasion of Maha Kumbhabhishekam at the Ganesh Temple, Flushing is uplifting our spirits. I meditate on Lord Ganapati and seek His blessings to come up with some 1400 words, which would be as tasty as the Modak in His hand. First off, I express my gratefulness to the inspiring presence of Dr Uma Mysorekar, President of the Hindu Temple Society of North America, NY. In her, we see the combination of Gyan Shakti, Ichcha Shakti and Kriya Shakti. My place of work, ITV has a soulful relationship with the temple-Dr Banad Viswanath and Sathya Viswanath have been actively associated from the beginning with this grand temple. Due to this special bond, Ive had the opportunity of covering Ganesh Mahotsav and many festivals of the temple for television. What we do is one part of our identity, what we think forms the essence of who we are. Family and friends shape us but most importantly, we are shaped by the source of our thoughts. We treat the mind as the only reference point for our identity and we rarely pay attention to the origin of thoughts. The source of knowledge is Vedas. As Hindus, we are encouraged to fashion our life in accordance with Vedic guidelines. Our sages teach us to look
within; knowing oneself has been a common theme for our teachers. Lord Krishna helped Arjun in discovering the right mode of conduct in accordance with the truth of his being. Swami Shri Ishwarananda Giri writes in the book Vision of Life: The Rishis had deep faith in the blessedness and values of human life. He translate a Sanskrit text, which says, There is no single letter of the alphabet that cannot be used as a mantra, no bit of vegetation that does not contain a medicinal cure for a disease; even so, there is no human being who is fit for nothing. Hinduism is all about vision. It helps us in inculcating that way of looking at life, which leads to appreciating the glory of life in each and every human being. I translated the book Vision of Life from
In the Agamas we find each of the five aspects of divinity -- Shiva, Shakti, Vishnu, Surya and Ganesha--celebrated. An aspirant can choose have any of these as the chief symbol of godhood (Ishta Devata), but can incorporate the other four also. The Puranas therefore insisted upon the concept of God in all gods before a devotee can attempt the realization of God as the soul of all souls (Sarwatmabhawa).
English to Hindi. It says, Even one moment of human life is more precious than all the precious gems of the world. Dont waste it. What is the best possible use of our time is also related to our perception of what is it that we consider as achievement. Spiritual emancipation or Moksha was given as the ultimate aim of human life by rishis. This precedes the other three purusharthas, namely, dharm, arth and kaam. Dharm is at the forefront. What is dharma? Dharma is not religion, it is not just duty. It is all that which helps us in aligning ourselves with the universal laws. Dharma is based on truth. Truth sustains us. The three aspects of Brahman, as mentioned in the Upanishads are Satyam Gyanam Anantam Brahm-Truth, Knowledge, Infinite Bliss. Many scriptures have emphasized the role of chanting Lords name. They say,
His name is like a boat that takes us across the river of hurdles. Hindus have so much treasure of inspiration and ways of relating to the infinite that fills the whole year with various uplifting festivals. Indian thought or Hindu thought is mind-boggling in terms of the in-depth thinking about various aspects of creation. On the one hand, they thought and meditated upon stars and galaxies and on the other hand, they focused on the human body and its potential. They declared Deho devalay prokto, human body is a temple of God. The science of yoga talks about various chakras and Lord Ganapati is said to be residing at the root of the spinal cord. As Hindus, one is encouraged to develop awareness and sensitivity, to be able to see and feel, beyond what is visible. This principle applies to all relations, be it human relationship or the devotional connection with the divine. So, when one is chanting Ram or Krishna or Shiva or Ganapati or Durgas names, one is immersing oneself in the same universal consciousnesses. In a verse from the Vishnu Purana, God declares, Ganesha is my intellect. Sun is my eyes and the Goddess Durga is my breath. Lord Shiva is my very heart. Those who worship me, the Vishnu, as something essentially different from these four forms of divinity are deluded and they unwittingly dismember my divine body. There is a reference made to the panchadevata concept of God popularized by Acharya Shankara. Even today his followers offer worship in their daily devotions to Shiva, Shakti, Vishnu, Surya and Ganesha. In the Agamas we find each of these five aspects of divinity celebrated with a fullfledged vibrant form of upasana or tantra. An aspirant can have any of these as the chief and chosen symbol of Godhood (Ishta Devata), but can incorporate the other four also as said in the above verse. This avoids cultism and sectarian strains. The Puranas, therefore, insisted upon the concept of a God in all gods, before a devotee can attempt the realization of God as the soul of all souls (Sarwatmabhawa). We are not allowed to commit the mistake of accepting a God which is opposing or a contestant
against other similar Gods. This is from the book Our Lord, The Leader -- Some Reflections on Ganeshopanishad by Swami Ishwarananda Giri. Hinduism lays a lot of emphasis on inner inspiration. It doesnt dictate but it has a kind of divine democratic way. The ultimate ruler resides in you and you are expected to evolve a system, whereby you are capable of responding to the hints of this inner glorious being. In order to do that, there are many practices that are suggested. Shraddha is the basis for all. Lord Krishna says in Bhagwadgita, One becomes in accordance with ones shraddha. One must apply oneself to the values offered by faith and also discipline oneself to be able to do it. The word Krishna also means the one who attracts. Lord is loving and attractive. He is ready to play with the devotees and this play of consciousness connects us to the most beautiful aspect of our being. Guru gives us the assurance that You are full and beautiful. In order to realize our fullness, satsang is very important. Hindus have a temple at their home. The appearance of Hindu Temple in Flushing and its expansion in keeping with the norms prescribed in the scriptures makes it a center of positively charged vibrations. People go to the temple to recharge their energy, to celebrate the glory of the Lord. Lord Mahavallabh Ganapatis presence is invoked by chanting and offerings. Sage Narad has said, Lord resides at that place where devotees sing His name. Indeed, the Lord is everywhere, but because of the need to intensely feel His presence, the devotees have built many temples in America as well. Visiting saints also provide much needed satsangs for the nourishment of the soul. The dedicated teachers of Indian classical art forms like songs and dances also inculcate the subtle samskaras amongst the students. Hinduism is so vast and versatile and glory of Hinduism opens up with self-discipline. This consciousness is rising, the love for Sanskrit learning is also growing in USA. Let me conclude with this part of the prayer from Aiteryopnisad, Let not my tongue speak about the Brahman what is not properly thought by the mind first, and let not my mind think about the Brahman which is not fit to be spoken by the tongue. Let my mind and speech be useful to each other, and to manifest the Atman by removing the cover of ignorance over me. Ashok Vyas is Program Director, ITV, and Practicing Hindu priest. His poetblogs can be read at www.Hardinkavita.blogspot.com & www.HarDinKrishna.Blogspot.com. He is also author & contributing writerThe South Asian Times.
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The writers pencil paused when bubbling in Hinduism as her religion during an exam.
By Nupur Joshi
t was the day of the PSAT. I remember the sounds of the shuffling of papers and the sharpening of pencils echoing throughout the room. I remember the anxious expressions on the faces of my peers, an expression that was most likely also writ large on that of my own. I remember the mechanical manner in which the proctor had asked us to begin filling out our personal information on page one of the answer sheet, reciting directions without having to look at his script. My pencil traveled fluidly from section to section: filling out my name, my date of birth, my address and then it faltered. The
Sanatana Dharma is that the path may be different, but the goal is the same. In addition, as Swami Vivekananda once said: The greatest religion is to be true to your own nature. He has also said that our duty is to help others live up to his or her own highest idea all the while helping them to reach the Truth. This is to say that in Sanatana Dharma, we also have a responsibility to help others move forward in life. Sanatana Dharma is unquestionably tolerant and supports the freedom of thought. With this said, I came to terms with the fact that Hinduism, or more accurately, Sanatana Dharma, is not a religion, and therefore filling in the bubble that declared it as my religion would be reducing it from the
The author, Nupur Joshi, is a multi talented high school student, pursuing hobbies in photography, writing, journalism and classical Indian music & dance. greater guide to living life that it is. And so I filled in the bubble for Other, wrote out Sanatana Dharma in the space provided, and turned the page.
Hinduism is actually a dharma, not a religion. While religion and dharma are often used interchangeably, dharma is defined as a philosophy or guide to living life. directions prompted me to choose, from the science and the supreme powers. options provided, which religion I was affiliA single Church-like institution does not ated with and it seemed that Hinduism was control it. It does not suggest that it should most applicable. But it wasnt. Not because I be forced upon others. It does not even go so held belief in some other faith or because I far as to force itself upon its followers; it held no belief whatsoever, but because it does not limit its followers to a single God seemed to me that calling Hinduism a reli- nor does it force multiple Gods upon them. gion was doing it an injustice. Instead, Sanatana Dharma allows followers Hinduism is actually a dharma, not a reli- the freedom of choice, to create a system of gion. While religion and dharma are often worship, a religion, that they deem suitable used interchangeably, dharma is defined as a so long as it helps to achieve the goal of philosophy or guide to living life. This can peace, love, and happiness, strives for the be seen in the breakdown of the word. The Truth, and does not violate any of the laws of suffix ism means the way of while life. Prime Minister Manmohan Singh Hindu is the term coined by Westerners to explains it well, saying that the essence of
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"Ganpati bappa morya, pudcha varshi laukar ya" (Hail Lord Ganesh, return again soon next year). This chant is rooted in one of the major festivals celebrated in India Ganesh Chaturthi.
anesh Chaturthi or Vinayak Chaturthi is observed in the Hindu calendar month of Bhaadrapada. Typically the day falls sometime between August 20 and September 15. The festival lasts for 10 days, ending on Ananta Chaturdashi, and is traditionally celebrated as the birthday of Lord Ganesha. Promoted by Lokmanya Tilak
To unite all social classes, Bal Gangadhar Tilak chose Ganesha as a rallying point for Indian protest against British rule because of the deitys wide appeal as "the god for Everyman". According to the historian Shri Rajwade, the earliest Ganesh Chaturthi celebrations can be traced back to the times of the reigns of dynasties in India such as Satavahana, Rashtrakuta and Chalukya. Records reveal that Ganesh Chaturthi celebrations were initiated in Maharashtra by Chatrapati Shivaji Maharaja, the great Maratha ruler, to promote culture and nationalism. And it had continued ever since. It is believed that Lord Ganapati was the family deity of the Peshwas. After the end of the Peshwa rule, Ganesh Chaturthi remained a family affair in Maharashtra from the period of 1818 to 1892. However, it was Indian nationalist and freedom fighter Bal Gangadhar Tilak who brought back the tradition of Ganesh Chaturthi and reshaped the annual Ganesh festival from private family celebrations into a grand public event. Lokamanya saw how Lord Ganesha was
worshipped by the upper stratum as well as the rank and file of India. The visionary that he was, Tilak realized the cultural importance of this deity and popularized Ganesha Chaturthi as a National Festival "to bridge the gap between the Brahmins and the non-Brahmins and find an appropriate context in which to build a new grassroots unity between them" in his nationalistic strivings against the British in Maharashtra. To unite all social classes Tilak chose Ganesha as a rallying point for Indian protest against British rule because of his wide appeal as "the god for Everyman". It was around 1893, during the nascent stages of Indian nationalism, that Tilak began to organize the Ganesh Utsav as a social and religious function. He was the first to put in large public images of Ganesha in pavilions and establish the tradition of their immersion on the tenth day. The festival facilitated community participation and involvement in the form of learned discourses, dance dramas, poetry recital, musical concerts, debates, etc. It
Once the worship is complete, the Ganesh statues are carried on decorated floats to be immersed (visarjan) in sea or other water bodies, similar to the way Durga puja ends. served as a meeting place for common people of all castes and communities, at a time when all social and political gatherings were forbidden by the British Empire for fear of conspiracies to be hatched against them. Since then, Ganesh Chaturthi has been celebrated throughout Maharashtra as well as in other states in India with great community enthusiasm and participation. With the independence of India in 1947, it was proclaimed a national festival. The Celebrations While celebrated all over India, Ganesh Chaturthi festivities are most elaborate in states like Maharashtra, Goa, Gujarat, Karnataka and Andhra Pradesh, and other areas which were former states of the Maratha Empire. Outside India, it is celebrated in Nepal by the Newars. The festival is so popular that the preparations begin months in advance as it is with Durga Puja in Bengal and Bengali dominated areas. Days before the actual worship, homes are cleaned and marquees erected at street corners to house the idols of the Lord. Elaborate arrangements are made for lighting, decoration, mirrors and flowers. The artisans who make the idols of Ganesh vie with each other to make bigger and better idols. The size of the relatively larger images ranges anywhere from 10 meters to 30 meters in height. These are installed in marquees and in homes prior to the Puja (worship). During the festival days, the Lord is worshipped with great devotion and prayer services are performed daily. The duration of the Lord's stay varies from place to place; once the worship is complete, the statues are carried on decorated floats to be immersed in the sea after one, three, five, seven and ten days. Thousands of processions converge on the beaches to immerse the holy idols in the sea. This procession and immersion is accompanied with dancing and the sound of exciting drum-beats, devotional songs and exploding firecrackers. As the idol is immersed amidst loud chants of "Ganesh Maharaj Ki Jai!" (Hail, Lord Ganesh), the festival comes to an end with pleas to the Lord to return the next year with chants of "Ganpati bappa morya, pudcha varshi laukar ya" (Hail Lord Ganesh, return again soon next year). The main sweet dish during the festival is the modak, a dumpling made from rice flour/wheat flour with a stuffing of fresh or dry-grated coconut, jaggery, dry fruits etc. The festival is also the time for cultural activities like singing and theater performances, orchestra and community activities like free medical camps, blood donation camps, charity for the poor, etc.
For Mumbai, the ten-day Ganesh Chaturthi festival is an absolute extravaganza of devotion fused with full throttle fun and camaraderie. The Ganesh statues can be as tall as 30 meters.
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nless you prepare and offer food with love and involvement, it would never taste so good. Food prepared in anger, boredom or as a work of drudgery can never be healthenhancing or spiritually uplifting. Anything that we prepare has to be imbued with a thought that it is an offering to God, it is prasadam. Anything we prepare with our mind on God has to taste wonderful and has to be wholesome. That is why temple prasadam is like manna from heaven. Here are a few divinely delicious recipes to try at home.
The busy Ganesh temple canteen. Photo: Xitij Joshi. between. (Do not put all the rava at once in the boiling liquid otherwise lumps will be formed). Put in the saffron milk, which now acquires a beautiful yellow color. Add in the sugar and stir once and cover this with lid and turn the flame to medium. After a while the liquid gets completely absorbed and the rava/semolina plumps up. Now add the ghee is small batches and stir in between on low flame. After a while the ghee starts leaving the sides of the pan. Now add the cardamom powder and mix well. Finally garnish with roasted cashews and raisins. Serve Hot! 2 tblsp desiccated Coconut 1/2 tsp Salt Method In a saucepan heat 2 tablespoonful of oil. Add mustard seeds to the oil. When the mustard seeds start popping add chana and urad daal. After a minute, add in the ginger, coriander and green chilies. Saute them for a minute. Take the pan off the gas. Add in the rice. Mix the salt and desiccated coconut. Just before serving, mix all the ingredients with yogurt (curd) and milk.
5 Red chilies 2 Green chilies 1/2 cup Oil Salt Method Soak tamarind in water and extract thick juice out of it. Cook rice, add salt and a little oil and mix it well. Keep it separately. Now in a frying pan, take tamarind extract, add salt, turmeric in it and cook until it thickens. Add this cooked tamarind extract (according to taste) into the rice and mix well. Heat oil in a pan, add chana dal, green chilies, urad dal, peanuts, red chilies, curry leaves, mustard, jeera and hing and fry. As the ingredients turns brown and the mustard starts to splutter, mix all these to the above prepared rice. Now Tamarind Rice is ready.
BOONDHI LADOO
Ingredients 1 cup Rava/Semolina/Sooji (fine) 1.5 cups sugar 2/3 cup ghee (clarified butter) 1/2 tsp cardamom powdered 1.5 cup milk Saffron (a pinch) 2-3 cloves Raisins, cashews (broken into pieces) Oil (optional though Ghee is preferred) Preparation: Roast the Rava/ Sooji on low flame in 1 Tbsp of Ghee until the toasted aroma of Semolina waffles through. Transfer it to a plate. Soak the saffron threads in about 1 Tbsp of warm milk. Fry the raisins and cashews in about 2 tsp of Ghee and set aside. Make sure the raisins plump up and the cashews obtain light brown color. Method Take a heavy bottom pan and boil milk along with 2 cups of water and let it come to a boil. Add the roasted Rava/Semolina in small batches and stir in
150 degrees C/ 300 F/ Gas Mark 2 and then turn off. Keep the oven shut to contain heat. While the oven is heating, put 4 cups of water and the sugar in a deep pan and boil. As it boils scum will rise to the top. Skim this off with a metal sieve. The sugar syrup must be boiled till it reaches a onethread consistency. Now remove the syrup from the fire immediately, add the cardamom powder, stir and place the pan in the previously heated oven to keep the syrup warm. Now put the bengal gram flour and baking powder in a large bowl and mix well. Add a little milk at a time till you get a thick batter. Whisk to ensure all lumps are removed and the batter is very smooth. Now heat the ghee on a medium flame till hot. Reduce flame a little. Hold the sieve about 4 inches above the hot ghee and fill a ladle with the batter. Pour the batter into the sieve. Now use another spoon to gently press the batter through the sieve and into the ghee. It will fall like tiny drops/ beads - Boondi into the oil! This is what gives the Laddoos their name! Press through all the batter you had put into the sieve like this. Now fry the Boondi till they are a very pale golden colour. When done, drain, remove and put into a separate bowl. The fried Boondi should be cooked but not crispy. Once all your Boondi is ready, coarsely crush about 1/4 of it with a fork. Add the finely chopped dried fruits, pour the warm syrup over all the Boondi and keep aside for 10 minutes. The Boondi will soak up the sugar syrup and soften. While this is happening warm the 6 tbsps of milk slightly and then soak the saffron strands in it. After the Boondi has sat in the syrup for 10 minutes, pour this saffron milk (remove strands before pouring) over it. Mix well. Now grease your hands lightly with some ghee and start forming the syrup-soaked Boondi into walnut-sized (or slightly larger) balls. Press gently but firmly to bind the Laddoos together. Arrange as you go, on a lightly greased platter. Allow the Laddoos to cool to room temperature before serving.
CURD RICE
TAMARIND RICE
Ingredients 1 cup boiled Rice 2 cups Yogurt (Curd) 2 tblsp Oil 1/4 cup Milk Finely chopped Coriander Leaves 1-2 Green Chilies 1 tsp Chana Daal 1 tsp Urad Daal 1 tsp Mustard Seeds 1 1/2 tsp finely chopped Ginger
Ingredients 3 cups Rice 1 cup (100 gm) Tamarind 1/4 cup Chana dal (soaked) 1 tsp Urad Dal (soaked) 1/4 cup Peanuts 2 tsp Turmeric 2 tbsp Mustard seeds 1 tsp Jeera 1 tsp Hing 1 small bunch of Curry leaves
Ingredients kg. Bengal gram flour Enough milk to make a thick batter (use full cream milk) 1/4 tsp baking powder 4 cups water 1/2 kg sugar 1 1/2 tsps cardamom powder (made from green cardamoms) 10 strands saffron (optional but highly recommended) 3/4 cup finely chopped dried fruits - cashews, almonds, pistachios 6 tbsps milk Ghee (recipe below) for deep frying (you could use vegetable/ canola/ sunflower oil but ghee gives tastier results) Special equipment: A very fine metal sieve Method Heat your oven for 10 minutes at
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Mathura-Vrindavan
Hardwar in Kankhal is also worth a visit as is Ardh Kumbh held every six years -- the last Ardh Kumbha of this century ended this year. Rishikesh, just 24 km upstream from Hardwar, is famous for Lakshman Jhula - the suspended iron bridge constructed in 1939 on the spot where Lakshman is said to have crossed the Ganges; Bharat Mandir - the most prominent temple in Rishikesh; Parmarth Niketan ashram; Vasishtha Goofa; Rishikund temple; Triveni Ghat and Nilkanth Mahadeo temple.
Madurai
An idol of Lord Krishna at the Keshav Dev Temple near the main Krishna Janmabhoomi temple complex in Mathura.
The Meenakshi Amman temple in Madurai stands as one of India's greatest cultural and architectural landmarks.
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A sea of humanity gathers at Har Ki Pauri in Hardwar every evening to worship the Ganges.
adurai is the third largest city in Tamil Nadu and its history dates back to 6th century B.C. It was the capital of the mighty Pandyan empire till 14th Century and was the center for Tamil learning. Tamil sangam (academy) flourished here 2000 years ago. Madurai is known for its majestic and grand Meenakshi Amman temple, built by the Pandyan rulers for Goddess Meenakshi, the consort of Lord Shiva. The Hall of Thousand Pillars and Golden Lotus tank are notable features of this temple. Legend has it that the Golden Lotus tank was used to judge the merits of Tamil literary works by various poets and literates.
Kanchipuram
The Iskcon Temple at Vrindavan is also known as Sri Krishna Balaram Temple Complex. he Mathura-Vrindavan region in Uttar Pradesh is intimately connected with the life of Krishna and one of the holiest of pilgrimage sites of the Hindus. Mathura is known as the birth place for lord Krishna, while Vrindavan is where he spent his childhood. The main attractions in Mathura are the Shri Krishna Janmabhumi - a temple complex with a small prison where Lord Krishna is supposed to have been born; Dwarkadhish Temple - built in the early 19th century by Seth Gokuldass of Gwalior; Ranghbhumi the place where Krishna killed Kansa and set his parents free; and Vishram Ghat - the most important bathing ghat along the river Yamuna. Situated 15 km from Mathura, Vrindavan is known for the Bankey Bihari Temple - famous for the black stone statue of Lord Krishna; Govind Dev Temple - built by Raja Man Singh, a general of Akbar; Rangaji Temple - dedicated to Lord Ranganath, another form of Lord Krishna; and Iskcon Temple.
Varanasi
aranasi, or Benaras, the ancient city of temples called Kashi, is regarded as one of the seven most holy places in India. Best known temple here is the Kashi Vishwanath Temple, also called Golden Temple. It was built in 1780 by Maharani Ahilyabai Holkar of Indore. Its religious importance is that Jyotirlinga of Lord Shiva is enshrined here. As for Durga Temple built in 18th century, legend has it that the idol of Goddess Durga appeared on its own here. Other important sites include Baba Keenaram Sthal, Vishalakshi temple, Sankat Mochan Temple, Vyasa Temple and Tulsi Manas Temple (Tulsidas completed his The Kashi Vishwanath Ramcharitmanas on the ghats of Kashi). Temple in Varanasi.
Hardwar-Rishikesh
ardwar is said to be the place blessed by the trinity of Lord Shiva, Vishnu and Brahma. The major pilgrimage attractions here are Har Ki Pauri the most sacred ghat on the banks of Ganges known for the evening Maha Aarti; Chandi Devi - temple located on the top of a hill called Neel Parvat; Mansa Devi temple also located on top of a hill. The trolly ropeway route to Chandi Devi and Mansa Devi is very exciting. Daksha Mahadev Temple 4 km from
nown as the Golden City of a thousand temples, Kanchipuram is one of the oldest towns in India where many ancient temples have been remarkably well preserved. One of the seven sacred cities of India, it is the only one associated with both Shiva and Vishnu. Ekambareshwar Temple, Kailashnath Temple, Kamakshi Temple and the Vaikunthaperumal Temple were all built in the 7th and 8th centuries. The nearest town Mahabalipuram, a quiet seaside resort with a unique 7th-century Shore Temple, has beautiful rock-cut temples in the world. The seven pagoda-style Shore temples has seven rathas or temple chariots, a group of monolithic monuments and animal figures carved out of solid rock, the earliest known examples of Dravidian architecture.
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Considered as the most visited worship site in the world and the second richest worship place in the world after The Vatican in Rome, a visit to the famous hill shrine of Lord Venkateswara in Tirupati is touted as a must in the lifetime of a Hindu devotee.
here would be no Hindu in the entire world who will not know about the famous hill shrine of Lord Venkateswara in Tirupati. It is estimated that, on an average, 60,000 pilgrims visit the temple daily and on any special day, the number crosses 2 lakh mark. The average earning of the temple is calculated to about $118 million annually, making it the richest God in India. Situated about 6 miles from Tirupati on Tirumala Hill in Chitoor district, Andhra Pradesh, the temple is dedicated to Lord Venkateswara, one of the avatars of Lord Vishnu. The temple attracts Hindu pilgrims from all over the world. It is said that the life of a Hindu is not fulfilled till he visits the temple at least once in his lifetime. The main earning of the temple is from the offerings and gifts presented to them by devotees. Even from the time of rulers and kings, the temple has been showered with expensive ornaments and jewels. Kings of the past have not only made the temple rich, they have made it the window to the true culture of religious India. The rituals that were part of the temple centuries ago, still find significance in today's ceremonies. Festivals like Vaikuntha Ekadasi, Ram Navami and Janamashtami are celebrated with great enthusiasm, but the main festival is the nine day Brahmotsavam which comes in every September. The daily rituals in the temple start early morning at 3 with 'Suprabhatam' and ends at around 1 am late into the night with 'Ekanta Seva'. Cash, gift and other offerings can be dropped in the donation box called 'Hundi'. Due to huge inflow of devotees, a special queue system has been made where you have to register at the queue offices near the main shrine. The History Earliest reference to the temple can be found in Tamil literature dating back to 500 B.C. Tirupati was then called as Thiruvengadam and was the northernmost part of Andhra Pradesh. It was in 12th century, Ramanuja, the legendary Vaishnava scholar, identified the
The Tirupati Temple on Tirumala Hill in Chitoor district, Andhra Pradesh. deity as Lord Vishnu and put an end to the ever standing doubt about the deity. The Architecture The main temple premises has a number of other small shrines in different directions. Lord Venkateswara Temple is primarily made in Dravidian style of architecture with the innermost shrine being its biggest attraction. The 'Vimana' or the dome of the shrine, known as 'Ananda Nilayam', is coated with gold. There are three enclosures called 'Prakarams' in the temple along with statues of Vijayanagara King Krishnadevaraya and his spouse that are the major attraction in the temple after the central shrine. Main Shrine The Tirumala Hill is 3,200 feet (980 m) above sea level, and is about 10.33 square miles in area. It comprises seven peaks, representing the seven hoods of Adisesha, thus earning the name, Seshachalam. The seven peaks are called Seshadri, Neeladri, Garudadri, Anjanadri, Vrushabadri, Narayanadri and Venkatadri. The sacred temple of Sri Venkateswara is located on the seventh peak, Venkatadri (Venkata Hill), and lies on the southern banks of Sri Swami Pushkarini. The Deities There are five idols of the Lord inside the Sanctum Sanctorum: 1. Moolavirat or Dhruva Beram The main stone Deity of Lord Venkateswara called Dhruva Beram (Beram means Deity). 2. Kautuka Beram or Bhoga Srinivasa - This is a tiny one foot silver Deity, which was offered to the temple in 614 AD by Pallava Queen Samavai Perindevi. 3. Utsava Beram - This is the form of Lord which comes out of the temple to see his devotees. This Deity is called as Malayappa and consorts are Sridevi and Bhudevi. All the three Deities were found in a cave called Malayappan Konai in the Holy Tirumala Hills. 4. Snapana Beram or Ugra Srinivasa - This idol of lord represents the Anger part of Lord Venkateshwara. He remains inside the Garbhagruha (Sanctum Sanctorum) and comes out only one day in a year that is before the sunrise on Kaishika Dwadasi. 5. Bali Beram or Koluvu Srinivasa - Bali means the food offering to all the deities who guard and maintain all the directions. Temple activities Prasadam: The Tirupati Laddu forms the Prasadam at the Tirumala Temple. The Prasadam has been granted Geographical Indication (GI) tag by the Indian Patent Office, means no one can reproduce the same kind of Laddu Hair Tonsuring: Many devotees have their heads tonsured as an offer. The daily amount of hair collected is over a ton. The hair thus gathered is sold by the temple organization a few times a year by public auction to international buyers for use as hair extensions and in
The deity worshipped at Tirupati is Venkatachalapathy. The image is of a 10 ft high Sthanaka or standing figure of Vishnu on a lotus pedestal.
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By Anil Mulchandani
hrissur is an abbreviation of Thiru, Shiva and Perur, meaning the city named after Lord Shiva and has been for centuries an important religious and cultural center of Kerala. Widely regarded as Keralas cultural capital, Thrissur district (Trichur in some maps) is famous for its temples, churches, arts colleges and training schools for performing arts. Thrissurs temple is an excellent example of Kerala architecture with fine woodcarvings decorating the roof and faade. Predominantly a Shiva Temple, it also has shrines to other deities. The main sanctuaries are dedicated to Shiva as Vaddukkanath and Sankara Narayan, with a Ganesh shrine between them. The interior has beautiful murals near the main shrines. Entry is for Hindus only but visitors are usually allowed on special days like during the famous
Murals at Ettumanoor
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Diwali being celebrated with fireworks at BAPS Shri Swaminarayan Mandir, Houston, TX
by the new generations born away from their ancestral home--the need to inculcate Hindu philosophy in the new generations and to hold children's classes to impart Vedic knowledge. As a result, American mandirs have become centers of learning too.
A few temples are formally affiliated with the Council of Hindu Temples of North America, established in 1984 as a registered non-profit organization in New York State. The Hindu Temple Society of North America, NY, which runs the Ganesh temple, is its Secretariat.
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part from being a center of religious and social activities on a daily basis, Hindu temples across the US have extended their helping hand to Americans from all walks of life. Be it via donations or volunteering, prominent temple organizations have taken up charitable activities big time. The BAPS Swaminarayan Sanstha, a worldwide socio-spiritual organization in Consultative Status with the Economic and Social Council of the UN, is one such organization. Dedicated to community service, peace and harmony and motivated by Hindu principles, BAPS strives to care for the world by caring for societies, families and individuals. Through a number of social and spiritual activities, BAPS endeavors to produce better citizens of tomorrow
The efforts of BAPS Charities gives hundreds of thousands to UNICEF and rushes volunteers and aid to those affected by natural disasters such as Katrina hurricane. who have a high esteem for their ing. Under the guidance and leadroots - their rich Hindu culture. Its ership of His Holiness Pramukh 3,300 international centers support Swami Maharaj, BAPS aspires to these activities of character-build- build a community that is morally,
The annual health fairs at its centers benefit thousands including children. More than 2500 health care professionals volunteered in 2010 for these camps. According to its annual review, blood drives organized at 22 centers last year lead to collection of 823 pints of blood helping save up to 2,469 lives. The efforts of BAPS Charities and UNICEF have brought clean water to individuals living in remote areas, improved sanitation conditions to prevent the spread of disease, and provided baby tents, a safe place for mothers to breastfeed. This apart from donations worth hundreds of thousands to UNICEF for various earthquake relief funds and scores of volunteers reaching out to those affected by natural calamities such as hurricanes and tornadoes with hot food.
ISKCON Food for Life: Hare Krishna devotees distributing free vegetarian meals in Russia ple in over 60 countries. Too much grief and despair in the world is caused by hunger, says Australian born Paul Turner, international coordinator of Food for Life. Krishna devotees are dedicated to bring people hope by distributing healthy and sanctified foods. Recently, Food for Life chapters in New Delhi and Mumbai inaugurated successful Mid-Day Meal programs to combat hunger. These programs aim to liberate underprivileged children from the vicious cycle of poverty; they seek to encourage school attendance by providing students with fresh, nutritious lunches, free of cost. In Mumbai, the program partners with the state government and the Times of India media group, and feeds some 30,000 students in over 100 schools every day. In addition to regular distribution in low-income areas, Food for Life has provided aid during several calamities worldwide. Some examples are: Earthquake in Pakistan (2006), Hurricane Katrina in Gulf Coast, US (2005), Tsunami in Southeast Asia (2004), Cyclone in Orissa, India (1999) and War in Grozny, Chechnya (1995).
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by Promod Batra
laying the foundation stone of a building, he is invoked. No new business or industry is started without a prayer to him. Prayers to Ganesha precede every Hindu religious ceremony. Travelers on lonely roads pay homage to the elephant god at roadside shrines; trusting Ganapati to remove every danger from their path. As a student of management, I was fascinated enough by Ganesha to research the subject. Clearly, there is much we could learn to become more effective managers. Management is always the major chunk of the problem on the job; in business and at home. Symbols have been one of the most effective ways to communicate ideas since the dawn of civilization. Lets look into the symbols ofGanesha to get our managerial inspirations.
anesha is known throughout South Asia as the fountainhead of wisdom and courage. When
Ganeshas big head inspires us to think big and think profitably; the big ears show openness to new ideas and suggestions; the narrow eyes point to the deep concentration needed to finish a task well; the long nose encourages curiosity and learning
orientation and his adaptability. These qualities were much needed by our forefathers as they advanced from hunters to agriculturists. More than strength, they needed wisdom and judgment to survive. These qualities are no less at a premium today, especially for managers. A Ganesha manager likes people, all kinds of people with their diverse skills and aptitudes, and he likes to work. He enjoys bettering his records. He is forward-looking, with clear and friendly eyes. He likes to set goals and solve problems, and because he is stimulated by this challenge, he becomes better and better at it. He likes to help others realize their goals. He nurtures his own understanding and discrimination by reflecting on his own and others experience. He always operates at 150 per cent of capacity; he knows thats what keeps him happy and growing. The opposite of the Ganesha manager is Gobarganeshaliterally, a cow-dung Ganesha. Full of himself, he has no time for others. Hes always oppressed, always overburdened. He carries his problems around instead of solving them. Hes wary of change. He cant lead others, and he has no self-defined goals. To keep Parvatis maternal fury at bay, Shiva was compelled to use his powers to revive Ganesha, who was given the head of an elephant. Shiva blessed him and decreed him to be worthy of worship forever. He also gave him the name Vigneshwara, one who can remove obstacles. With an elephant head, a potbelly, and a mouse for a vehicle, Ganesha had many obstacles to overcome from the outset. Did he run away and hide? No. Did he try to bluff? Never. He met obstacles head-on. He converted perceived disadvantages into advantages. SYMBOL OF WISDOM The elephant head is the over-seeing, all-seeing, eternal witness, the unmanifest supreme. Below the head is the belly, the symbol of the manifest, the mortal. Ganesha is the lord of all, manifest and unmanifest. The memory of an elephant is, of course, proverbial. Ganeshas twisted trunk represents the zigzag path to wisdom. It reminds us that there is no direct path, that we must turn right and left in the search for truth.
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The elephant ears are like winnows that separate the wheat from the chaff. All experience must be subjected to scrutiny to determine what is essential and what is nonessential. This is a critical aspect of judgment. The discerning and the wise do what they must and let the rest be. Ganeshas endearing potbelly is equated with space; it is vast enough to hold all wisdom and all life. Gentle and harmless, he uses his great strength only when provoked. Good managers can draw a lesson from this.
GOAL-ORIENTED
The elephant seems to swerve as it walks, but keeps to the path. He makes it to his goal with unhurried grace. Ganesharose from the ranks to hold high office. He was in the right place at the right time. Ganeshas vehicle, the lowly mouse, stands for the dark, fertile forces of the earth into which it burrows, avoiding light. As a recurrent threat to the harvest, it had to be tamed. But the rat also represents swiftness of movement. He burrows with his sharp teeth, chews through anything, and squeezes out of the smallest hole. In this way, he proves an excellent transport for Ganesha, who has to be everywhere and anywhere at short notice to remove obstacles.
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Ganesh in calligraphy
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Chandigarh, India: +91-172- 256 2832, 257 2874; Delhi, India: +91-11- 2644 9898, 2648 9899; psharma@premastrologer.com; www.premastrologer.com
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ife and strife seem to go hand in hand. We have all experienced this. Any happiness that we receive is often short-lived, for at any moment we may suddenly find ourselves in states of sorrow. Disturbances occur at each and every stage of our life. Although existence in this world is turbulent, life should be more than a pendulum in which we swing back and forth between moments of joy and moments of sorrow. The dictionary defines peace as freedom from strife, a state of serenity, calmness, and stillness. Despite the obstacles, we can attain true peace in this lifetime, but to do so, we need to undergo a shift in our way of thinking. Our angle of vision needs to change. We tend to look for peace in the outer world. We hope to find it in our possessions, positions, and relationships, but the loss of any of these causes us to become agitated and distraught. Our peace of mind is disturbed. Everything in this world is subject to change and eventual decay. So long as we look to the transitory world for happiness, we will be disappointed. We need to change
the way we look at this problem. An anecdote from the life of the Moghul Emperor Akbar can help us in this regard. Akbar is considered to be one of the most enlightened emperors of India. He had a number of advisors to help run his kingdom. Among these great minds was Birbal, the wisest of them all. He was quite clever and could figure out solutions to difficult problems by looking at them from a totally different perspective. One day Akbar wanted to test his advisors, so he presented them with a puzzle. He took a stick and drew a line in the sand.
He asked the advisors to try to shorten the line without erasing any part of it. Each counselor took a turn, but all were stumped. They could not figure out how to make it shorter. Finally, Birbal came forward, took the stick, and carefully drew a line next to the one the emperor had drawn, but Birbal made his line longer. By drawing the second line longer, it made the original one look shorter. The solution to finding peace requires us to look at the problem from a new perspective. We cannot change the nature of the world or its problems, but we can add a new dimension to life that will give us peace. Lasting peace can be found within us. Enlightened luminaries throughout history have had mystical experiences which verified for them the existence of an inner spiritual reality. Mystics from every religious tradition have described their inner spiritual experiences. They have spoken of heavenly realms that co-exist with the physical world. These are realms of joy and love which are within us. They are regions of eternal peace and bliss beyond time and space. Although we cannot change the fundamental nature of the world, we can become attuned to the worlds lying within us. In order to find peace in the world, we must first find it within ourselves. We can
do this only by changing our perspective in life. The way to reach the spiritual realms is to invert through a process known as meditation. Through meditation we can separate our soul from the body and voyage into the regions within. We have within us an opening or door by which our attention can enter the higher regions. This entryway is located between and behind the two eyebrows, referred to in many ways by various religions and philosophies. It has been called the single eye or third eye, the shiv netra, divya chakshu, daswan dwar, or tenth door. If we can withdraw our attention from the outer world and focus it at this point we will see the Light of the higher regions reflected therein. As our soul collects at this point, it rises into the beyond. We may spend our time seeking worldly enjoyments, but they last for only short periods of time. So long as our attention is identified with the world outside, we are faced with the problems and miseries that are inherent in physical existence. By inverting our attention and rising above the physical body through a process of meditation on the inner Light, we will find regions within which give us lasting peace. For more visit www.sos.org