Museum Grad 2025

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Architecture and Urban Planning DEP.

Faculty Of Engineering.
Graduation Project 2024– 2025 ( ARCH 404 )
Suez Canal University In Ismailia.

History & Future


CULUTURE Museum
of
Suez Canal
The THE
Teamwork SUPERVISORS

DR /
MOHAMED MOHAMMED ATWA
SABER
DR /
FAYSAL ABO ELAZM

ENG /
ALAA MOHAMED
ENG /
AHMED MMDOUH

ELZAHRAA
SAEED

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The…….
content

Introduction

Case studies

Context analysis

program

Design criteria

concept

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Introduction

Ontario museum between past & future,


In Canada ,Toronto.
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4
Introduction Context Cases Study Program Design
analysis Criteria
•Calliope: Muse of heroic or epic poetry (often holding a writing tablet).
•Thalia: Muse of comedy (often holding a comic mask).
•Melpomene: Muse of tragedy (often holding a tragic mask).
•Clio: Muse of history (often holding a scroll).

•Terpsichore: Muse of dancing and choral song


(often shown dancing and holding a lyre).

•Euterpe: Muse of music or flutes (often playing flutes).

THE ORIGIN OF
THE “MUSEUM”
WORD.….
The word “museum” comes
from the Ancient Greek word •Urania: Muse of astronomy
“mouseion.” In ancient (often holding a globe).
Greece, a mouseion was a
place or temple dedicated to
•Polymnia: Muse of sacred poetry or of the mimic
the Muses—the goddesses of
art (often shown with a pensive look).
the arts and sciences.
•Erato: Muse of lyric and love poetry
(often playing a lyre).

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Introduction Context Cases Study Program Design
analysis Criteria

•The Ptolemies reputedly


established their Mouseion
and Library with the intention
of bringing together some of
the best scholars of the
Hellenistic world and collect
all the books known at the
time.[5][6] Although it did not
imply a collection of works of
art, the word mouseion is the
root for the modern usage of
the word museum.

THE first
“MUSEUM”
“3rd century” in the world.….
•ancient Centre of •The members of the
classical learning Mouseion ensured the
at Alexandria in preservation and production
Egypt. A research of historical, literary, and
institute that was scientific works, which
especially noted would remain part of the
for its scientific Western heritage for
and literary •the Alexandrian Museum was built near centuries, and thanks to
scholarship. the royal palace about the 3rd century their efforts today one can
bce possibly by “Ptolemy I Soter” still read “Homer” and “the
(reigned 323–285/283 bce). tragedians”.

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Introduction Context Cases Study Program Design
analysis Criteria

Only known illustration For the purpose


of a “great auk” drawn of “pedagogy”.
"cabinet of curiosities" from life
"1655"
“16th century” The first museum
in the
"Museum Wormianum" was "Renaissance era"
the cabinet of rarities of
the natural history
cabinet established by Ole
Museum Wormianum
Worm in Copenhagen. It
consists of minerals,
“Ole Worm’s” plants, animals, and man-
made objects.
• He was a professor at the University of Copenhagen
where he taught Greek, Latin, physics and medicine.

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Introduction Context Cases Study Program Design
analysis Criteria

• some people are


kinesthetic learners, and
some are visual or
auditory learners.

• eventually lead to each


visitor personalizing
the museum's message • Family visitors. • the ways in which
to fit their own • School field trips. visitors navigate
learning style and • Other visitors: the physical space
unique "agenda" a. Interactive exhibits of a museum.
b. Auditory experiences
c. Mimicry of other
Personal museum attendees Physical
context behavior in the context
museum space.
The user
“experience“
In the museum
Social
context

the experience of museum


visitors using three
• “The authors emphasize that contexts
each visitor brings a unique
personal context to each visit”.
Falk, J.H. and Dierking, L.D. (1992) The Museum
Experience

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Introduction Context Cases Study Program Design
analysis Criteria

cultural

Leisure Education + “The purpose”


inspiration
of visit
In the museum

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Introduction Context Cases Study Program Design
analysis Criteria
….”Goshen Museum”
How to sail to the future….

,exabit All works……


All pieces guide the
story…… …Shuyang Art
Museum “The difference” Gallery / UAD
between

Gallery

Every piece guides


to a story……..

…..Seoul ,works of
Photographic arts……..
Art Museum……

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Introduction Cases Study Context Program Design
analysis Criteria
The engineers
accompanying
Bonaparte in Egypt
had been ordered by
the Directoire to dig
the isthmus.
Bonaparte put J-B. Le
Père in charge of
carrying out a survey.
Despite Laplace’s
opinion to the
contrary, Le Père
concluded that the
level of the Red Sea
was higher than that
of the Mediterranean,
an error which was to
set the project back
by half a century.
“The timeline ”
Of BEFORE
1574 1798 1833
Suez canal
The idea of digging
a canal through A (subsequently
the Suez isthmus disregarded) project
was put to the for a canal across
Council of Ten by the Suez isthmus by
the Saint Simonian
the Republic of
Prosper Enfantin.
Venice. The project
was abandoned as
being too
expensive.

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Introduction Cases Study Context Program Design
analysis Criteria

Floatation of Suez An official order


Establishment of
Canal. The share by the Egyptian The waters of the
the «Compagnie
price was fixed at Frf government to Mediterranean
universelle du
500, and 207,229 of halt work, ignored flow into Lake
canal maritime de
the 400,000 shares by Ferdinand de Timsah.
Suez».
available were Lesseps.
bought.

18 November
“The timeline ” 5 November 15 December 9 June
1857 1858 1859 1862
Of DURING
Suez canal 30 November 25 April 23 October 18 January
1854 1859 1859 1863
Start of the
First After meeting Upon the death
digging of
concession with Ferdinand of Said, Ismail
the canal at
granted by Said de Lesseps, Pasha becomes
Port Said.
Pasha, son of Napoleon III the Viceroy of
Mohammed-Ali, officially Egypt.
to Ferdinand de supports the Turkey orders
Lesseps for the canal project. the project to
digging and use be suspended.
of a canal
through the
Suez isthmus
for 99 years.

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Introduction Cases Study Context Program Design
analysis Criteria

Sultan Abdul Aziz I


(1830-1876 AD)
Ratification of the concession The waters of the
by the Turkish sultan, Abdul- Red Sea join those
Aziz-Khan (Egypt is a province of the Mediterranean
of Turkey).

“The timeline ” 19 March 1866 15 August 1869


Of DURING
Suez canal 1864
16 November 1869

The conflict between Egypt and


Turkey is resolved thanks to
Napoleon III’s arbitration. The Inauguration of the
Company then abandons the Suez Canal
fresh water canal and 60,000
hectares of irrigable land and
accepts the obligation that
fellahs should no longer be
employed on the construction.
The latter are partially
replaced by machines.

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

• Egypt map • Suez canal region • Ismailia map

• Project location
• Project location • THE Neighbourhoods.
• IN The first neighbourhood The3rd neighborhood
The 2nd neighborhood
The first neighborhood

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

• Eltemsah lake
• Mediterranean
Sea
in port said

• Elmorah Elkobra
lake

• Gulf of Suez

Site museum project Ismailia gov. Suez canal

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

Dimensions & Area :

Area :26000 sqm


(6.2 acres ).

Site museum project

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

Site museum project

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

Site museum project

Site museum project

The nearest hotel is 2 minutes away The nearest bus station is 15 minutes
by car from the project site. away by car from the project site.

Site museum project

The nearest train station is 8 minutes away by car from the project site

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

Landmarks:
Eltemsah lake
Suez canal
Tolip hotel
Mercure hotel
Suez canal
stadium
Golden Jewel
Al-Danva Beach
Suez canal
authority pilot
building.
Golf club
Suez canal
authority
villas.
Ferry number 6
Museum project site Landmark
Canal harbor & great projects Suez Canal Authority Shooting Club Noises
Suez Canal Authority Printing Center Main road 20m Nodes points for people
Suez canal authority officers 'residences Green area Corniche num .6
Sec. road 10m

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

HEIGHTS:
1:3 floors
3:5 floors
+5 floors

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

construction type
Key :
• Reinforced Concrete
• Steel construction
• wood structure

Conclusion: - Most of
the surrounding
buildings are of the type
of construction is
reinforced concrete,
while the old buildings
are made of wood and
metal buildings are
warehouses ,
workshops, factory, and
a covered hall.

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

Solid & void


Solid
void

Conclusion: - The
percentage of
solid in the area
is low

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

➢ TEMP. RANGE………… ➢ RADIATION RANGE………… ➢ SKY COVERAGE …………

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

➢ HUMIDITY………… ➢ SUNSHADE CHART………… ➢ Psychometric


chart…………

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Introduction Cases Study Context Program Design
analysis Criteria
Physical Nonphysical
Location Dimensions Accessibility Surrounding Roads Sensory Environmental analysis

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‫‪Introduction‬‬ ‫‪Cases Study‬‬ ‫‪Context‬‬ ‫‪Program‬‬ ‫‪Design‬‬
‫‪analysis‬‬ ‫‪Criteria‬‬
‫‪Physical‬‬ ‫‪Nonphysical‬‬

‫تاريخ االسماعيلية ‪:‬‬


‫من حيث النشأة تعتبر اإلسماعيلية من أحدث المدن المصرية‪ ،‬إذ‬ ‫متاحف توجد في االسماعيلية ‪:‬‬
‫‪Population density in Ismailia:‬‬ ‫‪.1‬متحف االثار‪.‬‬
‫نشأت مع أفتتاح قناة السويس في ‪ 16‬نوفمبر ‪ 1869‬م‪ ،‬في عهد‬
‫……‪1432323 PEOPLE‬‬ ‫الخديوي إسماعيل الذي أخذت اسمه‪ ،‬وما تزال بعض أحيائها‬ ‫‪.2‬متحف ديليسيبس‪.‬‬
‫وشوارعها على النسق الفرنسي بشكل خاص في هندسة تصميم‬ ‫‪ .3‬متحف دبابات أبو عطوة‪.‬‬
‫المدن والتخطيط العمراني تعكس إلى اليوم‪.‬‬
‫‪Events in Ismailia:‬‬
‫‪1.Festival to celebrate folk‬‬
‫)‪arts such as (Sesameya‬‬
‫‪....‬متحف االثار‪....‬‬

‫‪2. Festivals celebrating‬‬


‫‪agricultural seasons, such as the‬‬ ‫‪....‬متحف ديليسبس‪....‬‬
‫‪Mango and Strawberry Festival.‬‬
‫‪3. Competitions and shows for‬‬
‫‪plays and short films.‬‬

‫‪....‬متحف دبابات ابو عطوة ‪....‬‬

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Introduction Cases Study Context Program Design
analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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• Section

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

• Sections:

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Introduction Cases Study Context Program Design
analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

• Sections:

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Introduction Cases Study Context Program Design
analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

Interior & Exterior :

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PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea • Area: 18593 m²


• Architects: Haeahn Architecture
• Location: South Korea
• Year : 2020

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea

• concept • Surrounding:
First, “Air Turbine”, the motif of which has Residential area
been adapted from an airplane turbine, is a
symbolic icon in which mechanical aesthetics Airport
and science technology are integrated as a
landmark of the aviation industry. Airport parking

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea

❖ Layout

• parking
• Main entrance
• sub entrance
• The built area 9000 m

• Parking area 2600 m

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Introduction Cases Study Context Program Design
analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

Stora
➢ National Aviation Museum of Korea ge Experi
ence
Centre
Exhibit
❖ GROUND PLAN ion
room
Restaur
ant Gallery
entra
nce

Name No. of Area m2


spaces

Restaurant 1 700
Gallery 1 2500

Auditorium 1 400

Experience Centre 1 600

Exhibition room 1 400

• Gallery • cafe
• Experience Centre
• Auditorium • stairs
• Exhibition room
• Storage
• Circulation

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Introduction Cases Study Context Program Design
analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea


offic
es Lectur
❖ first PLAN
e
Experie
Exhibit
nce
Exhibit ion
Centre
on room room

Name No. of spaces Area m2

Exhibition room 1 800


Offices 1 700

Experience Centre 3 400-900

Air conditioning room 1 500

Lecture room 2 100

• Lecture room
• Experience Centre
• Air conditioning room
• Exhibition room
• offices
• stairs
• Circulation

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea


❖ second PLAN • Library
• Experience Centre
• Roof garden
• Exhibition room
• Experience Centre
• stairs
• Circulation
Name No. of spaces Area m2

Exhibition room 1 800


Library 1 450

Experience 2 500-800
Centre
Roof garden 1 1500

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea


• Section
Two different buildings, a circular exhibition hall that is customized as an exhibition
space to have aviation freely flying in the sky, and a rectangular management building
optimized for functions such as storage, work, and facilities,

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea


• Section

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea

• elevation

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea

• exterior and interior

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Introduction Cases Study Context Program Design
analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea


• exterior and interior

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analysis Criteria
PROJECT 01 PROJECT 02 PROJECT 03 PROJECT 04

➢ National Aviation Museum of Korea


Swot analysis • Proximity to the airport,
which causes inconvenience
around the clock
• The elements of the
project are well placed
forthe view • strengths • weaknesses
overlooking the air
port
• The exterior design is
s w
very good, and the
outside view is
wonderful o t
• opportunities • threats

• There is a nice view over the


project from the planes

• Suitable timing in suitable


area for Project

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analysis Criteria

TYPE No. of Area Orientation Ventilation Lightning Shape Furniture


Name
spaces m2

Gallery 1 2500 northwest


artificial artificial

Exhibition 1 500-900 northwest Natural


Natural and
room and
artificial
cultural artificial
Experience 1 700 northwest
Centre artificial artificial

zone
Lecture 2 100 northwest Artificial - Artificial -
room natural natural

Library 1 500 northwest Artificial -


Artificial -
natural
natural

1 100 ----- Artificial - Artificial -


Loby natural natural

1 100 ------ Artificial -


Reception Artificial
natural
services zone

3 150 South&east
Storage artificial artificial

Air 1 400 South&east


conditioning artificial artificial
room
2 150 South
Toilets artificial artificial

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analysis Criteria

TYPE No. of Area Orientation Ventilation Lightning Shape Furniture Total Area
Name
spaces m2

Manager 1 100 northwest Artificial& Artificial& 100


office natural natural

secretarial 1 30 northwest Artificial& Artificial& 30


office natural natural

Administrativ 5 20 south artificial artificial 100


e offices
Administration zone

Exhibition 1 150 Articial& Artifial& 150


hall
___
natural natural

Meeting 2 60 East Articial& Articial& 120


room natural natural

Control 1 40 south Articial& Artifial& 40


room natural natural

Vip area 1 100 South& artificial artificial 100


southeast

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analysis Criteria

MUSEUM ZONING :

EXHIBITION SPACES
HEIGHT OF BUILDINGS
•LESS THAN 12 M
•LIMIT FOR ANY ARCHITECTURAL ELEMENTS IS 17 M

ENTRANCE AND DOORS


•SINGLE DOORS MIN OF 800MM WIDE,,PREFERABLE 1200MM
•DOUBLE DOORS MIN OF 1600 MM WIDE

SPACE AND REQUIREMENTS


•ROOM SIZE DEOENDS ON SHOWCASE SIZE
•FOR SCULPTURE OR MODELS –6-10 SQ M / GROUND SURFACE
•LATERAL LIGHTING GIVES RISE TO SWALLOW ROOMS
•MONOTOMY RESULTS IF NO OF ROOMS FOLLOW ONE ANOTHER

TYPES OF EXHIBITION
•PERMANENT (FOR MIN OF 10 YRS )
•TEMPORARY OR SPECIAL (DAY,, WEEK,MONTH )
•MOBILE (TO ATTRACT AUDIENCE )

DIVISION OF EXHIBITION SPACES

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Introduction Cases Study Context Program Design
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GALLERY…..
▪ HEIGHT: NOT LESS THAN 3M i.e., 3.6-5.4M
▪ LENGTH: 18.2-24.4M
▪ WIDTH: 5-10M
▪ PICTURE/PAINTING/2D DISPLAY: 3-5 M^2
HANGING SURFACE TO EACH WITH
ARTIFICIAL LIGHTING IN DARKER
SPACE
▪ SCULPTURE/3D DISPLAY: 6-10M^2 AREAS
WITH NATURAL LIGHTING

WORKSHOP
•NATURAL DAYLIGHTT,HIGH LEVEL
WINDOWS (25-30%) OF FLOOR AREA
•ROOF LIGHTING PREFFERED, DAYLIGHT
CONTROL
•BUFFER ADDING WALLS/ VEGETATION
•SHOULD BE THERMALLY ,MENTALLY,
PHYSICALLY COMFORTABLE
•METAL WORKSHOP
•WOOD WORSHOP
•TERRACOTTA WORSHOP

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analysis Criteria

MEETING ROOM
MINIMUM 30 SQ.M AND IT SHOULD BE
LOCATED ON PEACE FULL ZONE

LECTURE ROOM
➢ LARGE ROOM USED FOR INSTRUCTION
➢ FOR MORE THAN 200 STUDENT SHOULD
BE DESIGNED FAN SHAPE IN THE RATIO
1:1 TO 1:1.3

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analysis Criteria

RESTAURANT
•ENTRY
•DINING SPACE- ADDITIONAL TABLES
AND CHAIIRS SHOULD BE AVAILABLE
FOR FLXIBLE TABLE
GROUPING
•WAITERS STATION
•MUST BE IN PRIME LOCATION
•MIN WIDTH OF SERVICE AISLE 0.9-1.35 m
• WAITER STATION : 1 PER 20- 30 SETS
18-30 SQ.M DEPENDING EITHER THE
CONDITION IT IS USEDG
STAFF OFFICE

7.9 SQ.M PER PERSON(INDIVIDUAL 10 SQ.M MINIMUM)

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analysis Criteria

STORE
DEPENDS UPON THE USAGES
STANDARD SIZE SHOLD BE = 7.4
SECURITY MONITORING ROOM SQ.M

COMPUTER- 2 SQ.M

SERVER ROOM
COMPUTER- 2SQ.M
PHOTOCOPY-2SQ.M

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analysis Criteria

Type Name of Area for ventilation lighting Furniture Interior


space one person
Exhibitions 3 𝑚2 Natural and artificial
Warm white and
natural white lights
The minimum flow of
fresh air per person for
exhibition halls is 20 m
3/h.
cultural zone

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Introduction Cases Study Context Program Design
analysis Criteria

Type Name of Area for ventilation lighting Furniture Interior


space one person
Reception 1.2 𝑚2 Artificial Natural and
ventilation artificial
Administration

MEETING 2.5 𝑚2 Natural and Natural and


Room artificial artificial

Direct symmetrical lighting 7


CD is preferred for all general
Illumination
of work rooms, meeting room

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analysis Criteria

Type Name of Area for ventilation lighting Furniture Interior


space one person
Office 4: 6 𝑚2 Artificial and Natural and artificial
natural
ventilation
Ideally, light
should fall on
a working
position from
the side.
Administration

Open-plan office, room


depth 20-30m

Manager’s Artificial and


office
5 𝑚2 natural

Direct symmetrical lighting 7 CD


is preferred for all general
illumination of work rooms.

Graduation Project 2024– 2025 ( ARCH 404 ) 72


Introduction Cases Study Context Program Design
analysis Criteria

Type Name of Area for ventilation lighting Furniture Interior


space one person
- 15 volumes per square foot space
Storge 2-2.3 𝑚2 Artificial Natural and is a standard formula
artificial - Each unit book rack (2m) long may
be assumed to house 150 volumes
- The width of the gang way between
two rows of racks should be 4.5 feet.
If the stack room is unusually big the
central gangway may be 5 feet wide
services

WC 2.5 𝑚2 Artificial Artificial

Toilets should
be
approximately
100m

Graduation Project 2024– 2025 ( ARCH 404 ) 73


Introduction Cases Study Context Program Design
analysis Criteria

Type Name of Area for ventilation lighting Furniture Interior


space one person
Café 1.25 𝑚2 Ventilation for cafe Natural and artificial
Nominal illuminance for
height 3-5 m:
Entertainment

up to 500 lux
Type of light :
• TC- D
Ventilation for kitchen • TC-L
cafe kitchen

Graduation Project 2024– 2025 ( ARCH 404 ) 74

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