The Vedic Square: A Journey to the Center of the Universe

By Robert N Hoff
robert.n.hoff@gmail.com

INTRODUCTION

The elegance and beauty of the vedic square is found in its simplicity. The true complexities of this
simple table become ever more apparent the more one looks at and analyzes it. Beautiful symmetry
and asymmetry arise out of it like a budding rose. Its simplicity lends itself to simple mathematics and it
is this simplicity that makes it appealing to people of all ages. In this paper I will introduce a different
approach to base-ten mathematics called (8! mod 9)^n! universal zero-point mathematics and all that it
entails is being able to count from one to nine and add or subtract between them, add or subtract a
zero, and move a decimal.

The purpose of this paper is to show that the vedic square is the simplest depiction of a
tesseract/hypercube comprised of nested spherical harmonics; that it encodes the basic building blocks
of all matter and anti-matter; and that it is not only exemplary of the infinite symmetrical and
asymmetrical nature of the universe, but that it has a clear set of boundaries (limits, finite) of which play
an important role in adjusting the scale for the dimensions of density. The secondary purpose of this
paper is to inspire real mathematicians and scientists to build upon these presented concepts.

By the end of this paper we will have come full circle back to the vedic square as the basis for everything
with a total understanding of ourselves and our place within the infinite multiverse. The implications
and applications of (8! mod 9)^n! mathematics are limitless and I hope you take thoughtful
consideration of the information presented in this paper.

DISCLAIMER: The concepts presented henceforth are of my own creating with pen and paper. No outside resources were used
to conceptualize them and any picture that is source-cited is used as supplementary material to demonstrate a concept. Some
terms may have been misused since I am not a mathematician. If you feel there is an inaccuracy or inconsistency or if you would
like to comment on the information presented please email me at the address provided at the top of the paper.

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A BRIEF PERSONAL HISTORY

Have you ever heard “11:11 make a wish!”? What is so special about 11:11? In my experience I have
found that many people use repeating digits in the artificial time scale as a synchronistic event. This in
and of itself is not a synchronicity unless it is attached to a synchronistic event in which case the
repeating digits on the time scale add an extra component of rarity to the event. Say for instance you
and a friend are watching television and pick a random show or movie that you’ve never seen and
through the course of this program you have a conversation with your friend. Let’s say in that
conversation you or your friend use the word “kangaroo” and at the same time or directly after, in the
program the word “kangaroo” is also used despite the program having nothing to do with kangaroos
whatsoever (its usage was very random). That is a synchronistic event (for more information read all
about Carl Jung’s work on synchronicities). You notice this rare acausal occurrence and look at the clock
in which you notice it is “01:11” in the morning. This time stamp adds an extra variable to the
synchronicity and thus increases the rarity of occurrence but is not a synchronicity in and of itself.

However, many people use just the time stamp as a synchronistic event (also with the battery
percentage on their phone) and my annoyance with seeing this on social media is a major factor in how I
came up with the vedic square through my own curiosity.

My knowledge of numerology also played a critical role in creating the square. I was more interested in
the rule of reducing to a single digit (although I did not know at the time that it was called taking the
digital root) than that of the meaning behind numbers. Through my research, I came to understand that
the number we use for the date is completely obligatory since it uses an incorrect unit of measurement
(e.g. the gregorian calendar) when compared to galactic and universal movements through space, and
thus I found little to gain from studying numerology beyond taking the digital root of a number
sequence. In fact, I found it mentally easier to always reduce to a single digit when adding numbers of a
sequence together rather than adding all of the numbers in the sequence and then reducing to its digital
root. The resultant is the same whichever of the two rules is used. However, it is paramount to do
mod9 mathematics using both of these rules in order to “look within” and “expand out.” In other
words, one rule subtracts/divides an infinite set into segments (sequences) whereas one rule
adds/multiplies the segments/sequences into a given set. It is this subtraction and addition that leads to
merging serial and parallel processing in computations. The beauty is that the vedic square
accommodates both.

Armed with the knowledge of taking the digital root plus my annoyance with people inappropriately
using repeating numbers in the time scale as synchronicities, one night I laid my pen to a piece of paper
after asking myself if any patterns would emerge if I were to take the digital root beyond a two, three
and four repeating digit sequence. The unequivocal answer was “yes.” It wasn’t until I began to ask my
more knowledgeable friends if they’ve ever seen the table I had come up with that I learned what I had
actually found was the vedic square. And so began my love affair with the vedic square.

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In order to deconstruct and fully understand the vedic square we must first construct it. When you
compile the digital roots of the repeating number sequences with a frame consisting of 0-9 along the x-
axis and 0-9 along the y-axis with an opposing frame composed of all nines, the vedic square is formed
(in many examples in this paper the 0-9 portions will be replaced with just nines or dropped altogether).
Using this framework is useful for quick multiplicative and divisive calculations of large and small
numbers yet by removing it altogether you find the true pattern behind the square.

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METHODS OF READING THE VEDIC SQUARE

There are several methods you can use to read the vedic square and each method produces a different
type of sequence. Since there are 8! different sequences you can make in the square (40,320
permutations, 9! is omitted for reasons that will be shown later), it is no surprise then that the basic
ways of reading it produces a certain number of permutations and combinations. Furthermore, you can
compound how you read the square with what operation you perform. This can be rather confusing at
first because there are many ways to create sequences of varying length and function. The following
methods in this paper use subtractive and additive computation along with different types of groupings
and reflections. It is a basic rule of thumb to apply the law of polarity (duality) to each reading method
and operation. Doing this helps resolve the issue of parallax.

Because the vedic square is bijective and isomorphic, it may be read using different axes of symmetry.
For instance, reading left to right is also the equivalent of reading top to bottom (conversely reading
right to left and bottom to top). Grouping the bands of the internal grid is useful for serial-processing
since it divides the square into eight sequences; whereas going diagonally through the square is useful
for parallel-processing since it takes the whole of the square (bear in mind serial-processing in cognition
results in the recency and latency effects). Notice in the diagonal diagrams that an eight-digit sequence
splits the square in half and yet the square retains its symmetry. Serial processing uses the x and y axes,
parallel processing uses the z and w axes.

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Framing the square acts like a zoom in and zoom out effect. The center (green 2x2 square) has a total of
four cells (one block) and a digital root of 9 when you sum all the numbers in it (reading left to right it
also shows the fractions 9/9=1 and 5/5 = 1 because 7 + 2 = 9 and 2 + 7 = 9 and 7 – 2 = 5 and 2 – 7 = 5);
the yellow 4x4 square has twelve cells with a digital root of 9 and it is reflective of the 369 energetic
grid; the blue 6x6 square has twenty cells with a digital root of 1; the red 8x8 square has 28 cells with a
digital root of 9; and the black 10x10 frame has 36 cells with a digital root of 9 whether you use the 9-
frame or the 0-9 frame. Framing is a form of grouping and it is best likened to the step-pyramid. In
order to get more in depth when reading the vedic square in this manner it is necessary to “spiral” in to
and out of the center.

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Framing is useful for looking at layers, but in order to “zoom” in and out and read the whole, you must
read it in a spiral fashion. To begin working your way to the center cell of the vedic square you may start
with the frame or the number one and go clockwise. This results in 19 turns if you begin with the frame
and 15 turns if you begin with the number one. These 90° turns create junction points and likewise each
side or segment has a certain length that progressively gets shorter as you work your way to the center.
Working in from one, notice the first junction point has a value of 36, the second has a value of 64, and
the third has a value of 99. An interesting sequence also emerges when you take the digital root of
these sums (as highlighted in red) and that pattern/sequence is 1919994777777757. We can also take
the difference in the value between each point (highlighted in green) and get a digital root sequence for
the segment lengths which reads: 818994399999972.

Imagine a string that’s rolled into a spiral and when you unroll it at one end there are knots at small
increments from each other and the length between the knots progressively gets longer towards the
other end of the string. Each increment/segment has a sequence and the entire string has a sequence.
To help understand this, let’s read the vedic square clockwise from one with the rule of immediately
reducing to the digital root. Each * equals a node/turn/junction point:

13616319*7494791*3616319*749479*419149*34394*19149*3439*9399*699*399*69*79*9*9*

( 8 digits * 7 digits * 7 digits * 6 digits * 6 digits * 5 digits * 5 digits * 4 * 4 * 3 * 3 *2 * 2 *1 *1* )

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It may or may not be a coincidence that factorial values--if thought of as seconds--produce precise
measurements of time as seen in purple on the left of the picture. There is currently a proposition by
NASA to implement a new calendar and when you view time in factorials you can see why a 13-month
28-day calendar would be more accurate than the current gregorian calendar (8! = 28 days and 13x8! =
364 days). Please note that in this paper factorials may not necessarily denote a measure of time as it
may have multiple functions. Factorials as time is merely something interesting I came upon.

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Because we are working in modulo 9 in the internal grid, the internal grid of 8! must be divided
proportionally. The 369 energetic grid parses out 8 blocks of four cells because the 7,2/2,7 center block
acts like the nucleus (9 blocks minus 1 block). Thus, each block has a value of 7! or (8!/8 = 7!). Now we
divide 7! by 4 and get 1260 permutations per individual cell or 1/64th of a vedic square (outer frame not
included). Interestingly, 8 is the only number that is not wholly divisible from 1260. It is also interesting
to note that 7! = 5040 and 7! bytes = 8! bits.

One vedic square has two elements/generators in a 1:1 correspondence (the nucleus with the valence
shell) and is finitely and infinitely cyclical. In other words, it is isomorphic to the additive group of Z
(integers) and to Z/nZ. The symmetry group operations are additive and subtractive and the group
actions are (8! mod 9) for finite sets and (n! mod n) for infinite sets.

Here are some interesting uses of factorials:

9(9! X 9!)^9 = 1.07x10^101

(1/900000000) x √ (9! x 9!) = 0.0004032 and 0.0004032/4 = (0.0001008 microseconds or 1.008 seconds)

8! x 8! = 1.6257024 x 10^9 or (9! x 9!) ÷ 9^2 (an approximation of phi)

((9! x 9!)^6) ÷ 81 = 6.4 x 10^64

√((9! x 9!) ÷ 81) = 8!

9!/72 = 8!

9!/7! = 72

(2 x 9!) ÷ 72 or 8!/4 = 10080 (28 full 360° spins)

(9!/7!)/4 = 18

(9!/7!)/9 = 8

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Reading the vedic square diagonally is useful for taking information from the entire square yet each
individual cell of the square also has a sequence and finding these diagonal sequences is paramount to
establishing the z and w axes. A simple analogy would be the entire vedic square is looking at it on the
macro level and each individual cell of the square would be the micro level (although as you will see
later, the vedic square is both macro and micro in its own right).

If we look at biology it makes sense because cells must divide in order to multiply (mitosis and meiosis).
But how exactly do you find the sequence that produces the representative number of each cell if each
block has 7! permutations and likewise each cell has 1260 permutations? The defining rules are that the
center number must have a digital root that reflects the cell’s number and the sequence itself must be
symmetrical/isomorphic. For the following examples below I’ve chosen two sequences that satisfy
these two rules and I specifically chose the numbers for certain reasons. I encased the sequence with
zeros in order to create a 9x9x9 triangle, which is important because it makes a symmetrical subtraction
tree where the three internal points are equal and each side has nine numbers. It is also important to
note that in (8! mod 9)^n! mathematics zero and nine are essentially interchangeable (modulo n with
modulo 9) but for this example we will use zeros in order to retain a certain symmetry that is key to
diving into the center of the vedic square.

Source: http://www.crystalinks.com/zeropoint.html

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To make the subtraction tree using only the base sequence simply find the difference between two
numbers (left and right neighbors on one axis) e.g. 3 – 0 = 3, 6 – 3 = 3, 6 – 1 = 5, 2 – 1 = 1 etc. Because
we are only interested in the difference between two numbers it is not necessary to denote whether the
resulting number is positive or negative. Later we will see that positive and negative are used for
polarity and spin.

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Because we are journeying to the center block of the vedic square, we must find two sequences that
satisfy the two rules and produce a seven and a two. Since the first subtraction tree we performed was
for the number 7, we need to make the subtraction tree for the number 2. Once we have the
subtraction trees for 7 and 2, we can then reflect them using the base sequence as an axis of symmetry
so that we have an upper and lower bound tree for each number 7 and 2 that is not only symmetrical
but is also a rhombus (a skewed square).

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If you tilt your head slightly to the right it now becomes clear as to why we performed a subtraction tree
using a single 9-digit sequence and then reflected it using its base sequence as an axis of symmetry (the
circled numbers are indicative of the cells they represent and putting each rhombus together forms the
7,2/2,7 center block of the vedic square). Now lets put it all together in order to get the diagonal
sequence of the center block in the vedic square.

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Once we put the four rhombuses together and orient them we can now easily see the root sequence of
the center block (the internal diagonal, horizontal boxed sequence in the diagram). The blue line in the
diagram depicts the y-axis of the vedic square and the red line depicts the x-axis. The root sequence is
now one of the two diagonals we can take (in this case it is the top to bottom diagonal). Each axis is
“tied together” by a 0,0 point as seen encased in grey boxes at the ends of each axes. The numbers 369
surrounding the golden rhombus indicate the energetic grid and the numbers 6159 and 3849 indicate
the series along the x-axis (in other words, the 4th and 5th row/column of the vedic square).

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Now that we’ve located the sequences of the x and y axes we can reduce them into a singular sequence
by first subtracting the top and bottom lines for each axis (the sequences extending from the 0,0 “tie
points” to the center 0,0,0,0 point). There is one more subtraction left to find the singular sequence of
the center of the vedic square and to do that we take the difference between these two root sequences
of the x and y axes.

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Once we subtract the x and y axis sequences we come upon a singular sequence. We can rotate it in any
direction and it remains the same. To help put this into perspective, imagine the 1 in the above diagram
represents the unit circle. The group of four zeros represents the true zero point, which of course is
both completely empty yet completely full (infinite set actualized and infinite set of potential). It may
also be of value to note that if we were to look at the entire vedic square as an atom/molecule/etc., the
true zero center would be the nucleus, the “frames” surrounding it would be its orbitals, and the 9
casing would be its valence shell.

Furthermore, note that the root sequence of the golden rhombus and the root sequence of both the x
and y axes are 18 digits. We can also find the second diagonal (w axis) of the center block by simply
reading the rhombus vertically (refer to the vertical points depicted in picture of the pattern breakdown
of the golden rhombus) and that sequence is 000020000000020000.

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Subtracting the 4th and 5th rows/columns results in “splitting in half” the two entwined harmonic
octave/frequency bands/pairings of the center nucleus (like nuclear fission and thus conversely adding
the pairs would be like nuclear fusion). Any row and column may be subtracted from another
row/column, however band pairings always result in a zero as seen in the above picture.

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THE 369 ENERGETIC GRID

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As you can see, the 369 pattern forms a grid or internal frame of the square. The 369 grid parses out (9)
blocks composed of four numbers with (1) block of 7 and 2 in the exact center, (2) blocks of 1,2,4, (2)
blocks of 5,7,8, and (4) blocks of 1,4,5, and 8. The sum of each of the (9) four-number blocks has a
digital root of nine as well (1+2+2+4 = 9, 4+5+8+1 = 9, 7+8+5+7 = 9, 7+2+2+7 = 9). Removing the 3,6,9
grid we are left with a total of 6 times the digits 1, 2, 4, 5, 7, and 8 appear, resulting in a total of 36 digits
(of which the digital root is 9). The 369 grid is composed of (12) threes, (12) sixes, and (4) nines and if
you were to include the (17) nines that form one half of the outer frame you get a total of 45 (of which
the digital root is 9) or 64 if you add (36) nines of the outer frame. There are a total of 100 cells in the
vedic square--one single unit—and the 369 grid takes up 68 of them.

The 7 and 2 center block is the hub/central node/nucleus as part of the 369 grid. The outer frame is the
valence shell when it is all nines and likewise when half of the frame is 0-9 then it is like “cracking an
egg.” If we add all of the cells in the 369 grid, the outer frame contains 36 numbers, the internal 369
grid contains 28 numbers, and the nucleus contains 4 numbers for a total of 68 numbers. This leaves 32
individual cells (or 8 blocks) of which act like inputs to encode whatever you desire into the vedic square
using 7! sequences. In its standard configuration, these 8 blocks in the vedic square are harmonic.

By analyzing the 3,6,9, grid, you will find that the four nines encompassing the nucleus act as nodal and
anti-nodal points/junctions, the 7,2/2,7 center acts as a zero/nucleus, and the 3,6 ties the grid together.
Because the 7,2/2,7 center is the nucleus, we can say that the four nines surrounding it are the first
subshell k and the outer frame of nines is the valence shell (see supplementary material).

It is reasonable to say that any sequence of (x) number of digits with a digit sum of 9 results in a
standing wave. Since the 369 grid parses out 8 blocks and each block has a digit sum of 9 (likewise the
369 grid itself has a digit sum of 9), we can definitively say that the vedic square is in fact nested
spherical harmonics because its isomorphism always results in a digit sum of 9/standing wave no matter
how you read it (see supplementary material for more on using 9 and factorials as power
modulators/exponents).

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Let us look further at the 369 grid and the 4 cell blocks that it parses out. We will read the vedic square
left to right and place the blocks and the 369 grid onto concentric rings. Let us call the first block of the
numbers 1,2,2,4 ‘A2’ and let it equal 1,2,4 since 2 repeats; 1,4,5,8 will be ‘A3’; 5,7,8 will be A4; and 2,7
will be A1. Let E equal 369 and E1 equal the 36-cell nine shell. Beginning with the shell and then the
first block, we get the sequence E1, A2, E, A3, E, A4, E, A3, E, A1, E, A3, E, A4, E, A3, E, A2. The entire
sequence, then, is 18 segments long (and 19 segments when E1 is added after the last A2). If we assign
a shape to each segment of the sequence based on the number of non-repeating digits it contains, we
get 033433343234333433 where 4 = a square, 3 = a triangle, 2 is a line, and 0 is a circle. There are then
(12) triangles, (4) squares, 1 line, and 1 circle total in the 18-segment sequence. Since the 36-cell
valence shell of nines is equal to zero, we can say that once it is removed from the vedic square it leaves
the internal 369 grid. Because every 4-cell block parsed out from the internal 369 grid is only
surrounded by ½ of a full 369 square, it can be concluded that one E sets the left parameter for a block
and another E sets the right parameter. Thus, E appears between every grouping. Essentially, what that
is doing is setting up “tracks” or shells/orbitals for which electrons travel around a nucleus. Using the
sequence E1-A2, it should now be clear as to why and how the 369 grid parses 8 blocks of harmonics
and delivers energy to them.

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The Frames of the Vedic Square Plotted on Concentric Circles:

First frame: (2) 2’s and (2) 7’s (total of 4 numbers)

Second frame: (4) 3’s, (4) 6’s, (4) 9’s (total of 12 numbers)

Third frame: (2) 4’s, (2) 5’s, (4) 1’s, (4) 3’s, (4) 6’s, (4) 8’s (total of 20 numbers)

Fourth frame: (2) 1’s, (4) 2’s, (4) 3’s, (4) 5’s, (4) 6’s, (4) 7’s, (4) 8’s (total of 28 numbers)

Fifth frame: (36) 9’s

Going outward from center digital root sequence: 43219 (4, 12, 20, 28, 36)

Going inward from out outer frame digital root sequence: 91234 (36, 28, 20, 12, 4)

We can draw the x, y, z, w axes over this graph. The x-axis would now be a top to bottom diagonal, the
y-axis would be a bottom to top diagonal, the z-axis would be horizontal through the 2’s (9859229589)
and the w-axis would be vertical through the 7’s (9149779419).

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Djed Image Source: https://www.pinterest.com/pin/116249234106224921/

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OCTAVES AND FREQUENCY BANDS

A perfect octave is the interval between pitch and ½ or double its frequency. Using musical notes, one
octave would be |CDEF|GABC| or in the vedic square |1234|5678|. The interval between the first and
second harmonic is one octave and thus pairing octaves creates harmonics. We can see these pairings
when we read the vedic square vertically (top-down and bottom-up) and horizontally (left to right, right
to left) since the square is symmetrical. The result of reading the vedic square this way equals four
groups of octaves which can be added together or subtracted from each other. Additive computation
(2x) of octaves results in harmonics whereas subtractive computation (1/2 x) results in partials that
when summed back together create harmonics. A simple example of this would be to think of a circle as
one harmonic formed by adding two notes in two octaves or by dividing two notes into eight, six, or four
segments and then adding them back together.

One band is merely one octave mirrored so that its end is also the same as its beginning. We can say
that in the vedic square, the sequence 12345678 equals eight octaves and 123456787654321 signifies
eight frequency bands. If you look at the vedic square and cut it horizontally, you will see that each half
is the same and that they are polarized (1/2x or 2x the input frequency). Hence why 12345678 can also
be equal to one octave and one frequency band in the vedic square depending on how you look at it.

If we phase shift and normalize octaves C1 to C8, then the contra or first harmonic octave would be in
the range of 1-4Hz and C8 would be 32-36Hz because zero (C0) is phase shifted to the first harmonic at
1Hz and C9 acts like a “return to origin” where C0 = 0-1Hz and C9 = 36-40Hz. Seven octave bands (C9
minus C8 minus C1) have a fundamental frequency of 32Hz (2x16) and eight octave bands have a
fundamental frequency of 36Hz (2x18 or C9 minus C1). Now it is easier to see why C0 denotes the
nucleus (zero sum where all harmonics cancel each other out) and gets phase-shifted to the first
harmonic.

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Let’s stretch out the fundamental frequency band. First, we must put it together by adding C0 (0Hz –
1Hz), C1 – C8 (1Hz - 36Hz), and C9 (36Hz - 40Hz). We can stretch it out even further by simply adding a
zero and moving the decimal (“climbing bands”). Doing this arranges the following progression: two =
360Hz, three = 3600Hz, four = 36000Hz, five = 360000Hz, and so on. Recall that the valence shell of the
vedic square contains 36 nines. This means that every cell and 4-cell in the vedic square may be taken
to the 36th power.

If each band contains 40 harmonics, the harmonic progression of the series for the total number of
harmonics in each unit is: 1st = 40, 2nd= 80, 3rd= 120, 4th= 160 and so on. Interestingly, if we return to the
first band and analyze it, we can now see that the 40 harmonics contained within it is also the equivalent
of dividing it into eight segments with an interval of 4 (8x4=32 + C0 + C9 = 40). In other words, 40
harmonics per band divided by 8 segments equals 5 harmonics per segment.

Now that you are thinking harmonically, we can apply the ½ or 2x rule of a perfect octave to the vedic
square. Let us start with dividing: ½ of 72 is 36, ½ of 36 is 18, ½ of 18 is 9, and ½ of 9 is 4.5. Now, let us
apply the multiplication rule: 2 x 4.5 = 9, 2 x 9 = 18, 2 x 18 = 36, 2 x 36 is 72. Because you cannot form a
sequence with half a digit, a 9-digit sequence is the first full sequence you can make. To complete a
sequence, we add the shell for a total of 10 digits (9123456789) or one full row/column in the vedic
square.

So far in this paper we have applied this premise to exploring how to derive 18-digit sequences and it
may be applied to find 36 and 72-digit sequences as well. Interestingly, a 64-digit sequence encoded
into a 72-digit string has a difference of 8 and these 8 places are reserved for the first and last set of four
(4 for the nucleus, 4 for the shell; or more precisely, 1 for the nucleus, 1 for the shell, 2 for the energy
grid, and 4 for (x)). From a biological view, (x) would be the chromosomes of a cell in the prophase stage
of mitosis and meiosis (0+0+0+0 = 4, 1+1+1+1 = 4, and 2+4+6+8 taken twice = 4).

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HARMONICS

A graph of the 1st – 40th harmonic (in hertz)

Despite appearances, everything in existence is in motion. Everything is made up of frequencies (waves)

and they are arranged in simple and complex orders. Sound and light form the basis of how we perceive
the world, everything in it, and beyond. From atoms, molecules, and particles etc. to planets, solar
systems, and galaxies, frequencies play a fundamental role in how we not only perceive our
surroundings but how it is composed. We know through studying our environment that our perception
is limited to a certain bandwidth of frequencies and that certain animals can go below and/or above our
bandwidth. We know that on bigger and smaller scales, frequencies in the spectrum play an important
role in how we develop technology, our understanding of our biology, and ultimately our understanding
of the universe. This is why it is critical to look at harmonics. In order to delve deeper into harmonics
and the vedic Square, we need to look into the pattern that emerges from varying energetic inputs.

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Before I discovered the vedic square I was looking into harmonics and their properties in terms of Hertz.
I found a harmonics calculator that calculated values up the 40th harmonic and I instantly began to see a
pattern. At the time I was interested in harmonic packing/compression as I knew the density of
dimensions was directly related to frequency and so I devised a table that showed the patterns of the
first 40 harmonics. The first harmonic is of course the input value itself.

Frequency Position Frequency Frequency Difference

Input of the Value at Value at between
th
Value First the First 40 40th
Whole Whole Harmonic Harmonic
Harmonic Harmonic and First
Whole

0.1 Hz 10th 1 Hz 4 Hz 3 Hz

0.2 Hz 5th 1 Hz 8 Hz 7 Hz

0.3 Hz 10th 3 Hz 12 Hz 9 Hz

0.4 Hz 5th 2 Hz 16 Hz 14 Hz

0.5 Hz 2nd 1 Hz 20 Hz 19 Hz

0.6 Hz 5th 3 Hz 24 Hz 21 Hz

0.7 Hz 10th 7 Hz 28 Hz 21 Hz

0.8 Hz 5th 4 Hz 32 Hz 28 Hz

0.9 Hz 10th 9 Hz 36 Hz 27 Hz

To compress the inputs, first subtract the first and fortieth values along the x-axis in order to find the
wavelength of every harmonic output value (establishing a frequency domain). The next subtraction
takes place along the y-axis and compresses the amplitude of the 40 harmonics of the 9 inputs into the
smallest package possible (fourier transform). The difference in input amplitude for the inputs is 0.8Hz
and the difference in wavelength or output value for 40 harmonics is 32Hz. This also means that an
input of 0.1Hz is the most-packed (most dense) and that an input of 0.9Hz is the least-packed (least
dense). We will see this more clearly in the next diagram.

It is also worthy to note that the 0.5Hz input produces a standing wave (because it first appears in the
second position) and that the difference in wavelength for 0.5Hz between the first and fortieth
harmonic is 19, which indicates a mirror magnitude response function (0-20Hz). The commonly stated
range of human hearing is 20Hz-20kHz with some being able to go as low as 12Hz and some as high as
28kHz. Human visual perception is measured in nanometers and ranges from roughly 400-700nm.
When you subtract the table values for 0.5Hz and 0.4Hz you will notice the difference in amplitude is
0Hz and the difference in wavelength is 4Hz. Essentially, this spread contains the instructions for the
packet and occupies the area domain before the first harmonic of 0.0 to 0.1Hz (this topic will be covered
as we get more in depth).

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In the subtraction tree you can see there are 9 subtractions or dimensions (states of density in terms of
the amount of normalized amplitude and wavelength compression between each input) in order to
reach the zeroth dimension or “true zero.” Using the previous table, this subtraction tree shows the
stages of compression of the amplitude of each frequency input as they are summed. In other words,
we are partitioning the 0.1Hz to 0.9Hz frequency domain. We can see a pattern from 1D to 5D, where
the differences between the input amplitudes are multiples of two and 1, 2, 3, and 4D share the first
multiple of two.

The focus of the harmonic table and reduction tree is on two axes (two dimensions) and therefore to
think in terms of spherical harmonics (three dimensions) one must use the x, y, z, and w axes. That is
where the relationship between the vedic square and spherical harmonics comes about, by first looking
inwards and then expanding outwards using four axes of symmetry.

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This is a graph of a normalized and compressed harmonic packet containing the first through the
fortieth harmonic with an input range from 0.1Hz to 0.9Hz. The digital root of the fundamental
frequency/interval sequence is the 4th row/column in the vedic square (or the 5th row/column read right
to left). On a circle with nine equidistant points, the length of each segment between points can have
varying values. The graph is the equivalent of each side having a value or interval of four. It is the
fundamental frequency because it perfectly fits all forty harmonics with nominal input values of 0.1 to
0.9 (or 1-9, 10-90, etc.). You can draw a graph with an interval of 5 as well which would simply read “5,
10, 15, 20, 25, 30, 35, 40, 45” or “516273849” in its digital root (which would be the 5th row/column in
the vedic square). However, the 5 sequence is not a good frequency domain since the 4 sequence best
compresses all 40 harmonics for all the inputs.

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Looking at the graph, it is now easier to see that harmonics “sit on a shelf” because the nucleus (all of
the frequencies nested) takes up the domain of a unit circle at the true origin. The area domain below
the harmonics (the “sub-shelf”) are subharmonics and nonchord tones.

Another interesting way to look at the value of 40 harmonics in this graph is in degrees. Each interval
would be 4° and thus a phase shift occurs after reaching 9 (36°) since the sum of the intervals is 180°
(4+8+12+16+20+24+28+32+36 = 180 = 9) and each interval would contain 5 harmonics.

Top Image Source: https://physicsforme.com/2012/06/04/schrodingers-hat-could-spy-on-quantum-

particles/

Bottom Image Source: https://commons.wikimedia.org/wiki/File:Rydberg_atom_wave_function.png

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Harmonic Frequency Bands of Light:

Image Source Unknown

An Interesting Note:

There are several types of luminescence but there is one in particular that is quite fascinating.
Sonoluminescence is when a sound wave is powerful enough to quickly collapse a gaseous bubble in a
liquid solution. The light pulse emitted from the sonic burst can have varying degrees of thermal
radiation depending on what gas the cavity is filled with--as well as the liquid it is suspended in-- and the
process creates plasma. When we look at the 369 energetic grid, the golden rhombus nucleus, and the
valence shell of nines, we can conclude then that phonons precede photons when the power, time, and
space domains come together. This is especially so considering spherical harmonics comprise the
nucleus of a photon, which when nested form a standing wave of infinite potentiality. The double-slit
experiment confirms this concept because it shows that a photon is both a particle and a wave,
dependent on its observation/measurement (how nested spherical harmonics are unpacked).

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SPHERICAL HARMONICS

A wave emanates omnidirectionally from its source until it reaches resistance or collides with matter
where the wave either breaks down completely, diffracts/refracts, or penetrates the barrier and loses
energy more so than if the wave were to continue uninterrupted. Therefore, it only makes sense to
think of harmonics spherically when thinking of matter in three dimensions; and it only makes sense if
you consider space and time as the fourth dimension in which to construct a 3D object. Consequently,
the quadrant system is used to define three-dimensional objects on a two-dimensional space and is the
reason why we must square numbers in certain mathematical operations. A basic number of vectors
exists when graphing in three dimensions and these are two times the x, y, z axes since each axis is bi-
directional. Think in terms of the number of faces on a cube. The orthogonal system derived from
Laplace’s equation is directly related to the 8x8 internal grid of the vedic square and the nine shell. It is
paramount to think orthogonally as this is how the hypercube is conceived and constructed.

Any mainstream scientist would probably laugh at the claim that spherical harmonics can be nested
since spherical harmonics are solids. Although this is true, spherical harmonics can be nested and doing
so results in its form turning to a non-solid. Thus, nested spherical harmonics reside in the realm of the
infinite and a defined/actualized spherical harmonic produces a solid.

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Are standing waves motionless? The answer is yes and no. One unit, or nested packet, creates a
standing wave and any block outside of the 369 energetic grid that sums to a 9 digital root also produces
a standing wave. If the cyclic rate of one unit has an interval of 4, the sum of the fundamental frequency
of one unit is 36 and the space domain in which it resides is 0-40. So, 36Hz equals one because 9 turns
with an interval of 4 is 36. You can also adjust the harmonic output simply by adding a zero and also by
adjusting the harmonic interval using one digital root number. For example, an interval of 40 (4+0)
would result in 360Hz. Something pretty magical happens here. The harmonic packet is rotating at
precisely a speed equivalent to 360 degrees. That means it is spinning so fast and symmetrically that it
is motionless or appears to be motionless (“freeze-framed”) at the 36Hz, 360Hz, 3600Hz, 36000Hz etc.
harmonic intervals. In essence, it is a form of bilocation of a harmonic packet where it is both
motionless and rapidly cyclic.

To help you grasp this concept, think of yourself as a compass (see diagram below). You are the origin,
the number zero and infinity. Extend a hand and the point at the end of your finger is one. Keeping
your arm extended, turn slightly to the left or right. Two. Turn the same amount in the same direction.
Three. Making 9 turns you will have arrived back at one and if you keep going, for every full revolution
you add a zero. We can broaden the scope of this thinking to the infinite degree.

If something of infinity is spinning infinitely fast, then it is also infinitely timeless. The realm of quantum
mechanics is on the precipice of understanding the world of infinitely fast-spinning bits that are also, in
fact, completely motionless. It is much like combining everything that ever is, was, and will be.
Everything and nothing at the same “time.” Positive and negative infinity (polarization) is merely
speeding up or slowing down the spin rate of a something that was given a definition or parameter
(directions and limits etc.) in order to speed up or slow down in the first place. The famous double-slit
experiment shows us that the measure or observation of a sphere of infinite potential can be in more
than one place in the time/space continuum (bilocation). This is profound because essentially, it means
that when you look around the world and the universe, there really is no such thing as empty space.
What appears empty is actually infinite potential yet to be actualized through the
observation/measurement of matter (the self—universe—experiencing itself) and perhaps even just a
thought may suffice as an observation in terms of cognition and metaphysics.

Let us say that 5-year-old Anne goes to sleep and dreams of donuts raining from the sky. Obviously, this
alone would not cause donuts to rain from the sky. Imagine a world where each of us wields that kind
of power. The world would be complete chaos. I don’t know about you, but as cool as it sounds I would
not enjoy a world where it rains donuts. But what if there are 100 kids around the world that all dream
of it raining donuts at precisely the same time? What if 1000 kids did? A million? For the time being,
the total aggregate of human consciousness in the earth plane centered on a singular thought depends
entirely on the accretion level of the collective conscious. If 51% of the world’s population decided to sit
and think of it raining donuts at the exact same time, the accretion level should be enough to actually
make it rain donuts. Of course, gathering roughly 4 billion people to center their thoughts on something
singular would be pretty challenging.

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PROGRAMMING ROTATION/SPIN

# of 1 2 3 4 5 6 7 8 9
spins
degrees 0/360° 720° 1080° 1440° 1800° 2160° 2540° 2880° 3240°
per
spin
÷ by 2 180° 360° 540° 720° 900° 1080° 1260° 1440° 1620°
÷ by 3 120° 240° 360° 480° 600° 720° 840° 960° 1080°
÷ by 4 90° 180° 270° 360° 450° 540° 630° 720° 810°
÷ by 5 72° 144° 216° 288° 360° 432° 508° 576° 648°
÷ by 6 60° 120° 180° 240° 300° 360° 420° 480° 540°
÷ by 7 Not a Not a Not a Not a Not a Not a Not a Not a Not a
whole # whole # whole # whole # whole # whole # whole # whole # whole #
÷ by 8 45° 90° 135° 180° 225° 270° Not a 360° 405°
whole #
÷ by 9 40° 80° 120° 160° 200° 240° 280° 320° 360°
÷ by 10° 20° 30° 40° 50° 60° 70° 80° 90°
36

Digital root sequences of each row in the table:

÷ by 1: 123456789 (“the first set” + 0/9=1 nucleus, pure sine wave)

÷ by 2: 999999999 (expansive first shell/subshell k, standing wave)

÷ by 3: 369369369 (369 energetic grid, triangle wave)

÷ by 4: 999999999 (expansive outer shell, standing wave)

÷ by 5: 999999499 (square wave)

÷ by 6: 639639639 (369 energetic grid, triangle wave)

÷ by 8: 999999(8!/7!)99 (“first division,” produces light over time, sawtooth wave, like a heartbeat)

÷ by 9: 483726159 (fundamental frequency, sine wave)

÷ by 36: 123456789 (“the first copy of the first set,” pure sine wave)

Note that dividing the number of degrees by 3 and 6 produces their respective vedic square
sequence/band in the 369 energetic grid.

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Each point on the circle is equidistant from each other and thus each side length between points is
equal. One to nine tick marks may be made on each segment for more precise headings.

As you can see in the sequences the numbers in red form the special right triangle, the repeating
number in black denotes the heading, and the blue represents spin direction. I am sure if one were so
inclined to do so they would find why the heading repeats itself 6 times before the special right triangle
is formed.

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©RNH 2018
THE VEDIC SQUARE AS A TESSERACT/HYPERCUBE

What caught my attention was the 7,2/2,7 block in the exact center of the vedic square surrounded by
four nines (one at each corner). If you add the block along the x-axis (7 + 2 = 9 and 2 + 7 = 9) you get 9/9
or 1. You also get 99 in the center and this two-digit sequence is considered a zero point (9 - 9 = 0). I
also found it interesting that the internal numbers combined to a total of sixty-four numbers when you
remove the outer frame of the vedic square. Sixty-four is a profound number, especially when you
study what things in the world are made of (64) squares. In mathematics, 64 is the smallest number
with exactly 7 divisors, the first whole number that is both a perfect square and a perfect cube, and a
superperfect number (=2n) among many other things. The I Ching is comprised of 64 hexagrams. There
are 64 codons in DNA/RNA. The root mean square of a hypercube is 64 and a multiplication table for
the quaternion group contains 64 cells. I won’t go into detail at this time as to why 64 in the vedic
square is significant, just keep the number 64 (8x8 square) in the back of your mind as we keep working
through deconstructing the vedic square before we come full circle and put it all back together.

9 9 9 9 9
9 8! 9 8! 9
9 9 9 9 9
9 8! 9 8! 9
9 9 9 9 9
1 harmonic hypercube slice = 4x8! and 8!/8! ± 8!/8!

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One ratchet equals one 90° turn. Rotate counterclockwise along one axis to open and clockwise to
close.

(Closed) One-Centered Harmonic Hypercube: (Open) Eight-Centered Harmonic Hypercube:

37
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Please be advised, the color schemes used in these pictures and the pictures of the hypercube slices are
not correlated, they are merely used to demonstrate the concept for each picture set.

38
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One 19x19 photonic matrix contains 361 cells. The valence shell (outer 9’s) contains 72 cells, the
internal nine grid contains 32 cells, the composition contains 256 cells, and there is one cell at true zero
(360 cells + 1 origin point = 361 total cells). Because this is one slice of a harmonic hypercube, one
harmonic hypercube would have 19x19x20 = 7,220 total cells.

When the 369 grid and the (4) 7,2/2,7 nuclei are subtracted from the photonic matrix, there are 32
blocks per vedic square that may be encoded with data using four-digit sequences (up to 255 possible
characters). In other words, since each block equals 7! then one photonic matrix has a minimum of
32x7! = 161280 bytes and one cube has (32x7!x16) 2,580,480 bytes. Data may further be layered by
coding each individual cell of the four-cell block and by joining each cube with an infinite number of
cubes.

39
©RNH 2018
Notice that the green 1 and 3 blocks are the same and the 2 and 4 blocks are the same in both 19x19
matrices.

40
©RNH 2018
Simple Graphs of Normalized Frequencies 0-9 up to the 40th Harmonic Using Quadrants:

All roads lead back to the vedic square, a simple depiction of the basic building blocks of everything (as
shown above). The nested spherical harmonics of infinite potential and the harmonic
hypercube/tesseract.

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9|9

18|18

36|36

72|72

144|144

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This picture shows the use of factorials as a power modulator rather than a measure of time. Phonons
travel through the x, y grid, which is the internal network of a photon (the photon being the outward
expression on the z, w grid).

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Each 19x19 matrix is exactly the same after you tessellate them, the difference being the interface or
golden section e.g. the one-centered matrix tessellated has an interface (connecting centers) of 8’s and
the eight-centered matrix tessellated has an interface of 1’s. The above is an excellent example of a
parallax.

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CHARACTER EMBEDDING/ENCODING

45
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We can find the number of combinations for 1, 2, 3, 4, 5, 6, 7, and 8-digit sequences without repeating
numbers using the formula Ck(n) = n/k = n!/(k! x (n-k)!). This, coincidentally, results in four
groups/pairings (1 and 8, 2 and 7, 3 and 6, 4 and 5) for the number of digits in a sequence (refer to
supplementary material for more).

# of digits 1 2 3 4 5 6 7 8
# of 9 36 84 126 126 84 36 9
combinations

The vedic pictographic alphabet is composed of 8 sets or 4 equivalent values/pairs (2x4). The number of
non-repeating digits for 1-8 digit sequences are 9, 36, 84, 126, 126, 84, 36, 9. The total number of
combinations of characters for 1-8 digit sequences, then, is 2(9+36+84+126) or 2 x 255 and it counts to
1000. But because it is a mirrored pairing of 4 groups, we can say that the total number of pictographs
is actually 255. The number 255 is divisible by 5, 3, and 1 and has a digit sum of 3. Current computing
uses 256 characters where the first character sets the length of the data string.

*See supplementary material for more on character sets and combinatorics.

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Lets use the single-digit pictographs/character set and arrange them in their vedic square formation.

The dot-matrix configuration above shows a radix of 8 (the nine shell is removed, 10 with shell).
Because this character configuration is for a single vedic square, when extended to the 19x19 photonic
matrix the radix increases to 80 (100 with shell). Since there are 255 characters in one vedic square and
the 369 energetic grid parses out nine 4-cell blocks to include the nucleus (blue block), we can say that
1/8 of a vedic square (the blocks in red) is equal to 4 x 255 = 1,020 total possible characters. If each 4-
cell can have a total of 1,020 different characters, then one vedic square can have 8 x 1,020 = 8,160
characters and one slice in a vedic hypercube can have 4 x 8,160 = 32,640 characters. Because we are
working in a dot-matrix, we may keep “zooming” in and out as far as we want to using nines to add
shells between matrices. This means that it is possible to encode a very high amount of data into one
vedic square and likewise into one 19x19 photonic matrix. In other words, a programmer can code a
very dense packet or a very light packet depending on what they wish to encode. This is highly superior
to binary in that the digit 0 here simply means to open a data packet, 1 has its own function, and 9
means to close the data packet; thus the data string may be (x) length to infinity and the binary
operation (parallel-process) performed on the set measures (x).

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We can draw the axes of symmetry over the square. Let us call the top-to-bottom diagonal (z), the
bottom-to-top diagonal (w), the horizontal axis (x), and the vertical axis (y). Now let us read the
sequences of the diagonals by what numbers the diagonals “strike” in their path (the x, y axes do not
intersect with digits, rather it splits a two-digit pair in half).

z-axis reads: 1144997777994411 (1/2 = 11449977)

w-axis reads: 8855992222995588 (1/2 = 88559922)

All axes converge on the (0,0,0,0) point in the center of the 7,2/2,7 four-cell.

Notice the x and y axes diverge away from the center (green lines) and the 369 energetic grid makes up
most of the dots in the configuration.

The dot-matrix configuration may also be translated to matrix rings if so desired.

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To close a packet using one diagonal sequence, add two nines e.g.: the z-axis sequence becomes
911449977779944119 (fixed-point); to open a packet add two more nines (open-point):
9911449977779944771199 or simply two zeros 011449977779944110 since 9 – 9 = 0. To make an
open-to-close data string, it would look like this: 011449977779944119 and to combine two strings it
would look like this: 011449977779944119885599222299558899. These sequences are only possible
using the z and w axes and they reflect parallel-processing; whereas using the x and y axes for sequences
produces mirror images and reflects serial-processing.

It is always important to remember that these diagrams are merely slices (2D) and may be layered to
form cubes (3D) as previously presented in this paper.

The general rule of fourths is fundamental in “zooming in to expand out” (boxing sets and layering
frames, chunking, data packing) and it applies to taking the whole (z, w axes i.e. the time/space domain).

1/4 = 16(x)

1/8 = 32(x)

1/16 = 64(x)

1/32 = 128(x)

1/64 = 256(x)

The general rule of halves is fundamental in subtractive and additive synthesis of harmonic frequencies
and it applies to the power domain of the x and y axes.

1/2 = 1(x)

1/4 = 2(x)

1/6 = 3(x)

1/8 = 4(x)

A general rule may also be made for thirds, fifths, sevenths, and ninths as well.

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©RNH 2018
To help conceptualize this principle, imagine a single square. Dividing it in half makes two rectangles
(vertical or horizontal bisection) or two triangles (diagonal bisection). If you divide the square into 4
equal squares (vertical and horizontal bisection), you now have four copies of the original within the
limit of the original square. You can keep dividing each square into four parts and all you’re doing is
adding more squares within the original square. This also works when using the diagonals, where each
triangle gets split in half (fractals) i.e. bisecting a square with both diagonals then bisecting each triangle
that is formed from the bisection.

Because the vedic square has a 1:1 correspondence, the conclusion may be drawn that a 10-radix matrix
is the first and consequentially the last set in an infinite series. Space and time are the z and w axes, so
we can conclude that diagonal bisection is used for these two domains (taking the whole, infinite and
finite series). Since the x and y axes belong to the frequency/power domain we can conclude that
vertical/horizontal bisection is used for additive and subtractive synthesis (harmonic series, alternating
harmonic series, etc.) which results in the electromagnetic spectrum.

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If you subtract the 19x19 open and closed matrices, you get a new 19x19 matrix. It may be further
“compressed” by splitting the matrix in half since it is isomorphic/reflected symmetrically off one axis.

51
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Different types of graphs to depict the first reduction of the two 19x19 matrices.

52
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The matrix (split in half) for the second reduction is: Fourth Reduction Matrix:

0000000000 0000000000
0240660420 0021201200
0223443220 0000000000
0243223420
0000000000

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Thinking of the universe in this manner allows for us to be able to say that it doesn’t matter if there is
only one universe or infinite universes since this theory allows for both possibilities to be real. We can
also carry this idea to any celestial body or grouping. For example, we live on earth and hence we live
within the earth plane which resides within the solar plane which resides within the galactic plane which
resides within the universal plane. Each plane has 8 sub-planes and each plane and sub-plane has a zero
point, giving precise dimensions to each. Using (8!mod9)^n! we can then say that 8!mod9 of any
universal object (planetary planes, galactic planes etc.) describes its dimensions and the infinitely-
expanding boundary is when it is taken to the n! power.

Top Image Source: https://youtu.be/xiECIwXSMb0

Bottom Image Source: https://www.zmescience.com/space/the-most-detailed-3d-map-of-the-universe/

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This author firmly believes it is inconsequential whether there was a big bang or if the universe always
existed. It can be one or the other, both, or neither. Either way it does not impact the hypersurface of
the now moment, which is ultimately the most important focus of our individual and shared conscious
experiences in time and space.

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Types of Tori:

56
©RNH 2018
(In principle, you may input any sequence of (x) length into the eight equations). The following graphs
and graphs like them in the paper used x = 1 as an input.

57
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 58
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The “Eye of the Universe”:

Image Source Unknown

59
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IMPLICATIONS AND APPLICATIONS

Zero-point mathematics may be used for simpler and faster computations of complex sequences of
varying length and so it may be applied anywhere mathematics is used. Quantum computing and
technology, energy, health and medicine, and every scientific field can benefit from using this approach
to base-ten mathematics. Applying it to already established scientific principles will rapidly accelerate
the growth of science and technology, thus improving the lives of every inhabitant of this planet. Most
of the topics covered in this paper are already present in the scientific community and to reiterate the
purpose of this paper it is to demonstrate that the vedic square can be seen as the theory of everything.

CONCLUSION

The vedic square is a hypercube and tesseract, a photon and phonon, sub-atomic particles/atoms and
molecules, and consists of nested spherical harmonics. Since everything is derived from it, every road
leads back to the vedic square. The long-awaited answer to the riddle of the group unified theory and
the theory of everything just may be the vedic square. Although I did not cover relativity and gravity in
this paper in order to make such a claim, it can be said that with more study by professional scientists
and mathematicians that such a claim may in fact prove to be true. Complexity sprouts from the
simplest of form and so it can be inferred that the universe operates as efficiently as possible and
simplicity is the key to efficiency. The vedic square is the simplest table known and thus it is also the
most complex.

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SUPPLEMENTARY MATERIAL

61
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 62
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 63
©RNH 2018
 64
©RNH 2018
A three-digit sequence has 84 combinations. These possibilities reveal an interesting pattern.

Let’s count the number of possible non-repeating three-digit sequences.

123, 124, 125, 126, 127, 128, 129

134, 135, 136, 137, 138, 139

145, 146, 147, 148, 149

156, 157, 158, 159

167, 168, 169

178, 179

189

234, 235, 236, 237, 238, 239

245, 246, 247, 248, 249

256, 257, 258, 259

267, 268, 269

278, 279

289

345, 346, 347, 348, 349

356, 357, 358, 359

367, 368, 369

378, 379

389

456, 457, 458, 459

467, 468, 469

478, 479

489

567, 568, 569

578, 579

589

678, 679

689

789

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I would assume a pattern is present in 4, 5, 6, 7, and 8-digit sequences as well that looks similar to the
pattern found in three-digits. I would also assume that it falls under the term “fractal.”

In the above diagram, if you group each set (123-189, 234-289, etc.) to get the total number of
combinations for three digits, then it looks this:

28 + 21 + 15 + 10 + 6 + 3 +1

Now take the digit sum of that sequence and you get:

1 + 3 + 6 +1 + 6 + 3 + 1 or 1361631 --> 4

Look familiar? (Refer to the base sequence of the golden rhombus)

For the most part, it also shows up here:

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 67
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The vigesimal system uses a set of 20 characters for the numbers 0 through 19. I do not think it is a
coincidence that the 361-cell photonic matrix is a 19x19 square. Looking at it with the digital root in
mind, 10 is really 1 and 20 is really 2. Something magical happens at 19 because it is the last two digit
sequence before you “step up” to two. Let us count. First set: 0123456789 second set:
10,11,12,13,14,15,16,17,18,19 becomes 1234567891. Thus, vigesimal in digital root form would look
like this: 01234567891234567891.

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The I-Ching

Source: https://www.scmp.com/comment/insight-opinion/article/2056596/2017-dont-leave-home-
without-i-ching

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Tessellated Hypercubes:

One-Centered Hypercube Eight-Centered Hypercube

Notice how tessellating each type of hypercube results in the same lattice configuration. The one-
centered and eight-centered hypercubes create an arrangement that is exactly what the fabric of space
looks like. It can be said that a tessellation is an infinitely-repeating symmetrical pattern and thus light
and the 369 energetic grid permeates the entire universe.

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 Source: http://www.mathisfunforum.com/viewtopic.php?id=17833

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The 9-segment circle imposed on a cylinder sliced into 9 sections. I dub this “burrito mathematics.” Say
for example you are eating a $9 burrito. Position the burrito vertically and take 3 bites across to eat 1
row, repeat 9 times. Although unconventional, you can lay the burrito on its side and take 9 bites to eat
1 row, repeat 3 times. Each bite would be approximately 33 cents whichever way you decide to eat the
burrito and you will have taken 27 bites (although there is a remainder of 9 cents in terms of the value
of $9 placed onto the burrito).

Greek Numerals:

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 Source: https://www.quora.com/What-is-the-electronic-configuration-of-Zn-atom

If you consider the nucleus of an atom hollow (“hollow atoms”)-or more specifically the nested spherical
harmonics of infinite potential-then you can say that before the materialization of (x) or particles,
molecules, atoms, etc., there is a propagation vector towards a single point on the edge of the nucleus
that is given by its reflection (refer to the 1D and 3D compass diagram). Hence, a phonon (energy)
travels towards one direction from the source and away from its reflections resulting in a photon.

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There exists quite the similarity between the vedic square, spherical harmonics, atomic orbitals, and the
quantum realm to the vast and expansive universe. It is especially so when you consider using
(8!mod9)^n! mathematics to relate with these different areas of our existence.

The 64-cell quaternion table. When placed over the internal grid of the vedic square, the 7,2/2,7 center
becomes:

(-1, -k

k, -1)

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The Four Waveforms:

Using additive and subtractive synthesis produces different types of waveforms and can be applied to
pure sine waves.

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Subtractive Synthesis

Source: http://www.roland.co.uk/blog/guide-to-subtractive-synthesis/

Additive Synthesis

Source: https://en.wikipedia.org/wiki/Additive_synthesis

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Image Source: https://www.researchgate.net/figure/Amplitude-and-Frequency-Modulation-Illustration-
Three-sinusoidal-waveforms-are-shown_fig1_235373370

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Source: https://priyankacool10.wordpress.com/2012/05/28/wave-functions-for-the-quantum-harmonic-
oscillator/

Remember that there are always two “sides” and thus the hyperbola in the above is only half of the
picture. It may be oriented for open and closed packets.

Source: http://hyperphysics.phy-astr.gsu.edu/hbase/quantum/hosc5.html

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Polar Curves:

Source: https://socratic.org/questions/what-is-the-general-form-of-limacons-and-cardioids-and-how-
do-you-graph-transfor

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Cardioid (orthogonal trajectories of a sound):

Source: https://en.wikipedia.org/wiki/Cardioid

It takes your body a minimal amount of energy to make a sound.

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The Root Mean Square (RMS) of an alternating current is (√2)/2 or 0.7071. These graphs highlight the
nodal and anti-nodal points at which the RMS of a pure sine wave is found when using pi.

A typical 7 segment display, used to illuminate enough segments (lengths between points) to display
every digit from 0-9, the letters ‘a’ through ‘f’ of the english alphabet, and more.

Source: https://www.quora.com/How-and-when-does-zero-sequence-current-occur-in-a-power-system

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Exponents and the Vedic Square:

An example of using the outer frame of 9’s for exponent tabulation. The above example is 7^4 since 7^1
= 7. The minimum is of course 1 and the maximum is 36. We can take each number to the 36th power:
1^36, 2^36, 3^36, 4^36, 5^36, 6^36, 7^36, 8^36, 9^36. Nine is a special case because 9^4 makes up part
of the internal 369 energetic grid as well as 9^36 for the valence shell and when subtracted from each
other the allotted power distribution between them is 9^32.

This method may also be used for place values, where every nine on the 36-cell valence shell is one
place value.

In the above example, 7^4 may also mean 7000.

In modulo 9, nines are like power modulators where 99=00, 999=000, 9999=0000 and so on. This is
useful for working with very large or very small numbers because essentially an exponent with ± 9 tells
us whether to move the decimal to the right or to the left and how many zeros are added or subtracted
and you may infinitely add and subtract rings. For example, 1÷999999999 = 1.0x10^-9 and if another 9
is added to the denominator we get 10^-10. This can continue ad infinitum in either direction along a
singular axis and you do not necessarily have to have an exponent of nine to utilize this concept,
especially since that is how it is currently used in conventional mathematics.

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I hope this article has shown that yes, DNA is and can be encoded in light.

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The G-Quadruplex Telomere:

Source: https://en.wikipedia.org/wiki/G-quadruplex

Because DNA is encoded in photons it moves at least as fast as the speed of light on the RNA hyper-
highway. A recent study has shown that changes made to DNA at one location were simultaneously
changed at a second location 50 miles away where the same DNA was also placed prior to the initial
change.

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 Source: https://ghr.nlm.nih.gov/primer/howgeneswork/cellsdivide

The Zinc Spark During the Moment of Fertilization of an Egg:

https://www.chemistryworld.com/news/zinc-spark-of-life-marks-egg-fertilisation/1010285.article

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The vedic square is both chiral and achiral because of spin.

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The 9-knot series in mathematics. If you look closely, a certain number of them are symmetrical.

Source: https://math.gatech.edu/news/som-leads-reu-programs-summer-18

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Some personal artwork using math tiles that express some of the concepts presented in this article.

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Open and closed “slices” showing groupings using dominoes to convey the concept of characters and
numerals in dot configuration/high-volume data encoding.

Reflections of the digits 0-9:

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Using the formula (x-h)^2 + (y-k)^2 = r^2, plug in r = 1 through r = 9 to make nine concentric circles.

radius after being squared = 1, 4, 9, 16, 25, 36, 49, 64, 81 (above graph stops here), 100, 121, 144, 169,
196, 225, 289, 324, 361, 400

Reducing the sequence of the squared radii for r = 1 through r = 20 to their digital root results in the
sequence: 1497794191497791914.

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“Squaring the circle.” A line may be drawn from each point on the perimeter of the square to other
points on the square. The graph of concentric circles represents one harmonic hypercube slice (19x19
matrix) and includes r = 1 through r = 19

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A vector bisecting concentric circles of the numbers 1 through 9.

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A ± sine wave and cosine wave (where x=1) over nine concentric circles:

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A pure sine wave passing through a harmonic hypercube (plotted with concentric circles to include the
limit of 20):

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It is possible to perform subtractive synthesis on the vedic square and reduce it by subtracting each line
from one another. There are a total of 7 reductions to achieve a single line/sequence.

First reduction:

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Second Reduction:

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Third Reduction:

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Fourth Reduction:

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Fifth Reduction:

Sixth Reduction:

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Seventh Reduction:

Concentric Circle Sequence:

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Rope Stretching to Form the Vesica Piscis:

Source: https://goo.gl/images/XUHYZH

It takes one length of (x) long rope to make not only a vesica piscis but also an equilateral triangle which
is also ½ of a golden rhombus. In fact, it is this length of (x) that perfectly divides the vedic square along
its diagonal (z and w axes). It is the first and the last. The alpha and the omega.

This also perfectly demonstrates the law of polarity (as above so below) as seen when we earlier
constructed the golden rhombus nucleus of the vedic square. When dealing with polarity, it is always
good to remember the four points in Buddha’s unanswered questions: any answer to a question may be
a (e.g. something positive), b (e.g. something negative), both a and b, or neither.

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Emotions and Heartrate:

Source: https://www.researchgate.net/figure/Emotions-and-heart-rhythm-patterns-The-heart-rate-
tachograms-on-the-left-side-show_fig2_267044373

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 Source: https://openi.nlm.nih.gov/detailedresult.php?img=PMC4640580_pone.0142143.g013&req=4

Source: https://www.researchgate.net/figure/Representations-of-mind-body-response-during-stress-
and-meditation-The-figure_fig3_280626837

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Box Breathing Relaxation: Use only the nose and smoothly pull the air up from the base of and along
the spine.

Source: https://en.wikipedia.org/wiki/Light_cone

Recall what the x, y, z, w axes represented throughout this paper and now it should be even more
apparent that the vedic square really is a 2D representation of a tesseract/harmonic hypercube.

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Much like a two-way radio, our physical being is in constant communication with the universe. It is a
steady exchange of information in the form of sending and receiving waves and these waves produce
fields. The fields can interact/attract or repel like magnets (electromagnetism).

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Vertical Pillar:

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The Rice Stack/Sandpile of Self-Organized Criticality:

YOU are the creator of your reality and WE are the co-creators of OUR reality. A faster cyclic rate of
brainwaves from a self-organized and balanced brain equals the faster/more “grains of sand” fall on top
of the pyramid which equals more wave collapses (neuronal transmissions) which ultimately equals a
better connection with the singular plane. In other words, one “grain of sand” is a single synaptic firing
and multiple firings across the spectrum of the brain are adding grains to the “sand pile” which results in
wave collapses (release of neurochemicals). As long as you are alive, synapses are always firing. The
phrase “vibrate higher,” then, simply means a higher oscillation of brainwaves resulting in more wave
collapses which ultimately leads to a steady and constant stream of self-awareness. This total self-
awareness is the driving force of the universe and by default you are always connected to the constant
and highest frequency oscillation stream that pervades it all. Our experience here in matter form, thus,
is directly related to consciously re-connecting with this constant stream.

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Since we are existing, we are constantly sending and receiving waves and fields of energy like radios. If
you linearly lay out gamma, alpha, beta, theta, and delta waves in order from highest frequency to
lowest, each brainwave “fits” together with its neighbors. That is, wherever the wave ends it is picked
up again i.e. it is one constant stream.

In short, your consciousness is eternal. Just like complementary pairs (law of polarity) the pair to life
itself is the afterlife and it is the belief of this author that it exists and lies within the realm of infinite
potential.

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EXTERNAL LINKS

https://en.wikipedia.org/wiki/0

https://en.wikipedia.org/wiki/1

https://en.wikipedia.org/wiki/2

https://en.wikipedia.org/wiki/3

https://en.wikipedia.org/wiki/4

https://en.wikipedia.org/wiki/5

https://en.wikipedia.org/wiki/6

https://en.wikipedia.org/wiki/7

https://en.wikipedia.org/wiki/8

https://en.wikipedia.org/wiki/9

The author of this paper relies on contributions from readers such as yourself. Please make a donation
using the following link (suggested donation is $8.88): https://www.paypal.me/catalystmic

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