Love Is Not Blind
Love Is Not Blind
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4 authors, including:
All content following this page was uploaded by Muhammad Kashif on 11 June 2023.
Aisha Rehman
GIFT University, Gujranwala, Pakistan, and
Sarminah Samad
Department of Business Administration, Collage of Business and Administration,
Princess Noura Bint Abdul Rahman University, Riyadh, Saudi Arabia
Abstract
Purpose – There is extensive research where consumer emotions of brand love and brand hate are
investigated. However, the studies where a transition in consumer-brand emotions is explored are scant. This
paper aims to investigate the mediating effect of brand jealousy in the relationship between brand love and
brand hate among luxury fashion brand consumers. Also how value expressiveness moderates the relationship
between brand hate and negative word of mouth (NWOM) is examined.
Design/methodology/approach – The study is based on a cross-sectional survey conducted among 273
luxury fashion consumers from Pakistan. The structural equation modeling (SEM) technique is employed to
test the proposed hypotheses.
Findings – All the proposed hypotheses are supported. Brand jealousy mediates the relationship between
brand love and brand hate. Furthermore, value expressiveness buffers the relationship between brand hate
and NWOM.
Practical implications – The luxury fashion marketers should focus on strengthening the symbolic identity
of a luxury fashion brand via advocating its visual elements. Moreover, there is a need to advertise luxury
fashion brands as exclusive to individual customers. Finally, some rewards can be offered to consumers to
generate positive word of mouth (WOM) about luxury fashion brands.
Originality/value – The study of an emotional transition among luxury brand customers via a mediating role
of brand jealousy is a unique theoretical contribution. Moreover, the moderating role of the value-
expressiveness function examining the hate-to-NWOM path is also unique to this study.
Keywords Brand love, Brand hate, Brand jealousy, Luxury fashion brands, Social self, Pakistan
Paper type Research paper
Introduction
A strong consumer-brand relationship is a matter of primary concern for fashion marketers
(Samala and Singh, 2019). However, the development of this relationship is challenging
because the customers always seek exclusivity in a luxury fashion brand (Zhang and Cude,
2018). The consumption and possession of a luxury fashion brand enhances the social status
of individuals. The consumers try to impress other members of a reference group via
symbolic (i.e. brand name and logo) and functional (i.e. quality/durability) identification with
a luxury fashion brand (Cronje et al., 2016). When consumers notice a brand being
appreciated by other members as exclusive, it arouses positive emotions toward the brand Journal of Fashion Marketing and
Management: An International
(Goldsmith and Clark, 2012). Contrarily, when a brand falls short of consumer expectations, Journal
some negative feelings are aroused (Hegner et al., 2017). The positive and negative feelings Vol. 25 No. 4, 2021
pp. 625-643
toward brands are the consumer emotions of love and hate. Brand love is a positive consumer © Emerald Publishing Limited
1361-2026
emotion toward a brand and demonstrates their emotional attachment with a brand (i.e. the DOI 10.1108/JFMM-04-2020-0058
JFMM brand) (Carroll and Ahuvia, 2006). On the other side, hate is a negative consumer emotion and
25,4 reflects feelings of hatred among consumers, toward a brand (Wu et al., 2018). The luxury
fashion brand consumers are sensitive to the changes in brand performance and strategy
(Rodrigues and Rodrigues, 2019). Usually, the functional performance of a luxury fashion
brand is high and consumers have no complaints. However, the consumers being self-centric
expect brands to deliver some intangible benefits to raise their social status among others
(Cronje et al., 2016). This way they aim for self-expressive motives.
626 The self-expressive function is an important discourse in the study of consumer behavior
toward brands (Saenger et al., 2020). Self-expressiveness is divided into two elements, i.e. inner
self and the social self. The inner self is a perception that a brand is representative of an
individual’s personality and portrays a true self among others (Samala and Singh, 2019; Jin and
Ryu, 2019). On the other side, the social self is a perception among consumers that a brand
enhances their self-image by leaving a positive impact on others in the social circle (Lin and
Sung, 2014; Prentice et al., 2019). A positive self-expressive perception triggers positive
emotions and strengthens the engagement of luxury fashion consumers (Ki et al., 2017). This is
true because consumers of luxury pay a premium price for the exclusivity. The personality
congruity strengthens consumers’ attachment with the brand (Donvito et al., 2020). However,
when brands are unable to meet such an expectation, some negative feelings are aroused,
resulting in spreading negative word of mouth (NWOM) (Hegner et al., 2017). Previously, it was
believed that the poor functional performance (Bryson et al., 2013b), lack of social
expressiveness (Hegner et al., 2017) and exploitation of consumer sentiments (Kashif et al.,
2015) are the stronger reasons that consumers hate a brand and speak negatively about it.
However, contemporary researchers found consumers neglecting brands when it failed to serve
their need for uniqueness (Kauppinen-R€ais€anen et al., 2018). The study of nonfunctional cues
that can cause a shift in consumer emotions is an important area of inquiry (Sarkar et al., 2020).
In this regard, brand jealousy can be an important personal element that can shape up
consumer-brand relationships. Brand jealousy is a feeling among consumers that the brand
they consume is not exclusive because others in the social circle possess and consume similar
brands (Leventhal et al., 2014) and enjoy equal social status (Sarkar et al., 2014). The jealousy
associated with partner emotions of love/hate is an important discourse in family studies
tradition (Mullen, 1990), but has not been given proper attention and acknowledgment in the
marketing studies. In cases where consumers feel jealousy from others, they might hate
the brand and would like to spread NWOM about a brand (Alexandrov et al., 2013). The
consumers’ tendency to spread word of mouth (i.e. either positive or negative) (Einwiller et al.,
2017; Rageh Ismail and Spinelli, 2012) is an effort to assimilate themselves with other
members of a social group. This way they try enhancing their social image, referring to the
value-expressiveness function of a brand (Bearden et al., 1989).
This study contributes to the existing body of knowledge in several ways. First, the
antecedents and consequences of consumer emotions of brand love and hate are separately
discussed (Samala and Singh, 2019; Hegner et al., 2017), while an emotional transition is
common (i.e. from brand love to brand hate), yet neglected (Gumparthi and Patra, 2019). The
short-lived nature of emotion is discussed, but a transition has not been empirically
demonstrated. Our investigation will benefit luxury fashion marketers to strengthen
consumer-brand ties. We attempt to theoretically reposition brand jealousy as a construct –
framed already as a favorable element – leading to an increased consumer-brand connectivity
(Leventhal et al., 2014) and a willingness to pay the premium (Bıçakcıo glu et al., 2017). Based
on the tradition of family studies from where this construct was borrowed, there is stronger
evidence that jealousy between partners can lead to a weaker, yet destructive relationship
(Kim et al., 2018). The luxury brand consumers desire exclusivity (Zhang and Cude, 2018).
However, a situation where consumers observe other individuals using a similar brand;
seeking equal social status and identity can result in arousal of a feeling of jealousy.
In situations when consumers feel a discrepancy in the attainment of core brand value Love is not
(i.e. exclusivity/uniqueness), it is regarded as an identity loss, thus resulting in brand hate blind
(Hegner et al., 2017). However there is confusion as which personal elements weaken the
emotional transition between consumers and brands (Sarkar et al., 2020). This is where we
position brand jealousy as a mediating variable to result in arousal of negative consumer-
brand relationships.
Another unique contribution of this study is to examine the moderating role of value-
expressiveness among luxury fashion consumers to investigate the relationship between 627
brand hate and their intention to spread NWOM. The value-expressive function is studied in
brand-related investigations (Su and Reynolds, 2017), but so far its moderating role is missed
from literature which we think is important. For instance, younger consumers do not like to
re-purchase fashion brands that are incongruent to their personalities (Vigolo and Ugolini,
2016). When consumers feel their brand is not offering them value, they have this tendency to
spread the NWOM. However, is it true in the case of a luxury fashion brand that is respected
(not for its performance but also for its ability to enhance the social image of individuals) by
the members of a social group? Moreover, the dominant form of brand research advocates the
perspective of mature age cohorts (Rodrigues and Rodrigues, 2019; Samala and Singh, 2019).
The younger consumers also possess a need for uniqueness and aspire to relate themselves
with luxury fashion brands (Kauppinen-R€ais€anen et al., 2018), but still few confusions exist.
For instance, what do they feel about brands with lower levels of value-expressiveness
(Kauppinen-R€ais€anen et al., 2018)? The younger consumers have this tendency to spread
NWOM about brands (Yu et al., 2019), but we challenge this assumption via a moderating role
of value-expressiveness. We believe that younger luxury fashion consumers would like to
remain silent. This is mainly because luxury fashion brands have a very strong reputation
(Cronje et al., 2016). In case consumers intent to spread NWOM about luxury brands, they
might fear losing their credibility and social image which can hurt their efforts to be
acknowledged by a particular social group (Cronje et al., 2016). This would be an interesting
relationship to examine in the context of luxury fashion brands.
The study also has a contextual value. The context of luxury fashion branding from a
collectivist cultural context of Pakistan adds further value to the originality of this study.
High demand for luxury fashion brands (Ko et al., 2019) and a different family system
qualifies Pakistan as an important context. The younger children spend millions of money to
buy luxury items (SCMP, 2019). Other Asian countries such as Pakistan are no exception
where parents buy goods for their children. Pakistan as a country is a highly religious Islamic
nation, progressing well in the luxury fashion industry with almost 40 high-end luxury
brands and 32% of its population comprises of fashion-conscious, open-minded younger
consumers (Iriscommunications, 2016). The Pakistani consumers of luxury brands are highly
status-conscious and like to be recognized by the members of their social circle (Dawn, 2019).
According to the recent data about the evolving luxury niche in Pakistan, the consumers are
happy to pay higher prices for a brand that offers exclusivity (Dawn, 2019). Also, Pakistani
luxury fashion brands are struggling to convince consumers to pay the premium (Shaikh
et al., 2017). Culturally, people seek in-group identity via closer social interactions (Jain, 2019).
Since people live in close social proximity to each other and notice the possessions of others in
a social circle (Kemer et al., 2016), a feeling of jealousy can easily occur to cause an emotional
transition. Such an investigation is absolutely absent in collectivist cultural contexts (Shaikh
et al., 2017).
Moderation of value-expressiveness
When consumers hate brands they tend to spread NWOM (Alexandrov et al., 2013). However,
some conditions can twist this relationship. First, since possession and consumption of a
prestigious brand strengthens their identity as an important member of a social group
(Schade et al., 2016), the consumers while hating the brand can still feel that a brand is offering
functional value (Jung Choo et al., 2012). Such a phenomenon is discussed about selfish
motives among consumers (Kang and Park, 2016). This way, the consumers despite hating a Love is not
brand can still perceive high value-expressiveness based on the functional performance of a blind
brand. Second, the luxury fashion brand consumers may not be willing to spread NWOM and
might react differently. This can happen because the value-expressive function serves as a
stimulant to advocate the brand to others (Schade et al., 2016) and despite hating a brand they
might not share it with others. Moreover, sometimes the consumers feel others might not
agree which can prevent them to share NWOM despite hating the brand (Alexandrov et al.,
_ is evident that luxury brand users tend to spread NWOM about a brand when the
2013). It 631
performance of a brand falls short of expectations (Bryson et al., 2013a). When value-
expressiveness for luxury brands is perceived as high, it results in several positive outcomes
for a brand (Ioana-Daniela et al., 2018). Finally, we think that luxury fashion consumers might
not risk sharing NWOM about a luxury fashion brand. This is because luxury brands possess
a very strong reputation for being exclusive and high in performance (Jebarajakirthy et al.,
2020). Their comments might not receive expected responses from other members of a social
group and can damage their credibility (Cronje et al., 2016). However, the contradictory
evidence also exists where sharing of NWOM is associated with consumer efforts to be
acknowledged as a member of a social group (Einwiller et al., 2017). Based on this evidence we
hypothesize:
H8. Perceived value-expressiveness among luxury fashion consumers moderates the
relationship between brand hate and NWOM.
The hypotheses are presented as Figure 1 below:
Research methods
To strengthen the methodology of this study, a pilot study was conducted among 25
undergraduate students enrolled in a fashion design degree. The core aim was to identify any
language issues which respondents might face while filling up the questionnaire. A similar
approach was employed by fashion marketing researchers (Jain, 2019). Following their
guidelines, no statistical tests were performed and just language issues were observed.
Moreover, the statistical results of the pilot study are presented by fashion marketing
Value
expressiveness
Social self
H8
H1
H2 H7
Inner self
H3 H4
Figure 1.
Brand jealousy The conceptual
research model
JFMM researchers when there is a choice to select constructs for the study (Kim and Jin, 2019). The
25,4 ease felt by respondents while understanding and filling the questionnaire led us to conduct
the main study. The sample of the pilot test was excluded from the main sample as per the
guidelines provided by researchers (Hair et al., 2014).
A cross-sectional design was followed to collect data from systematically selected luxury
fashion consumers in Pakistan. The brands were selected from a list of top ten Pakistani
fashion brands which are perceived as the most expensive retail clothing brands in the
632 country (DivaOnline, 2019). The managers of these luxury fashion brands were approached
by the research team to seek approval to collect data from retail shoppers. Among the few
approached, the managers of two brands gave approvals to collect data from customers
visiting their stores. The customers who visited retail outlets of these brands in the city of
Gujranwala and Sialkot were requested to fill in the questionnaire. Previously, researchers
collected data from Pakistani luxury consumers belonging to a Tier-1 city (i.e. Lahore) and
suggested that data can be collected from less developed cities (Shaikh et al., 2017). This
limitation is acknowledged while selecting less developed cities such as Gujranwala and
Sialkot. These two cities are the geographical areas where a lot of businesses exist and people
have the habit of consuming luxury brands. Finally, another strength of this sample is that it
goes beyond student samples which are widely employed by fashion marketers to investigate
luxury fashion branding issues (Samala and Singh, 2019).
The brand management researchers used the criteria of a minimum sample size of 200
respondents in recently held studies (Hegner et al., 2017). Almost a similar number of realized
sample are found in studies where luxury brand issues are investigated (Jain, 2019). The
suggestions and contemporary practice motivated us to approach 300 people as a potential
sample for this study. We randomly approached customers when they were coming out of the
shops after paying for their shopping and requested them to fill in the questionnaire. Since the
participation in this survey was voluntary, with a response rate of 90% we were able to collect
filled survey forms from 273 customers. The sample of 273 respondents is well beyond the
realized sample reported in studies to investigate luxury branding issues (Jain, 2019).
Moreover, few statistical remedies to evaluate sample size are also employed, discussed under
the results section.
The sample comprises 59.7% females while 95% of people aging between 18–28 years.
The sample consisted of younger customers because the target market of these two brands
selected for investigation is the younger crowd. In an Asian Muslim society, the mature-aged
luxury consumer market is such a smaller proportion of the whole population which is not
profitable for luxury brand marketers. Furthermore, the younger crowd is more open to
experience, is more fashion-conscious and their fashion sense is socially acceptable (Farrag,
2017). A demographic profile of the sample is summarized in Table 1.
of 0.50–0.71. These values are above the recommended value score of 0.50 (Fornell and
Larcker, 1981). Furthermore, to verify the discriminant validity, values of AVE and squared
correlation of constructs were compared for each pair of constructs. As presented in Table 3,
discriminant validity is achieved, as the AVE is greater than the square root of the correlation
estimate. The composite reliability (CR) values ranged between 0.81 and 0.93, higher than the
recommended level of 0.7 (Fornell and Larcker, 1981).
Hypotheses testing
In the next stage, the structural model was analyzed. The fit index for the structural model
indicated an acceptable range (χ 2 5 21.31 (df. 5 7); p-value<0.003; CFI 5 0.978; TLI 5 0.954,
GFI 5 0.975; NFI 5 0.969; IFI 5 0.979; RMSEA 5 0.087). The hypotheses (H1-H6) of the
proposed model were tested and as presented in Table 4, all the proposed relationships are
supported. Both inner self (β 5 0.372, p < 0.001) and social self (β 5 0.200, p < 0.001) had a
significant positive effect on brand love. Brand love had a significant positive effect on brand
jealousy (β 5 0.867, p < 0.001), while brand jealousy was positively related to brand hate
(β 5 0.712, p < 0.001). Brand love had a negative significant effect on brand hate (β 5 0.127,
p < 0.05). Finally, brand hate had a significant positive effect on NWOM (β 5 0.684, p < 0.001).
Mediation effect: There was a significant effect of brand love on brand hate (β 5 0.317,
SE 5 0.122, p 5 0.002). According to the analysis results, 95% bootstrap confidence interval
for the indirect effect of brand love on brand hate was 0.398–0.872. Since “0” did not fall
between the lower bound and upper bound of the confidence interval, we inferred that the
indirect effect of brand love on brand hate was found as statistically significant. Thus H7 was
supported.
Moderation effect: The researchers recommend the employment of a product term
approach when both the interaction variables are continuous (Fassott et al., 2016). Therefore,
we used the product-indicator approach to test the moderating effect of value-expressive on
the relationship between brand hate and NWOM. To test the moderation effect of value-
expressiveness, we standardized the value-expressiveness and brand hate variables. Then
we multiplied these two standardized variables to obtain the interaction term. We found that
the moderating effect of value-expressiveness on the relationship between brand hate and
NWOM is statistically significant (β 5 0.128, t 5 2.978, p 5 0.003). However, the beta
coefficient is negative. It seems value-expressiveness normalizes the consumer emotion of
hate and marginalizes their tendency to spread NWOM. The results of moderation effects are
presented in Figure 2 below:
25,4
636
JFMM
Table 3.
Convergent and
discriminant validity
Construct CR AVE Socialself Innerself Brandlove Br.Jealous Brandhate Value-expressive NWOM
4.5
3.5
NWOM
Low Value
3 expressiveness
2.5 High Value
expressiveness
2
Figure 2.
1.5
Moderation effect of
1 value-expressiveness
Low Brand hate High Brand hate on NWOM
JFMM understandable in the context of young luxury fashion consumers belonging to a collectivist
25,4 society. Since luxury consumers desire uniqueness, and they are emotionally involved in
consumption, they are less tolerant (Ki et al., 2017). In collectivist cultures where people live
close social proximity to each other and notice the brands possessed by others in a social
group (Zhang and Cude, 2018), a loss of social status is not acceptable. When they notice
others possess similar brands and are enjoying equal social status, their feelings transit from
an emotion of love to hate toward a brand.
638 The results further explain that luxury fashion brand customers, despite hating the brand
would not like to spread NWOM. These results challenge the previous assumption related to
brand hate and consumers’ tendency to spread NWOM (Chang et al., 2013). The consumer
emotions and their perceptions are separate issues of identity. This entails that consumers’
perceptions of value-expressiveness can be high, despite they hate the brand (Jung Choo et al.,
2012). We positioned brand hate as a function of a loss in identity perceptions instead of the
poor functional performance of a brand. Thus customers hating the brand can still perceive
high value-expressiveness. The luxury consumers spread NWOM in circumstances where
the performance of a brand is low (Bryson et al., 2013a), but high value-expressiveness for
luxury brands might result in positive outcomes for a brand (Ioana-Daniela et al., 2018).
Moreover, since the reputation of luxury fashion brands is high (Jebarajakirthy et al., 2020),
speaking negatively about a highly reputed brand might adversely affect the credibility of an
individual. This could be another reason that this relationship is found insignificant. Also, it
is a case of some.
Theoretical contributions
The study contributes to advance theory in the field of luxury fashion branding. There is
extant literature where consumer emotions of hate, as well as love, are discussed, but in
isolation from each other, thus missing the transition from positive to negative emotions
(Samala and Singh, 2019; Hegner et al., 2017). The identification and empirical testing of the
boundary conditions which trigger an emotional transition among consumers remained a
practically relevant, but scantly investigated area of inquiry among brand management
scholars (Grace et al., 2018). Recently researchers highlighted that emotional transition
among consumers of a brand lacks empirical evidence (Gumparthi and Patra, 2019). By this
study, empirical evidence for the emotional transition among luxury fashion brand
consumers is now available. Another important contribution stems from the positioning of
brand jealousy as a negative element to cause this emotional transition. The family studies
scholars highlighted a negative, yet destructive role of jealousy which has the potential to
sabotage partner relationships (Kim et al., 2018). However, brand management researchers
were investigating its positive role, i.e. to advocate increased consumer-brand connectivity
(Leventhal et al., 2014) and as a motivator to strengthen consumers’ willingness to pay a
premium (Bıçakcıo glu et al., 2017).
Finally, another contribution is empirical evidence to address whether consumers’
perceptions of value-expressiveness prevent them from spreading NWOM? This was
highlighted as an important question to be addressed by researchers (Su and Reynolds, 2017).
Contextually, the research is unique which investigates a transition in consumer emotions
and conditions which trigger NWOM in a collectivist cultural setting. The results can be
understood in the light of theory and context.
Managerial implications
There are several managerial implications to address the issues facing luxury fashion brand
marketers. First, since the inner self perceptions more significantly contribute to brand love
among luxury fashion consumers, fashion marketers need to strengthen consumer
perceptions of inner self-expressiveness. This can be achieved by strengthening the symbolic Love is not
identity perceptions among consumers. Recently, the enhancement of symbolic value is blind
associated with strengthening consumer-brand relationships (Saenger et al., 2020). It means
that the visual elements of a luxury brand such as logo, name and packaging should be more
strongly communicated among customer groups. In addition to these visual elements, the
celebrities endorsing the brand also need to highlight these visual elements through various
communication platforms, including social media. The importance of celebrity endorsements
is also highlighted in studies (Jin and Ryu, 2019). Another approach to strengthen consumers’ 639
inner self-expressive perceptions is to conduct segmentation research to better understand
various dimensions of consumer personality. This way brand elements can be made
congruent with consumers’ personalities. A strong congruence between consumer
personalities and the brand results in sustainable consumer-brand relationships (Su and
Reynolds, 2017).
Second, luxury fashion marketers need to correctly understand the role brand jealousy
can play to damage consumer-brand relationships. As informed through already published
research, the marketers were envisioning a positive role of brand jealousy to trigger
consumption and brand advocacy (Bıçakcıo glu et al., 2017). Our results challenged this
assumption which calls for a careful re-thinking of advertising campaigns designed to attract
and motivate luxury fashion brand consumers. The elements such as exclusivity, personality
development through possession and consumption of luxury brands, and an enhanced social
image can be advocated through various advertising campaigns. The importance of these
elements is highlighted in previously held studies (Samala and Singh, 2019). Since the
younger crowd is more tech-savvy, luxury brands can approach customers by using social
media campaigns, as advocated by fashion researchers (Jin and Ryu, 2019).
Third, results indicate when consumers hate the brand, they like to spread NWOM
however, when they perceive that a luxury fashion brand is highly value-expressive, the
tendency to spread NWOM is low. It indicates careful assessment of consumer feelings
toward a brand as well as appropriate management of their word of mouth. The luxury
fashion marketers can assess the brand hate perceptions via different scales used in this
study. Moreover, to convince consumers for a positive WOM, some incentives can be offered
to consumers to advocate for the brand. In collectivist societies, people live in close social
proximity to each other; their positive WOM can further strengthen consumer-brand ties and
also can motivate other consumers to start using a particular luxury brand.
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Corresponding author
Muhammad Kashif can be contacted at: kashif@gift.edu.pk
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