Emotional_Intelligence_Sample
Emotional_Intelligence_Sample
Emotional_Intelligence_Sample
There is more to communication than the words one speaks or message being conveyed. There are also
non-verbal cues that all use in everyday conversations. Being mindful of the signals you send others
through body language and the manner in which you speak may get your point across a lot faster than
your mere words.
Sending non-verbal signals to someone can be a great way to reinforce that which you’ve verbally
spoken. It can also be used as a tool to further explain what you’re trying to say. However, it can be a
way of confusing the listener. So, this can be a valuable skill as long as you are conscious of it and have
trained it to have a positive effect rather than using it as an uncertain form of communication.
a. Eye Contact
Eye contact is considered one of the most important aspects of non-verbal communication.
Steady eye contact often indicates attention to the person one is in conversation with, as well as
a willingness and sincerity to connect. The lack of eye connect can be viewed as defensiveness,
nervousness and/ or social withdrawal. Many say that our eyes are the “windows to our soul”,
and that one can tell if an individual is happy, sad or angry simply by looking at their eyes.
b. Facial Expression
It is believed that there are universal facial expressions for different emotions, most of which
have an evolutionary basis. For example, anger is often indicated by sharp stares, crunched
eyebrows and the baring of teeth. Sadness, on the other hand, can be denoted by teary eyes
and drooping lips. Note though that the expression and perception of emotions tend to vary
from culture to culture.
c. Posture
The way we sit down, stand up or even walk can also communicate. For example, slumping in a
chair is often considered as a sign of inattention and/or disrespect. Walking with one’s head and
shoulders down can be interpreted as a sign of nervousness or low self-esteem. Withdrawing to
a fetal position can also be indicative of fear and/or depression. The puffing of one’s chest has
been traditionally interpreted as pride.
d. Specific Movements
There are specific movements that have traditionally been associated with certain messages. For
example, nodding is generally a sign of assent or agreement. Raising clenched hands are
interpreted as a sign of angry challenge. Stomping our feet can be an indication of frustration.
e. Physical Contact
The way we physically interact with other people is also a part of body language. Shaking of
hands, hugging, slapping, punching are forms of communication. The same can be said about
our physical closeness and distance with another person. Standing too close to a person can be
considered as an invasion of boundaries, while standing too far from a person can be construed
as avoidance.
The following are aspects of “how we say things” that we should take note of:
1. Tone of Voice: Voice intonation refers to the use of changing pitch in order to convey a
message. The same message, for example, can be delivered using a rising intonation, a dipping
intonation or a falling intonation. Changes in tone can help inject emotions into messages;
messages can be upbeat or depressing depending on the speaker’s tone. Changes in tone can
also help identify what is the purpose of a sentence. There are intonations that better fit a
question, and intonations that better fit a declarative sentence.
2. Stress and Emphasis: Changing which words or syllables you put emphasis on can change its
meaning. For example, consider the differences among these three statements below. The
italicized word represents where the emphasis is.
3. Pace and Rhythm: The speed of speech, as well as the appropriate use of pauses can change the
meaning of words spoken, and affect the clarity and effectiveness of a communication. For
instance, people who speak too fast can be difficult to talk to --- a listener might feel too
pressured to catch everything that they have to say! On the other hand, a person who speaks
too slowly can bore their listener.