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MINOLM rc.z

OWNER'S MANUAL

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Your light, compact XG-2 is a top-quality single-lens reflex camera whese electronic
system will control exposure for you automatically, freeing you for more enjoyment
. and greater creativity. You can also override the meter's automatic setting or set the
camera for full manual operation. Electromagnetic shutter release and unique "Touch
switch" metering, head a host of other features. Attaching the accessory Auto.Winder
G enables single-frame/contiluous motor film advance up to 2 trames/sec. Minolta's
special Auto Electroflash ZOOX electronically switches the XG-2's shutter over for
strobe exposures when charged and signals flash-ready in the finder; it also enables
. continuous-sequence flash with therruinder. Besides new MD Rokkor lenses, your XG-2:
uses virtually all interchangeable Rokkors made to di e and all applicable Minolta SLR
system accessories. ry,'
Before using your camera for the first time, study this manual carefully all'the way
'''through or at least all the sections needed to cover your own photogr;aphic
- needs. As
you read, attach a lens to the camera body (see p. 10), load batteries,.and hahdle your
XG-2 and acquaint yourself with its parts and features. Then'load it with film and
proceed to actual picture taking. In this way, you can take good photos and begin to
realize the broad potential of your XG-2 right from the start, Be sure to keep this
manual for reference later as necessary.
Minolta precision lenses and accessories are manufactured under high quality
control standards and are designed to the performance requirements of Minolta camera
bodies. We recommend Minolta Rokkor lenses and Minolta system accessories for all
types of photography.
CONTENTS
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MAIN FEATURES 4 Memo holder " 19

NAMES OF PARTS 6 EXPOSURE CONTROL

FUNDAMENTALS ., 20
SUMMARY OF OPERATION .....
(in automatic) I METERINGWITHTHEXG.2 21

10 VIEWFINDER .. 22
ATTACHING AND REMOVING LENSES
BATTERIES AND POWER 11 AUTOMATIC EXPOSURE CONTROL ... 24
Installing batteries 11 AutomaticoPeration ""' 24
Testing batteries 12 Eyepiececap.' ""25
Operating switch 13
WAYS OF USING AUTO MODE . . . 26
Touch switch/oPerating button 13
14 AUTOMATIC EXPOSURE
^ Cold-weather operation . .
ADJUSTMENT .. .. 29
14
LOADING AND ADVANCING FILM WHEN AND HOW MUCH TO USE
30
Film advance lever and frame counter ' ' ' 17
32
18 MANUAL EXPOSUR E CONTROL I

FILMSPEED... "8" setting 33

1B
Film-sPeed selector
ASA/DlN conversion scale 19 HOLDING THE CAMERA

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 35 XG-2 SYSTEM ACCESSOR I ES :. 45
36 Auto Winder G .. 46
36 Auto Electroflash 20OX .. 47
Infrared index 37 RemoteCordSandL ...48
RELEASING THE SHUTTER 38 .,. 49
STANDARD.LENSSPECIFICATIONS
SELFTIMER 40 CAMERASPECIFICATIONS ....50
REWINDING AND UNLOADING CARE AND STORAGE .... 52
FILM 41
FLASH PHOTOGRAPHY 43
Synch ron ization 43
Connecti ng f lash units 43
USING OTHER THAN MD AND
MC LENSES 44
Auto Rokkor lenses 44
RF (mirror-type) and Manual-Preset
I enses 44
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MAIN FEATURES

Fail+afe electronic exposure system Solid-state information viewf inder

lncorporating many of the features devel- o Focusing can be done in three ways: By the
oped for Minolta's top electronic cameras, the split-image spot or microprism focusing aid
XG-2 covers a wide range of photographic or on the matte field.
conditions. lts electronic shutter which auto- o Automatic shutter speeds, indicated by
matically locks to prevent overexposure and LED's are visible while you view.
electromagnetic shutter release with unique o LED at "60" position blinks as flash-ready
touch switch metering add to the handling ease signal when Auto Electrof lash 2O0X is
of the camera. attached and charged.
The XG-2's system features:
o Full automatic exposure by stepless shutter Easy handling controls
speeds from 1 /1 OO0 to 1 sec. plus f u ll Lightweight and compact, the XG-2 is hu-
manual settings. man engineered to fit the user's hands for
o Electromagnetic shutter release. smooth operation:
o Unique Touch switch metering, o Smooth short stroke f ilm advance.
o Shutter-release lock prevents overexposure o Large easy to adjust shutter-speed dial.
when light over meter's range or battery o "Soft-touch" electromagnetic shutter re-
power low. lease.
o Two tiny silver-oxide batteries as power . Curve formed body with cushioned body
source. grip.
o Minolta bayonet lens mount with large
release button.
o Balanced wi nder operation.
Ouick attach auto winder User oriented features
The XG's accessory auto winder attaches o Up to two stops' continuous adjustment
quickly, without access caps to remove or store, over or under the normal electronic setting.
freeing the user from advancing film in single- o X-type flash synchronization through the
frame or continuous operation up to two hot shoe or PC terminal.
frames per second, lts strong efficient coreless o Electronic selftimer with blinking indicator
micromotor winds as many as 150 or more light.
cartridges per set or charge of batteries. At the . Eyepiece cap for unmanned or similar oper-
end of each cartridge the motor automatically ation.
shuts off. o Exclusive Safe Load Signal monitors film
alignment and advance.
Special camera-control flash o Handy memo holder and ASA/DIN conver-
When attached to the XG-2 and ready to sion scale on back.
fire the Auto Electroflash 200X starts a flash- o Release terminal for tripod shots with elec-
ready signal blinking in the viewfinder and auto- tronic or standard release cord.
matically sets the shutter for X synchronization o Shutter not operative when operation
(1/60 sec.). This four-setting unit provides auto- switch off.
flash at either of two apertures and either o Virtually all existing Minolta interchange-
full-power manual operation or when powered able lenses and applicable system accessories
by Ni-Cd batteries, up to two continuous- can be used in either automatic or manual
sequence flash exposures each second with the operation.
Auto Winder G.
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NAMES OF PARTS
6

Film-advance lever
Touch srruitch/operating button
Hot shoe
Frame+ounter window Shu tter-speed /f un ctio n
selector
Safe Load Signal
Main switch
Auto-setting release
Rewind crank
Strap lug
Back corrcr release knob
Film-speed window
Lens-release button
Self-ti mer/battery+heck i nd icator
Shutter release socket
MC coupler lug
X sync. terminal
Aperture scale
Focusing grip
Depthof-field scale
Aperture ring
Distance scale
mike Digitally signed by mike butkus
DN: cn=mike butkus,
o=orphancameras, ou=29,

butkus
email=mike@butkus.org, c=US
Date: 2018.01.12 13:48:08
-05'00'
 Finder eyepiece
Shutter curtain
Sprocket
Take<rp spool
Back cover
Pressure plate

Rewind button
Auto-winder coupler
Tripod socket
Winder terminal
Battery chamber cover
Guidepin socket
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SUMMA RY OF OPERATION (on automatic)

The steps rtline use perfectly exposed pictures with this camera and
of your XG-2 ey give a are keyed to corresponding sections of the
general idea s to get manual for ready reference. This brief guide

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1. Check batteries (see p. 12) 2. Move main switch to "ON" 3. Open back .ovs1 (p. 14)
(p. 13)

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7. Set selector dial
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to "A" 8. Set lens aperture $.2a1 9. Adiust focus (p. 35)
may also be useful for good results after you instructions in fre rest of this manual, which
have not used the camera for some time. lt is should be thoroughly studied for best results.
not, however, a substiture for the detailed

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4. Load film properly;close
ssysl (p. 14)

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10. Retease shutter (p. 38) 11.Turn power off (p. 13) 12. Rewind and remove f i

(p. 41)
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ATTACHING AND REMOVING LENSES
10

To Remove
To Attach While pushing the lens-release button, turn
1. Remove the body cap from the camera lens the lens counterclockwise as far as it will go;
rnount and the rear cap from the lens then lift the lens bayonet out of the mount.
bayonet, each by turning the cap counter-
clockwise. CAUTION
lf it becomes necessary to set the lens down
2. Align the red mounting index on the lens without a rear lens cap attached, be sure to set
barrel with the red index above the camera the lens only on its front end (except for
lens mount; insert the lens bayonet into the fisheye lenses) as damage to the diaphragm
mount; and turn the lens clockwise until it control pin could result from rear lens contact
locks into place with a click. with a hard surface.
BATTE R IES AND POWE R

Two 1.S-volt silver-oxide batteries, Eveready Installing batteries

5-76 or equivalent, supply the power for the 1. Using a coin or similar object, turn the
meter, electronic exposure control, elec- batterychamber cover counterclockwise
tromagnetic release, electronic shutter settings, and remove it.
and LED indication. 2. After wiping terminals with a clean dry
cloth and handling only by the edges, insert
CAUTION two of the specified batteries plus (+) side
o The shutter will not release when the out into the sleeve on the inside of the
operating button is pushed if : battery power cover. (lf batteries are inserted improperly,
is too low; the operating switch is at they will not make contact, and no current
"OFF," exposure conditions exceed the will flow.)
rangeof the automatic exposure system.
o Do not use 1.3v mercury batteries, Eveready
EPX-675 or equivalent, which have a similar
shape.
NOTE
r lf the camera is not be used for more than
two weeks, it is advisable to remove the
batteries.
o Fresh spare batteries may be stored in
the battery holder provided with the camera
strap.
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Testing battories
Move the main switch to align the index
with "8.C." lf the red batterycheck indicator
on the front of the camera lights, batteries are
serviceable. When released, the main switch will
automatically move to the position.
Test batteries immediately after installing
3. Replace the cover and screw it in clockwise them. lf the indicatordoes not light, make sure
as far as it will go. that they are fresh and have been inserted
correctly.
Batteries should be tested from time to time
thereafter, preferably before starting each new
roll of film and particularly before starting
picture-taking sessions or trips. A set of batter-
ies will generally last for about one year in
-tNE-'.'- ProPer normal use'
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Main switch Touch switch/operating button
To operate the camera, move the main F inger contact with the Touch switch/-
switch to "ON." This allows current to flow to operating button activates tlre camera's elec-
the Touch switch/operating button. The main tronic shutter and when the shutter-speed/-
switch also serves as the self-timer and battery function selector is set at "A" (automaticl,
check switch. powers the electronic exposure control and
To prevent accidental exposures and need- LED circuits. lf proper contact with the touch
battery drain, always be sure to move the
less switch is not possible (i.e., while wearing gloves
main switch to "OFF" when not using the or when fingers are dryl, slight pressure on the
camera. button will also activate the camera.

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LOADING AND ADVANCING FILM

NOTE
Wipe off any dust or dirt that might
accumulate on the touch switch with a clean
dry cloth. This will insure good contact and After you have not used your camera for
proper operation. some time, check the Safe Load Signal and
frame counter to be sure that there is no film in
Cold-weather operation the camera. lf the camera is unloaded proceed
Batteries by nature tend to decrease in as follows:
capacity as the temperature goesdown. Though 1. Pull out on the back cover release knob
the silveroxide batteries used for the XG-2 are. until the camera back springs open'
superior to most others in this respect, it also
happens with them.
lf old batteries are used at temperature t ^>'
befow o"c (32"F| , the camera's electronic
operation may not be satisfactory. You should
thus replace older batteries with fresh ones
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before using your XG-2 in cold weather and
carry spare fresh batteries with you during such
use. Battery capacity will be restores to its
normal level when the batteries are warmed to
their recommended operating temperature
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 3. Insert the end of the film leader as shown
Leaving the knob pulled out, position a film into one of the slots in the take-up spool so
cartridge in the chamber with the project- that the tooth is engaged with a sprocket
ing-spool end toward the bottom of the hold near the end of the leader. Make sure
camera. Then push the back-cover release that the end of the leader does not project
knob all the way in, rotating it slightly to do from another slot bewveen tabs on the
so if necessary. spool.
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4. Operate the film-advance lever slowly until 5. Close the camera back and push in on it
the film has begun to wind firmly around until it clicks loaded.
the takerp spool and the sprocket teeth are 6. A red "S" should now appear opposite the
engaged with holes on both edges of the index in the frame+ounter window. Ad-
film. lf the advance lever stops at the end of vance film and release the shutter until the
a full stroke during this procedure, release index points to "1" on the framecounter
the shutter and continue. dial.

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 CAUTION
Film should be handled and loading done in
7. A red bar should also now appear at the subdued light - at least shaded from direct
extreme left in the Safe Load Signal win- sunlight by the body.
dow. This indicates that the film is loaded
and winding properly on the take-up spool. Film-advance lever and f rame counter
lf the Safe Load Signal does not appear or The film-advance lever is designed with 30'
swings far to the right in the window, repeat unengaged movement before the beginning of
steps 1 through 6 to assure that film is its engaged stroke to allow siwnging it out from
properly engaged on the spool. As you the body so that the right thumb will f it
continue to take pictures, the red signal will comfortably behind it. Continuing to move the
move gradually toward the right in the win- lever through its engaged angle of 130", ad-
dow, indicating that film is aJvancing prop- vances film and frame counter and cocks the
erly. shutter for the next exposure.
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FILM SPEED

Each film on the market has an ASA or DIN

exposureindex number to indicate its sensitivi-
When the lever stops and resists f urther ty to light. For correct exposure, the meter
movement at the end of a film, never attempt must be set for the effective exposure index of
to force it farther. (See p. 41 tor instructions the film in use.
on rewinding and unloading film.) Setting f ilm speed
The counter automatically resets for film To do this, lift up on the knurled ring of the
loading when the camera back is opened. shutter-speed/function selector and turn it until

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the proper ASA indication appears centered in Memo holder
the film-speed window and locks in that posi- Around the ASA/DlN conversion table is a
tion when the ring is released. Marks between convenient frame that can be used to keep
numbered graduations indicate ASA numbers as memos handy with the camera. lt is just the
follows: right size to hold the film-box end, which can
be inserted as a reminder of the film in use.
25 200
.32 o 250
o4O o 320
50 400
o64 o 500
o80 .640
100 800
.125 o 1000
o 160 o 1250
1600

ASA/DlN conversion scale

A convenient scale for converting DIN to
ASA film-speed ratings is located on the back
of the camera.
cover
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20

EXPOSURE.CONTROL FUNDAM ENTALS

The two camera exposure-control settings the next higher speed (11125l, and half as long
are lens opening (aperture) and shutter speed. as the next lower one (1/30). The interval
The size of the aperture determines the amount between two standard f-numbers (say, f l4 and
of volume of light reaching the film from a f/5.6) or shutter speeds (say, 1/15 and 1/30) is
given subject and lighting. The shutter speed one "stop." Total exposure on the film is
determines the length of time th is light acts determined by the combination of aperture and
upon the film. Apertures are expressed in speed. Other things being equal, using the next
f-numbers, which are larger for small openings smaller f-number (i.e., giving one stop more
and vice versa G.g., fl16 represents a small exposure) will balance using the next higher
opening, f 12 a large one). Shutter speeds are shutter speed (i.e., giving one stop less expo-
expressed in seconds or fractions thereof , which sure), and so on. A great range of combinations
are generally the reciprocals of the numbers (e.9., f/5.6 at 1/30, t14 at'l160,f l2.B at 11125,
shown on shutter-speed scales (e.9. 60 = 1/60 f 12 at 11250, etc.) will thus yield the same total
sec., and 2 = 112 sec.). At usual apertures, each exposure. The specific combination you choose
f-number setting (e.9., f /8) lets in twice as much under given lighting conditions will depend
light as the next numerically larger one ft111l. upon the degree to which you want the greater
and half as much as the next smaller (f/5.6). depth of field (see p.36) o.f smaller apertures
Similarly, each shutter speed (e.9., 1/60 sec.) and the greater movement-blur preventing abili-
allows laght to strike the film twice as long as ty of faster speeds (p. 28).
 21

METERING WITH THE XG.2

(Automatic mode only)
The center weighted metering system in with the same control from 112 to 2 stops, the
your XG-2 employs two CdS cells mounted exact amount varying with the specific bright-
behind the pentaprism so that light from all ness difference and the effect desired. (p. 29).
parts of the viewf ield (picture area) is measured As with most metering systems, strong
but inf luence f rom a broad central area is sources of direct light or other very bright areas
greatest. Thus the reading should yield satisfac- may influence the reading adversaly is allowed
tory exposure without adjustment as long as to dominate the frame.
the main subject area occupies a major part of Though your XG-2 finder is designed to
the f rame. minimize the effect on the meter of light
lf the subject area to be measured occupies a entering through the finder eyepiece under
relatively small part of the frame, move the usual conditions, care must be exercised to
camera so that the main subject fills most of prevent this especially if you wear glasses. Use of
the frame. Note the shutter speed setting in this a rubber eyecup is further recommended when
position and compensate for the exposure the subject is in shade and the camera is in
difference with the shutter-speed/function se- sunlight, when bright sidelight falls between eye
lector or use manual speeds to set the same and eyepice, or when stopdown metering is
value when making the exposure from the used, particularly at small apertures (see p.44).
original position. Further, if the most impor- When viewing is unnecessary, the eyepiece cap
tant area is very much brighter or darker than (see p. 251 can be used to completely eliminate
the rest of the frame and does not fill most of this problem.)
it, exposure should be decreased or increased
V IEWF IN DE R
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As you look through the view-

f inder of your XG-2, you can see:
Q Split-image/microprism focusing
spot,
O Shutter speed scale,
@ Indicator LED's (Auto mode
only, show shutter speed berng
selected by the automatic expo-
sure system; in manual and auto-
matic mode, LED at "60" is also
f lash-ready signal)
@ leO over- or under-range indica-
tors (auto mode only)

For operation details, see the fol-

lowing section on exposure control
and focusing.
 AUTOMATIC EXPOSURE CONTROL
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24

2. Setthe desired lens opening by turning the

aperture ring on the lens barrel. The shutter
Automatic operation speed as indicated by lighted LED at the
1. Turn the shutter-speed/function selector to right of the frame will vary automatically to
align "A" with the index, at which point it yield proper exposure for the aperture and
is locked to prevent accidental movement. other settings with the light being metered.
 25

3. lt is then only necessary to confirm focus Eyepiece cap

(see p. 351, compose your picture, and For remote or unmanned operation or when
release the shutter (p. S). the camera is set on a support and used without
4. The XG's accurate range of shutter opera- viewing on automatic mode, be sure to attach
tion on automatic mode is 1/10OO to 1 sec., the eyepiece cap as shown. This wi ll prevent
as indicated by the shutter speed scale. unwanted light from extering through the
When the over-range indicator lights, the eyepiece and affecting the meter reading and
shutter will lock to prevent overexposure. exposure when the eyepiece is not being shield-
Lighting of the under-range LED indicates ed by the photographer's head, as it normally
use of a shutter speed longer than one would be.
second. For either, the aperture or other The eyepiece cap has a slot that allows
conditions should be adjusted so that an threading it on the camera strap to avoid los
LED lights within the scale's range. and keep it handy for use.

NOTE
o When the over-range indicator lights, be sure
not to depress the operating button while
adlusting the aperture or other conditions.
This will cause the shutter to release at the
instant the exposure is within metering
range and result in an unwanted picture.
o To continuously provide more or less expo-
sure on automatic mode, see p. 29.
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126
WAYS OF USING AUTO MODE
Guide to setting aperture
On AUTO mode, your XG-2 will set the Heavy
precise shutter speed for proper exposure for Hazy
Sunny Over- Indoors
you automatically. Even so, you have consider- Sun
cast
able control over results and can adjust, aper- ASA 25 ftB ft2
ft4 f 11.4
ture and shutter speed over considerable ranges
to suit the conditions and yourself. ASA 8G fl11 f t5.6 fl4 il1.4
ASA lOO f t11 f 15.6 il4 il1.4
ASA 2OO ft11 fl8 ils.6 fl2
General use ASA 4OO f t16 il't 1 ft8 f 12.8
For usual good personal pictures with a (These are only guidelines for typical picture
minimum ,of care where no particular effect is taking situations. For additional information
desired, simply set the aperture as indicated in see page 20.)
the table. These guide settings will provide as
much depth of field (see p. 36) as possible NOTE
while producing a shutter speed fast enough to Use of a steady support (p.34) or an elec-
stop any subject motion and guard against blur tronic flash (p.43) is recommended for use
from cameira movement (see p. 38). with shutter speeds of 1/60 or slower.
 Creative aperture control
There may be times when it will be most camera select the shutter speed. Small 'f-num-
important to set the lens aperture to obtain a bers yield a shallow field of sharp foci.rs, as in
particular effect, such as rendering a certain Example A below, while large f-numbers give
range in sharp focus or emphasizing a subject greater depth of field, as in Example B. To
against an out-of-focus background. In this determine actual depth of filed, use the depth-
I case, set the desired aperture, and let the of-f iled scale (see p. 36)

I A: Large lens opening B: Small lens opening

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Creative shutter control
At other times, the subject or effect you Exampfe C below. Such slow speeds as 112to'l
want may make the shutter speed more impor- sec. can be used to emphasize sublect flow or
tant. In this case, turn the aperture ring until motion, as in Example D.
the lighted LED indicates the required speed on No matter how the camera is used, it is
the finder scale; exposure will automatically be important to support it (see p. 3a) and release
correct. High shutter speeds such as 1/500 to the shutter properly (p. S).
1/1000 sec. can "freeze" fast action, as in

C: High slrutter sp€ed D: Low *rutter speed

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AUTOMATIC EXPOSURE ADJUSTMENT

To deliberately give more or less exposure The shutter-speed/function selector will lock at
while in automatic mode, set the shutter- normal automatic setting and there are click-
speed/function dial as follows: stops at each half stop setting.
Depress the Auto-setting release and move The "A" may be set at intermediate posi-
the shutter+peed/function selector so that the tions between +2 and -2.
"A" is on the side having plus (+) numbers to Always return the shutter+peed/f unction
produce more exposure or on the side having selector to "A" (normal automatic operation)
minus (-) numbers to produce less exposure. after using exposure adiustment settings.
The numbers indicate the amount of adjust-
ment in stops or EV steps (i.e., "+" indicates
one more stop or double the normal automatic NOTE
exposure, and "+2" means two stops or four The XG's automatic exposure sYstem will
times more exposure: "-1" is one stop less or not operate when the "A" on the shutter-
one haff the exposure, and "-2" produces two speed/function selector is moved outside the
stops' less or one quarter the normal exposure). range of exposure adius

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WHEN AND HOW MUCH TO ADJUST EXPOSURE
1. In situations where there is a great contrast a very smallpart of the image frame.
difference between the subject and back- 2. lf the most important sublect area is much
ground and the most important area is brighter than the rest of the picture, set the
considerably darker than the area surround- "A" on the Shutter-speed/function Selector
ing it, set the "A" on the Shutter-speed/- from -1 to -2. Examples of this kind of
function Selector at from +112 to +2. picture are subjects in a spotlight or shaft of
examples of such pictures are ones with sunlight, or against a very dark background,
strong backlighting and no fill-in illumina- as Examples C and D, unless the background
tion, such as Examples A and B, or subjects occupies only a small area in the image
against a background of snow or light- frame.
colored sand, unless the bright area occupies
A: Without adiustment B: Exposure increased

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3. As above, when copying docr.rments printed
on white stock or other subiects that are
predominantly light in color, an adjustment
to +112 or more may be called for. Similar-
ly, you will probably want to make an 4. The above suggestions will serve as starting
adiustment from-1 to -2 for predominant- points for trial; individual conditions and
ly dark copy meter or that on a dark taste will of course determine exact final
background. e xposu re.

C: Without adjustment D: Exposure decreased

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MANUAL EXPOSURE CONTROL
In situations where the contrast difference lens-aperture combination may then be set
between the subject area and the background for full manual operation.
exceeds the available range of automatic ex- 2. To determine the aperture and shutter speed
posure compensation, or when a desired photo- settings by using the XG's metering system,
graphic effect requires a fixed speed, you will move the shutter-speed/function selector to
want to use the XG's manual shutter speed. the "A" (Auto) setting. Then adjust the
lens aperture for the desired shutter speed
1. While depressing the Auto-setting release if and aperture combination. After noting the
from the "A" setting, turn the shutter- shutter speed indicated by a lighted LED,
speed/function selector to align a stepped reposition the selector to that manual speed
speed with the index. Any shutter-speed and and take the picture.

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"8" setting
Turning the shutter-speed/function selector
to align "8" with the index (while depressing
the Auto-setting release if from "A" setting)
sets the camera for making "bulb" exposures.
That is, the shutter will open when the operat-
ing button is depressed and remain open until it
is released.

NOTE
When a standard cable release with the XG
and "B" setting, be sure not to let any metal
part of the release touch any metal part of the
camera body while the shutter is open as this
wi ll cause the shutter to close and end the

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HOLDING THE CAMERA www.butkus.us

Holding the camera securely when expo-

sures are made is as important as focusing. Even shown so that the index finger rests on the
slight movement at the instant of exposure can operation button. In this position, the thumb
result in "blurred" photographs, especially can conveniently operate the film-advance le-
when operating with slow shutter speeds. A ver.
recommendable way that permits ready opera- The camera may be held in a vertical
tion of important controls is shown here. position as shown (center) using the thumb of
To hold the camera horizontally, cradle the the right hand to push the shutter release while
bottom if it in the palm of the left hand with the left hand is used for support and focusing.
the thumb and index or middle finger on the Another possibility is to rotate the camera from
focusing grip of the lens. These fingers can also the horizontal position and hold it so that the
be used to turn the aperture ring. Grasp the rewindcrank end is cradled in the left hand as
camera body firmly with the right hand as shown.
FOCUS I NG
Though the most satisfactory focusing aid
and method depend upon the conditions and
The focusing screen of your XG-2 features a personal preference of the photographer, the
split-image spot surrounded by a band of above method may provide the best results with
microprisms in the center of a matte field. medium wide-angle to medium telephoto focal
To focus the camera visually with usual length lenses.
lenses, look through the viewf inder wi th lens at Generally speaking, however, you will prob-
f ull aperture and turn the focusing collar on the ably find that using the split-image spot will
lensuntil the upper and lower subject images in provide the easiest way to focus with subiects
the spot are exactly aligned with no broken having vertical lines; the microprism band for
lines between them and/or the subiect image in lenses from medium wide-angle through medi-
the band does not shimmer or appear broken um telephoto, especially with subiects not
up. At this point, the subject image within the having vertical lines; and the matte field for
focusing aid should appear clearest and seem to longer lenses or macro or other work involving
blend with that on the matte f ield around it. considerable lens extension.
 www.butkus.us
Depth of field
The distance behind and in front of the to f/16) and becomes greater the farther from
focused distance within which the image ap- the camera the lens is focused. lt decreases as
pears acceptable sharp is called the depth of the lens is opened up (e.9. f/16 to f/2) and the
f ield. closer to the camera the lens is focused. Depth
It extends a greater distance behind the of field is greater for short focal length lenses
foucsed distance than in front and is deter- than for telephoto's at the same focused dis-
mined by three factors: the aperture size, the tance and aperture. lt is at its least for any
distance at which the lens is focused, and the given lens in normal mounting when the lens is
focal length of the lens in use. Depth of f ield at maximum aperture (as when metering and
increases as the lens is stopped down (e.9., f/2 focusing normally with Minolta MD- or

Depth of sharp f ield

Fi.*,*d dt"*""-*f
 lnfrared index
5m (about 16 ft.) and the aperture is f/8, the For proper focus when making pictures with
appropriate graduations to left and right of the infrared radiation, first focus your subject with
index on the depthof-field scale indicate ac- visible light as described above, then attach a
ceptable sharpness from about 3.4m to 9.7m red filter and turn the focusing ring to the right
(approx. 11 to 32 ft.). to align the point of proper focus on the
distance scale with the index designated with
small red "R" in the depth{f-field scale. When
making color pictures, follow the manufacture's
recommendations to set focus.
 RELEASING THE SHUTTER www.butkus.us
38

The way the camera is supported (see p. 34) DANGER OF BLUR FROM
when exposures are made and how the shutter CAME RA/SUBJECT MOVEMENT
is released are as important as focusing for best
photographic results, and to avoid blurred
pictures due to camera movement during ex- n
posure these factors become more critical the stl
15|
slower the shutter speed. r25
You may wish to use the figure "60" on the 60

*rutter-speed scale as the reference point to 30

r5
MOR E
gauge the chance of camera movement. When t
the LED lights below it, you should pay special l.
2
attention to both camera and subject mo\re- t
ment in taking pictures.
With the possible exceptlon of highest
speeds, the camera or hands holding it should
generally be firmly steadied against your face or
body when you release the shutter.
At slower speeds, it is advisable to steady
the camera against a doorframe, post, or other
f irm support while depressing the release.
The shutter should always be released with a
slow, steady squeeze{rever a quick jab -
preferablewhile holding your breath.
 For maximum sharpness when making ex-
posures too long to permit hand-holding the provided on the side of the lens mount.
camera, mount it on a tripod using the built-in lf the eyepiece is not being shielded by the
socket on the bottom and trip the shutter with photographer's head when the shutter is re-
a Minolta electronic Remote Cord or a standard leased in this way, the eyepiece cap should be
cable release screwed into the threaded socket used (see p.25l..

minollo
-t-f' r{
\
 www.butkus.us
SELFTIMER

The electronic selftimer built into your indicator will blink faster to signal the end
XG-2 can be used to delay release of the shutter of the delay. You may cancel the selftimer
for about 1O seconds after actuation. by moving the main switch to "OFF."

To operate it: NOTE

1. Advance the f ilm. o After using the selftimer be sure to move
2. With the shutter-speed/function
selector at a the main switch off of the "SELFTIMER"
setting other than "8," move the main setting.
sruitch to align the index with SELF . In automatic mode, the self timer will
TIMER. cancel if exposure conditions exceed the
3. Depress the operating button. The blinking upper range of the metering system. Opera-
light on the front of the camera will indicate tion will tesume when aperture or other
the delay has been started. Approximately conditions are adlusted so that exposure
2.5 secs. before the exposure is made, the conditions are within metering range.
REWINDING AND UNLOADING FILM

2. Unfold the rewind crank and turn it in the

direction indicated by the arrow on it until
the red Safe Load Signal bar moves out of
the window to the left. You will then feel
tension on the film increase and disappear,
1. Push the rewind button. and the crank will turn freely.

f
#
:l
v
&
 www.butkus.us
FLASH PHOTOGRAPHY

3. When you are certain that the film is

completely rewound, pull out the back-
cover release knob to open the back and
remove the cartridge.
ry,4
a,C

--L I
Synchronization Conncting fla*t units
Your XG-2 has shutter contacts for X flash Cordless clip-on flash untis such as the Auto
synchronization as follows : Electroflash 2O0X are attached and electrically
connected by simply sliding them into the
Synchronized speed camera's hot shoe. Sync. cords of either clip-on
range in seconds or bracket-type conventional units requiring
Type of f lash
On manual mode them must be plugged into the cameras sync.
(step speeds) terminal for operation.
Electronic flash 1 through 1/60
Bracket-type flash units are attached to the
("strobe") camera by means of its tripod socket.
Class M or MF flashbulbs 1 through 1115, B

Class FP flashbulbs 1 through 1/15, B

NOTE
As indicated by the table, 1/60 is the
maximum shutter speed for proper X syn-
chronization. Slower speeds can also be used
under certain conditions if desired for particu-

S-B
lar effects. Be sure not to use speeds faster than
1/60, (i.e. 11125 and upward) with electronic
or auto-flash units.
 www.butkus.us
USING OTHER THAN MD OR MC LENSES

Metering and exposure with Auto Rokkor 2. With the shutter-speed/function selector set
lenses having built in preview buttons, RF at "A," select an aperture as explained on
Rokkor (reflex-mirror type), and Manual-Preset pp.24 through 25. The viewfinder field will
Rokkor lenses is by the stopdown method as darken as the lens is topped down, and the
follows: split-image spot and microprism band may
become unusable due to darkening.
Auto Rokkor lenses 3. With the lens stopped down to the proper
1. After focusing, depress the lens' preview taking aperture or with the camera set for
button to stop down the aperture. manual operation, release the shutter.

4-l \
$
RF (mirror-type) and Manualf resst lenses
Proceed as for Auto Rokkors above, except
that use of a stopdown button is not necessary
as metering and exposure are always made at
taking aperture.

NOTE
Because they have neither meter coupling
nor preview buttons, the Rokkor 35mm f/2.8
CA Shift lens, Auto Bellows I, and some Auto
Rokkor lenses can not be used with the XG-2
on auto mode.
 www.butkus.us
The Auto Winder G is an automatic film
Auto winder G winder that helps the photographer focus his
full attention on the creative aspects of photo-
graphy by removing the interruption of having
-l \Gt to wind the film after each picture. Attaching is
quick and easy with no access caps to remove
or store. Just a light touch of the shutter release
is all that is required to take either successive or
single frames with the winder automatically
advancing the film after each one. The winder
drive mechanism stops automatically at the end
of each cartridge and film can be easily re-
wound with winder attached.
All of these features combine with the XG-2
to help you to capture the fast paced action of
a sports car race or the fleeting expressions of a
child at play.
Auto Electroflash 200X
The Auto Electroflash 200X is a new genera-
tion automatic-type flash unit that has been
specially designed for use with the XG-2 camera
system.
After it is attached, all you need to do is
select any electronic setting, set the proper lens
aperture, and turn the f lash on. When its
capacitor is fully charged, the 2OOX starts a
flash ready signal blinking in the viewfinder and
automatically switches the camera's electronic
shutter setting to X-sync. (1/60 sec.l.
A series SCR circuit insures fast recycle time
(min. 0.5 sec.l and enables the 200X, powered
by Ni-Cd batteries, to make up to two contin-
 www.butkus.us
48
uous-sequence flash exposures each second with Remote Cord S and L
the Auto Winder G. These cords are designed for operating the
While its capacitor is charging and the XG-2 from a distance. Each screws into the
monitor lamp is off, the 200X will automatical- shutter release socket on the side of the lens
ly switch the camera's shutter back to its mount. The Cord S is 5ocm (about 2O in.) long,
indicated electronic setting. At th is time whif e the Cord L is 5m (16-'l12 ft.). These cords
metered automatic or manual exposures can be facilitate shots mounted on a tripod or remote
made. Flash mode will resume when the capaci- wildlife pictures. ln combination with the Auto
tor is charged and the flash ready signal blinks. Winder G, the Cord L can be used to make
Switching the power "OFF" cuts off all single or continuous sequence expo-sures at the
flash circuits and normal electronic operation is subject position, from a remote location, etc.
returned to the XG-2. The camera may now be
used in auto or manual mode even with the
flash attached.
STANDARD LENS SPECIF ICATIONS
49

Lens: 50mm t|1.7 MD Rokkor 50mm t|1.4 MD Rokkor 58mm f l'l.2MC Rokkor
Type: Meter-coupled Gauss-type standard lens

Construction: 6 elements in 5 groups 7 elements in 5 groups 7 elements in 5 groups

Angle of view: 470 470 410

Coating: Minolta Achromatic

Min. focusing dist.: 0.45m (1.48 ft.) 0.45m (1.48 ft.) 0.6m (2 ft.)
Diaphragm: Fu lly aulomatic meter-coupled
1.7, 2.8, 4,5.6,8, 1 1, 16 1.4,2,2.8,4,5.6, g, 11, 16 1.2, 2, 2.8, 4, 5.6, g, 1 1, 16
Aperture scale:
Each with full and half click-stops
Focusing: Double helicoid system

Filter thread diam.: 55mm

Dimensions: @4mm x 40mm O64mm x 40mm 70.5mm x 54mm

x 1-9/16")
lo2-1 12" (62-112" x 1-9l16") @2-13116" x2-118"1
Weight: 195s (6-718 oz.) 2a5gl&518 oz.l 475g (16-314 oz.l
 SPECIFICATIONS
www.butkus.us
50
Type: 35mm single{ens reflex with automatic and full manual exposure control
Lens mount: Minolta SLR bayonet,54" rotating angle; coupling for full-aperture
metering and automatic diaphragm control with Minolta MD and MC lenses
(Standard lenses MD Rokkor-X SOmm f 11.4,111.7 or MC Rokkor-X 58mm
f 11.2; see p.49 for specifications)
Auto€xposure control : Special low-voltage, low-current computer circuit, actuated by contact or
pressure on "touch swi tch" operating button, varies the shutter speed
continuously and steplessly to yield proper exposure according to metering
system indication at the aperture, film speed, and exposure adjustment set
Auto-exposure range: EV 2 to EV 17 (e.9., 1 12 sec. att11.4 to 111000 at
f l11l at ASA 1OO with f/1.4 lens
Sh u tter : Horizontal-traverse focal-plane type; electronically controlled speeds:
1/1000 to 1 sec., steplessly on automatic mode or in steps on manual mode
Metering: Full-aperture TTL center-weighted type, by two CdS cells mounted on
either side of the eyepiece at the rear of the pentaprism
Film-speed range: ASA 25 to 1600 set on the shutter-speed/function selector
Auto-exposure Up to !2 EV continuous adjustment of automatic exposure with 1 12 EV
adjustment: click-stops and lock at"A" (zero setting)
M irror: Oversize qu ick-return type (P0 value: 1 23mm)
, Viewf inder: EyeJevel fixed pentaprism type showing 93o/o of 24 x 36mm film-frame
area
Magnif ication: 0.9X with 50mm standard lens focused at infinity;
Matte-Fresnel-field focusing screen with central horizontally oriented
split-image focusing spot surrounded by microprism band; stepless speeds
indicated by 10 light-emitting diodes; LED over-/under-range indicators;
j
I
t
 LED at "60" position also blinks as flash-ready signal with Auto
Electroflash 2O0X
Flash sync: PC terminal and hot shoe for X qync. (disconnectwhen unit no installed):
Electronic flash synchronizes at 1/60 sec. and slower step or stepless
speeds; Class MF, M, FP flashbulbs synchronize at 1115 or slower speeds.
Extra contact on hot shoe receives signal from camera-control contact of
Auto Electroflash 20OX
Film advance: Motorized: Through built-in coupler key with accessory Auto Winder G
Manual: By lever with single 130" stroke after 30o unengaged movement
Film-advance release button for rewinding; advancing-type frame counter
and Safe Load Signal that indicates film loading and advancing conditions
Power: Two 1.5v.silver-oxide cells contained in camera base power both auto
exposure control and shutter's electronically goverened operation
LED battery check indicator lights when operating switch in battery check
position
Shutter will not release when voltage too low for proper operation
Self-timer: Electronic, LED indicated types; approximately 1O sec. delay
Other: 4+lot take-up spool; detachable back cover with memo holder and
ASA-DlN conversion scale
Size and weight: 52 x 88 x 138mm (2 x 3-7 116 x 5-5/8 in.)
5059 (17-13116 oz.) without leni and power cells
Accessories: Exclusive Auto Winder G, Auto Electroflash 2OOX, Remote Cord S 50cm
(20-in.) and Remote Cord L 5m (16-ft.); MD, MC, and other interchangea-
ble Rokkor lenses and appl icable Minolta SLR system accessories
CARE AND STORAGE www.butkus.us

a
o As with all high-precision instruments, no o Never touch lens or other glass surfaces with
part of your XG-2 should ever to forced at the fingers. lf necessary, remove loose mat-
any time. lf operation is not as you think it ter from them with a blower lens brush. Use
should be, carefully restudy the applicable special photograph ic lens tissue or a sof t
instructions or consult an authorized clean cloth to remove smudges or finger-
M inolta service representative. prints with a gentle circular motion. Only if
o Always keep your camera in its case with absolirtely necessary, the tissue may be
the lens capped when not in use. moistened very slightly with not more than
o Never subject your camera to shock, high one drop of a satisfactory quick-evaporating
heat and/or humidity, water, or harmful fluid cleaner specially compounded for pho-
chemicals.or gases. tographic lenses. Such fluids must never be
o Never lubricate any part of the body or lens. dropped directly on the glass surface.
o Always use a body cap when a lens is not o Sm0dges or fingerprints on the mirror may
installed on the body. Keep lenses, properly be removed with lens tissue slightly mois-
capped front and rear, in their cases when tened with lens-cleaning fluid as above.
not in use. . External camera and lense-barrel - but not
o Never touch the shutter curtains or anything glass - surfaces may be wiped with a soft,
inside the front of the body with the si I icone-treated cl oth.
fingers. These parts and the inside of the o Never leave the shutter cocked when the
back should be dusted with a soft brush camera is to be stored overnight or longer. lt
from time to time as necessary, with partic- is advisable to operate the film advance and
ular care never to exert pressure on the release the shutter once or twice from time
shutter curtains. to time during extended storage.
. lf the camera is not to be used for more
than two weeks, the batteries should be
removed.
o lf the camera is to be stored for a long
:

period of time, body and lens should be

returned to their original packing and kept
in a cool, dry place awaY from dust or
chemicals, preferably in an airtight con-
tainer with a drying agent such as silica gel.

Specifications subject to change without notice

Minolta Camera Co., Ltd.,30, 2-Chome, Azuchi-Machi, Higashi-Ku, Osaka 541, Japan
Minolta Corporation, 101 Williams Drive, Ramsey, New Jersey 07446, U'S.A.
Minolta Camera (Canada) Inc., 1344 Fewster Drive, Mississauga, Ontario L4W, 1,A4 Canada
Minofta Camera Handelsgesellschaft m.b.H., Kurt-Fischer-strasse 50, D-2O7O Ahrensburg, West Germany
Minolta France S.A., 357 bis, rue d'Estienne d'Orves 927OO COLOMBES France
Minolta Vertriebsgesellschaft m.b.H., Seidengasse 19, A-1O72 Wien, Austria
Minolta Nederland B.V. Groen van Prinstererlaan 1 14 Amstelveen Nederland
Minolta Hong Kong Limited, 49 Chatham Road, Kowloon, Hong Kong
Minolta Singapore (Pte) Ltd., Chin SweeTower,52-E, Chin Swee Road, Singapore 3