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CHAPTER I
INTRODUCTION
supported. When combined with thoughtful urban planning, architecture can create
and the places they share. This research embarks on an exploration of the
dedicated space that aspires not only to nurture artistic expression but also to serve as
a catalyst for cultural enrichment and community engagement. To ensure the fulfillment
in Sta. Barbara in the coming years, rational land use management plans for all the
should likewise be promoted and adopted. They are expected to promote a well-
“sense of place” adaptive to Sta. Barbara. Through thoughtful design, the Modern Art
Hub project will prioritize the seamless integration of spaces, aesthetics, and
environmental relations, relations between the building and the site, and also the
Located at the heart of Sta. Barbara is located on a flat terrain in the northern
part of the Agno Valley in Pangasinan's center. is an area distinguished by its Physical
and Land Use Development, which focuses on infrastructure projects that will support
The art hub's main goal is to provide a creative space for local artists to
showcase their work, to educate the youth, to promote cultural exchange, to offer art-
related workshops and events that are open to the public, to interact and appreciate
creative people. This hub aims to promote artistic expression, support emerging
students, creative people of all ages, particularly the youth, and engage the general
public in appreciating and participating in various forms of art. It could also serve as a
forum for collaboration, networking, and the preservation of local heritage through
artistic endeavor. The art hub can provide a wide range of services and opportunities to
Artists use studio spaces to work and create their art. Galleries or exhibition
spaces where artists can present their work to the public. Organizing art workshops,
classes, and training sessions to improve artistic abilities and knowledge. Providing
collaboration. Art-related events, such as art fairs, competitions, open studios, and
professionals.
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Sta. Barbara, Pangasinan, Philippines, and like many other communities may
have areas that could be improved. Adequate infrastructure, such as roads, public
transportation, and healthcare facilities, is one of the most common aspects that
communities lack.
1. What accessibility and inclusivity considerations were made in the Art Hub's
members?
2. What features and amenities should be included in the plan to create a versatile
initiatives, and promotes tourism while remaining accessible to both locals and
visitors?
3. How does the Art Hub's spatial layout promote interactions and engagement
5. In what way can an Art hub Center help the neighborhood improve quality of life
The study intends to achieve the following objectives, prioritizing the main goal
wide doorways, elevators, open spaces for easy movement. These features
ensure that the facility is inclusive and serves a diverse range of community
members effectively.
should include multi-purpose event spaces, accessible facilities, local cafés and
family-friendly amenities.
3. The spatial layout promotes interactions and engagement by featuring open and
flexible spaces for informal gatherings, dedicated areas for workshops, this
environment.
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The study will benefit not only locals and architecture students, but also other
the preservation of local culture and traditions. Evaluate the art hub's social, economic,
and cultural impact on the community and its inhabitants. The building design of the
Design Principles
The proposed art hub will apply design principles that center on basic guidelines
or concepts that guide the creation of functional and visually appealing designs in a
Site Considerations
characteristics that are suitable for the project. As a recreation researcher, the chosen
location should be suitable for the amenities and other structures outlined in the
project. Furthermore, for the benefit of both the environment and users. During the
conditions, topography, site dimensions, and the landscape within the location will be
indicated.
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1. Creative Placemaking
initiating place-based creative initiatives that alter not only the aesthetics of place, but
also the aesthetics of belonging. Current models of creative placemaking are linked to
the built environment and urban renewal. Ann Markusen and Anne Gadwa (2010)
define creative placemaking as "partnerships with the public, private, non-profit, and
and streetscapes, boosts local business viability and public safety, and brings diverse
people together to celebrate, inspire, and be inspired." (p.3). The goal of creative
cultural groups, and arts organizations that move beyond their silos and into their
Through artist-led civic engagement activities, we can address the root causes
of social inequity. Artists create arts-based initiatives that fully engage and empower a
community's ability to express its distinct cultural identity through its physical
environment.
Webb D. 3(1), 35-48 Placemaking and Social Equity: Expanding the Framework
of Creative Placemaking
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learning takes place within a social and natural framework, emphasizing the dynamic
interaction of the individual, the environment, and behavior. According to the theory,
advocacy.
The theory assumes that increased awareness of historical roots and heritage
personal, and behavioral factors, each of which has an impact on the others.
Furthermore, the environment influences behavior, which affects mental and emotional
well-being. The theory emphasizes the reciprocal nature of these factors and proposes
3. Location Theory
This helps to better understand important current issues and develop plans to
meet social needs and/or promote economic growth. It underpins effective emergency
response plans such as locating hospitals, fire stations, warning sirens, and so on.
Location theory also allows for the evaluation and exploration of competitive services
before deciding where to locate the business or outlet. For example, how will a market
for a specific good respond if a new business opens in a specific location, and how will
sustainability issues, such as minimizing local impacts and determining how many
The study focuses on finding a link between the various aspects of the location
by addressing the issue of the scarcity of creative spaces other than art museums in
visibility, which would limit its ability to attract a diverse range of artists and community
members. Limited access to training and educational resources for aspiring artists and
creatives may also limit the hub's ability to cultivate talent and facilitate skills
creative industry, could pose new challenges for a creative space in the Philippines.
culture can influence how artists and their work are perceived, potentially leading to
misunderstandings and misrepresentations in the art world. These issues add to the
multifaceted challenges that visual artists in the Philippines face, limiting their ability to
The project may face funding and financial sustainability challenges, particularly
may impede the development and expansion of creative hubs. Cultural barriers and
varying levels of community engagement may also have an impact on how effective a
people.
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This study examines the significance of modern art hubs as creative spaces,
Pangasinan. It investigates the hub's impact on local artists, communities and the
Educational Institutions
This study will educate local universities/college students who are interested in
arts, design, and cultural studies students. Also, high school students interested in arts
and culture. And workshop participants Individuals attending art workshops and
classes.
Local Stakeholders
This study will serve as a reference for local artists and artisans such as
such as, potters, and textile makers. And small-scale entrepreneurs with local business
Future Researchers
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This study might serve as valuable reference for future researchers on creative
placemaking theory and art hubs, providing practical ideas for designing facilities that