Hide and Seek (SSAA) - 1

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The text appears to be a musical score or lyrics that discusses hiding, seeking, and not caring. It explores themes of relationships and emotions.

The text seems to explore themes of relationships, emotions, and human interactions. There are references to hiding, seeking, caring and not caring about others which indicates it examines how people relate to one another.

Some of the challenges faced by the characters seem to be not knowing where others are hiding, feeling indifferent or not caring about others, and dealing with changing emotions in relationships.

Hide and Seek

Denneoord Kleinsr 2009

Solo

Where are we?


Soprano 1

What the hell

is go-

ing

on?

The dust

Where are we?


Soprano 2

What the hell

is go-

ing

on?

The dust

Where are we?


Alto 1

What the hell

is go-

ing

on?

The dust

Where are we?


Alto 2

What the hell

is go-

ing

on?

The dust

Where are we?


7

What the hell

is go-

ing

on?

The dust

has on-

ly just

be- gun

to fall.

Crop cir- cles in

the car-

has on-

ly just

be- gun

to fall.

Crop cir- cles in

the car-

has on-

ly just

be- gun

to fall.

Crop cir- cles in

the car-

has on-

ly just

be- gun

to fall.

Crop cir- cles in

the car-

has on-

ly just

be- gun

to fall.

Crop cir- cles in

the car-

Arrangement 2009 Etienne Snyman

13

pet.

Sink- ing,

fee- ling.

Spin me round

a- gain

and rub

pet.

Sink- ing,

fee- ling.

Spin me round

a- gain

and rub

pet.

Sink- ing,

fee- ling.

Spin me round

a- gain

and rub

pet.

Sink- ing,

fee- ling.__

Spin me round

a- gain

and rub

pet.
20

Sink- ing,

fee- ling.__

Spin me round

a- gain

and rub

my eyes

this can t

my eyes

this can t

my eyes

this can t

my eyes

this can t

my eyes

this can t

be hap-

pen- ing

when bu-

sy streets

be hap-

pen- ing

when bu-

sy streets

be hap-

pen- ing

when bu-

sy streets

be hap-

pen- ing

when bu-

sy

be hap-

pen- ing

when bu-

-sy streets

26

mess

with peo- ple would stop to hold

their heads

hea- vy.

mess

with peo- ple would stop to hold


3

their heads

hea- vy.

mess

with peo- ple would stop to hold


3

their heads

hea- vy.

streets a

mess

with peo- ple would stop to hold

their heads

hea- vy.

a
32

mess

with peo- ple would stop to hold

their heads

hea- vy.

Hide

and

seek.

Trains

and

sew- ing ma- chines.

Hide

and

seek.

Trains

and

sew- ing ma- chines.


3

Hide

and

seek.

Trains

and

sew -ing ma- chines.

41

All

those

years,

they

were here

rst. Oi-

ly marks

All

those

years,

they

were here

rst. Oi-

ly marks

All

those

years,

they

were here

rst. Oi-

ly marks

All

those

years,

they

were here

rst. Oi-

ly marks

they
51

were here

rst. Oi-

ly marks

ap- pear

on walls

where plea-

sure mo-

ments hung

be- fore.

ap- pear

on walls

where plea-

sure mo-

ments hung

be- fore.

ap- pear

on walls

where plea-

sure mo-

ments hung

be- fore.

ap- pear

on walls

where plea-

sure mo-

ments hung

be- fore.

ap- pear

on walls

where plea-

sure mo-

ments hung

be- fore.

57

The take-

o- ver

the sweep- ing in- sen- si- ti- vi- ty

of this

still

The take-

o- ver

the sweep- ing in- sen- si- ti- vi- ty

of this

still

The take-

o- ver

the sweep- ing in- sen- si- ti- vi- ty

of this

still

The take-

o- ver

the sweep- ing in- sen- si- ti- vi- ty

of this

still

The take64

o- ver

the sweep- ing in- sen- si- ti- vi- ty

of this

still

life.

Hide and

seek.

Trains and

sew- ing ma- chines.

life.

Hide and

seek.

Trains and

sew- ing ma- chines.

life.

Hide and

seek.

Trains and

sew,

you won t

life.

Hide and

seek.

Trains and

sew,

you won t

life.

Hide and

seek.

Trains and

sew- ing ma- chines.

74

Blood

and

tears.

They were here rst.

Blood tears and

tears.

They were here rst.

catch me a- round here. Blood

and

tears

They were here rst.

catch me a- round here. Blood

and

aah

They were here rst.

Blood
83

aah

They were here rst.

Mmm, what you say?

Mmm that you on- ly meant well?

Well, of course you did

Mmm, what you say?

Mmm that you on- ly meant well?

Well, of course you did

Mmm, what you say?

Mmm that you on- ly meant well?

Well, of course you did

Mmm, what you say?

Mmm that you on- ly meant well?

Well, of course you did

Mmm, what you say?

Mmm that you on- ly meant well?

Well, of course you did

87

Mmm, what you say?

Mmm, that it s all for the best?

Mmm, what you say?

Mmm, that it s all for the best?

what you say?

Mmm, that it s all for the best?

Mmm, what you say?

Mmm, that it s all for the best?

Mmm, what you say?


91

Mmm, that it s all for the best?

Mmm, what you say?

Mmm, that it s just what we need?

Mmm, what you say?

Mmm, that it s just what we need?

Mmm, what you say?

Mmm, that it s just what we need?

Mmm, what you say?

Mmm, that it s just what we need?

Mmm, what you say?

Mmm, that it s just what we need?

Of course it is.

Of course it is.

Of course it is.

Of course it is.

Of course it is.

You de- ci- ded this

You de- ci- ded this

You de- ci- ded this

You de- ci- ded this

You de- ci- ded this

95

Mmm, what you say?

Mmm

what did she say?

Ran- som notes keep

Mmm, what you say?

Mmm

what did she say?

Ran- som notes keep

Mmm, what you say?

Mmm

what did she say?

Ran- som notes keep

Mmm, what you say?

Mmm

what did she say?

Ran- som notes keep

Mmm, what you say?


100

Mmm

what did she say?

Ran- som notes keep

fal- ling out your mouth,

mid- sweet talk, news-

pa- per word cut outs.

fal- ling out your mouth,

mid- sweet talk, news-

pa- per word

pa- per word cut

fal- ling out your mouth,

mid- sweet talk, news-

pa- per word

pa- per word cut

fal- ling out your mouth,

mid- sweet talk, news-

pa- per word cut outs.

fal- ling out your mouth,

mid- sweet talk, news-

pa- per word cut outs.

103

Speak no

feel- ing no

don t be- lieve you,

you don t care a bit, you

outs.

don t be- lieve you,

outs.

don t be- lieve you,

Speak no

feel- ing no

don t be- lieve you,

you don t care a bit, you

Speak no
106

feel- ing no

don t be- lieve you,

you don t care a bit, you

don t care a bit.

Ran- som notes keep fal- ling out your mouth, mid- sweet talk, news-

don t care a bit.

Ran- som notes keep fal- ling out your mouth, mid- sweet talk, news-

don t care a bit.

Ran- som notes keep fal- ling out your mouth, mid- sweet talk, news-

don t care a bit.

Ran- som notes keep fal- ling out your mouth, mid- sweet talk, news-

don t care a bit.

Ran- som notes keep fal- ling out your mouth, mid- sweet talk, news-

you

you

10

110

pa- per word cut outs.

Speak no feel- ing no

I don t be- lieve you,

pa- per word

pa- per word cut outs.

I don t be- lieve

pa- per word

pa- per word cut outs.

I don t be- lieve

pa- per word cut outs.

Speak no feel- ing no

I don t be- lieve you,

pa- per word cut outs.


113

Speak no feel- ing no

I don t be- lieve you,

you don t care a bit, you don t care a bit.

Mmm, what you say?

you,

you don t care a bit.

Mmm, what you say?

you,

you don t care a, you don t care a

bit.

Mmm, what you say?

you don t care a bit, you don t care a you don t care a

bit.

Mmm, what you say?

you don t care a bit, you don t care a bit.

Mmm, what you say?

11

117

Mmm that you on- ly meant well?

Well, of course you did

Mmm, what you say?

Mmm that you on- ly meant well?

Well, of course you did

Mmm, what you say?

Mmm that you on- ly meant well?

Well, of course you did

what you say?

Mmm that you on- ly meant well?

Well, of course you did

Mmm, what you say?

Mmm that you on- ly meant well?


121

Well, of course you did

Mmm, what you say?

Mmm, that it s all for the best?

Mmm, that it s all for the best?

Mmm, that it s all for the best?

Mmm, that it s all for the best?

Mmm, that it s all for the best?

Of course it is.

Mmm, what you say?

Of course it is.

Mmm, what you say?

Of course it is.

Mmm, what you say?

Of course it is.

what you say?

Of course it is.

Mmm, what you say?

12

125

Mmm, that it s just what we need?

Mmm, that it s just what we need?

Mmm, that it s just what we need?

Mmm, that it s just what we need?

Mmm, that it s just what we need?


129

Mmm

what did she say?

Mmm

what did she say?

Ah,

ah,

you don t care a

Mmm

what did she say?

Ah,

ah,

you don t care a

Mmm

what did she say?

Ah,

ah,

you don t care a

Mmm

what did she say?

Ah,

ah,

you don t care a

You de- ci- ded this

Mmm, what you say?

You de- ci- ded this

Mmm, what you say?

You de- ci- ded this

Mmm, what you say?

You de- ci- ded this

Mmm, what you say?

You de- ci- ded this

Mmm, what you say?

Hide

and

seek.

bit.

Ah,

bit.

Ah,

bit.

Ah,

bit.

Ah,

13

135

Hide

and

seek.

ah,

you don t care a

bit.

Ah,

ah,

you don t care a

ah,

you don t care a

bit.

Ah,

ah,

you don t care a

ah,

you don t care a

bit.

Ah,

ah,

you don t care a

ah,
139

you don t care a

bit.

Ah,

ah,

you don t care a

Hide

and

seek.

ah, you don t care a bit. Ah,

ah, you don t care a bit. you don t care a bit.

ah, you don t care a bit. Ah,

ah, you don t care a bit. you don t care a bit.

ah, you don t care a bit. Ah,

ah, you don t care a bit. you don t care a bit.

ah, you don t care a bit. Ah,

ah, you don t care a bit. you don t care a bit.

Created using Rosegarden 1.7.0 and LilyPond

bit.

Ah,

bit.

Ah,

bit.

Ah,

bit.

Ah,

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