Representations of Sin and Betrayal
Representations of Sin and Betrayal
Representations of Sin and Betrayal
betrayal
Christina Rossettis poems
By day she wooes me, soft, exceeding fair; Its a representation of Petrarchan sonnet:
But all night as the moon so changeth she; the octave (the first 8 lines) typically
Loathsome and foul with hideous leprosy introduces the theme
And subtle serpents gliding in her hair. the sestet (the last 6 lines) clarify the
By day she wooes me to the outer air, problem of the poem and rhymes variously
The sestet presents the consequences of being
Ripe fruits, sweet flowers, and full satiety: attached to worldly pleasures rather than
But thro' the night, a beast she grins at remembering the importance of spiritual
me, devotion. The world here is presented as an
A very monster void of love and prayer, attractive yet deadly female figure, a kind
By day she stands a lie: by night she offemme fatale. This women is attributed
stands with: pushing horns which entice and clawed
and clutching hands ( these symbolizes the
In all the naked horror of the truth attaching danger). She is seen also as an
With pushing horns and clawed and imitation of Medusa whose watchers turn to
clutching hands. stone, so in a direct confrontation it takes a good
Is this a friend indeed; that I should sell self control to avoid looking at her face.
My soul to her, give her my life and youth,
Till my feet, cloven too, take hold on hell? The antithesis between night and day suggest a
dual perception of the sin. Day is assigned to
t h e sly t
cen desire outer space, where natural frame is an idyllic
s t s inno
s u gge of sin e en l erot
ic space, thereby truth is romanticized, while Night
I t g w
eakin n bet sinfu represents the inner fight against the naked
s n c ti oa nd horror of the truth.
t radi love
con antic
rom Theme is erotic desire in opposition with
religion. The narrator tries to resist being taken
in by earthly temptations, when the soul departs
from God(which is represented as a friend being
about to be sold) and leaving the narrator
fearing for her immortal life. So it raises the
question: Is it worth to take hold on hell for a
Conclusion
https://en.wikipedia.org/wiki/Christina_Rossetti
http://genius.com/artists/Christina-rossetti
http://
genius.com/Christina-georgina-rossetti-sister-maude-annotate
d
http://
www.bbc.co.uk/schools/gcsebitesize/english_literature/poetry_
wjec/love/cousinkate/revision/2/
http://www.victorianweb.org/authors/crossetti/simmons6.html