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Mat Weaving

Mat weaving has a long tradition across the Philippines using natural materials like pandan and buri palm leaves, with different regions developing unique styles of weaving and embroidery, and mats being used for various purposes from sleeping mats to decorative art; mat weaving in places like Laminusa, Basey, and the Sulu Islands is particularly renowned for its fine craftsmanship and incorporation of designs that have taken on new meanings over time.
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100% found this document useful (2 votes)
770 views

Mat Weaving

Mat weaving has a long tradition across the Philippines using natural materials like pandan and buri palm leaves, with different regions developing unique styles of weaving and embroidery, and mats being used for various purposes from sleeping mats to decorative art; mat weaving in places like Laminusa, Basey, and the Sulu Islands is particularly renowned for its fine craftsmanship and incorporation of designs that have taken on new meanings over time.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PPTX, PDF, TXT or read online on Scribd
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MAT WEAVING

Originally written by Alice G. Guillermo


Updated by Alden Q. Lauzon (1991)
Published 2017 in the 2nd edition of the CCP Encyclopedia of Philippine Art
(Volume 5 on Visual Arts), 204-206

Report notes prepared by Alexandra Jamison, ADT12-2


1Sem 2019-2020, PUP Sta. Mesa
•Definition: Mat weaving (204)

• All regions have tradition of mat weaving


• Used as bedding material
• Cool and suitable for hot climate
• Ecologically healthy, light and portable sleeping
surface
• Mats are space saver
• Most are made of the leaves of pandan or buri
palm (linear patterns)
https://previews.123rf.com/images/waraphot/war
aphot1708/waraphot170800502/84871634- https://drfarrahcancercenter.com/wp-
pandan-leaves.jpg content/uploads/2015/10/buri-1.jpg

Pandan leaves Buri palm


Mat Weaving (204)
• Capiz and Aklan- simple and delicate, geometric
designs on boarders
• Laguna- plain and simple brown
• Woman’s work
• Stripped, boiled, dyed and woven
• Quality judged from it’s softness, fineness and design
patterns
• Mats used as of exchange in barter
• Wedding rituals and festive occassions
• Southern weavers- smaller, prayer mats or household
decorations
Mat Weaving (204-205)
19th century and in early decades of 20th
century
• “Recuerdo,” “Souvenir,” “Alaala” (remembrance) and
“Mr and Mrs”
• Bordered with floral or geometric designs
• Double mats
Mat weaving (205)
Island of Laminusa off the coast of Siasi
Sulu
• Women of Samal group
(utmost skill and artistry)
• Laminusa mats – pandanus
fibers , soft and pliable,
crumple without creasing,
often mistaken as woven
cloth
• Tapestries used as wall
decors
https://media.karousell.com/media/photos/products
• Maluy Lasa Sambolani - /2017/10/21/laminusa_mat_baby_size_1508592463
_db8ec770.jpg
1990 Manlilikha ng Bayan
awardee Laminusa mat
Mat weaving (205-206)
Basey,Samar
• Basey mat- tikog and buri
• Embroidery
• Green, red, yellow, various shades of pink, and yellow green
• Embroiderer – usually a women
• In the late 1970s – waling-waling flower, maps of the Philippines,
maps of Leyte and Samar, and birds such as peacocks
• 1990s – images of the Santo Niño, San Juanico Bridge and flowers
• Balyuan Festival
• Floral design
• Combination of traditional weaving with changing popular notifs
• 1993 – Benigno Aquino Jr’s portrait
• Portrait or newlyweds
• Basey mats have assumed the function of paintings
Mat weaving (206)

• Sizes of mats have become


more varied
• Smaller mats –portraits and
decorative designs, flowers
• Mats are framed with bamboo
and hung like paintings
• Mat weavers and
embroiderers –mutually
independent
• Decorative mats –broadened
(bags and pillow covers) https://www.sunstar.com.ph/uploads/im
ages/2018/10/02/91839.jpg
• Sets mark on interior design -
limited scale Basey mat
Source:
Lauzon, Alden Q. et al. “Mat weaving.” In N.
Guillermo (ed.), CCP Encyclopedia of Philippine Art Volume 5 on Visual Arts, 2nd ed.
Pasay City: Cultural Center of the Philippines, 2017. 204-206. Print.

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