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    The document summarizes several representative theatrical forms in the Philippines. It describes shadow puppetry as an ancient art form that uses flat figures held by sticks or thread behind a screen to create shadows. It also discusses dance drama, which tells stories through dance and sometimes dialogue or song. Additionally, it outlines Moro-Moro/Comedia plays that retell battles between Christians and Muslims, as well as Zarzuela/Sarswela musical plays that incorporate folk music and dance to discuss contemporary issues. The document concludes by describing Senakulo performances that depict events from Jesus Christ's life leading up to Easter.

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    Description

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    Mark
    2K views11 pages
    The document summarizes several representative theatrical forms in the Philippines. It describes shadow puppetry as an ancient art form that uses flat figures held by sticks or thread behind a screen to create shadows. It also discusses dance drama, which tells stories through dance and sometimes dialogue or song. Additionally, it outlines Moro-Moro/Comedia plays that retell battles between Christians and Muslims, as well as Zarzuela/Sarswela musical plays that incorporate folk music and dance to discuss contemporary issues. The document concludes by describing Senakulo performances that depict events from Jesus Christ's life leading up to Easter.

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    The document summarizes several representative theatrical forms in the Philippines. It describes shadow puppetry as an ancient art form that uses flat figures held by sticks or thread behind a screen to create shadows. It also discusses dance drama, which tells stories through dance and sometimes dialogue or song. Additionally, it outlines Moro-Moro/Comedia plays that retell battles between Christians and Muslims, as well as Zarzuela/Sarswela musical plays that incorporate folk music and dance to discuss contemporary issues. The document concludes by describing Senakulo performances that depict events from Jesus Christ's life leading up to Easter.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    2K views11 pages

    Description

    Uploaded by

    Mark
    The document summarizes several representative theatrical forms in the Philippines. It describes shadow puppetry as an ancient art form that uses flat figures held by sticks or thread behind a screen to create shadows. It also discusses dance drama, which tells stories through dance and sometimes dialogue or song. Additionally, it outlines Moro-Moro/Comedia plays that retell battles between Christians and Muslims, as well as Zarzuela/Sarswela musical plays that incorporate folk music and dance to discuss contemporary issues. The document concludes by describing Senakulo performances that depict events from Jesus Christ's life leading up to Easter.

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    You are on page 1of 11

    REPRESENTATIVE PHILIPPINE

    THEATRICAL FORMS
    FESTIVAL AND THEATRICAL FORMS
    REPRESENTATIVE THEATRICAL
    FORMS
    • Philippine theater comes in a variety of forms, and these include religious
    and non religious acts or productions, usually shown or performed during
    festivals, covering a wide spectrum of resources and origins.
    • Most of which are influenced by the Spanish, and other Asian countries.
    SHADOW PUPPETRY
    • Is an ancient art form that uses flat, expressed figures to produce cut-out
    figures which are held together by sticks and sometimes, thread, to create
    movement, which are shown behind a thin layer of cloth or screen and a
    light source to create the shadows.
    DANCE DRAMA
    • It is performed through dance movements, frequently with dialogue or
    sometimes, even singing.
    • It is popular for retelling of famous, national literatures.
    • Act out scenes through a complex gesture language, which imitates actions
    in real life and are required rhythmic body movements as an expressive
    public performance.
    MORO-MORO / COMEDIA
    • Created by Spanish priests. Performed during festivals and fiestas, and
    are performed in villages throughout the Philippines.
    • Each performance for each village differ from one another because
    of how it is treated through retelling, but all are full of romance,
    melodrama and the highlight, which is the battle between Christians
    and Muslims.
    • Local people rewrite the scripts and dialogues which are usually in
    verse.
    • All plays follow pattern of a love affair between a Muslim – Filipino
    prince and a Christian Princess.
    SARSWELA / ZARZUELA
    • Is a play with song and dances usually written in prose, depicting the
    peculiarity of romantic love among idealized Filipino characters that are
    often accompanied by topics of contemporary social, political, economical
    or cultural issues for relevance and added interest.
    • Nationalistic in theme, incorporates vocal ensemble, various types of folk
    music and dance
    SENAKULO
    • Stories and events form the old and the new testaments related to life,
    sufferings and death of Jesus Christ.
    • Takes at least eight days to be performed, from Palm Sunday to Easter
    Sunday, in different places: on streets, on stage, in a chapel or church.
    SHORT QUIZ: ANSWER THE FOLLOWING
    QUESTIONS IN YOUR NOTEBOOK
    1. It is an ancient form of art using flat, expressed figures with sticks and
    threads behind the thin cloth with light source
    2. A drama that performed though dance movements frequently with
    dialogue or sometimes even singing
    3. It highlights battle between Muslims and Christians.
    4. It is a play with song and dances usually written in prose.
    5. A theater form depicting the events from the Old and New
    Testaments related to the life sufferings and death of Jesus Christ
    ANSWER
    1. SHADOW PUPPET PLAY
    2. DANCE DRAMA
    3. COMEDIA/MORO MORO
    4. ZARZUELA / SARSWELA
    5. SENAKULO
    ART ACTIVITY / CULMINATING
    ACTIVITY
    • Create a group of 10 members
    • Choose a type of theater play that you’ll perform
    • Practice your chosen type of theater play that you’ll showcase
    • Create props and costumes that will fit on your performance
    • Maximum of 10 minutes of presentation.
    RUBRICS
    Exceeds Meets Needs
    expectations expectations expectations
    Craftsmanship Original, Unique and Could show a
    (elements, pleasing to the original, yet are little bit more
    principles of eye, clearly clearly from the uniqueness and
    creativity) shows of well theater form, originality with
    planned shows some no evidence of
    thought of resourcefulness resourcefulness
    ideas, shows
    resourcefulness
    functionality Depict Supports the Out of place
    character and character relative to
    culture they are detail and theater form
    performing and culture
    interpreting
    attitude Works extremely On task most of Did bare
    hard, shows the time, pays minimum during
    efficiency and attention when preparations
    independence. teacher gives was often off
    Pays attention additional task, poor use
    and contributes guidelines and of time.

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