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    Folk Dances of The Philippines

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    Chester Canlas
    The document provides information on various folk dances from the Philippines, including Esperanza, Garambal, Habanera Narciseña, Inalimango, Jota Quirino, Kadal Tahu, Kandingan, Karatong, Konan, Kuratsa Zarraga, La Simpatika, La Jota, Lanceros de Tayabas, and Lapay Bantigue. For each dance, details are given on origin, costumes, music, rhythmic count, and formation of dancers.

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    © All Rights Reserved
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    Folk Dances of The Philippines

    Uploaded by

    Chester Canlas
    5K views45 pages
    The document provides information on various folk dances from the Philippines, including Esperanza, Garambal, Habanera Narciseña, Inalimango, Jota Quirino, Kadal Tahu, Kandingan, Karatong, Konan, Kuratsa Zarraga, La Simpatika, La Jota, Lanceros de Tayabas, and Lapay Bantigue. For each dance, details are given on origin, costumes, music, rhythmic count, and formation of dancers.

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    Folk Dances of the Philippines

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    The document provides information on various folk dances from the Philippines, including Esperanza, Garambal, Habanera Narciseña, Inalimango, Jota Quirino, Kadal Tahu, Kandingan, Karatong, Konan, Kuratsa Zarraga, La Simpatika, La Jota, Lanceros de Tayabas, and Lapay Bantigue. For each dance, details are given on origin, costumes, music, rhythmic count, and formation of dancers.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    5K views45 pages

    Folk Dances of The Philippines

    Uploaded by

    Chester Canlas
    The document provides information on various folk dances from the Philippines, including Esperanza, Garambal, Habanera Narciseña, Inalimango, Jota Quirino, Kadal Tahu, Kandingan, Karatong, Konan, Kuratsa Zarraga, La Simpatika, La Jota, Lanceros de Tayabas, and Lapay Bantigue. For each dance, details are given on origin, costumes, music, rhythmic count, and formation of dancers.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 45

    FOLK DANCES OF THE

    PHILIPPINES
    Presented by : Group 2
    ESPERANZA
    Ezperanza
    • This is a lively dance from Camarines Sur. It was supposedly named
    after a lovely Maiden called Esperanza. The steps of this dance are
    simple but interesting.

    • Costume - The girl wears balintawak or patadiong and the boy


    barong Tagalog with white trousers.
    Ezperanza

    • The dance count is one, two, or one and two to a measure.

    • FORMATION: Partners stand side by side about three feet from


    each other, facing the audience. The girl stands at partner's right.
    Any number of couples may take part.
    GARAMBAL
    GARAMBAL
    • The name of this dance came from two Spanish words, "gran and
    "valse" which means grand waltz, corrupted into one word,
    garambal. This dance came from Camiling, Tarlac. Two girls and
    one boy perform it.
    • Costume - The girls are dressed in lIlocano costume, the boy in
    barong Tagalog and black trousers. The girls have buri hats on.
    GARAMBAL
    • The name of this dance came from two Spanish words, "gran and
    "valse" which means grand waltz, corrupted into one word,
    garambal. This dance came from Camiling, Tarlac. Two girls and
    one boy perform it.
    • Costume - The girls are dressed in lIlocano costume, the boy in
    barong Tagalog and black trousers. The girls have buri hats on.
    • Formation - The boy stands between the two girls who are about
    six feet from each other. All face the audience.
    HABANERA NARCISEÑA
    HABANERA NARCISEÑA
    • In Zambales province the hatbanera, initially a dance step from
    Havana, Cuba was introduced here in Spain. The Step blended
    perfectly with Ilocano and other Spanish introduced the steps.
    Habanera Narcisena expresses the town's sentiment and
    feelings.
    • Costume - The girls are dressed in Short blouse, full bell sleeves
    embroidered on the edges, the boys wear barong tagalog.
    HABANERA NARCISEÑA
    • MUSIC: 2/4 and 4 composed of three parts: A, B, and C
    • COUNT: 1.2, and to a measure in 2/4 time. 1, 2, 3 to a measure in 3/4
    time.

    • FORMATION: Partners stand opposite each other six feet apart.


    Girl is at the right side of boy when facing the audience. Any
    number of pairs may take part in the dance.
    INALIMANGO
    INALIMANGO

    • Inalimango is a Crab-like, a dance culture of the


    coastal community of Pan-ay, Capiz.

    • COSTUME: Bell sleeved blouse, flimsy material jusi, pina or abaca.


    Skirt is plaid cotton, wrap around bright orange or red.
    INALIMANGO

    • MUSIC - Composed of three parts: A, B, and C.


    • COUNT: 1,2 or 1, and 2 to a measure in 2/4 time signature.
    • FORMATION; Partners stand about six feet apart. Girl stands at partner's
    right side when facing audience.
    JOTA QUIRINO
    JOTA QUIRINO
    • The Jota was dedicated to Quirino,
    from Dupax, Quirino Province,
    designed for men and women.

    • COSTUME - Girls wear elaborate Maria


    Clara, bell-sleeved blouses,
    embroidered on edge of sleeves; boys
    wear barong Tagalog of the elaborate
    kind, pina, jusi or thin sinamay with
    black or dark pants.
    JOTA QUIRINO
    • MUSIC: Composed of three parts: A, B, and C.
    • COUNT: 1,2,3 to a measure in % time.

    • FORMATION: Partners stand opposite each other about six feet


    apart. When facing audience, girl stands at partner 's right side.
    One to any number of couples may take part in this dance.
    KADAL TAHU
    KADAL TAHU
    • This is a true dance of the T boli, the indigenous hill community of
    Lake Sebu, South Cotabato of the T"boli.

    • Costume - Traditional everyday T boli


    outfit
    KADAL TAHU
    • MUSIC: 2/4 composed of two parts A and B
    • COUNT: one, two; one, and two and to a measure.

    • FORMATION: No definite formation. One to any number may


    participate in the dance.
    KANDINGAN
    KANDINGAN
    • This is a Moro wedding dance fronm
    Jolo, Sulu, Its figures are based on the
    old. traditional Moro dances.

    • Costume -The dancers are dressed in


    typical Joloano costume and are
    barefoot.
    KANDINGAN
    • MUSIC: is divided into two parts: A andB. It is played continuously until
    the dancers finish. The tempo increases on the last figure or when the
    performers are about to end the dance.
    • COUNT: one, two to a measure.
    • Formation - Partners stand side-by-side facing the audience. They are
    about eight feet apart. The girl stands at the right side of the boy.
    KARATONG
    KARATONG
    • It means the bamboo musical instrument of the lowland
    Christians, from Cuyo, Palawan.

    • COSTUME: Visayan rural kimono.


    KARATONG
    • MUSIC: Composed of seven parts: A, B, C, D, E, F, and G…
    • COUNT: 1,2 or 1 and 2 to a measure.

    • FORMATION: Any desired formation.


    KONAN
    KONAN
    • The origin is an old one-peso silver coin of the 1900 vintage; from
    the lowland Christians of Pangasinan.

    • COSTUME: Moderately elaborate


    baro't saya.
    KONAN
    • MUSIC:2/4 composed of four parts: Introduction, A, B, and C.
    • COUNT: One, two or one and two to a measure.

    • FORMATION: Partners stand opposite each other about six feet


    apart. When facing audience, girl stands at the right side of the boy.
    One to any number pairs may take part in the dance.
    KURATSA ZARRAGA
    KURATSA ZARRAGA
    • Kuratsa Of Zarraga of Lowland Community from Zarraga; llo-
    llo, the dance is performed in courtship.

    • MUSIC: Composed of three parts: A, B, and C.


    • COUNT: 1,2,3 to a measure.
    KURATSA ZARRAGA
    • FORMATION: Partners stand opposite each opposite six feet apart.
    Girl stands at partner's right side when facing the audience.
    LA SIMPATIKA
    LA SIMPATIKA
    • The loving gracious, and
    charming dance of the lowland
    community of Pangasinan,
    performed in courtship.

    • COSTUME: Girls wear Maria


    Clara of Elegant style, boys wear
    elaborate barong Tagalog with
    black or dark pants and black
    leather shoes
    LA SIMPATIKA
    • MUSIC: 1,2, and 3 to a measure.

    • FORMATION: Only one girl dances with four boys in a group.


    LA JOTA
    LA JOTA
    • This is a delightful, lively dance from Iriga, Camarines Sur. Its air and
    figures are very much like the Jotas of the Spain. The Jota dances
    have many variations and are as popular as the Fandangos.

    • COSTUME: Girls are dressed in


    Maria Clara style and boys in barong tagalog
    in black trousers.
    LA JOTA
    • MUSIC: is divided into four parts: A, B, C, and D.
    • COUNT: one, two and three to a measure.

    • FORMATION: Partners stand opposite each other, six feet apart.


    Girls stand at partners right when facing the audience.
    LANCEROS DE TAYABAS
    LANCEROS DE TAYABAS
    • In the 16th century, the Spanish missionaries came to the
    Philippine Islands with a new religion that promised salvation.
    Lanceros got its name from the chivalrous knights and lancers
    of King Arthur's fame. In Tayabas, the dance came to be
    known as Lanceros deTayabas, noted as an intermission for
    the comedia stage-play, also a Spanish import.
    LANCEROS DE TAYABAS
    • COSTUMES: Girls wear baro't saya of the siete cochillos type and
    boys wears barong Tagalog with dark colored pants.
    LANCEROS DE TAYABAS
    • MUSIC: 2/4; composed of seven parts: A, B, C, D, E, F, AND G
    • COUNT: 1,2 or 1, and, 2 or 1, and 2, to a measure.

    • FORMATION: Dancers are arranged in sets of four pairs in square


    formation.
    LAPAY BANTIGUE
    LAPAY BANTIGUE
    • Its place of origin is at Bantigue Island, Masbate, classified as
    Comic, Mimetic.

    • COSTUME: Girls wear a peasant barot


    saya and the boys', camisa de chino,
    as they dance barefoot.
    LAPAY BANTIGUE
    • MUSIC: 2/4; composed of three parts: A, B and C.
    • COUNT: 1,2 or 1, and, 2 to a measure

    • FORMATION: Partners are about six feet apart. One to any number
    of pairs may take part in this dance.
    THANK YOU FOR LISTENING

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