Cola Fresco 9Th - 13Th Centuries A.D

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COLA FRESCO 9th – 13th

CENTURIES A.D.
• The Colas came to power in the 9th century when Vijayalaya
established himself in the area near Tanjavur. Adithya and
Parantaka, the son and grandson of Vijayalaya, were responsible
for the great temple building activity.

• Though there are fragments of early Cola paintings at


Nartamalai, Malayadipatti and other places, belonging to the
earlier phase, it is in the Brihadisvara temple at Tanjavur that
there remains a great treasure of the art of the early cola
painters.

• The contemporary classics describe the glory of the paingting in


the south, referring to Chitramandapas, Chitrasalas,
oviyanilayams in temples and palaces.
• Paripadal mentions paintings on temple walls in the early
Chola capital, Kaveripumpattinam, but actual survivals from
this period have not yet been discovered

• Vijayalaya Cholisvaram temple, on the hill at Nartamalai,


there are remains of paintings on the walls of the
ardhamandapa, showing a dancing figure of Kali and
Gandharvas on the ceiling.

• A remarkable painting, almost approaching the classical


portrayal of the painter’s brush at the Brihadisavara temple, is
Bhairava, wearing a pleasing patterned bodice and mundamala
and vastrayajnopavita, attended by hound, and standing
gracefully, even in samabhanga pose.
• Durga or all that is left of her figure, with karandamakuta,
elaborate kuchabandha and weapons with the flames quite
visible and flanking chamaras above, indicating 12th century.

Siva as Yogadakshanamurthi,chola 1000 A.D., Tanjavur.


• The Jaina paintings at Tirumalai, come midway between Chola
and Vijayanagar styles as they represent the last phase of Chola
art.

• The groups of kalpavasi devas in the Lakshmivara mandapa,


painted on the brick walls of the outermost chamber, on the
second floor, composing the earlier painted layer, are pleasing
figures, this second layer is nearer the Vijayanagar manner.
Dancers , chola 1000 A.D>< Tanjavur.
• The fingers of the dancer with slender waist, the supple
form, a slight tilt of the head, together with the mudras of
the hand and the poise of the body, forming beautiful
bhangas remind one of the familiar lines of Kalidasa in the
Malavikagnimitra : her body is fashioned to suit the taste of
the dancer.

• The earlier Pallava phase and later Vijayanagar can be


studied with the aid of chola paintings that form an
important link in the series.

• The discovery of paintings around the main cell, in the dark


passage in the Brihadisvara temple at Tanjavaur, by S.K.
Govindaswami in 1930, revealed a regular picture gallery
of early Chola paintings.
Chola warriors, 1000 A.D., Tanjavur.
Famous murals of Tanjavur Temple

• Heavenly musicians and dancers.

• Cheraman and Sundarar, on elephant and horse


respectively.

• Tripurantaka on a chariot.

• Rajaraja witness Nataraja in Chidambaram.

• Rajaraja with Karuvurar.


Rajaraja and Karuvurar, Chola, 1000 A.D., Tanjavur

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