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ART LITERACY
Defined as the knowledge and understanding required
to participate authentically in the arts.
While individuals can learn about dance, media,
music, theater and visual arts through reading print texts, artistic literacy requires that they engage in artistic creation processes directly through the use of materials (e.g., charcoal or paint or clay, musical instruments) and in specific spaces (e.g., concert halls, stages, dance rehearsal spaces, arts studios and computer labs). ART LITERACY Researchers have recognized that there are significant benefits of arts learning and engagement in schooling. Arts have shown to create environments and conditions that result in improved academic, social, and behavioral outcomes for students, from early childhood through the early and later years of schooling. However, due to the range of art forms and the diversity and complexity of programs and research that have been implemented, it is difficult to generalize findings concerning the strength of the relationships between the arts and learning . ART LITERACY The flexibility of the forms comprising the arts positions students to embody a range of literate practices to: Use their mind in verbal and nonverbal ways; Communicate various ideas in variety of forms; Understand words, sounds, or images; Imagine new possibilities; and Persevere to reach goals and make them happen. ART LITERACY Engaging in equality arts education experiences provides students with an outlet for powerful creative expression, communication, aesthetically rich understanding, and connection to the world around them.
Being able to critically read, write, and speak about
art should not be the sole bases for what counts as literacy in Arts. The cultivation of imagination and creativity in Arts are paramount. CHARACTERIZING ARTISTICALLY LITERATE INDIVIDUALS Literature on art education and art standards in education cited the following as common traits of artistically literate individuals: Use a variety of artistic media, symbols, and metaphors to communicate their own ideas and respond to the artistic communication of others; Develop creative personal realization in at least one art form in which they continue active involvement as an adult; CHARACTERIZING ARTISTICALLY LITERATE INDIVIDUALS Cultivate culture, history, and other connections through diverse forms and genres of artworks;
and meaning when they participate in the arts; and
Seek artistic experiences and support the arts in
their communities. ISSUES IN TEACHING CREATIVITY In his famous TED Talks on creativity and innovation, Sir Ken Robinson (Do schools kill creativity? 2006) stressed paradigms in the education system that hamper the development of creative capacity among learners.
He emphasized that schools stigmatize mistakes. This
primarily prevents students from trying and coming up with original ideas. He also reiterated the hierarchy of systems. ISSUES IN TEACHING CREATIVITY Firstly, most useful subjects such as Mathematics and languages for work are at the top while arts are at the bottom.
Secondly, academic ability has come to dominate our
view of intelligence.
Curriculum competencies, classroom experiences, and
assessment are geared toward the development of academic ability. ISSUES IN TEACHING CREATIVITY Students are schooled in order to pass entrance exam in colleges and universities later on. Because of this painful truth, Robinson challenged educators to: Educate the well-being of learners and shift from the conventional leanings towards academic ability alone; Give equal weight to the arts, the humanities, and to physical education; Facilitate learning and work stimulating curiosity among learners; Awaken and develop powers of creativity among learners; and View intelligence as diverse; dynamic and distinct, contrary to common belief that it should be academic ability-geared.
Art Education at The Intersection of Creativity: Integrating Art To Develop Multiple Perspectives For Identifying and Solving Social Dilemmas in The 21st Century.