Supported by a flight of blue seraphim, God presides over an image of the entire world, which the artist has abstracted into concentric circles.

Foul-mouthed seraph Ashnikko first strikes viewers with her long blue pigtails and ethereal humanoid beauty.

He developed a style of writing that extended the seraphs of letters into arrows or dynamic vectors resembling missiles, rendering them all but illegible, except to the initiated.

If the museum becomes a mosque, the mosaics will have to be covered during Muslim prayers somehow, including seraphs high up at the base of the dome.

Her sister seraphim teach her that a woman without love is like an “angel without wings.”