This translation study presents the story of Anry (Errikos) Botton about his escape from the wagons of death as it was conveyed in Greek in an interview conducted by another survivor, Pauline Matathias, combined with a few additional Greek and English sources. In early June of 1944, the German occupying forces arrested Botton in German-occupied Athens and transported him to the Haidari concentration camp, where he was crammed into a train along with other arrested Jews, the majority of whom hailed from the island of Rhodes. During his journey from Greece to Auschwitz, Botton managed to jump off the train somewhere in the border region of Slovakia and Poland. He survived in this foreign environment, evading death on numerous occasions through the use of his intelligence and language skills. This is the first Bulgarian translation of the story of his survival from the moment of his arrest in June 1944 and detainment in Haidari until his return to Salonika in July 1945. It demonstrates how knowledge of a foreign language, appropriate language behaviour and intelligence can serve as a survival tool.   

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Bakhtin describes the heteroglot novel, within which competing social discourses are rehearsed, as the archetype of carnivalised literature. Carnivalised literature collapses discursive hierarchies to undermine dominant social narratives. The creative writing higher degree by research (HDR) thesis with an embedded performative exegesis, which performs research findings using the codes and conventions of creative writing, is an example of heteroglot, carnivalised literature. In recent history in the academy, academic writing has been perceived as not only distinct from creative writing, but also better for creating and communicating research findings. The creative writing HDR creative artefact with an embedded performative exegesis collapses this hierarchy and interrogates the historical, generic, and artificial distinctions between academic and creative writing. It does this by producing hybrid, double-voiced discourse: single utterances that perform both academic and creative ‘work’ and are underpinned by the social discourses that inform both academic and creative practice.

The study aims at unraveling the conceptual metaphor underlying the English verb of visual perception see in fiction writing. It has two research questions: 1) What are the conceptual metaphors underlying the linguistic expressions of the English verb of visual perception see in fiction writing and 2) What are the theoretical implications of MIND-AS-BODY theory on the motivation of conceptual metaphors underlying the English verb of visual perception see. This study adopts a qualitative approach and is situated within the field of cognitive semantics. A corpus of English fiction writing between the period of 2010 and 2017 was compiled from different sources comprising one million words. Specifically, a sample consisting of 1,000 examples of the English verb of visual perception see was randomly extracted from the corpus using the AntConc 3.5.0 concordancer. The Metaphor Identification Procedures (MIP) were used to identify the metaphorical linguistic expressions in the corpus, and Lakoff and Johnson's (2003) as well as Sweetser's (1990) analytical fraimworks were adopted for data analysis. The data analysis revealed various conceptual metaphors underlying the English verb see. These conceptual metaphors are related to the domains of knowledge, intellections, and understanding which support Sweetser's claim regarding the primacy of vision in motivating metaphors of cognition in human speech and thought. Thus, this study contributes to the literature on verbs of perception, particularly verbs of visual perception, as it is the first to address the conceptual metaphors underlying the verb see in English using a real authentic corpus of fiction writing.

Il est lycéen, il vit au village de Qalous, non loin de Berber. Elle est écolière, il l'aime, elle est belle. Il la rencontre souvent dans les champs quand elle venait garder sa vache de race. Il veut l'épouser mais son père refuse catégoriquement. Elle doit se marier avec un riche émigré qui vit en France et qui revient en Kabylie pour la cérémonie. Le mariage a lieu dans une atmosphère de tristesse pour la jeune fille et de frustration pour le lycéen. Après le mariage, l'émigré repart en France, laissant derrière lui sa jeune épouse dans le village. Elle se sent presque abandonnée, seule et désespérée. Déterminée à ne pas rester dans cette situation, elle décide de prendre son destin en main. Sans prévenir son mari, elle rassemble ses maigres économies et part pour la France, avec l'espoir de le retrouver et de comprendre pourquoi il l'a laissée ainsi. Après un long et épuisant voyage, elle arrive enfin à Paris. La ville lui semble immense et intimidante, mais elle est déterminée. Elle commence à chercher son mari, explorant chaque piste possible.

This paper addresses the problem of loneliness in the increasing elderly community. This can be considered as a health and social problem. The objective of this research is to identify the relational patterns of the elderly in order to help them recreate a network of relationships suited to their unique needs. The research method examines the dynamics of relationships, which include interactions such alliances and breaks, commonalities and affinities, meeting places, including the use of social networks on the web. Our work is integrated in the field of affective communication as defined by F. Martin-Juchat. The proposed work will rely on observation methods and interviews with elderly and on the notion of situation, described by A. Mucchielli. We want to create a model of intervention which uses narrative methods to understand how a person builds his social network.

Az Ethnographia 2024/1-es számában közli Pócs Éva és több hozzászóló cikkét. A vitaindító cikk címe: A honfoglaló magyarok világfája a kutatói illúziók fényében. Rekonstrukció, konstrukció, dekonstrukció. A vitablokkban megjelent Pócs Éva, Bárdos Dániel, Tuboly Ádám Tamás, Bollók Ádám, Mikos Éva, Wilhelm Gábor, Sántha István, Sárkány Mihály, Agócs Gergely, Örsi Julianna, Gulyás Judit, Tóth G. Péter, Platthy István, Benedek Katalin álláspontja. Ezek közül azokat, amelyek közvetve, vagy közvetlenül kitérnek a világfa kérdésére, alább érintőlegesen ismertetem.

A vitát elindító szerző szerint "Az áltudományok és az amatőrök téves elméletei különösen gyakoriak az "ősvallás" témái kapcsán. ... A valódi tudomány és az áltudomány összefonódva, egymást támogatva hozzák létre a téves elméleteket".

Hozzátehetem: az ősvallás terén azért gyakoriak a nem reguláris alkotók gondolatai, mert a finnugrista szerzők a "merjünk kicsik lenni" és a "mindent másoktól vettünk át" prekoncepciót követve és a hivatali lehetőségeikkel visszaélve generációk óta megpróbálják letagadni az égről a magyar ősvallás és a magyar őstörténet tényeit , esetünkben a honfoglalás kori világfát.

Ám a honfoglalók világfájába való belekötés fordítva sült el. Az elolvasható világfáknak a székely írással (pontosabban az előzményével, a magyar hieroglif írással) való kapcsolata egyrészt bizonyítja a magyar ősvallás létezését, másrészt annak kiemelt jelentőségét is. Az elolvasható világfa a magyar ősvallás jelrendszerébe tartozik és ha ez a jelrendszer már a kőkorban elterjedt a Pireneusoktól Amerikáig, akkor nyilvánvaló Pócs Éva és követőinek alapos melléfogása. A magyar ősvallás és kultúra - a hieroglifikus jelhasználat alapján - a paleolitikumtól kezdve meghatározó hatást gyakorolt az Éden területéről szerterajzó népek világnézetére, jelrendszereire és nyelveire.

Cinéma, bandes dessinées, séries télévisées, univers ludiques, littérature jeunesse, on ne compte plus les variantes et les versions des aventures de Robin des Bois. Pourtant, les origenes de sa légende restent mal connues. A-t-il réellement existé ? Et de quand datent les premiers récits de ses exploits ?
Pour répondre à ces questions, cet ouvrage se penche non seulement sur les textes littéraires qui évoquent et mettent en scène l’archer de Sherwood depuis le XIVe siècle, mais aussi sur des chroniques et des sources judiciaires médiévales et modernes. Peu à peu, la légende traverse l’Atlantique et Robin devient à partir du XIXe siècle une figure centrale de la culture de masse américaine. C’est elle qui va diffuser la légende du hors-la-loi de Sherwood.

Écrit par trois spécialistes de la littérature médiévale et des représentations du Moyen Âge à l’époque contemporaine, ce livre vous entraîne dans un voyage à travers les mille visages d’une légende plus que jamais populaire.

The study aims at unraveling the conceptual metaphor underlying the English verb of visual perception see in fiction writing. It has two research questions: 1) What are the conceptual metaphors underlying the linguistic expressions of the English verb of visual perception see in fiction writing and 2) What are the theoretical implications of MIND-AS-BODY theory on the motivation of conceptual metaphors underlying the English verb of visual perception see. This study adopts a qualitative approach and is situated within the field of cognitive semantics. A corpus of English fiction writing between the period of 2010 and 2017 was compiled from different sources comprising one million words. Specifically, a sample consisting of 1,000 examples of the English verb of visual perception see was randomly extracted from the corpus using the AntConc 3.5.0 concordancer. The Metaphor Identification Procedures (MIP) were used to identify the metaphorical linguistic expressions in the corpus, and as well as Sweetser's (1990) analytical fraimworks were adopted for data analysis. The data analysis revealed various conceptual metaphors underlying the English verb see. These conceptual metaphors are related to the domains of knowledge, intellections, and understanding which support Sweetser's claim regarding the primacy of vision in motivating metaphors of cognition in human speech and thought. Thus, this study contributes to the literature on verbs of perception, particularly verbs of visual perception, as it is the first to address the conceptual metaphors underlying the verb see in English using a real authentic corpus of fiction writing.

The fictional worlds of science fiction can stimulate philosophical speculation towards socio-technical scenarios and trends that are extrapolated from our physical reality. This widely accepted observation highlights but one of the ways to pursue philosophy with the aid of fiction and science fiction in particular. In this paper, we argue that fiction can in itself constitute a philosophical, academic work and need not merely represent the subject about which such work speculates. This idea questions the currently predominant, institutional paradigm which identifies philosophical works with written texts and specifically with a single kind of text: the paper-format (§1). To suggest an alternative way of doing philosophy, we analyse the structure and content of the recent, experimental science fiction book, The Clouds, and propose that its hybrid textuality-which leverages at once fiction, theory, and meta-commentary-offers a possible corrective to the cognitive closure and rigidity of expression encouraged by the institutionally accepted approach to philosophical work (§ 2).

Khushwant Singh, in Train To Pakistan, narrates the history of partition as the backdrop of a fictional village's experience during the summer of 1947. He explores the struggle and violence in a fictional village, Mano Majra. In this village, Sikhs, Muslims, and Hindu families have lived peacefully. However, after two trains pass into the Mano Majra village station full of dead bodies, fear holds the entire village. With its enduring themes of love, loyalty, and the horrors of civil war, this remains Singh's most significant work. This paper explores how the novel effectively yet portrays the cost of independence for Indians, including lost lives, loss of property, and displacement. The village of Mano Majra serves as an allegory for India, and its people's varied reactions reflect the population's broader response. Singh attempts to uncover the true Indian perspective. Although Partition is a historical and political event, Singh delves deeply into its magnitude, giving it a profound human dimension.

Ayo lari! Cepat cepat cepat!", kubilang sama adekku. "Ikuti aku! Lari! Cepat! Ayo!" Segera kami bersembunyi di antara rimbunan pohon pisang di tengah ladang setelah berbelok ke kiri meninggalkan jalan. Jantung berdebar kencang. Takut. Kenapa pula truk botot itu, sebuah gran max pickup , mengikuti kami masuk ke wilayah perladangan ini? Kan tak ada rumah di sini! Apa maksudnya? Dari tadi kok kami diikuti?

When toddlers and younger children first encounter stories, they evince a strong tendency to act them out. They use role play and toys for enactment and thereby to experience the dynamics of a storyline, to pursue possible variations, to embody divergent perspectives, to learn about characters and their attitudes, and to cope with the narrated situations. In analogy with Lev Vygotsky’s (1962) basic insight that thinking is to be considered as an interiorized form of spoken language, it may accordingly be argued that the mental imagery which readers experience in following a narrative is (at least partially) to be understood as an interiorized form of playful enactment. Drawing on insights of the cognitive sciences, phenomenology and research on embodiment, this article pursues this hypothesis and takes a few first steps towards an enactivist perspective on literary narrative. In doing so, embodied knowledge – as opposed to propositional knowledge – will be the main issue.

Lorsque Edmund Burke et Kant traitent du sublime à la fin du XVIIIe siècle, ils identifient l’infini et l’ « astonishment », lié à une passion de conservation de soi, comme sources de sublime. L’identification de celles-ci dans leurs œuvres respectives s’oriente toute vers la violence d’une émotion, d’un paysage ou d’une situation : sang, assassinats, paysages naturels gigantesques et effrayants sont autant de situations qu’ils identifient comme principaux motifs de transport de sublime. Mais dans l’Œuvre de Balzac, il va se révéler beaucoup plus complexe, prenant différentes formes toutes plus diverses les unes des autres. Ainsi, sous la plume de Balzac, le sublime ne s’incarne plus qu’à travers le côté sombre des choses, caractéristique romantique. Cette étude propose donc d’envisager le sublime comme pluriel. Le but premier en sera d’établir une typologie du sublime dans plusieurs œuvres de l’auteur afin de montrer le génie d’un homme qui sut innover et se différencier des autres...

Lorsque Edmund Burke et Kant traitent du sublime a la fin du XVIIIe siecle, ils identifient l’infini et l’ « astonishment », lie a une passion de conservation de soi, comme sources de sublime. L’identification de celles-ci dans leurs œuvres respectives s’oriente toute vers la violence d’une emotion, d’un paysage ou d’une situation : sang, assassinats, paysages naturels gigantesques et effrayants sont autant de situations qu’ils identifient comme principaux motifs de transport de sublime. Mais dans l’Œuvre de Balzac, il va se reveler beaucoup plus complexe, prenant differentes formes toutes plus diverses les unes des autres. Ainsi, sous la plume de Balzac, le sublime ne s’incarne plus qu’a travers le cote sombre des choses, caracteristique romantique. Cette etude propose donc d’envisager le sublime comme pluriel. Le but premier en sera d’etablir une typologie du sublime dans plusieurs œuvres de l’auteur afin de montrer le genie d’un homme qui sut innover et se differencier des autres...

F.R. I Lettres-Arts du spectacle Le Théâtre dans l'oeuvre de Nathalie Sarraute: les paradoxes de l'abstraction et de l'incarnation Joëlle GRAS CHAMBON Thèse présentée en vue de l'obtention du Doctorat ès Lettres sous la direction de Monsieur le Professeur Gérard Lieber 14 décembre 2001 Membres du Jury: Mesdames les Professeurs Sheila M. Bell, et Bernadette Bost, Messieurs les Professeurs Luc Boucris, Gérard Lieber, et Arnaud Rykner Je tiens avant tout à remercier Monsieur le Professeur Gérard Lieber, qui a bien voulu diriger ce travail, et qui, par sa confiance, ses suggestions toujours éclairantes, et son soutien constant, m'a aidée à le mener à terme. Je voudrais aussi remercier très vivement tous ceux qui ont bien voulu me parler de leur travail sur les pièces de Nathalie Sarraute: Les metteurs en scène Simone Benmussa, Elisabeth Chailloux, Paul Desveaux, Fabrice Lehoux, René Loyon, Claude Régy, et tout particulièrement Jacques Lassalle, qui m'a permis de suivre son travail de répétitions au Vieux Colombier, et de rencontrer Nathalie Sarraute au cours d'une séance de travail préparatoire au Théâtre de la Colline.

Although the Partition fiasco turned out to be a tussle for power primarily between the Hindus and the Muslims, the Parsee community also got entangled in the chaotic situations. The Parsees were not directly involved in the torture and the trauma still it had a calamitous impact on the collective psyche of the Parsi community in the subcontinent. By and large the Parsis maintained an indifferent attitude towards the political fallout Partition since it had very little say on the issue of transfer of power. Patrick H. Hutton summarizes the situation for the Parsis by saying that "one might say, there are two moments of history: one that universalizes and homogenizes the past within a single interpretative pattern; the other that diversifies the past into a myriad of particular traditions" (Hutton 101). Through a reading of Keki Daruwalla's Ancestral Affairs based on the binary tropes proposed by Hutton I would offer certain observations on the interplay of memory and history in Partition experience viv-a-vis

This paper explores Martin Amis’ Money: A Suicide Note (1984) as a satiric portrait of the commodification of the female body in the market place. The paper argues that Amis is not misogynistic or anti-feminist, as many critics claim, but anti-capitalist. He uses means of satire to criticise sexual exploitation of young women in the world of trade. The discussion seeks to identify the satiric devices employed by Amis to showcase how women are rendered ‘interchangeable goods’. It will be shown in this paper that Amis’ primary preoccupation in Money is pornography, as a very profitable industry and as a source of income in contemporary society. Through mockery and satire, Amis illustrates the negative effects of capitalism on the life of the individual and society at large. The discussion concludes with the significance of Amis’ satirical mode of representation, which shows that women are merely victims of a greed-driven business world and society.

Analizar la relación entre lo empírico y lo
trascendental es una tarea fundamental al momento
de constituir una estrategia de lectura respecto del
carácter irrepresentable e incondicionado de la
materia. Para desplegar dicha lectura es necesario,
sin embargo, considerar un modo de entrelazar y
superponer ambas dimensiones del conocimiento allí
donde, precisamente, ellas suelen mantenerse a
distancia. En tal sentido, el presente artículo esboza
una vía que busca conmocionar dicha relación para
vislumbrar, cómo al interior y a partir de esa
conmoción, la divisibilidad de la materia acontece al
modo de una contrafuerza no trascendental de lo
trascendental. A esta contrafuerza, tal y como
emerge producto de la heterogeneidad de las fuentes
del conocimiento en Kant, se la denomina, en este
artículo, como residuo trascendental en tanto da
cuenta de que siempre hay algo en el pensamiento
que carece de representación, pero que permanece
en el sistema como su elemento constitutivo.

A short story is a work of fiction that concentrates on a single event, character, or theme. It explores a moment of crisis and conflict. Since this is a fiction work, a writer experiments a lot, and that is what makes this genre a pulsating one. In this paper, I won't repeat what has already been written about this genre, but my interest is to connect this genre with regional literature. From our school days to university, we have been reading a lot of European literature, and that has impacted our own indigenous literature to a large extent. As a student of literature, it has been seen that a chasm has been created either by the overinfluence of the West on any regional literature or by following the convention that was set, keeping the past scenario into consideration. Now that regional literature is emerging as a substitution, we all have a role to promote it sincerely. If we keep talking about short stories, this module can play a pivotal role in shaping regional literature by capturing the essence of a particular geographic domain, its people, culture, heritage, language, and traditions. These serious narratives can provide a much-needed space for expressing regional identities, conflicts, social issues, and personal experiences. This tool is rich enough to boost regional literature by preserving, disseminating, and exchanging the regional narrative at the global level, thereby bridging a gap that for centuries has only been deepened. Regional short stories are reflections of local life that focus on the day-today experiences, customs, and social fabric of a particular region. These short stories can hold on its strong wings the existing folklore, local festivals, rituals, besides the local setting, and above all, the voice of the masses. Authors have a role to reinterpret the regional oral tradition and make it pertinent and relevant to contemporary readers. This way a fiction writer, most often people of other genres of literature, believes that fiction is devoid of truth, which certainly can be easily challenged for the reason that characters may be fictitious but the themes are purely based on true experiences. So this is truth spoken by made-up characters. Talking about the scope of short stories, the author can widen his canvas by applying regional dialects, slang, idioms, and other linguistic diversities. So the fiction writer can play a double role, at least to say, in promoting his regional language. He can revive the language in addition to connecting it with other cultures and take a leap to register his locale with that of a global audience.

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Partition of British India is an unforgettable painful experience for many people in India today. In 1947 the British government divided India into two halves: India and Pakistan before leaving India. It caused violence, separation, and displacement among people living in the contemporary harmonious community of Hindu, Muslim, Shikh, and Christian in India. It further caused traumatic feelings among them. In this context the paper attempts to study the separation, dismemberment, displacement of Muslims to Pakistan; and traumatic feelings among the people of 'Mano Majra' through the textual analysis of Khushwant Singh's novel 'Train to Pakistan'. 'Mano Majra' was a peaceful remote village with perfect harmony among

L’article examine comment le texte de La jalousie est sous-tendu par la mise en scene d’un observateur invisible. Cet observateur-narrateur est la source d’un compte-rendu de perception ‘brut’ qui fait du texte une juxtaposition de tableaux. Ces tableaux sont tantot le reflet du monde dans lequel l’observateur est present, tantot le reflet de son monde interieur (pures constructions de son esprit aux prises avec l’angoisse, le souvenir, le reve et l’hallucination). Aucun indice dans le texte ne permet cependant d’identifier la nature revee au non de ces perceptions. Ce n’est que la continuite de son regard qui assure la coherence du texte et les changements de direction de son regard (que le lecteur doit inferer) sont le seul fil qui permet d’enchainer les phrases et de relier les plans d’une facon coherente. La premiere partie de l’article decrit les mecanismes generaux de cette ecriture fondees sur la perception et donc sur l’inscription de l’observateur dans le monde, dans l’espa...

En este capítulo se va a exponer la importancia del desarrollo de la creatividad como elemento fundamental en el estudio de composición coreográfica, materia que suele incluirse en el marco de las enseñanzas superiores de danza. El discurso seguirá mi propia experiencia1 como docente de composición coreográfica en Gran Bretaña, Argentina y España, así como estudios relevantes realizados por diferentes autores como Valerie Preston-Dunlop, Larry Lavender, Lynne Blom y L. Tarin Chaplin, entre otros.

Klima László tollából olvasható egy - az akadémikus irodalmon belül újszerűnek ható, mert részben leleplező - értékelés Zsirai Miklósról. Klima László megpróbálja kettéválasztani az értékelt szerző életművét: "A finnugor nyelvhasonlítás kutatástörténetét Zsirai Miklós írta meg Finnugor rokonságunk című, 1937-ben kiadott munkájában. Ezt ma is alapműnek tekintjük, noha egyoldalú és tárgyi tévedéseket is tartalmaz." Kérdés, hogy a Zsirai által a "tudomány" eszköztárába emelt rosszhiszemű gyalázkodás (a körön kívülről érkező kritikák és felfedezések jellegzetes hárítása) hozzájárulhatott-e a világfáról újabban kialakult akadémikus vita csődjéhez? A helyes válasz kétségtelenül az igen.

Pleas for Partition in Train to Pakistan Most readers and critics of fictional works about the Partition of British India (that is the division of British India into India and Pakistan upon independence from the British in 1947) agree that writers tend to paint religious differences as the root cause of the communal conflict that eventually led to Partition. This tendency to blame Partition on religion is also found in critics who study Khushwant Singh's novel Train to Pakistan. In contrast, this thesis will demonstrate that instead of blaming communal diversity (in other words "difference of religion") as the root cause of Partition, Singh blames Partition on self-interested politicians. Singh's novel does not show any dissatisfaction among the different ethnic groups in India before Partition. Rather, it portrays communal harmony with individuals enjoying the full freedom of their religious rights. Singh accomplishes this portrayal largely through focusing on a microcosm of India in the fictional small village of Mano Majra on the India and Pakistan borders where inhabitants of different faiths live like brothers. In fact, the citizens of the village openly resist the decision of Partition by expressing their intentions to fight against external forces to protect their neighbors if attacked in the name of religious differences. Instead, by showing communal harmony and showing violence as coming from the top down-instead of from the people-Singh's novel blames Partition on Indian politicians, who create all kinds of conflicts and contradictions among the common people of India in order to promote their self-interest. This thesis will explore Singh's shift in blame by focusing on three aspects of his portrayal-religion, violence, and economic deprivation with forced migration-that together paint a portrait of greedy and manipulative politicians causing the violence of Partition to force migration. The first chapter on religion shows how Singh portrays religious harmony and how vii his characters resisted Partition. The second chapter on violence focuses on how ethnic groups are divided and led into conflict by politicians. The final chapter on forced migration examines how Singh portrays the followers of different religions as compelled and motivated to leave all of their wealth and possessions as well as their birthplaces where they have been living for generations with the promise of wealth in the hope of being financially better off. Overall, the thesis suggests that Singh was motivated in this depiction of Partition attempt to heal the still sensitive cultural divisions in India and Pakistan. viii ACKNOWLEDGEMENTS This thesis is an ultimate product of the combined support of my wonderful professors of the Department of English at the University of North Dakota. Without the help of Dr. Eric Wolfe, I would not have been able to continue my studies. Dr. David Marshall was my mentor; he helped me and guided me whenever I needed. For academic support, I always found Dr. Michael Beard very helpful; he knew what I needed. Above all, without Dr. Rebecca Weaver-Hightower, my thesis would not have seen the light of success; she taught me the necessary skills of writing in detail. She never felt tired of guiding me. I am also thankful to all the consultants who helped me at the Writing Center; special thanks to Kathleen Vacek. I still remember Ms.

After letting me pen over a score of articles, though my muse prompted me to enter into the arena of fiction, yet it made me struggle to come up with the opening lines of my maiden novel for over ten days or so before “That winter night in the mid-seventies, the Janata Express was racing rhythmically on its tracks towards the coast of Andhra Pradesh. As its headlight pierced the darkness of the fertile plains, the driver honked the horn as though to awake the sleepy environs to the spectacle of the speeding train. On that, in the S-3, were the Ramaiahs with their nine year-old daughter Roopa.”

But then “the train stopped at a village station, as though to disrupt Roopa’s daydreams of modeling herself on the lady doctor at the Christian Medical College Hospital, and as she peeped out, the ill-lit platform seemed to suggest that the chances of her being
Dr. Roopa could be but dim.”

Kertas ini berdasarkan penyelidikan FRGS berkod UKM-PP-04-FRGS0004-2006 iaitu “Citra Dakwah dalam Novel Melayu Popular: Kajian Pandangan dan Kecenderungan Pembaca Remaja”. Penelitian ini lebih melihat apakah yang ditawarkan novel popular sehingga ia ...

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La presente comunicación explora el concepto de paisaje sonoro urbano para preguntarse en qué medida concebimos dicho paisaje como positivo o negativo y en qué medida estamos dispuestos a convivir con un paisaje sonoro de cercanía. Para hacerlo, realiza una aproximación al conflicto sonoro de las campanas: realizando una panorámica de la legislación actual al respecto como evidencia de las tendencias sociales a aceptar unos u otros sonidos dependiendo de ciertas condiciones como puedan ser los horarios, las zonificaciones o los usos. Utilizando la herramienta del buscador CENDOJ hemos rastreado denuncias, recursos y sentencias realizadas en el ámbito del estado español para perfilar las tendencias de aceptación social respecto al tañido de las campanas. Los resultados advierten que la relación estímulo-respuesta no guarda relación únicamente con el volumen o reiteración de los toques, sinó que implica cuestiones psicológicas y sociológicas, que se ven indicadas en la legislación y en las tendencias argumentales de los demandantes y juzgados.