1. Consequences of platforms remuneration models for digital content: initial evidence and a research agenda for streaming services. (2023). Clement, Michel ; Albers, Sonke ; Kandziora, Michael ; Meyn, Janek.
   In: Journal of the Academy of Marketing Science.
   RePEc:spr:joamsc:v:51:y:2023:i:1:d:10.1007_s11747-022-00875-6.

   Full description at Econpapers || Download paper

2. Addictive Platforms. (2023). Kim, Byung-Cheol ; Ichihashi, Shota.
   In: Management Science.
   RePEc:inm:ormnsc:v:69:y:2023:i:2:p:1127-1145.

   Full description at Econpapers || Download paper

3. Efficient copyright filters for online hosting platforms. (2022). Segura-Moreiras, Adrian ; Rub-Puig, Antoni ; Manna, Ester ; de Chiara, Alessandro.
   In: UB Economics Working Papers.
   RePEc:ewp:wpaper:433web.

   Full description at Econpapers || Download paper

4. Addictive Platforms. (2022). Kim, Byung-Cheol ; ICHIHASHI, SHOTA.
   In: Staff Working Papers.
   RePEc:bca:bocawp:22-16.

   Full description at Econpapers || Download paper

5. Efficient copyright filters for online hosting platforms. (2021). Segura-Moreiras, Adrian ; Rub-Puig, Antoni ; Manna, Ester ; de Chiara, Alessandro.
   In: Working Papers.
   RePEc:net:wpaper:2103.

   Full description at Econpapers || Download paper

6. Video Platforms’ Value-Added Service Investments and Pricing Strategies for Advertisers. (2021). An, Fengyue ; Liu, Gang.
   In: Sustainability.
   RePEc:gam:jsusta:v:13:y:2021:i:24:p:13701-:d:700367.

   Full description at Econpapers || Download paper

1. Aguiar, L. Let the music play? Free streaming and its effects on digital music consumption. 2017 Inf. Econ. Policy. 41 1-14

2. Aguiar, L. ; Martens, B. Digital music consumption on the internet: evidence from clickstream data. 2016 Inf. Econ. Policy. 34 27-43

3. Aguiar, L. ; Waldfogel, J. As streaming reaches flood stage, does it stimulate or depress music sales?. 2018 Int. J. Ind. Organ.. 57 278-307

4. Anderson, S.P. ; Coate, S. Market provision of broadcasting: a welfare analysis. 2005 Rev. Econ. Stud.. 72 947-972

5. Armstrong, M. Competition in two-sided markets. 2006 RAND J. Econ.. 37 668-691

6. Belleflamme, P. The economics of digital goods: a progress report. 2016 Rev. Econ. Res. Copyright Issues. 13(2) 1-24

7. Biglaiser, G. ; Calvano, E. ; Crémer, J. Incumbency advantage and its value. 2019 J. Econ. Manag. Strat.. 28 41-48

8. Biglaiser, G. ; Crémer, J. The value of incumbency when platforms face heterogeneous customers. 2020 Am. Econ. J.: Microecon.. -

9. Caillaud, B. ; Jullien, B. Chicken & egg: competition among intermediation service providers. 2003 RAND J. Econ.. 34 28-309

10. Calvano, E. ; Polo, M. Strategic Differentiation by Business Models: Free-To-Air and Pay-TV. 2019 Econ. J.. 130 50-64
    Paper not yet in RePEc: Add citation now
    

11. Carroni, E. Poaching in media: harm to subscribers?. 2018 J. Econ. Manag. Strat.. 27 221-236

12. Carroni, E., Madio, L., Shekhar, S., 2019. Superstars in two-sided markets: exclusives or not?CESifo Working Paper No. 7535 (February 2019).

13. Datta, H. ; Knox, G. ; Bronnenberg, B.J. Changing their tune: How consumumers adoption of online streaming affects music consumption and discovery. 2018 Market. Sci.. 37 5-21

14. Eller, D., 2015. How video-streaming services could save the music industry,[Online, Posted Nov 13, 2015], https://techcrunch.com/2015/11/13/how-video-streaming-services-could-save-the-music-industry/.
    Paper not yet in RePEc: Add citation now
    

15. Ferrando, J. ; Gabszewicz, J.J. ; Laussel, D. ; Sonnac, N. Intermarket network externalities and competition: an application to the media industry. 2008 Int. J. Econ. Theory. 4 357-379

16. Godes, D. ; Ofek, E. ; Sarvary, M. Content vs. advertising: the impact of competition on media firm strategy. 2009 Market. Sci.. 28 20-35

17. Gomes, R. ; Pavan, A. Many-to-many matching and price discrimination. 2016 Theor. Econ.. 11 1005-1052

18. Hagiu, A. Two-sided platforms: product variety and pricing structures. 2009 J. Econ. Manag. Strat.. 18 1011-1043

19. Hassan, C., 2016. Reasons why some artists absolutely hate Spotify, http://www.digitalmusicnews.com/2016/03/21/why-artists-pull-their-music-from-spotify-but-not-youtube/. [Online, March 21, 2016].
    Paper not yet in RePEc: Add citation now
    

20. Hiller, R.S. Sales displacement and streaming music: evidence from youtube. 2016 Inf. Econ. Policy. 34 16-26

21. Jeon, D.-S., Kim, B.-C., Menicucci, D., 2019. Second-degree price discrimination by a two-sided monopoly platform. TSE Working Paper, N. 16-690, September 2016, revised April 2019.

22. Kind, H.J. ; Nilssen, T. ; Sørgard, L. Business models for media firms: does competition matter for how they raise revenue?. 2009 Market. Sci.. 28 1112-1128

23. Knopper, S., 2015. Islands in the stream: The 10 biggest holdouts in digital music, http://www.rollingstone.com/music/news/artists-refuse-stream-music-20150102. [Online, Jan 2, 2015].
    Paper not yet in RePEc: Add citation now
    

24. Lin, S. Two-sided price discrimination by media platforms. 2020 Market. Sci.. 39 317-338

25. Linshi, J., 2014. Here’s why Taylor Swift pulled her music from Spotify, http://time.com/3554468/why-taylor-swift-spotify/. [Online, Nov 3, 2014].
    Paper not yet in RePEc: Add citation now
    

26. Liu, Q. ; Serfes, K. Price discrimination in two-sided markets. 2013 J. Econ. Manag. Strat.. 22 768-786

27. Peitz, M. ; Valletti, T.M. Content and advertising in the media: Pay-tv versus free-to-air. 2008 Int. J. Ind. Organ.. 26 949-965

28. Reisinger, M. Platform competition for advertisers and users in media markets. 2012 Int. J. Ind. Organ.. 30 243-252

29. Rochet, J.-C. ; Tirole, J. Platform competition in two-sided markets. 2003 J. Eur. Econ. Assoc.. 1 990-1029

30. Thomes, T.P. An economic analysis of online streaming music services. 2013 Inf. Econ. Policy. 25 81-91

31. Weeds, H. Tv wars: Exclusive content and platform competition in pay tv. 2016 Econ. J.. 126 1600-1633

32. Wlömert, N. ; Papies, D. On-demand streaming services and music industry revenues - insights from spotify’s market entry. 2016 Int. J. Res. Market.. 33 314-327

1. Displacement and complementarity in the recorded music industry: evidence from France. (2024). Verboven, Frank ; Nicolle, Ambre ; Ivaldi, Marc ; Zhang, Jiekai.
   In: Journal of Cultural Economics.
   RePEc:kap:jculte:v:48:y:2024:i:1:d:10.1007_s10824-023-09471-0.

   Full description at Econpapers || Download paper

2. .

   Full description at Econpapers || Download paper

3. The impact of licensed and unlicensed free goods: an empirical analysis of music, video, and book industries in Japan. (2023). Tanaka, Tatsuo ; Oshima, Hidetaka ; Iyanaga, Kotaro ; Sakaguchi, Hirohide ; Yamaguchi, Shinichi.
   In: SN Business & Economics.
   RePEc:spr:snbeco:v:3:y:2023:i:3:d:10.1007_s43546-023-00439-y.

   Full description at Econpapers || Download paper

4. Displacement and Complementary in the recorded music industry: evidence from France. (2023). Zhang, Jiekai ; Verboven, Frank ; Nicolle, Ambre ; Ivaldi, Marc.
   In: Post-Print.
   RePEc:hal:journl:hal-04020859.

   Full description at Econpapers || Download paper

5. Competition for Exclusivity and Customer Lock-in: Evidence from Copyright Enforcement in China. (2023). Liu, Youming.
   In: Staff Working Papers.
   RePEc:bca:bocawp:23-43.

   Full description at Econpapers || Download paper

6. .

   Full description at Econpapers || Download paper

7. Online video sharing and revenues during the Pandemic. Evidence from musical stream data. (2022). Mourelatos, Haris.
   In: GLO Discussion Paper Series.
   RePEc:zbw:glodps:1050pre.

   Full description at Econpapers || Download paper

8. Online video sharing and revenues during the Pandemic. Evidence from musical stream data. (2022). Mourelatos, Haris.
   In: GLO Discussion Paper Series.
   RePEc:zbw:glodps:1050.

   Full description at Econpapers || Download paper

9. Digitalization, copyright and innovation in the creative industries: an agent-based model. (2022). Martinelli, Arianna ; Russo, Emanuele ; Palagi, Elisa ; Nuvolari, Alessandro.
   In: LEM Papers Series.
   RePEc:ssa:lemwps:2022/03.

   Full description at Econpapers || Download paper

10. Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2022). Christensen, Finn.
    In: International Journal of Industrial Organization.
    RePEc:eee:indorg:v:85:y:2022:i:c:s0167718722000492.

    Full description at Econpapers || Download paper

11. Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2021). Christensen, Finn .
    In: Working Papers.
    RePEc:tow:wpaper:2021-01.

    Full description at Econpapers || Download paper

12. Commodification 2.0: How Does Spotify Provide Its Services for Free?. (2021). Yalcintas, Altug ; Kasap, Orun.
    In: Review of Radical Political Economics.
    RePEc:sae:reorpe:v:53:y:2021:i:1:p:157-172.

    Full description at Econpapers || Download paper

13. It takes two, baby! Feature artist collaborations and streaming demand for music. (2021). Mckenzie, Jordi ; Lenten, Liam ; Crosby, Paul.
    In: Journal of Cultural Economics.
    RePEc:kap:jculte:v:45:y:2021:i:3:d:10.1007_s10824-020-09396-y.

    Full description at Econpapers || Download paper

14. Platforms, Power, and Promotion: Evidence from Spotify Playlists. (2021). Waldfogel, Joel ; Aguiar, Luis.
    In: Journal of Industrial Economics.
    RePEc:bla:jindec:v:69:y:2021:i:3:p:653-691.

    Full description at Econpapers || Download paper

15. The economic impact of streaming beyond GDP. (2020). Haskel, Jonathan ; Goodridge, Peter ; Edquist, Harald.
    In: ITS Conference, Online Event 2020.
    RePEc:zbw:itso20:224851.

    Full description at Econpapers || Download paper

16. Business models for streaming platforms: Content acquisition, advertising and users. (2020). Carroni, Elias ; Paolini, Dimitri.
    In: Information Economics and Policy.
    RePEc:eee:iepoli:v:52:y:2020:i:c:s0167624520301219.

    Full description at Econpapers || Download paper

17. Business models for streaming platforms: content acquisition, advertising and users. (2020). Carroni, Elias ; Paolini, D.
    In: Working Paper CRENoS.
    RePEc:cns:cnscwp:202001.

    Full description at Econpapers || Download paper

18. Cyclical phenomena in technological change. (2020). Coccia, Mario.
    In: Papers.
    RePEc:arx:papers:2010.03168.

    Full description at Econpapers || Download paper

19. The business model of a streaming platform. (2019). Paolini, Dimitri ; Carroni, Elias.
    In: Working Paper CRENoS.
    RePEc:cns:cnscwp:201902.

    Full description at Econpapers || Download paper

20. Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists. (2018). Waldfogel, Joel ; Aguiar, Luis.
    In: JRC Working Papers on Digital Economy.
    RePEc:ipt:decwpa:2018-04.

    Full description at Econpapers || Download paper

21. Changing Their Tune: How Consumers’ Adoption of Online Streaming Affects Music Consumption and Discovery. (2018). Bronnenberg, Bart J ; Knox, George ; Datta, Hannes.
    In: Marketing Science.
    RePEc:inm:ormksc:v:37:y:2018:i:1:p:5-21.

    Full description at Econpapers || Download paper

22. Pricing of Digital Video Supply Chain: Free versus Paid Service on the Direct Distribution Channel. (2018). Mo, Jeonghoon ; Kim, Yunhyoung.
    In: Sustainability.
    RePEc:gam:jsusta:v:11:y:2018:i:1:p:46-:d:192346.

    Full description at Econpapers || Download paper

23. As streaming reaches flood stage, does it stimulate or depress music sales?. (2018). Waldfogel, Joel ; Aguiar, Luis.
    In: International Journal of Industrial Organization.
    RePEc:eee:indorg:v:57:y:2018:i:c:p:278-307.

    Full description at Econpapers || Download paper

24. The Rise of Streaming Music and Implications for Music Production. (2017). Walter, Jason ; Jason, Walter ; Scott, Hiller R.
    In: Review of Network Economics.
    RePEc:bpj:rneart:v:16:y:2017:i:4:p:351-385:n:2.

    Full description at Econpapers || Download paper

Report date: 2025-02-26 13:13:08 || Missing content? Let us know