Barabbas

This article is about the biblical figure Barabbas. For other uses, see Barabbas (disambiguation).

Not to be confused with Barnabas or Barrabas.

Representation of Barabbas by James Tissot (1836–1902)

Barabbas (/bəˈræbəs/; Biblical Greek: Bαραββᾶς, romanized: Barabbās) was, according to the New Testament, a prisoner who was chosen over Jesus by the crowd in Jerusalem to be pardoned and released by Roman governor Pontius Pilate at the Passover feast.

Biblical account

According to all four canonical gospels there was a prevailing Passover custom in Jerusalem that allowed Pontius Pilate, the praefectus or governor of Judea, to commute one prisoner's death sentence by popular acclaim. In one such instance, the "crowd" (ὄχλος : óchlos), "the Jews" and "the multitude" in some sources, are offered the choice to have either Barabbas or Jesus released from Roman custody. According to the Synoptic Gospels of Matthew, Mark, and Luke, and the account in John, the crowd chooses Barabbas to be released and Jesus of Nazareth to be crucified. Pilate reluctantly yields to the insistence of the crowd. One passage, found in the Gospel of Matthew, has the crowd saying (of Jesus), "Let his blood be upon us and upon our children."

Matthew refers to Barabbas only as a "notorious prisoner". Mark and Luke further refer to Barabbas as one involved in a στάσις (stásis, a riot), probably "one of the numerous insurrections against the Roman power" who had committed murder. Robert Eisenman states that John 18:40 refers to Barabbas as a λῃστής (lēistēs, "bandit"), "the word Josephus always employs when talking about Revolutionaries".

Three gospels state that there was a custom that at Passover the Roman governor would release a prisoner of the crowd's choice; Mark 15:6, Matthew 27:15, and John 18:39. Later copies of Luke contain a corresponding verse (Luke 23:17), although this is not present in the earliest manuscripts, and may be a later gloss to bring Luke into conformity.

The custom of releasing prisoners in Jerusalem at Passover is known to theologians as the Paschal Pardon, but this custom (whether at Passover or any other time) is not recorded in any historical document other than the gospels, leading some scholars to question its historicity and make further claims that such a custom was a mere narrative invention of the Bible's writers.

Name

Barabbas, according to a representation in The Bible and Its Story Taught by One Thousand Picture Lessons, from 1910

There exist several versions of this figure's name in gospel manuscripts, most commonly simply Biblical Greek: Bαραββᾶς, romanized: Barabbās without a first name. However the variations (Biblical Greek: Ἰησοῦς Bαῤῥαββᾶν, romanized: Iēsoûs Bar-rhabbân, Biblical Greek: Ἰησοῦς Bαραββᾶς, romanized: Iēsoûs Barabbâs, Biblical Greek: Ἰησοῦς Bαῤῥαββᾶς, romanized: Iēsoûs Bar-rhabbâs) found in different manuscripts of the Matthew 27:16–17 give this figure the first name "Jesus", making his full name "Jesus Barabbas" or "Jesus Bar-rhabban", and giving him the same first, given name as Jesus. The Codex Koridethi seems to emphasise Bar-rhabban as composed of two elements in line with a patronymic Aramaic name. These versions, featuring the first name "Jesus" are considered original by a number of modern scholars. Origen seems to refer to this passage of Matthew in claiming that it must be a corruption, as no sinful man ever bore the name "Jesus" and argues for its exclusion from the text. He however does not account for the high priest Biblical Greek: Ἰάσων, romanized: Iásōn from 2 Maccabees 4:13, whose name seems to transliterate the same Aramaic name into Greek, as well as other bearers of the name Jesus mentioned by Josephus. It is possible that scribes when copying the passage, driven by a reasoning similar to that of Origen, removed this first name "Jesus" from the text to avoid dishonor to the name of the Jesus whom they considered the Messiah.

Etymology

Of the two larger categories in which transmitted versions of this name fall Biblical Greek: Bαῤῥαββᾶν, romanized: Bar-rhabbân, seems to represent Jewish Palestinian Aramaic: בּר רַבָּן, romanized: Bar Rabbān, lit. 'Son of our Rabbi/Master', while Biblical Greek: Bαραββᾶς, romanized: Barabbâs appears to derive ultimately from Jewish Palestinian Aramaic: בּר אַבָּא , romanized: Bar ʾAbbā lit. 'Son of ʾAbbā/[the] father', a patronymic Aramaic name. However, ʾAbbā has been found as a personal name in a 1st-century burial at Giv'at ha-Mivtar. Additionally it appears fairly often as a personal name in the Gemara section of the Talmud, a Jewish text dating from AD 200–400.

Historicity

According to Max Dimont, the story of Barabbas as related in the Gospels lacks credibility from both the Roman and Jewish standpoint. The story, on its face, presents the Roman authority, Pontius Pilate, backed by overwhelming military might, being cowed by a small crowd of unarmed civilians into releasing a prisoner condemned to death for insurrection against the Roman Empire. Further, Dimont argues against the believability of the Barabbas story by noting that the alleged custom of privilegium Paschale, "the privilege of Passover", where a criminal is set free, is only found in the Gospels. Raymond E. Brown argued that the Gospels' narratives about Barabbas cannot be considered historical, but that it is probable that a prisoner referred to as Barabbas (bar abba, "son of the father") was indeed freed around the period Jesus was crucified and this gave birth to the story.

Similarly, Bart D. Ehrman strongly believes that the story lacks credibility, as it is not in Pontius Pilate's character to release an insurrectionist for the Jews, as well as commenting that the name Barabbas "son of the father" is interestingly similar to Jesus's role as the son of God.

On the other hand, Craig A. Evans and N. T. Wright argue in favor of the historicity of the Passover pardon narrative, quoting evidence of such pardons from Livy's Books from the Foundation of the City, Josephus's Antiquities of the Jews, Papyrus Florence, Pliny the Younger's Epistles and the Mishnah.

The similarities of the name (Biblical Greek: Ἰησοῦς Bαραββᾶς, romanized: Iēsoûs Barabbâs) in some manuscripts and the name of Jesus have led some modern scholars to argue that the counter-intuitive similarity of the two men's names is evidence of its historicity. They doubt a Christian writer would invent a similar name for a criminal, practically equating Christ with a criminal, if he were fictionalizing the story for a polemical or theological purpose.

A minority of scholars, including Benjamin Urrutia, Stevan Davies, Hyam Maccoby and Horace Abram Rigg, have contended that Barabbas and Jesus were the same person.

Antisemitism

See also: Blood curse

The story of Barabbas has played a role in historical antisemitism because it has historically been used to lay the blame for the crucifixion of Jesus on the Jews, and thereby to justify antisemitism – an interpretation known as Jewish deicide.

Pope Benedict XVI, in his 2011 book Jesus of Nazareth, dismisses this reading, since the Greek word ὄχλος (óchlos) in Mark 15:6–15 means "crowd", rather than "Jewish people".

In literature

Samuel Crossman's English hymn "My Song Is Love Unknown" (published 1684) contains this verse alluding anonymously to Barabbas as "a murderer"

They rise, and needs will have

my dear Lord made away;

a murderer they save,

the Prince of Life they slay.

Yet cheerful He

to suffering goes,

that He His foes

from thence might free.

See also

• Biblical criticism
• Historicity of Jesus
• Textual criticism

References

Sources

• Pope Benedict XVI (2011). Jesus of Nazareth: From the Entrance Into Jerusalem to the Resurrection. Holy week. Part two. Ignatius Press. ISBN 978-1-58617-500-9.
• Brown, Raymond E. (1994). The Death of the Messiah. Vol. 1. New York: Doubleday.
• Brown, Raymond E. (2008). The Death of the Messiah: From Gethsemane to the Grave : a Commentary on the Passion Narratives in the Four Gospels. Yale University Press. ISBN 978-0-300-14009-5.
• Bulgakov, Mikhail (2016). The Master and Margarita. Grove Atlantic. ISBN 978-0-8021-9051-2.
• Davies, Stevan L. (1981). "Who is called Bar Abbas?". New Testament Studies. 27 (2): 260–262. doi:10.1017/S0028688500006202. S2CID 170332233.
• Dimont, Max I. (1999). Appointment in Jerusalem. Open Road. ISBN 978-1-58586-546-8.
• Ehrman, Bart (2016). Jesus Before the Gospels. HarperOne.
• Ehrman, Bart. "Pilate Released Barabbas. Really??".
• Evans, Craig A.; Wright, Nicholas Thomas (2009). Jesus, the Final Days: What Really Happened. Westminster John Knox Press. ISBN 978-0-664-23359-4.
• Evans, Craig A. (2012). Matthew. New Cambridge Bible Commentary. Cambridge University Press. ISBN 9780521812146.
• Hebron, Carol A. (2016). Judas Iscariot: Damned or Redeemed: A Critical Examination of the Portrayal of Judas in Jesus Films (1902-2014). Bloomsbury Publishing. ISBN 978-0-567-66831-8.
• Holland, Tom (6 September 2012). "The Liars' Gospel by Naomi Alderman – review". The Guardian. Retrieved 27 May 2014.
• Maccoby, H. Z. (1969). "Jesus and Barabbas". New Testament Studies. 16 (1): 55–60. doi:10.1017/S0028688500019378. S2CID 170255986.
• Maccoby, Hyam (1973). Revolution in Judaea. New York: Taplinger.
• Merritt, Robert L. (March 1985). "Jesus (the nazarene) Barabbas and the Paschal Pardon". Journal of Biblical Literature. 104 (1): 57–68. doi:10.2307/3260593. JSTOR 3260593.
• Oursler, Fulton (1957). The Greatest Story Ever Told. World's Work.
• Reynolds, Matt (2 March 2011). "Pope Benedict XVI Points Fingers on Who Killed Jesus". ChristianityToday.com. Retrieved 1 July 2021.
• Rigg, Horace Abram (1945). "Barabbas". Journal of Biblical Literature. 64 (4): 417–456. doi:10.2307/3262275. JSTOR 3262275.
• Urrutia, Benjamin (October 2008). "Pilgrimage". The Peaceable Table.
• Van Hooydonck, Peter (1994). Willy Vandersteen: De Bruegel van het beeldverhaal : biografie. Standaard. ISBN 9789002195464.
• Warren, William (2011). "Who Changed the Text and Why? Probable, Possible, and Unlikely Explanations". In Bart D. Ehrman; Daniel B. Wallace; Robert B. Stewart (eds.). The Reliability of the New Testament. Fortress Press. ISBN 978-0-8006-9773-0.