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Kiki Kallira Breaks a Kingdom
Kiki Kallira Breaks a Kingdom
Kiki Kallira Breaks a Kingdom
Ebook254 pages3 hours

Kiki Kallira Breaks a Kingdom

Rating: 3.5 out of 5 stars

3.5/5

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For fans of the Aru Shah and Serpent's Secret series, this action-packed fantasy-adventure sees a girl's drawings of Indian mythology spring to vivid life--including the evil god who seeks to enter the real world and destroy it.

Kiki Kallira has always been a worrier. Did she lock the front door? Is there a terrible reason her mom is late? Recently her anxiety has been getting out of control, but one thing that has always soothed her is drawing. Kiki's sketchbook is full of fanciful doodles of the rich Indian myths and legends her mother has told her over the years.

One day, her sketchbook's calming effect is broken when her mythological characters begin springing to life right out of its pages. Kiki ends up falling into the mystical world she drew, which includes a lot of wonderful discoveries like the band of rebel kids who protect the kingdom, as well as not-so-great ones like the ancient deity bent on total destruction. As the one responsible for creating the evil god, Kiki must overcome her fear and anxiety to save both worlds--the real and the imagined--from his wrath. But how can a girl armed with only a pencil defeat something so powerful?
LanguageEnglish
Release dateJul 6, 2021
ISBN9780593206997
Author

Sangu Mandanna

Sangu Mandanna was four years old when she was chased by an elephant, wrote her first story about it, and decided this was what she wanted to do with her life. Seventeen years later, she read Frankenstein. It sent her into a writing frenzy that became The Lost Girl, a novel about death and love and the tie that binds the two together. Sangu lives in England with her husband and son.

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Rating: 3.6500000799999994 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    This was a unique and fun MG read. It was about Indian Mythology, which I'm a big Mythology lover so love learning about all Mythology. This was a bit different than other stories in that it addresses anxiety/OCD and what it might look like for a young girl and I can relate to that and think it's great that this is being shown/talked about in the story.
    It was a pretty quick, fun, and easy read too. It's about a girl, Kiki, who discovers she has the ability to draw things and have them come to life/existence when she finds herself in the magical world she drew with a band of rebel kids and an evil ancient deity that wants to take over her mystical world. Kiki has to overcome her fears and anxiety to stop the bad guy and save both the real world and the magical world.
    It's very much like other MG reads such as the Aru Shah and Serpent's Secret series and has cool Indian Mythology in it as well. If you're into Mythology/Indian Mythology, like the Aru Shah books or the Rick Riordan Mythology books, you'll like this one.
    Thanks to NetGalley and Penguin Young Readers Group for letting me read and review this book. All opinions are my own.

Book preview

Kiki Kallira Breaks a Kingdom - Sangu Mandanna

1

I had absolutely, definitely killed my mother.

Okay, maybe not definitely, but I was pretty sure of it. Like 90 percent sure. Maybe 85.

It all depended on whether I had locked the front door when I left our house earlier today, and no matter how hard I tried, I couldn’t remember if I had. And if I hadn’t, well, then there was a very good chance that Mum, who had been repainting the kitchen cabinets when I left, had since been murdered by a burglar.

Or had been eaten by an opportunistic goose, which only sounds ridiculous if you haven’t met the geese that live in London.

The day hadn’t started on such a tragic note. It was a hot July, and school had just finished for the summer, so I left home right after lunch to meet my best friend Emily, her little sister Tam, and two of Tam’s friends. We took the bus halfway across the city to one of those pop-up amusement parks that always appear in the summer. We’d planned it for weeks and it was awesome at first. We had eaten ice creams in the sunshine, taken turns go-karting, and tried to win those giant cuddly teddy bears.

We had just joined the queue for the Ferris wheel when Tam said something about a locked room in a mystery book she was reading, and it had suddenly occurred to me that I couldn’t remember if I’d locked my front door.

Now I bit restlessly on the end of my thumb and screwed my forehead up as I tried, once again, to remember. I could picture myself stepping out of the front door, and I could kind of picture myself putting my silver key in the silver keyhole in the door, but was I remembering that from today or was I just remembering it from the gazillions of other times I had locked the door?

Kiki? Emily gave me a gentle jab with her elbow. You okay?

I nodded and tried to concentrate on what she and the others were saying, but all I could think about was the front door of my house. As far as I was concerned, the sequence of hypothetical consequences of an unlocked front door went something like this: burglar (or goose) sees unlocked front door; burglar (or goose) can’t believe their good luck; burglar (or goose) bumps into Mum while attempting to loot the kitchen; and then, inevitably, burglar (or goose) murders (or eats) Mum.

Emily’s eyes moved to my hand, and she watched with concern as I mauled my thumbnail. You’re not okay, she said, and lowered her voice so that Tam and Tam’s friends wouldn’t hear her. What’s up?

If it had been anyone other than Emily or Mum, I would have lied and pretended I felt sick or had a headache or something, but it was Emily, so I told her the truth.

And because she was Emily, she listened to me and then she nodded. And it won’t matter if I tell you that your mother’s death by goose is extremely unlikely, will it? Because once it’s in your head, you can’t get it out?

She knew me so well.

I should go home and check the door, I said. Shame, anger, and frustration made me grit my teeth. If I don’t, I’ll just spend the rest of the day worrying about it.

Okay, I’ll come with you.

No! I said at once. Stay. I’ll just feel worse if you leave, too.

Emily hesitated, but then she said, My mum’s making Chinese chicken stew for dinner tonight. Come over and eat with us?

"Chinese ginger chicken stew?" I asked, perking up.

Emily grinned. Yep.

So after promising her that I would go to hers for dinner, I left the park in slightly better spirits. On the bus ride home, I pulled my feet up onto the seat, took my overstuffed sketchbook out of my backpack, and sketched a quick doodle of the Ferris wheel. I drew Emily’s tiny delighted face peeping out of the car at the very top, and then mine next to hers. I giggled to myself as I added a gull in the sky above us, pooping on Emily’s head. She’d love that when I showed her later.

I lowered my pencil and just looked at the sketch for a moment. Seeing the miniature version of me looking so happy on the Ferris wheel made me feel a little like I hadn’t missed out after all. And on top of that, the twenty minutes I had spent on the sketch was twenty minutes I hadn’t been thinking about my front door.

But when I got home and discovered that the front door was locked, all the warm, fuzzy feelings the doodle had given me dissolved as quickly as a lump of sugar in hot tea. I could see my blurry reflection in the panes of frosted glass in the door, so I just glared at her, the other me. I was furious with myself. I’d left a fun day out with my best friend because I hadn’t been able to stop obsessing about a door.

I let myself into the house quietly, resisting the temptation to slam the door in question. I could have gone back to the amusement park, I suppose, but then Tam and her friends would think I was even stupider than they probably already did.

As far as I could tell, becoming obsessed with a stray thought or fear, to the point that I couldn’t not act on it, was not something most people did. But I couldn’t help it. I knew I had been all sunshine and fearlessness when I was little, but at some point, anxiousness had crept up on me. I got twitchy about all sorts of stuff now. I worried the spider that ran under the floorboard would reappear on my pillow. I worried a shark would sneak into my school’s swimming pool (and, yes, I did actually know how absurd that sounded, but I worried about it anyway). I worried that a random, inconsequential thing I had said three days before was actually quite a stupid thing to say, and maybe everyone who heard it was now convinced I was stupid. I worried that Mum wouldn’t come home one day. I worried that one of us had forgotten to close the kitchen window before bed—

And so on.

I guess it wouldn’t be so bad if all I did was feel anxious for a little while, but that was never the end of it. Nope. I had to do something about it, or else I would never be able to get the worry or thought out of my head. That didn’t matter so much when it was stuff like the spider, because Mum would come to my room, find it, and poof! The worrying would stop, just like that. But sometimes it wasn’t quite that easy. Sometimes it was a lot harder to get my brain to be quiet again.

As I hung my backpack up on the hook in the hallway, the faint smell of paint and the sound of happy pop music drifted out of the kitchen, followed by Mum’s perfectly alive voice: Kiki? Is that you?

I stuck my head in the kitchen, where she was painting the last of the cupboards. There were yellow splatters on her clothes, her hands, even on her dark hair, which was exactly like mine apart from the fact that hers was cut below her chin in a pretty bob and mine was longer and almost always up in a ponytail. I would have liked a bob, too, but I knew that if I didn’t have my hair pulled away from my face and hands, I would never stop fidgeting with it, tucking it behind my ears, twirling it around a finger, all that. I already bit my fingernails every time I saw even a little of the white end-part grow back, so I really didn’t need another distracting bad habit.

You look like lemon pie, I informed my mother, giggling. I snatched her phone off the counter and took a photo of her.

Horrid thing, she said affectionately. "You picked this color."

It’s nice on the cupboards, but pretty weird on a human.

With a look in her eye I could only describe as evil, she flicked the wide paintbrush in my direction. I squealed as splotches of cold yellow paint sprayed my cheek and shoulder.

You’re right, she said, grinning, "it does look pretty weird on a human."

She was the actual worst. I grinned back.

So, she went on, tossing me a tea towel to dab the paint off my face, why are you back so early?

Oh, I couldn’t remember if I’d locked the front door and I was pretty sure you’d been eaten by a goose, so I came back to check.

It was the truth, but I said it cheerfully, like it was silly and funny. Mum knew about the anxiousness, the obsessions, the need to do something. She was always nice about it and never made me feel bad, not even that time last year when I woke her at four in the morning by leaning over her to make sure she was still breathing. She just said, Well, I used to do it to you when you were a baby, so I guess this is payback, and let me sleep in her bed for the rest of the night.

But I didn’t think Mum knew just how bad it was for me. I had never told her, so how could she? It wasn’t that I didn’t want to. I just didn’t want to worry her.

And I guess maybe I also didn’t want to tell her because that would make this A Big Deal. A giant Something. I didn’t want it to be Something. I wanted it to be Nothing, irrelevant, unimportant. I wanted it to be a Nothing that didn’t disrupt my life, or make me unhappy, or turn me into someone I didn’t even know anymore. A Nothing so unimportant, it would go away very soon, and I’d get the sunshiny version of me back.

Now, narrowing her eyes at me, Mum ignored my nonsense about geese and cut right to the important part: You were so worried about whether you’d locked the front door that you left your friends early and came all the way back?

I didn’t want to lie to her, so I tiptoed around it by saying, Well, and I felt a little sick. It was really hot. Both true.

Kiki—

Oh! I said excitedly, shamelessly interrupting her before the conversation became Something. You’ll never believe what Emily told me today! Her mum is going to have another baby.

Just like that, Mum was distracted. It was cool that Emily was going to have a baby brother or another sister, but I wasn’t really all that interested in babies. Mum, on the other hand, loved babies. I was pretty sure she’d have had at least five of her own if my dad hadn’t died before I was born.

A new baby! Mum cooed. Hand me my phone, will you, duckling? I’ll text Mei and see if she needs anything.

Can I look through your stash of blank notebooks while you’re on the phone? I’ve run out of space in my sketchbook.

Yes, of course.

I left her excitedly tapping out a text to Emily’s mum, and went upstairs to the room Mum used as her home office. She worked in animation, so she usually went to a studio to work with a team of other animators on a project, but she also did some teaching and tried to work from home whenever she could. Which meant her home office got a lot of use and was filled with student essays, storyboards, piles of research materials, her shiny computer monitor and graphics tablet, and her bookshelves, including an entire shelf crammed with empty notebooks and sketchpads.

I edged around a stack of books to get to the shelf. I picked up the one on top—The Illustrated Book of Indian Folklore: Vol. I, a beautiful, enormous thing Mum had read to me when I was little. And, yes, it was only volume one, because it turned out there was a lot of Indian folklore. Stories of monsters and gods and heroes, of goddesses who rode lions, of demons who kidnapped princesses, of kings and queens and cities and snarky jackals and, well, a whole lot more than that, too.

I’d loved those stories. They’d been special to Mum, stories she’d grown up with in Karnataka, in the south of India, where she’d spent half her life before moving here.

After putting The Illustrated Book of Indian Folklore: Vol. I back on the stack of books, I checked the shelf of empty notebooks. There were a few that would do the trick, but I kept looking for The One. Like a warrior choosing her sword or a witch choosing her wand, I, Kiki Kallira, had to choose my new sketchbook. It was not a task to be taken lightly. The wrong choice could prove to be the undoing of the universe!

And then I found it. It was beautiful, bound in white spirals, with two hundred thick sheets of clean white art paper. The cover was a perfect, soft buttery yellow, the exact color of evening sunshine.

It had been so nice and uncomplicated to be a sunshine girl. Not so long ago, I had found it easy to fall asleep at night. I hadn’t needed to search the whole house just because I’d seen a shadow out of the corner of my eye, and never got a scratchy feeling inside my brain when a book on a shelf had its spine facing in. Why wasn’t I like that anymore?

Maybe this was Something, after all. I knew this wasn’t normal, but I couldn’t help feeling like it was all my fault for not being stronger and braver. Why else would this anxiousness, this Something, sneak in and make itself so completely at home?

My eyes had filled with tears and I was clutching the yellow sketchbook so tightly my knuckles had gone white, so I turned quickly and went across the landing to my bedroom. Flopping down onto my rug with my box of art supplies, I opened my new sketchbook and started to draw the first thing that popped into my mind.

Monsters started to take shape on the first page. First the wolf from Little Red Riding Hood, then the Beast from Beauty and the Beast, and then an Asura—a huge, monstrous demon from Indian folklore. By the time I’d finished the pencil outline of the Asura, I felt calmer.

No, it was even better than that: as I stared at that third sketch, I felt the sudden, electric excitement you get when you have a totally brilliant idea.

One of the stories Mum had told me years ago, with my bedside lamp turned down low and The Illustrated Book of Indian Folklore on her lap, was the story of the Asura king Mahishasura. It went something like this:

Hundreds of years ago, long before India became the country it was now, there was a kingdom in the south called Mysore. It was a rich, golden city, with beautiful shining palaces, gentle hills, and lush green land.

Then Mahishasura came to Mysore. He was the cruelest and most powerful of all the Asuras. He killed the kings of Mysore and took the city for himself. The people resisted, but they were no match for him or his Asura army. They stole children from their beds, burned the crops, and threw anyone who tried to fight back into deep prisons so that they never saw the sun again. And Mysore became a sad, dark place, where the people lived in fear and where all hope seemed lost.

The first question I’d asked when Mum told me the story was But why didn’t the gods stop him?

In Indian folklore, the gods are always incredibly powerful, and three of them in particular: Brahma, the creator; Vishnu, the preserver; and Shiva, the destroyer. When I’d pointed this out to Mum, she rolled her eyes and said, If you keep your gob closed for longer than two seconds, Kiki, you might find out.

Because, as it turned out, Mahishasura had a secret weapon. Before he came to Mysore, he had spent years praying to Brahma. Impressed with his persistence (and I guess because gods did this kind of thing all the time in the stories), Brahma had offered him a boon.

I want to be immortal, Mahishasura said.

I can’t do that, Brahma replied. All I can do is make you so powerful that no god or man can kill you.

Satisfied, Mahishasura accepted the gift. No god or man could kill him.

So when the whole destroying-Mysore thing happened, the gods were a teensy bit annoyed. They went to Brahma and demanded to know how they were supposed to defeat Mahishasura while he was protected by such a powerful boon.

Well, said Brahma, I said no god or man could kill him. Perhaps you should send a goddess.

So the gods combined their power and created the warrior goddess Chamundeshwari, who was every bit as awesome as she sounded. She rode into Mysore on the back of a great lion and, at the foot of the hills, she and Mahishasura had a long, bitter battle. In the end, she won. She killed the demon king and saved Mysore. Yay!

To show her how grateful they were, the people of Mysore gave the hills a new name in her honor. They called them the Chamundi Hills. (The next time we visit Granny and Gramps, Mum said, I’ll take you to Mysore to see the real Chamundi Hills. You can even see a statue of Mahishasura and a temple for Chamundeshwari at the top!)

It was a fun story. Just a story. Much like Zeus and Thor and Osiris, Mahishasura had never really existed. I sometimes liked to think they had all been around once, because mythology was so cool, but I was eleven years old and I kind of knew myths were just myths. Jackals didn’t talk, the sun wasn’t pulled across the sky by a god in a chariot, and Asuras weren’t real.

And the totally amazing idea

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