Michel Foucault
Michel Foucault
Michel Foucault
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1. Michel Foucault: The Man and His Work
variety of approaches to
the mad
locked away in towers
sent away on ships
admitted to hospitals
tolerated within normal
society
no strict separation
between reason and
madness
the mad symbolized
the dark side of culture
the atmosphere of unrest Hieronymus Bosch, The Ship
at the end of the Middle of Fools (c. 1490-1500)
Ages
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b. Madness in the Age of Reason /
Enlightenment (17th and 18th Centuries)
Age of Reason /
Enlightenment: strict
separation between
reason and madness
madness as the
negation of reason -
internment
exclusion and silencing
but no treatment
the mad, beggars,
vagabonds, criminals,
and the sick interned
Anon. Madness, or a
together Man Bound with
the mad held in chains Chains (1808)
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The Birth of Modern Psychiatry: Philippe Pinel
Releases The Mad from Their Chains in 1793
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c. Madness in Modern Society (19th Century
Onward)
From the 19th century onward, madness came to be
seen as
a mysterious phenomenon that deserves to be studied
an illness that must be treated
scientific approach to madness:
observation
analysis
documentation
classification
goal: treatment
the mad are no longer chained but still locked away in
mental institutions, where they are studied and
treated for their illness
mad(wo)man as a specific type of human being
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Foucault vs. Modern Psychiatry
Foucault argues that modern
psychiatry
excludes and locks the mad away
exercises power by subjecting the mad to:
the codes of scientific classification and
documentation
the codes of bourgeois rationality, morality,
and family structures
continuous observation
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Madness as Discursive Construct
madness as social construct (vs. psychological
condition)
madness as discursive construct
discourse: three examples
Enlightenment discourse
modern scientifc discourse
psychoanalytic discourse
DEF: Discourses
are practices that systematically construct the objects
(e.g. madness, the mad) they talk about
determine what counts as true and what can be said,
thought, and known at a specific historical moment
are networks of power/knowledge
assign subject positions
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3. Epistemes: Foucaults The Order of Things:
An Archaeology of the Human Sciences (1966)
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3 Successive Epistemes
a. The Renaissance Episteme
15th/16th century
(Renaissance): signs and
things resemble each
other and are
interchangeable
microcosm/macrocosm,
e.g. blood/air, yellow
bile/fire, black bile/earth, Robert Fludd, Utriusque cosmi
phlegm/water maioris scilicet et minoris
Metaphysica, physica atque
technica Historia (1617-1619)
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3 Successive Epistemes
b. The Enlightenment Episteme
17th/18th c.
(Enlightenment / Age of
Reason): signs and things
disconnected: signs
represent things
e.g. scientific labeling and
classification of plants in
botanical gardens
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3 Successive Epistemes
c. The Modern Episteme
19th c. (Modernity):
signs become
interesting in their
own right
human sciences, e.g.
philology and modern
linguistics,
anthropology,
psychology, sociology,
Literaturwissenschaft,
and so on
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Foucault on the Death of Man
Man is an invention of recent date. And one
perhaps nearing its end [...] one can certainly wager
that man would be erased, like a face drawn in
sand at the edge of the sea. (Michel Foucault, The
Order of Things)
man is an invention of humanism and the Enlightenment
man = autonomous, self-determined individual; source
of truth and knowledge
language, discourses, and epistemes as sources of truth
and knowledge
subjects are constructed and subjected by discourses
e.g. biological discourse
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4. The Panopticon: Foucaults Discipline and
Punish: The Birth of the Prison (1975)
From Torture to Prisons I
A. Torture
e.g. the quartering of Robert Franois Damiens in 1775
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From Torture to Prisons IV
feudal-sovereign power (18th century: Damiens
execution)
torture
public spectacle
complete destruction of the offenders body
disciplinary power (19th century: Fauchers prison
rules)
reform as goal
(self-)disciplining of the prisoners body
restoration of the (self-)disciplined subject to
society
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The Panopticon
Stateville Correctional Center, Illinois
J Benthams Panopticon
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The Carceral Society
disciplinary power:
panopticon as a model
for all of society (prisons,
schools, factories,
hospitals, and so on)
power invisible and
anonymous
self-disciplining:
techniques of the self
surveillance
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Three Disciplinary Techniques
Three disciplinary techniques in prisons, factories, hospitals, schools,
universities, and so on
1. hierarchical observation
2. normalizing judgment
3. examination
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