Julia Prewitt Brown Winter 2017: E-Mail
Julia Prewitt Brown Winter 2017: E-Mail
Julia Prewitt Brown Winter 2017: E-Mail
Winter 2017
E-mail: jpbrown@bu.edu
EDUCATION
TEACHING POSITIONS
ADMINISTRATIVE EXPERIENCE
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1987-90: Chair and Founder, Graduate School Advising Committee
1989-90: Chair and Founder, Hiring Practices Review Committee
1985-90: Service in different years on search committees, Curriculum Committee,
Faculty Senate, college-wide Financial Aid Advisory Committee
PUBLICATIONS
BOOKS
The Bourgeois Interior: How the Middle Class Imagines Itself in Literature and Film
(University of Virginia Press, 2008).
A Reader’s Guide to the Nineteenth Century English Novel (Macmillan, 1985). Japanese
translation, 1987.
Part of this book has been reprinted in Bloom’s Period Studies: The Victorian
Novel, ed. Harold Bloom (Chelsea House, 2004).
Jane Austen’s Novels: Social Change and Literary Form (Harvard University Press,
1979).
Parts of this book have been reprinted in the Norton Critical Edition of Pride and
Prejudice, ed. Donald Gray (1994); Jane Austen: Modern Critical Views, ed.
Harold Bloom (Chelsea House, 1986); Modern Critical Interpretations: Emma, ed.
Harold Bloom (Chelsea House, 1986); Pride and Prejudice (Courage Books,
1992); The Critical Temper, ed. Martin Tucker (Crossroads Continuum, 1988);
and Modern Essays on Mansfield Park and Persuasion, ed. Judy Simons
(Macmillan, 1997).
ARTICLES
“’An Uncomfortable Truth’: John Schlesinger’s The Day of the Locust Reconsidered.”
Literature / Film Quarterly. Fall 2017.
“Box Office Failure: Honky Tonk Freeway and the Risks of Embarrassing America.”
Jump Cut. No. 57. Fall 2016.
“An Eye for an I: Identity and Nation in the Films of John Schlesinger.” Journal of
Popular Film and Television. Vol. 44, No. 1, 2016.
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“John Schlesinger’s Bildungsfilm: Midnight Cowboy and the Problem of Youth.” Modern
Fiction Studies. Fall, 2013. 649-667.
“The Moral Scope of the English Bildungsroman”, The Oxford Handbook of the
Victorian Novel. Oxford: Oxford UP, 2013.
“Robinson Crusoe’s ‘Tent Upon the Earth’”, Journal of Architecture (Vol. 13, no. 4)
Summer, 2008.
“Taking Off from The Art of Memory”, New Windows on a Woman’s World. Vol. 2.
Festschrift for Professor Jocelyn Harris. Otago Studies in English, No. 9, University of
Otago, New Zealand, 2005.
“Public and Private in Persuasion,” Jane Austen’s Business: Her World and Her
Profession (Macmillan, 1996). Reprinted in Family, Feminism,and Romance: Essays on
Jane Austen (University of Delaware Press, 2000).
“The Social History of Pride and Prejudice,” Pride and Prejudice: Approaches to
Teaching Masterpieces of World Literature, ed. Joseph Gilbaldi (MLA Publications,
1993). Reprinted in Novels for Students and Exploring Novels, ed. Diane Telgen (Gale
Research, 1998) and Approaches to Teaching Pride and Prejudice, Nineteenth Century
Literature Criticism, Vol. 150, ed. Russel Whitaker (The Gale Group, 2004).
REVIEWS
on Roman Polanski’s film, Oliver Twist, The Sharon Advocate (January, 2006).
on Gary Schmidgall’s The Stranger Wilde: Interpreting Oscar and Melissa Knox’s Oscar
Wilde: A Long and Lovely Suicide, Nineteenth Century Literature (December, 1996).
on Park Honan’s Jane Austen: Her Life, Dierdre Le Faye’s (ed.) Jane Austen: A Family
Record, and Jo Modert’s (ed.) Jane Austen’s Manuscript Letters in Facsimile, Eighteenth
Century Fiction (April, 1991).
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on Gilbert and Gubar’s Madwoman in the Attic, Studies in Romanticism (Spring, 1981).
on Lawrence Lerner’s Love and Marriage: Literature and its Social Context and Gail
Cunningham’s The New Woman and the Victorian Novel, Nineteenth Century Fiction
(March, 1981).
on Alan Mintz’s George Eliot and the Novel of Vocation, Novel (Spring, 1979).
on Elizabeth Janeway’s Between Myth and Morning, The Nation (August, 1975).
on John Rosenberg’s The Fall of Camelot: A Study of Tennyson’s Idylls of the King, The
Nation (August, 1974).
WORK IN PROGRESS
PRESENTATI0NS
“The Cosmopolitan Idea(l) from Oscar Wilde to Satyajit Ray”, Cosmopolitan Wilde
Conference, Irish Cultural Center, Paris, France. June, 2014.
“John Schlesinger’s Bildungsfilm: Midnight Cowboy and the Problem of Youth.” MLA
convention, Boston. January, 2013.
“Coming of Age—Then and Now,” First Church of Boston, Invited lecture, March 25,
2008.
“Fanny’s Nest of Comforts: The Bourgeois Interior in Austen’s Novels” Jane Austen
Society, Brookline, MA, Nov. 4, 2007.
“Images of the Everyday in Emma”, Jane Austen Society, Newton, MA, 2005.
“Jane Austen: In Search of Time Present,” International Jane Austen Conference, Boston,
MA, 2000.
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“Oscar Wilde’s Philosophy of Art,” Huntington Theater, Boston, MA, 1998 [Presented
after a performance of Moises Kaufman’s “Gross Indecency”.]
“Was Jane Austen a Feminist?” Public Lecture, Literary Lights Series, Boston Public
Library, Boston, MA, 1996.
“Jane Austen’s Gift of Prophecy,” Jane Austen Society, Augusta, Maine, 1995.
“Public and Private in Jane Austen’s Persuasion,” Jane Austen: A Cultural Studies
Symposium, MIT, Cambridge, MA 1993.
“The Social History of Pride and Prejudice,” Jane Austen Society, Boston, MA, 1993.
“Brave New Academy,” Bunting Institute, Harvard University, Cambridge, MA, 1990.
“The Feminist Depreciation of Jane Austen,” Jane Austen Society, New York, NY, 1989
and Boston, MA, 1989.
“Jane Austen’s England,” International Jane Austen Conference, Chicago, Illinois, 1988.
“Marriage and Family in Jane Austen’s Novels,” Wheaton College, Norton, MA, 1988.
“Jane Austen’s Victorian Novel,” Northeast American Society for Eighteenth Century
Studies, Rutgers University, 1982.
PROFESSIONAL ACTIVITY
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SELECTED COURSES TAUGHT
Freshman and Sophomore: Literature and the Art of Film (large lecture); Introduction to
Fiction (taught as both a large lecture and a seminar); British Literature Surveys (lecture-
discussion); Proseminar in Literature for English majors; Freshman Composition.
Junior and Senior: Victorian Literature (full-year course); Jane Austen; Dickens; Oscar
Wilde; The Poem, the Poet, and the Critic in the Victorian Age; E.M. Forster and D.H.
Lawrence; Freud and the Victorian Novel; Victorian Controversy; Coming of Age in
Fiction and Film; The Question of the Real in Fiction and Film; Home and World;
Romantic Realism; tutorials and senior theses in nineteenth century literature.
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