500 Tan Art ASho of Ins Ill Des
500 Tan Art ASho of Ins Ill Des
500 Tan Art ASho of Ins Ill Des
All rights reserved. No part of this book may be reproduced in any form without written permis-
sion of the copyright owners. All images in this book have been reproduced with the knowledge
and prior consent of the artists concerned, and no responsibility is accepted by the producer,
publisher, or printer for any infringement of copyright or otherwise, arising from the contents of
this publication. Every effort has been made to ensure that credits accurately comply with
information supplied. We apologize for any inaccuracies that may have occurred and will resolve
inaccurate or missing information in a subsequent reprinting of the book.
10 9 8 7 6 5 4 3 2 1
ISBN: 978-1-59253-993-2
Cover images: (left to right; top to bottom), Beckah Krahula, Susan Cirigliano, Jan Huling,
Barb Round, CZT, Judy West, Suzanne McNeill, David Nelson, Valnoir, Metastazis Studio,
Brenda Shaver Shahin, CZT; spine, Judy West; back jacket, (left to right), Dorian Eng,
Vanessa Adao, Beckah Krahula, Mary Jane Holcroft
Printed in China
www.ebook777.com
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<
ONE
The Art of the Meditative Tile . . . 11
TWO
Style and the Tangle . . . 29
THREE
Zentangle-Inspired Art (ZIA) . . . 75
FOUR
Mixed-Media ZIAs . . . 101
FIVE
Fiber and Textile ZIAs . . . 141
SIX
ZIAs in Sculpture . . . 155
Acknowledgments . . . 176
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Introduction
“As an art instructor for thirty years, I am always amazed as I watch what my students
create with the tools that I give them. Tangling is one of the most empowering tools
I have ever learned or taught.” —Beckah Krahula
Zentangle™, a meditative art form, meditative tile is the wordless expres- a zentangle-inspired Artwork, or ZIA.
created by Maria Thomas and Rick sion they also feel compelled to Officially, Zentangle is the word for
Roberts, has spread within a decade share. These beautiful abstract the method used in which repetitive
to over twenty-three countries. As an drawings that do not come from a patterns are drawn to increase
instructor who teaches this art form, preconceived idea, but are a surpris- awareness and focus. Zentangle can
I have been privileged to witness this ingly organic expression unfolding also refer to the completed abstract
amazing art form spread. Many before the creator’s eyes, attract not art created on a finished meditative
practitioners have learned how to only the creator’s eyes but also those tile. The repetitive patterns, not
tangle as one person shares this of many more. meant to represent anything specific,
technique with another. I have are drawn on the tiles and are called
watched as ordinary people create “Creative people always take their tangles. Drawing tangles is called
surprisingly beautiful pieces. Begin- passions and interests into every tangling, and those that draw tangles
ners go from timidly picking up their aspect of their life.” —Jo Packham are called tanglers. No previous art
pen to create to confidently express- skills are needed to tangle. In Zentan-
ing themselves with their art. The As you will see in the Zentangled- gle you simply cannot fail or make a
quick transformation is amazing. Inspired Art (ZIA) section of this book, mistake. If the pattern is drawn
tanglers are no different than other differently than the intended tangle,
“Zentangle is not an art form for the creative people. Tanglers eventually you have created a tangleation of that
masses. It is an art form by the start to make this art their own, and tangle, not a mistake!
masses.” tangleations or versions of their own
—Maria Thomas and Rick Roberts patterns show up spontaneously in all Tangles are made from a pattern that
their creative work. can be broken down into very few
For many, this simple technique of strokes and easily repeated. They are
using repetitive strokes to increase given a name so tanglers can easily
focus is a valuable tool they want to WHAT IS ZENTANGLE? describe the pattern they are using.
share with family or friends, but soon The incredible artwork in this book At right are four official tangle pat-
the art they have created on a was created either as a zentangle or terns that have been stepped out.
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FOUR OFFICIAL TANGLE PATTERNS STEPPED OUT
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All that is needed to tangle is a
drawing pen, pencil, and a 3½ ⫻
3½-inch (9 x 9 cm) piece of paper,
which is used to tangle on and is
called a tile. To start tangling, first
gather the pen, pencil, sketchbook,
or extra sheet of paper, and tile.
3. Spontaneously use the pencil to 5. Continue step four until all the To learn much more about tangling,
divide the area inside the border into sections of the tile are filled in. Recap please refer to my first book, One
four or five areas. Tanglers call this the pen and use the pencil to shade Zentangle A Day, A 6-Week Course
creating the string. the tangles. in Creative Drawing For Relaxation,
Inspiration, and Fun, ISBN: 978-1-
4. Pick up the tile, holding it at arm’s 6. Using the pen, initial the front of 59253-811-9, © Quarry Books, 2012.
length, and examine it in all four your tile and sign and date your tile
directions. Decide which section you on the back.
want to tangle first. Using the pen,
fill that area with the tangle while
focusing on where you are drawing
with the pen.
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ONE
A
Zentangled tile is created spontaneously and
always on a 3½-inch (9 cm) square piece of
drawing paper in an achromatic (black, white,
and grey) color scheme. These abstract pieces of art
unfold before the creator’s eyes one stroke at a time.
Although many use the same tangles, the art on each
tile is as unique as each artist that creates one.
11
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<001> Stefanie von Hoesslin <002> Stefanie von Hoesslin <
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<005> Stefanie von Hoesslin <006> Kimberley Dragone Barcello
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<009> Darlene Cranna <010> Darlene Cranna <
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<022> Drew Emborsky <023> Trisha Rice, CZT <
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<030> Marty Deckel <031> Dawn Meisch <
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<038> Mary Jane Holcroft <039> Mary Jane Holcroft <
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<046> Cari Camarra, CZT <047> Cari Camarra, CZT
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<051> Mary Bartrop <052> Mary Bartrop <
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<055> Mary Bartrop <056> Kimberley Dragone Barcello
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TWO
Style and
the Tangle
T
he pieces in this chapter are mostly in the
achromatic color scheme but are done on
larger and diverse forms of drawing papers.
These larger pieces give the artist the opportunity to
let their personal style come out in their art as they put
their individual expressive touch to familiar tangles.
29
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<059> Beckah Krahula <060> Beckah Krahula <061> Beckah Krahula <
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<063> Beckah Krahula <064> Beckah Krahula <065> Beckah Krahula
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<068> Susan Singer <069> Nancy Smith
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<076> Sharla R. Hicks, CZT <077> Sharla R. Hicks, CZT <078> Alphonso Dunn
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<082> Opal Carew <083> Opal Carew
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<086> Pamela Lisak <087> Brenda Boyd
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<090> Julie Evans, CZT
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<092> Nancy Smith <093> Nancy Smith
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<097> Arlene Clancy <
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<099> Susan Cirigliano <100> Susan Cirigliano
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<115> Bette Abdu <116> Bette Abdu <
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<123> Susan Cirigliano <124> Josh Oakley <
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<125> Cari Camarra, CZT <126> Mary T. Kissel, CZT
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<127> David Nelson <128> Drew Emborsky
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<131> David Nelson
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<133> Beckah Krahula
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<136> Tatiana Panfilova
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<140> Lyn Phillips <141> Lyn Phillips
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<144> Wayne Harlow, CZT <145> Cris Letourneau, CZT
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<148> Holly J. Williams
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<149> Sandra Chatelain, CZT <150> Marty Deckel <
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<153> Cari Camarra, CZT
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<159> Judy Lehman <160> Michele Beauchamp
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<168> Jody Halferty <169> Carolyn Boettner <170> Tatiana Panfilova
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<172> Tara Medrano <173> Tara Medrano
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<177> Tara Medrano <178> Faith Cohen
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<180> Valorie Cox <181> Faith Cohen
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<185> Faith Cohen
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<187> Heather Jackson <188> Heather Jackson
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<191> Davilla Harding <192> Mary T. Kissel, CZT
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<193> Mary T. Kissel <194> Mary Bartrop
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<197> Cari Camarra, CZT <198> Davilla Harding
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THREE
Zentangle-Inspired
Art (ZIA)
P
assionate tanglers, from beginners to seasoned
artists, soon begin to take their tangles off the
tile and into their own world. By tangling a
beautiful work of art to adorn themselves, their homes,
or their neighborhoods, these artists started the art
movement called Zentangled-inspired Art, or ZIAs.
Welcome to the diverse and wide-open, beautiful world
of ZIAs!
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<202> Marty Deckel
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<205> Dennie York <206> Dennie York <207> Julie Evans, CZT <
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<208> Sue Clark, CZT <209> Sacil Armstrong
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<216> Marta Drennon, CZT <217> Laurel Sponseller
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<219> Lynn Soban <220> Tatiana Panfilova
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<223> Marty Deckel
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<224> Beckah Krahula <225> Jane Reiter <
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<238> Vanessa Adao <239> Vanessa Adao
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<242> Vanessa Adao
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<243> Kimberley Dragone Barcello <244> Kimberley Dragone Barcello
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<247> Susan Singer
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<259> Stefan G. Bucher <260> Tatiana Panfilova <261> Valorie Cox
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<264> Marty Deckel <265> Sampada Kodagali Agarwal
<
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<270> Carol Caputo
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<272> Laurel Sponseller
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<275> Cari Camarra, CZT <276> Brenda Shaver Shahin, CZT <
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<277> Marty Deckel
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FOUR
Mixed-Media
ZIAs
M
ixed-media ZIAs are Zentangled-inspired
art pieces that are created using several art
mediums that are typically used alone. For
example, a piece could have been created from paint,
ink, and graphite on paper or a collage on canvas with
ink and paint. The artist uses these combined mediums
to create a unique design that draws the viewer in.
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<281> Mary Jane Holcroft <282> Marta Harvey <
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<285> Cris Letourneau, CZT <286> Cris Letourneau, CZT
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<289> Stacy Klawunn
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<296> Susan Cirigliano
<299> Robin D. Beam <300> Kenneth Trevino <301> Carolyn Boettner <
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<302> Marta Harvey
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<
<305> Valnoir, Metastazis Studio <306> Jane Reiter <307> Valnoir, Metastazis Studio
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<308> Keren Kroul <309> Keren Kroul
Artworks
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<312> Marta Drennon, CZT <313> Marta Drennon, CZT
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<
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<320> Alice Hendon <321> Wayne Harlow, CZT
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<324> Judy Lehman <325> Marty Deckel
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<328> Sandra Chatelain, CZT
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<
<330> Sandra Chatelain, CZT <331> Cari Camarra, CZT <332> Mara Gross <
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<333> Darlene Cranna <334> Darlene Cranna <335> Darlene Cranna
Artworks
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<
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<338> Darlene Cranna <339> Alice Hendon <340> Darlene Cranna
Artworks
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<342> BeSo
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<346> Ellen Paulson
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<350> Robin D. Beam <351> Alice Hendon <
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<353> Sadelle Wiltshire, CZT
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<
<355> Judy Lehman <356> Judy Lehman
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<363> Alice Hendon
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<367> Mary T. Kissel, CZT
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<368> Alice Hendon
<
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<371> Emily Wong <372> Davilla Harding
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<
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<377> Sandra Chatelain, CZT <378> Alice Hendon
<379> Gailene McGhee St. Amand <380> Gailene McGhee St. Amand
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<381> Susan Singer
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<385> Cris Letourneau, CZT
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<386> Davilla Harding
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<387> Susan Singer, CZT
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<391> Ellen Paulson
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<395> Ellen Paulson
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<399> Marta Harvey <400> Marta Drennon, CZT
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<403> Ellen Paulson
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<
<
<
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FIVE
Fiber and
Textile ZIAs
F
iber and textile artists have been creating for our
bodies and our homes throughout history.
Whether the artist is creating unique graphics on
an existing garment or creating the graphics on fabric
to be sewn into an heirloom quilt, a one- of-a-kind
piece of art has been created.
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<
<405> Dorian Eng <406> Dorian Eng <407> Dorian Eng <
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<408> Dorian Eng <409> Bette Abdu
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<411> Bette Abdu
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<
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<422> Pam Damour
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<424> Pam Damour
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<428> Pam Damour
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<
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<435> Barb Round, CZT
Artworks
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<442> Patricia Carney <443> Patricia Carney <444> Patricia Carney
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SIX
ZIAs in
Sculpture
T
angles take on a 3-D form in this chapter as
they are brought to new dimensions. Sculptures
wearing tangles created from thousands of
seed beads or clay canes ignite the senses. The art
created on furniture and common household items
suddenly transforms these items into whimsical,
bold masterpieces.
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<
<449> Marie Segal <450> Marie Segal <451> Jean T. I. Colbear <
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<452> Marie Segal <453> Marie Segal <454> Marie Segal
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<457> Jean T. I. Colbear <458> Jean T. I. Colbear
<
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<462> Judith Rae Shamp
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<465> Judith Rae Shamp <466> Judith Rae Shamp
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<
<470> Sean W. Morris <471> Stefan G. Bucher <472> Kathryn Jacoby <
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<473> Tina Goodrich <474> Kathryn Jacoby
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<
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<478> Sampada Kodagali Agarwal <479> Suzanne McNeill
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<483> E. J. Brown, CZT
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<486> Judith Rae Shamp
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<491> Tina Goodrich
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<497> Judith Rae Shamp <498> Judith Rae Shamp
Artworks
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A
w
0
3
A
w
0
A
0
B
h
4
B
h
0
B
w
3
B
w
0
4
B
0
B
w
1
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Artist Directory
Alice Hendon
www.thecreatorsleaf.blogspot.com Candice D. Cox Blann Darlene Cranna
079, 287, 320, 339, 351, 363, 366, 425, 427 www.darlenecranna.com
368, 369, 378 009–013, 333–335, 338, 340
Caren Mlot, CZT
Alphonso Dunn www.metastazis.com David Nelson
www.alphonsodunn.com 297 104–107, 127, 130, 131
078
Cari Camarra, CZT Davilla Harding
Arlene Clancy 045–047, 125, 152, 153, 163, 197, http://artworksbydavilla.com
075, 097, 098, 109, 110, 117, 166 275, 278, 331, 345, 354 191, 198, 372, 386
173
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Emily Wong Judith Rae Shamp Lyn Phillips M
www.emmywong.com 462–469, 485, 486, 497, 498 111, 140–143 h
228, 229, 371 1
Judy Lehman Lynn Soban
Faith Cohen 049, 157–159, 319, 324, 355–357 219 M
www.tangleburst.com h
177, 181, 184, 185 Judy West Magdalena S. Muldoon 11
www.creativedoodlingwithjudy. www.mercartusa.com
Gailene McGhee St. Amand blogspot.com.au 256, 263, 266, 488, 489 N
http://MimiBoutique.esty.com 072, 269 h
379, 380 Mara Gross 0
Julie Evans, CZT http://maragrossceramics.com
Genevieve Crabe http://kalacreative.com 162, 332 O
www.amarylliscreations.com 090, 207, 231 w
203, 204 Marie Segal z
Karla Strauss http://Mariesegal.etsy.com 0
Heather Jackson 441 448–450, 452–454
187, 188, 214 P
Kathryn Jacoby Marlene Slobin w
Holly J. Williams www.crafterdays.blogspot.com 230, 445 4
http://TangleYourBliss.blogspot.com 472, 474
148 Marta Drennon, CZT P
Kenneth Trevino https://www.etsy.com/shop/ 0
Jan Huling http://kengraf.wordpress.com HomeRoadStudio?ref=search_shop_
www.janhuling.com 300 redirect P
477, 480, 482 008, 216, 312, 313, 315, 316, 400 3
Keren Kroul
Jane Reiter www.kerenkroul.com Marta Harvey P
tanglewrangler.wordpress.com 308, 309 http://martaharveyart.blogspot.com h
225, 306 183, 282, 284, 302, 374, 399 4
Kimberley Dragone Barcello
Jean T. I. Colbear 006, 056, 243–246, 268, 279, 347 Marty Deckel P
451, 457–460, 492, 493 021, 026, 030, 081, 150, 155, 202, h
Laura Liu, CZT 210, 223, 264, 277, 325, 326, 456 4
Jill K. Kuhn 211
134, 186, 196 Mary Bartrop P
Laurel Sponseller http://TropiTangle.com h
Jody Halferty 201, 215, 217, 234, 253, 267, 051, 052, 055, 151, 194, 200 0
http://jodyhalferty.com 271–273, 359, 362
070, 132, 168, 376, 490 Mary Jane Holcroft R
Lisa Bias www.behance.net/janeholcroft 2
Josh Oakley 235, 236 037–040, 281, 298, 311
http://weatherctrl.com S
124, 310 Louise Stromstedt w
439 0
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About the Author
Beckah Krahula is the author of the best-selling book, One Zentangle a Day
and the kit, Tangle Art: A Meditative Drawing Kit, (Quarry Books). She is an
artist, designer, developer, a maker, and a CZT. Information on her innovative
art, products, ideas, tips, class schedules, and online classes can be found at
www.Beckahkrahula.com. She has taught nationally and internationally since
1996. Follow her passion for art, her tangled journey, interviews with some of the
artists from this book, and many tips and techniques on her blog.
Acknowledgments
Thank you to all the artists who contributed their artwork to this beautiful
compilation of tangled art. Their talent and work inspires us all.
To Linda and Opie O'Brien, thank you for for introducing me to Quarto
Publishing Group and encouraging me through the writing process.
Thanks to my editor, Mary Ann Hall, and project manager, Betsy Gammons,
who guide me through with insight, grace, direction, and wisdom, and are
always a delight to work with.
To the staff at Quarry Books, especially Cora for her eagle-eye attention to
detail and to all who bring their dedication, insight, and talent to this project.
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