0% found this document useful (0 votes)
34 views3 pages

Tromboni I - II

This musical score is titled "Il Coro Canta il Cinema" (The Choir Sings Cinema). It contains musical notation for trombones over multiple pages with directions for tempo, dynamics, and expression. The piece appears to be an orchestral work that was inspired by or pays homage to cinema.

Uploaded by

Angelo Palmisano
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
34 views3 pages

Tromboni I - II

This musical score is titled "Il Coro Canta il Cinema" (The Choir Sings Cinema). It contains musical notation for trombones over multiple pages with directions for tempo, dynamics, and expression. The piece appears to be an orchestral work that was inspired by or pays homage to cinema.

Uploaded by

Angelo Palmisano
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 3

IL CORO CANTA IL CINEMA

TROMBONI I - II Angelo PALMISANO

 
  
       
Adagio A tempo

    
 
 
     
rit.

          
22

  cresc. 
 
            
A tempo

 
               
49

    
 
3 3 3 cresc.
3 3


             
3

                    
75


3 cresc.
 

      


 


 
       
 
85

 
     
    
 
Vivace
       
Molto rall.

      
96

        


         
 
       
            
   
    
127

     
   
          
         
                        
194


         
      
   
     
2

               
   
                   
202

          
 
                
        
                                     
233

             
   
         
                
Allegro moderato

                
242


            
                                 
 
266

     
    
      

    
           
        
271

   
    
       

     
             
 
                                         
       
291

             
         
    
        
Molto maestoso

                
296

  
   
Allegro moderato       
   
                   
   
315

                       

 
      
                                  
 
354

    
          
        
3

               
  
             
359

                     
 cresc. 
               
378          
                    
                                
         
  
Più vivace

              
            
    
                   

383

 
       
     
            
        
 
 
 
 
 
 
  
     
       
                     
388

        
      
             
           
                       
 
        
                       
392

      
               
 
                       
             
            
396

        
      

            
                
   
                              

400

       
 
             
                      3 
                            
406

         
3

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy