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Canti Tradizionali Della Terra Calabrese: Poco Adagio Allegro Festoso Flauti

The document appears to be a musical score containing traditional folk songs from the region of Calabria in Italy. It includes musical notation with symbols and Italian terms. The score contains multiple sections and songs within it, changing time signatures and tempos. It concludes with a closing musical passage represented through notation.

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Angelo Palmisano
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0% found this document useful (0 votes)
36 views5 pages

Canti Tradizionali Della Terra Calabrese: Poco Adagio Allegro Festoso Flauti

The document appears to be a musical score containing traditional folk songs from the region of Calabria in Italy. It includes musical notation with symbols and Italian terms. The score contains multiple sections and songs within it, changing time signatures and tempos. It concludes with a closing musical passage represented through notation.

Uploaded by

Angelo Palmisano
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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MEDLEY NATALIZO

Canti tradizionali della terra calabrese Angelo Palmisano


       
FLAUTI

       
Allegro festoso
 
Poco Adagio

   
 dolciss.  cresc.

                 
 
  
          
25


                    rall. 
Giulivo. Meno mosso
      
 
38


   
I

 


53

 cresc.

  


I

        
  
63 poco rall.

   cresc.

         
        
poco rall.

   
76

 

                                          
88



                          
     
    
93
   
          
2

 
  
      
     
    
Lentamente
       

100


 
   
             
legato

    
              
 
         
123


  
    
 
   
                 
       
        

130

 
         
      
                     

137

 
Rall.

Allegro mosso
  
       
   
        
148


 

           
Andante placido

 
I

           
167

 dolce
                     
181

            

                             
                             
                  
 
205

                            
                 
          
                    
       
     
210

                
3

                                        
                 
215



                                            
     
223

             

Andante

            
228


                
         
 
236

 dolciss.
                        
  
249

     
 espress. 

                  
Allegretto pastorale a2

    
259


                              
I

      
269


                            
       
274

       
              
          

278



    
                     
   
282

4

                  
     
289


                              
I

      
298


                            
       
303

                  
   
     
307


    
                     
   
311

                 
Andante maestoso

  

I

         
318

  dolce

              
     
325

 

  
                   
336

   

        
                   
343

 

   
           
350

   
5

  
                                     

   
    
358

 cresc. 

                                
   
366

                            
        
   
370


                 
    
  

  
375

                          
       

  
384

 


   
      
        
  
389

                  
   
Vivace
  
  
398


                   
        
403

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