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Il Coro Canta Il Cinema: Flauti

The document is a musical score that contains musical notation. It includes various musical symbols such as notes, rests, dynamics, and tempo markings. The score seems to be telling a story or depicting a scene through the music. It contains sections with different moods from adagio to vivace. The score builds in intensity and complexity throughout with increasing notes, dynamics, and tempo.

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Angelo Palmisano
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22 views6 pages

Il Coro Canta Il Cinema: Flauti

The document is a musical score that contains musical notation. It includes various musical symbols such as notes, rests, dynamics, and tempo markings. The score seems to be telling a story or depicting a scene through the music. It contains sections with different moods from adagio to vivace. The score builds in intensity and complexity throughout with increasing notes, dynamics, and tempo.

Uploaded by

Angelo Palmisano
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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IL CORO CANTA IL CINEMA

FLAUTI Angelo PALMISANO

Adagio
        
   
I



           
      
A tempo
I

     
18

  
3 3 3 3 3 
    
             
rit.

 
A tempo

    

44 I


cresc.   cresc.

    
3

         a2                  
3 3

  
68


 3 3 3 3 3 3 3
cresc.
3
 3

    a 2
                                              
   
3 3

   
3 3

   
74


3 3 3 3 3 3 3 6

  
cresc.
      
    
  
      
80


          

         
I

     
88

 

        
        
Vivace
 
Molto rall.

  
              
101

      

2
         
3 3 3 3 3 3 3 3 3 3

119
          

      
3 3 3 3 3 3 3 3 3 3

       
cresc. a poco a poco

 
                          
124
                         
     
     

          
             
                        
132

         
 leggiero
              
    
                    
                 
151

                 
           
 
                      
                   
 
160

           
  
             
                                    
    
    
173

          
             
  
            
          

                   
         
178

    
 
  
 
   
       
a2

    


    
184



           
193
 
      
       

             3
                                    
    
     
210

         
   
         
  
                     
            

    
       
215

       
              
   
                   



           
               
221

          
 
                             
a2

 
 
229

                    
3 3 3 3 3 3 Allegro moderato

  
I

 
237



  
3 3 3 3 3 3
dolce

             
     
243


 
       
       
                     
            
   
   
265

   

        
       
a2

             
             


269

       
  
   
               
                    
280


 
       
             
4

      
         
                
285

 

   
      
Molto maestoso
    
          
290


  sentito

           
Allegro moderato

305

   
     
           
       

a2

  
      
319


  espress.


                I          
            
333

     
   
          
    
 
339 I


        
 
                 
          
a2

              
346


             
    
         
  
351


                                
      
354
               
        
5
        a2                
 
357

                


I
                 

361



        
dolce

   
 
      
    
a2

      
367

 
                     
cresc.

       
        
377

       
                              
     
  
380

       
       Più vivace   
      
                   
 
a2

    
383

       
 

        
             
       
            
387


      
     
             
   
      
           
391

   
     
        
             
    
             
395


      
6   
            
        
        
399


  
              
          
a2

 
403

                                  
 
405

            
                
408


3

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