Argument Letter Paper Article Pamphlet Short Story

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An 

essay is, generally, a piece of writing that gives the author's own argument — but the
definition is vague, overlapping with those of a letter, a paper, an article, a pamphlet, and
a short story. Essays have traditionally been sub-classified as formal and informal. Formal
essays are characterized by "serious purpose, dignity, logical organization, length," whereas the
informal essay is characterized by "the personal element (self-revelation, individual tastes and
experiences, confidential manner), humor, graceful style, rambling structure, unconventionality
or novelty of theme," etc.[1]
Essays are commonly used as literary criticism, political manifestos, learned arguments,
observations of daily life, recollections, and reflections of the author. Almost all modern essays
are written in prose, but works in verse have been dubbed essays (e.g., Alexander Pope's An
Essay on Criticism and An Essay on Man). While brevity usually defines an essay, voluminous
works like John Locke's An Essay Concerning Human Understanding and Thomas
Malthus's An Essay on the Principle of Population are counterexamples.
In some countries (e.g., the United States and Canada), essays have become a major part of
formal education. Secondary students are taught structured essay formats to improve their
writing skills; admission essays are often used by universities in selecting applicants, and in the
humanities and social sciences essays are often used as a way of assessing the performance
of students during final exams.
The concept of an "essay" has been extended to other media beyond writing. A film essay is a
movie that often incorporates documentary filmmaking styles and focuses more on the evolution
of a theme or idea. A photographic essay covers a topic with a linked series of photographs that
may have accompanying text or captions.
Definitions

John Locke's 1690 An Essay Concerning Human Understanding.

The word essay derives from the French infinitive essayer, "to try" or "to attempt". In
English essay first meant "a trial" or "an attempt", and this is still an alternative meaning. The
Frenchman Michel de Montaigne (1533–1592) was the first author to describe his work as essays;
he used the term to characterize these as "attempts" to put his thoughts into writing.
Subsequently, essay has been defined in a variety of ways. One definition is a "prose composition
with a focused subject of discussion" or a "long, systematic discourse".[2] It is difficult to define the
genre into which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject.[3] He
notes that "the essay is a literary device for saying almost everything about almost anything", and
adds that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues
that "essays belong to a literary species whose extreme variability can be studied most effectively
within a three-poled frame of reference". These three poles (or worlds in which the essay may exist)
are:

 The personal and the autobiographical: The essayists that feel most comfortable in this pole
"write fragments of reflective autobiography and look at the world through the keyhole of
anecdote and description".
 The objective, the factual, and the concrete particular: The essayists that write from this pole
"do not speak directly of themselves, but turn their attention outward to some literary or scientific
or political theme. Their art consists of setting forth, passing judgment upon, and drawing
general conclusions from the relevant data".
 The abstract-universal: In this pole "we find those essayists who do their work in the world of
high abstractions", who are never personal and who seldom mention the particular facts of
experience.
Huxley adds that the most satisfying essays "...make the best not of one, not of two, but of all the
three worlds in which it is possible for the essay to exist."

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