Essay Notes
Essay Notes
Essay Notes
Montaigne
While Montaigne's philosophy was admired and copied in France, none of his most
immediate disciples tried to write essays. But Montaigne, who liked to fancy that
his family (the Eyquem line) was of English extraction, had spoken of the English
people as his "cousins", and he was early read in England, notably by Francis
Bacon.[6]
Bacon's essays, published in book form in 1597 (only five years after the death of
Montaigne, containing the first ten of his essays),[6] 1612, and 1625, were the
first works in English that described themselves as essays. Ben Jonson first used
the word essayist in 1609, according to the Oxford English Dictionary. Other
English essayists included Sir William Cornwallis, who published essays in 1600 and
1617 that were popular at the time,[6] Robert Burton (1577–1641) and Sir Thomas
Browne (1605–1682). In Italy, Baldassare Castiglione wrote about courtly manners in
his essay Il Cortigiano. In the 17th century, the Spanish Jesuit Baltasar Gracián
wrote about the theme of wisdom.[7]
In the 18th and 19th centuries, Edmund Burke and Samuel Taylor Coleridge wrote
essays for the general public. The early 19th century, in particular, saw a
proliferation of great essayists in English—William Hazlitt, Charles Lamb, Leigh
Hunt and Thomas de Quincey all penned numerous essays on diverse subjects, reviving
the earlier graceful style. Later in the century, Robert Louis Stevenson also
raised the form's literary level.[8] In the 20th century, a number of essayists,
such as T.S. Eliot, tried to explain the new movements in art and culture by using
essays. Virginia Woolf, Edmund Wilson, and Charles du Bos wrote literary criticism
essays.[7]
In France, several writers produced longer works with the title of essai that were
not true examples of the form. However, by the mid-19th century, the Causeries du
lundi, newspaper columns by the critic Sainte-Beuve, are literary essays in the
original sense. Other French writers followed suit, including Théophile Gautier,
Anatole France, Jules Lemaître and Émile Faguet.[8]
Japan
Main article: Zuihitsu
As with the novel, essays existed in Japan several centuries before they developed
in Europe with a genre of essays known as zuihitsu — loosely connected essays and
fragmented ideas. Zuihitsu have existed since almost the beginnings of Japanese
literature. Many of the most noted early works of Japanese literature are in this
genre. Notable examples include The Pillow Book (c. 1000), by court lady Sei
Shōnagon, and Tsurezuregusa (1330), by particularly renowned Japanese Buddhist monk
Yoshida Kenkō. Kenkō described his short writings similarly to Montaigne, referring
to them as "nonsensical thoughts" written in "idle hours". Another noteworthy
difference from Europe is that women have traditionally written in Japan, though
the more formal, Chinese-influenced writings of male writers were more prized at
the time.
Forms and styles
This section describes the different forms and styles of essay writing. These are
used by an array of authors, including university students and professional
essayists.
Cause and effect
The defining features of a "cause and effect" essay are causal chains that connect
from a cause to an effect, careful language, and chronological or emphatic order. A
writer using this rhetorical method must consider the subject, determine the
purpose, consider the audience, think critically about different causes or
consequences, consider a thesis statement, arrange the parts, consider the
language, and decide on a conclusion.[9]
Classification and division
Compare and contrast essays are characterized by a basis for comparison, points of
comparison, and analogies. It is grouped by the object (chunking) or by point
(sequential). The comparison highlights the similarities between two or more
similar objects while contrasting highlights the differences between two or more
objects. When writing a compare/contrast essay, writers need to determine their
purpose, consider their audience, consider the basis and points of comparison,
consider their thesis statement, arrange and develop the comparison, and reach a
conclusion. Compare and contrast is arranged emphatically.[11]
Expository
In the dialectic form of the essay, which is commonly used in philosophy, the
writer makes a thesis and argument, then objects to their own argument (with a
counterargument), but then counters the counterargument with a final and novel
argument. This form benefits from presenting a broader perspective while countering
a possible flaw that some may present. This type is sometimes called an ethics
paper.[15]
Exemplification