PRELIMINARY SURVEY REPORT

DESIGN AND TECHNICAL DEVELOPMENT PROJECT

“TANJORE TOYS CRAFT”

TANJORE ,TAMIL NAIDU

PROJECT ORGANIZED BY::

Export Promotion Council for Handicrafts

302,3rd floor, cears plaza, N0. 136, Residency Road, Bangalore-560025
India

PROJECT SPONSORED BY:

Office of the Development Commissioner of Ministry of Textiles

Govt. of India (Handicrafts)

West Block No. 7, R.K.

Puram Sector -1,
New Delhi - 110 066

E-mail: dchejs@nic.in Web: www.handicrafts.nic.in

www.handicrafts.gov.in

PROJECT REPORT BY:

Ekta Jaiswal – Empanelled Designer DC(H)

Empanelment No: ED /2018-19/CR/5260
 INDEX
 Abstract
 About EPCH
 About DCH
 About Thanjavur
 Map Of Thanjavur
 Climate
 How To Get There
 Main Tourist Attraction
 Art & Craft
 Thanjavur Toys
 SWOT Analysis
 Findings
 Design Inventions
 Conclusions
 Glimpses
Abstract

As we all know India is a country of great cultural heritage and India’s

cultural diversity provides plenty of remarkable art and craft product
which are the essence of the Indian culture and tradition which constitutes
a significant segment.

The rich art and culture of Thanjavur reflects the traditional legacy and
ancestral heritage of the ancient times that percolated to the modern era.
Unaltered and unaffected by modern day civilization, the art and craft of
Thanjavur has an internationally acclaimed status. But for the changing
world new ideas and modern techniques should be introduced to this
traditional craft so as to refresh this craft by developing new
commercially viable products to create livelihood.
 Project : Tanjore Toy Craft
Venue: Thanjavur, Tamil Naidu
Date: 16th November 2020 -1st December 2020
Order No: -EPCH-D & TWD/SR/2020-21
 About Export Promotion Council for Handicrafts (EPCH)
Export Promotion Council for Handicrafts (EPCH) was set up to look into all the
matters and services related to the export of handicrafts in India. This council
was formed under the Companies Act in the year 1986-87. EPCH is a non-profit
organization which looks into maintaining and promoting the art of handicrafts.
It is the primary body for the handicrafts exporters. The council provides help
to the handicrafts exporters in terms of infrastructure and marketing strategies
which will assist them in increasing their export business.

Handicrafts hold a special place in the Indian home decor market. They belong
to the Indian culture since centuries now and have become an integral part of
our rich heritage. Despite being highly important, new or trending goods have
taken over the traditional handicrafts business, leading to the depletion of
handicrafts industry. To protect our heritage of handicrafts, Export Promotion
Council for Handicrafts (EPCH) has been established that works closely with
local artisans to help improve their business.

Export Promotion Council for Handicrafts (EPCH) is a non-profit organization

that promotes, maintains, protects and increases the export of handicrafts in
India. The council provides commercially helpful information to members in
developing and increasing exports.

Learning and development is an essential part of the growth of any skills. The
EPCH organizes several skill development programs, workshops, seminars,
short term courses, and more. It is for the handicraft exporters to learn and
improve their handicraft skills. These programs will help them work more
efficiently and produce better quality goods, which will result in increased
sales.

EPCH organizes several events and fairs for all the exporters to get together
and work towards a common goal. Fairs can be exhibition business expos
where the handicraft businesses gain exposure and can come and sell their
products. These events can also be meetings and conferences where panel
discussions and other programs are held for the exporters to learn from the
best in the industry. These events and fairs are essential for the exporters to
remain up-to-date with the new happenings in the market and allow

them to network with other exporters in the same industry.

Along with organizing several workshops and seminars to improve the skills of
the handicraft exporters, the EPCH also promotes research in the field of
handicrafts production and business. The study is concerned with various
factors affecting handicrafts production, such as the safety and health issues
faced by an exporter. These researches also give the council the current
scenario of the market for handicrafts sales on the global platform, which is
necessary to promote the export of handicrafts among several countries.

The researchers conducted under the EPCH are then published under the
publications run by the council. These publications are available to the disposal
of the members who can be updated with the several new findings of the
research. Research helps the members to be updated of the variety of changes
occurring in the business and also suggests them to adjust with the same.
ABOUT O/o DEVELOPMENT COMMISSIONER (HANDICRAFT)

The Handicrafts Sector is able to provide substantial direct

employment to the artisans and others engaged in the trade and
employment to many input industries in recognition of the above
facts, the Government of India set-up an autonomous All India
Handicrafts Board in 1952.

The office of Development Commissioner (Handicrafts) is the

nodal agency in the Government of India for craft and artisan-
based activities. It assists in the development, marketing and
export of handicrafts, and the promotion of craft forms and skills.
The assistance is in the form of technical and financial support,
including in the form of schematic interventions implemented
through its field offices.
As the nodal agency, the Development Commissioner
spearheads the country's efforts to promote the handicrafts
sector. The office supports the artisans and the sector through
different developmental schemes through its six regional offices
at Mumbai, Kolkata, Lucknow, Chennai, Guwahati and New
Delhi and its 62 field units.

The Handicrafts Sector plays a significant & important role in the

country’s economy. It provides employment to avast segment of
crafts person in rural & semi urban areas and generates
substantial foreign exchange for the country, while preserving
its cultural heritage. Handicrafts have great potential, as they
hold the key for sustaining not only the existing set of millions of
artisans spread over length and breadth of the country, but also
for the increasingly large number of new entrants in the crafts
activity. Presently, handicrafts contribute substantially to
employment generation and exports.

The promotion of handicrafts industries is the primary

responsibilities of State Governments. However, the Office of
the Development Commissioner (Handicrafts) has been
implementing various departmental schemes at the central level
to supplement state’s activities in the handicrafts sector besides
the new thrust areas.

The office is headed by Development Commissioner

(Handicrafts). It advices the Government of India on matters
relating to the Development and Exports of Handicrafts and
assists the State Government in Planning and Executing
Development Schemes for handicrafts.
 Thanjavur

Thanjavur, also known by its anglicized name Tanjore, is a municipality

and the headquarters of the Thanjavur district in the Indian state of Tamil
Nadu. It has a population of a 221,185 (2001 census).It is one of "must see"
tourist spots in Tamil Naidu.

It is the Eleventh largest Town n TamilNadu, after Chennai, Madurai,

Coimbatore, Trichy, Salem, Erode, Tirunelveli, Tirupur, Vellore and
Tuticorin.

The name Thanjavur is derived from "Tanjan", a legendary asura in Hindu

mythology. Thanjavur is one of the oldest cities in India and has a long
and varied history dating back to Sangam period. The city rose into
prominence during the rule of the Later Cholas when it served as the
capital of the Chola Empire. After the fall of the Cholas, the city was ruled
by the Pandyas, Vijayanagar Empire, the Madurai Nayaks, the Thanjavur
Nayaks, the Thanjavur Marathas and the British. It has been a part of
independent India since 1947.
Thanjavur is an important center of South Indian art and architecture. Most
of the Great Living Chola Temples, an UNESCO World Heritage
Monument are located in an around Thanjavur. The foremost among the
Great Living Chola temples, the Brihadeeswara Temple, is located in the
center of the town. Thanjavur is also the home of the Tanjore painting, a
painting style unique to the region. The town is an important agricultural
center located at the heart of the region, known as the "rice bowl of Tamil
Nadu". South Zone Culture Centre in Thanjavur is one of many regional
cultural centres established by Indian Government to preserve and
promote traditional cultural heritage of India.
Being an eclectic conurbation of ancient South India that ruled as the seat
of the powerful Chola Empire, Thanjavur basks clearly in the glory of its
venerated history and rich cultural heritage. This affluent culture and
history rightly justify it being called ‘the cultural capital of the Indian
peninsula’. Thanjavur is considered to be an exceptional haven for the
people who love art and culture. As the case is, Thanjavur is the
quintessential location where some of the most exotic and unique cultural
assets of India can be observed. The Thanjavur area has a rich historical
heritage and is a prism of ancient as well as the modern south Indian
civilizations. The city was once the stronghold of the historic Cholas and at
one time was also the capital of the Cholas, Mutharayars and Marathas
when they were at the peak of their power. Since then, Thanjavur has
been one of the chief political, cultural and religious centres of South
India.

Thanjavur contains over 90 temples, as it was favored by the Chola rulers

between the 1st - 12th centuries, the Nayakas in the 16th century, and the
Marathas in the 17th and 18th centuries.
How to reach Thanjavur

Thanjavur is located in the fertile Cauvery delta in Tamil Nadu. It is well-

connected by air, road and rail to all major cities like Chennai and
Bangalore. Here is how to reach Thanjavur.

By Air

The nearest airport is at Trichy, about 55 km from Thanjavur. The airport is

well connected by flights to Indian as well international cities. From the
airport, taxi services are available for Thanjavur.

By Train

The nearest major railhead is also at Trichy. Trichy Junction is an

important railway station on the Thiruvananthapuram–Chennai route.
Trains from Bhubaneswar, Chennai, Coimbatore, Rameswaram, Varanasi,
Mysore, Tirupati, etc. halt at the station. From the station, one can hire a
taxi for Thanjavur.

By Road

Thanjavur is well connected by road to other cities of Tamil Nadu. Buses

ply regularly from Thiruvananthapuram, Kanyakumari, Madurai, Chennai
and other cities of Tamil Nadu. Private buses ply regularly from Benguluru
too.
Thanjavur Climate (India)

Tiruchchirapalli is 29 miles from Thanjavur, so the actual climate in

Thanjavur can vary a bit. The Thanjavur lies on 57m above sea level this
city has a tropical climate. When compared with winter, the summers
have much more rainfall. According to Köppen and Geiger, this climate is
classified as Aw. The average temperature in Thanjavur is 28.7 °C | 83.6
°F.
Culture and Craft of Thanjavur

As India is a land of numerous cultures itself with a myriad of festivals and

celebrations, earning a special mention as the cultural capital is a true
achievement. Apart from celebrating numerous festivals that come and go
every year, such as Deepavali, Maha Shivratri, Eid-Ul-Fitr, Dusserah and
the like, Thanjavur has its own cultural and art festivals to celebrate its
unmatched kinship with arts and music. The unique Tanjore art comprises
of the classical Carnatic music, the exquisite paintings, cultural events,
religious festivals and exotic cuisines

A religious, cultural and heritage hub, Thanjavur in Tamilnadu has four

authentic traditional crafts recognized as Geographical Indication.

Thanjavur Paintings

Patronized by Nayak dynasty rulers, Tanjore

or Thanjavur painting usually has Hindu Gods
and Goddesses as subjects painted on wood
plank. The vividly coloured gold leaf, gesso
and glass bead inlay art work in its current
form originated in 1676 when Marathas were in
power. The art though takes inspiration from
painting style during Nayaka rulers and is
influenced from the styles of Deccan, Folk,
Telugu and even European.

'Religious paintings with a royal heritage' is the best definition for

Thanjavur paintings, now better known as Tanjore paintings. Tanjore
painting ranks among the greatest traditional art forms for which India is
noted worldwide. Their themes are fundamentally mythological. These
religious paintings demonstrate that spirituality is the essence of creative
work. Few art forms
match the beauty and grace of Tanjore paintings.
 Thanjavur Dancing
Clay Dolls

The first time I saw

Bommai Kolu, a display
of dancing dolls, was at
a restaurant at Chennai
Airport. Unaware of the
festive significance, I
was mildly surprised.
Later at Thanjavur, I
noticed the brightly
colored dolls on every makeshift stall. The occasion was Dassehra when
these terracotta dolls known as ‘Thalaiatti Bommai’ are put up in a tiered
display often telling a mythological story.

The dolls made of terracota and papier maches are traditional bobble
heads with a head that oscillates in rhythmic motion. Most dolls are
detachable at head, bust and bottom. These are painstakingly made with
clay, chalk powder and paper pulp. The dolls are painted in bright colors
and are often sold in pairs with the pair of an old pot-bellied man and old
woman being quite popular.

Thanjavur Veena

Revered for its resonant

quality, the Saraswati Veena
is a Carnatic musician’s
prized possession. Dating
back to 1700 BC, the current
form was patronized by
Raghunath Nayak of the
Nayak dynasty. Recognized
as GI in 2013, each Veena,
made from wood of mature jackfruit tree, takes two to three months for
completion with the artisan chipping away patiently with precision. The
bulb of the instrument is intricately carved with floral motifs or image of
Goddess Saraswati before being wax polished for a gleaming finish.

Thanjavur Art Plate

Another art specially crafted as a

gift at the suggestion of the Maratha
ruler Serfoji II was decorative metal
plate that came to be GI tagged in
1999. Handcrafted with silver,
brass, bronze and copper, the plate
has figures of Gods and goddesses
embossed on its center and floral
motifs on the base plates.

The craft of metal plate exclusively

made by goldsmiths and jewelers of Vishwakarma community is handed
down to generations. An intriguing fact was that the community gave the
privilege of crafting these plates only to men.

The brass is used to make the base of plate and silver is used in the relief
work with embossed designs. While the artisans that work with heavy
metals make the base and wax boards for the plate, the rather delicate
embossing on silver is done by jewelers.

With the ancient crafts still continuing the tradition, Thanjavur is where the
people are connected to their roots.
The Natyanjali Dance Festival

The Natyanjali is a dance festival

celebrated in five consecutive days
starting from the propitious occasion
of Maha Shivratri.

The festival is celebrated to praise

the lord of the dancers, Lord Nataraj,
who is Lord Shiva in his dancing
form. The festival is held at the
premises of the famous Thanjavur
Shiva Temple. Many dancers from
across the country come and perform at the temple with absolute
dedication and perfection, and to earn the blessings of Lord Nataraj.
Thyagaraja Music Festival
Formally called by many as
Thyagaraja Aradhana,
Thyagaraja Music Festival is a
once-a-year festival of Carnatic
Music held in Thanjavur in
affectionate memory of the
musical legend Thyagaraja. It is
usually held during the first two
months—January and February—
of a year.
These two are the most celebrated
local festivals that a visitor can enjoy and experience in Thanjavur. These
festivals have become an essential part of the lives of the people in
Thanjavur and must be experienced in all its glory and intensity. It can not
only make the visitors fall in love with the culture of Thanjavur but also the
cultural vivacity of India, as a whole.

The exotic food of Thanjavur comprises of

vegetarian and non-vegetarian cuisines as
well. The authentic food of Thanjavur
includes rasam, rice, sea food, dosa, idly,
uttapam and vada.
Main Tourist Attraction
Thanjavur was the ancient capital of the Chola kingdom and went on
thrive under the Marathas and the Nayaks, since it was a vibrant city in
ancient times, Thanjavur is one of the very few historical sites in the
country that still has its temples and relics preserved. Thanjavur is also
known as the rice bowl of India and is also considered to one of the
leading cultural head quarters of the region.

Brahadeshwara Temple
The biggest attraction of Thanjavur - The Brahadeshwara Temple, also
known as the Big Temple. Built during the reign of the Great Chola
emperor, Raja Raja Chola, this temple is an architectural marvel.

Protected by deep trenches on either sides or the Grand Anaicut River

running through another, this temple is a favorite among the pilgrims. The
shrine itself is a 216 feet structure. The sanctum is dotted with paintings
from the Chola and Nayak periods. The statue of Nandi the Bull welcomes
at the entrance.
Gangaikonda Cholapuram
The magnificence of the Gangaikonda Cholapuram along with
Brihadishwara temple will enchant you and thrill you with its history and
engineering. A place which is a testimony to the architectural and
engineering genius of the region and the pride of one of the greatest
empires of India - Chola Empire, Gangaikonda Cholapuram is a place
worth exploring.

Shiva Ganga Garden, Thanjavur

Shiva Ganga Garden lies within the Vijayanagar Fort and is open to the
public. This garden is very well maintained and hence a pleasure to visit.
A square tank is located in the Siva Ganga Garden built by the 16th
century rulers for providing water to the Tanjore Palace is still in use and
is well known for its sweet tasting water.

Vijayanagar Fort
Vijayanagar Fort is a famous tourist spot is located nearly 2 km from the
Brahadeeswara temple. This majestic fort was built by Nayaks and partly
by Maratha rulers during the early 1550 AD.
Thanjai Mamani Koil, Thanjavur Overview

Thanjai Mamani Koil near Thanjavur is a set of three Vishnu temples,

together called a Divyadesam. It is among the 108 such more temple
premises in India. The temple has a local origin myth that has its roots in
one of the many canonical myths about Lord Vishnu.

He is worshipped over here chiefly in his Narasimha avatar, which he

mainly took to defeat the evil king Hiranyakashipu to save his devotee
Prahlad. Their idols are present here as well. It a shrine loved and
frequented by the devotees of Vishnu.
Alangudi Guru Temple

Alangudi and its temple are famous for being the Holy Sthala surrounded
by the three holy rivers Cauvery, Kolidam and Vennaru. The place and
the temple are intimately connected with each other and have some
historical, mythological and local folklores tied to its past origin and
present legend.
 Toys of Thanjavur

Thanjavur Dancing Dolls, traditionally known as Thanjavur Thalaiyatti

Bommai which translates to ‘Thanjavur Head-shaking Doll’, are a part of
an eclectic heritage of beautiful handicrafts from Tanjore. The significance
of these exquisite dolls is intertwined with the history of the region, and
dates back to the early 19th century, during King Saraboji’s reign. The
skilled artisans and craftspeople of the region have since kept the
tradition of this unique doll creation alive, and are hence responsible for
its wide appeal across the globe. In 2008-2009 they have been recognized
as a geographical indication by the government of India

The Tanjore or Thanjavur dancing dolls are handmade individually using

old, traditional methods. These bobble-head or roly-poly dolls are
created using various materials including paper mache, plaster of Paris,
terracotta or very light wood. They are crafted by traditional artisans who
have been in the business for generations and have mastered the fine art
of balance in these dolls.
Handcrafted dolls Thanjavur Thalaiyatti Bommai is generally a pair of king
and queen, and in their doll-like semblance symbolise the many dynasties
that homed Thanjavur. These enigmatic, handcrafted dolls have a cordial
and welcoming aura, which can be attributed to the dancing style in which
they seem to greet everyone, mainly by shaking their heads (which is
their most striking feature), and moving their body in a continuous,
oscillating movement.
The head of these dolls is detachable and their center of gravity and body
weight is always located towards its core at the lowest point. With the
base always being heavier and larger than the top, the doll tends to
oscillate in a continuous dancing motion at the slightest touch of the
breeze. The dance-like movements slow down into slow oscillations
before stopping. These mesmeric dolls manage to elegantly balance
themselves, because their core weight is concentrated in the bottom-most
region of their bodies. They make great souvenirs and showpieces for
your display cabinet and are great conversation starters too.

Aside from the standing types of Thanjavur dolls, there are also the round-
bottomed or round-pot rocking doll types. Traditionally, the latter types of
dolls are made in pairs, representing a king and queen and are most
probably a throwback to Thanjavur’s tryst with numerous dynasties. The
round-bottomed dolls are traditionally called ‘Thanjavur Gundusatti
Bommai’ and gently rock back and forth when touched. These dolls come
in brightly hued colors and are a delight to watch as they move
rhythmically.
Science in Thanjavur Bommai

It is quite interesting to note how the doll's centre of gravity was identified
and used during the early days. The doll's total weight is concentrated on
the bottom-most central all the time. The round bottomed toy comes in
sitting, standing and rotating types. Some artists tend to design the
Thanjavur Doll with a sense of humour.
Materials:

A special kind of flour called 'bommai maavu' (toy flour), powdered

paper, starch powder derived from roots (for sticking), mud for weight,
paint and the mould to shape the toy which is carved from stone are
required to make this toy.

Process:

Toy flour is mixed with water to form a firm mixture like clay/dough. It is
then flattened and pressed along the mould until it gets the shape of the
mould. The extra flour material is then scrapped out. Once the mould is
ready bits of paper are pasted on the inside edge of the piece using the
starch paste. This makes the piece strong and reinforces the shape of the
mould well. Both the moulds are held together and layers of newspapers
are stuck along the partition to hold the two pieces together making it into
a single piece. The upper part of the toy is now ready and kept for drying.
Once it is completely dry, the terracotta bowl is stuck to the bottom with
rolls of paper. Finishing is done by applying the toy flour paste all over it.
The toy is then left to dry for a while and then painted with different
colors. The most commonly sold pair of King & Queen rolly-polly toy.
SWOT Analysis of Thanjavur Dolls

STRENGTH
 Thanjavur or Tanjore city is well connected to major urban centre
by roadways, trains and airlines.
 Tanjore is a cultural and heritage city and also a tourist destination
where tourist who come here are pleased to purchase Tanjore
dancing doll as a souvenirs.
 They have been recognized as a Geographical Indication by the
Government of India as of 2008-09.
 The material which was used in Tanjore dancing dolls is readily
available in the local markets.
 The craftsmen of Tanjore dolls are skilled persons who are engaged
in this handicraft have persuade it as a family business thus have
acquired special knowledge of this creative field.

WEAKNESS:
 With the changing times the craftsman have not been able to cope
up with the rise in the cost of raw materials and thus the cost of the
dancing dolls has risen due to which these dancing dolls are
beyond the reach of common public.
 Due to decline in the patronage of dancing dolls among the public
and the poor profit for artisans have pushed the making of the dolls
to the verge of extinction.
 Since the product is fast losing its charm as people have started
opting for cheaper Chinese electronic toys therefore the younger
generation of the doll makers did not show interest in learning the
art and presently few families are continuing this handicraft as their
n family business.
 Even after the declaration of “GI” has not been able to inspire youth
to innovate dancing dolls as they are still practicing the same old
traditional form.
OPPURTUNITIES
 With the steep rise in the number of tourists which grew from 0.08 to
0.36 m in past decade obtained from tourist departments has
resulted in traction with respect to demands of these dolls with
which are not able to cope up.
 Government of India through their various schemes and programs
are continuously trying to uplift their livings of the craftsman by
infusing the concept of vocal for locals.
 With the digital India concept and e- commerce marketing has led to
globalization of the dancing dolls

THREATS:
 Due to previous government lethargic policies which followed the
concept of mixed economy has let to the invasion of Chinese cheap
dolls in the Indian market which is posing great threat to this
dancing dolls.
 Findings :

 Thanjavur city of Tamil Nadu bears relics to the unique cultural

ancestry that has penetrated the modern society. Unaltered and
unaffected by modern day civilization, the art and craft of
Thanajavur has an internationally acclaimed status.
 There is positive growth in Sales for one decade as the handicraft
sector occupies an important position in the economic structure.
 The Tanjore or Thanjavur dancing dolls are handmade individually
using old, traditional methods.
 Tanjore dancing dolls are worldwide famous for their attractive
designs, functional utility and high quality craftsmanship.
 Being eco-friendly, this Tanjore dolls are more labour intensive and
less capital intensive in nature, therefore, having scope for
employment generation at a large scale.
 The growth rate of domestic sales and exports of Handicraft
product has increased significantly over the period due to the
advent of e-commerce business.
 Availability of these dolls are up to the reach of public at large, With
the flourishing business of amazon ,flipkart etc.
 Due to the lack of infrastructure interrelationships, technology
interrelationships, procurement interrelationships, production
interrelationships and marketing interrelationships the cost of the
production are high which reduces the profit and there by the
quality Handicrafts are not made to compete in the global market.
 Tanjore dancing dolls in particular constitutes a specialty having
no parallel in quality and design at national level and therefore,
it occupies an important position in the international market.
 The production and exports in last ten months decreased due to
COVID
Design Intervention

From the SWOT analysis conducted by me it is apprentily clear that the

dancing dolls are designed and crafted are based on tradition al forms of
dance Bharatnatyam.
Through my design ideas and innovative creations i have tried to infuse
various western dance forms such as Belly Dance, Ballet Dance, Flamenco
dance Apsara Dance Khorovod dance as a source of inspiration in place of
old traditional dance forms however it is relevant to point out that aforesaid
dance form has been adopted without circumventing its making process and
basic structure so as to maintain the norms of ‘Geographical Indication’ . It
may be not out of place to mention that the infusion of these western forms of
dance the underline idea behind is globalization of these dolls so as to
enhance their product range which would simultaneously lead to create
more options so as to meet the demand of the global market. This humble
attempt of mine would in my opinion might be a game changer which would
change the fortunes of the artisans practicing in the field of dancing dolls.
Beside this I have also tried to give a new look to our lord Ganesh ji and
without his grace this would not have been possible to come in this form.
Conclusion
Thanjavur dolls Thanjavur Thalaiyatti Bommai of Tamil Naidu are
a precious inheritance of the city of Thanjavur and it has ‘GI’
declaration. The substantially aids in protecting this tradition of
handcrafted dolls by bringing into focus several aspects related to
their process-of-creation, craftsmanship, quality control and, as a
result, only the best products will be available for use. This inclusion
will also aid in promoting this doll-craft further across the world.
 Glimpses

Note: Due to COVID 19 my preliminary report is on secondary data although I have also done my market
survey in Allahabad on terracotta toys which are little bit similar to Thanjavur dancing dolls.
!! THANK YOU!!