Monday Paley Park

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PALEY PARK

Zion & Breen

Derek Supinsky & Kun (Helen) Lu


LSA 496/696
Martin Hogue

Dates & Background Information:

Dedicated to Samuel Paley, Paley Park came to fruition as a product of the William S. Paley Foundation, a group committed to
developing and teaching new methods of reconstructing various limbs of children and adults alike; near the entrance lies a
plaque dedicated Samuel Paley. Designed by landscape architects Zion & Breen, the park officially opened on May 23rd, 1967.
It is located on a site previously occupied by a once popular club, called the Stork Club. It is a privately owned public space
(POPS) which allows for completely free public use during operating hours, and closes its gate at night (6am-10pm).
Interestingly, since the space is privately owned, cigarette smoking within the park is completely allowed. Some other notable
projects by Zion & Breen include the sculpture garden at the MOMA, the redesign of Liberty Island in 1986, and many campus
plans such as Princeton, Yale, and Rutgers University.

Location & Site Context:

The park is located at 3 East 53rd St. in Midtown Manhattan’s cultural district, occupying a 4,200 square foot rectangular lot.
There is dense urban fabric surrounding the site, which consists of mostly high-rises, while the MOMA and Rockefeller Center
are within three blocks of the site to the west and southwest, respectively. The park is surrounded on three of four sides, with
one side open, effectively spilling out onto the public sidewalk. Referred to as a Pocket Park—or minipark/vest-pocket park—
Paley operates as an open urban space at a very small scale, serving immediately local population (approximately a 4-block
radius). Paley Park is the archetype pocket park, one that is directly visible from the street in an area of high pedestrian traffic
and helps bring natural light to the street level. Other pocket parks of merit include Greenacre Park in NYC, and Downtown
Squares in Savannah, Georgia.

Architectural Elements & Material Culture:

Elevated slightly from street level, the park is accessible by a small set of stairs and ramps at both ends of the entrance. Equally
spaced honey locust trees lain 20’ apart amongst rough-hewn granite pavers not only create a canopy to shade the public space
during the summer, but also extend to the curb, effectively drawing in pleasantly surprised pedestrians. The side walls are
covered in ivy, which acts as vertical green space, while occupying the length of the rear wall is a 20’ high waterfall. Wire-mesh
chairs and small marble café tables are movable, and can be rearranged to suit user’s needs.

Intended Response & Reception:

The intention of the waterfall is to create grey noise, much like white noise, but with a randomly generated decibel intensity.
What this does for the space is that it helps to mask the omnipresent noise of the surrounding city, and it creates a comfortable
plaza for conversation and interaction because it’s difficult to overhear others over the noise of the waterfall. Airy trees create
comfortable shade in the summer, and in conjunction with the waterfall and the draped ivy on the walls, create what many call
an oasis in the midst of a bustling city. Unlike other parks, Paley Park does not attempt to be multi-functional; its success lies in
its simplicity. Its primary functions are simply for sitting, relaxing, eating, and serving as a place to meet up with peers.
Plan:

Section:

Axon:
Honey Locust Trees Ivy

Waterfall Storage/Concession

Rough-Hewn Granite Smooth Granite


Paley Park is located in the heart of midtown
Manhattan, just 6 blocks south of Central Park.

Well-known landmarks around the site include the


MOMA one avenue west, and Rockefeller Center
three streets south of the site.

There does appear to be a healthy amount of


greenery around the park, especially around the
church to the south and Rockefeller Center,
however, Paley Park does seem to be the only
strictly usable park space in the immediate area.

Images courtesy of Google Earth.


Conclusions:

The success of this park proves that size is no issue. In fact, unlike so many parks which try to be infinitely expanisve, Paley Park
utilizes its small lot to create a very intimate, even romantic setting through a grand water feature and vertical planes of
greenery. The sight, smell, and soothing noise of falling water serve as a reprieve of serenity, juxtaposing the steel landscape
surrounding it. Here, simple is not simple-minded. The park is not overdone with architectural elements, instead, they are
pushed to the edges, while the center makes use of a modest grid of trees, a few flower planters, and movable outdoor
furniture. This way, occupants can arrange the seating to their desire, either grouping tables together for larger gatherings,
spacing them further apart for more private conversations, or getting face to face with the waterfall. The space which must
have been revolutionary at the time of conception is reminiscent of a Tuscan villa garden. The backlighting of the waterfall
provides another subtle layer of beauty, that works in tandem to bring attention to the feature. Furthermore, because it is
privately owned, it appears to be quite clean and free of litter which one might find at a similar public park. For these reasons,
it is understandable why Paley Park is often referred to as one of the finest urban spaces in the U.S.

References:

Carroll, Maurice (September 20, 1967). "Paley Park: A Corner of Quiet Delights Amid City's Bustle; 53d St. Haven Has Something
for Everyone". The New York Times. Retrieved June 30, 2010.

Paley Park, GreatBuildings.com. Accessed October 8, 2007.

Great Public Spaces: Paley Park, Project for Public Spaces Accessed October 8, 2007.

The World's Best and Worst Parks, Project for Public Spaces, September 2004.

http://tclf.org/landscapes/paley-park.

Jasprizza, Roger. “Small Spaces Make a Difference” Landscape Australia1999 Nov.-2000 Jan., v.21, n.4 (84), p.292-294

Marcus, Clare Cooper and Carolyn Francis, People Places, 2nd Edition. John Wiley and Sons Inc. New York 1998

Projects for Public Spaces; www.pps.org

Seymour Jr., Whitney North. Small Urban Spaces: The Philosophy, De-sign, Sociology and Politics of Vest-Pocket Parks and Other
Small Urban Spaces. New York University Press, New York. 1969.

GREENSWARD FOUNDATION, www.greenswardparks.org

Images:

http://designenaction.gatech.edu/wp-content/uploads/2011/04/paley-park-2.jpg

http://4.bp.blogspot.com/-qT3FnGdy_F4/Tx2a0Jle_gI/AAAAAAAABPI/XBOsDth8uQA/s1600/DBpocket+parks-page-001.jpg

http://3.bp.blogspot.com/-AKj4Xq7YKxk/T1uGP-vGMkI/AAAAAAAAACQ/kd_Kf45jQ4k/s1600/Paley+axo.jpg

https://c1.staticflickr.com/9/8291/7799724746_1d2442ebd9_z.jpg

http://empireguides.com/wp-content/uploads/2013/04/Samuel-Paley-Park.jpg

http://www.architecturaldigest.com/AD100/2010/shelton_mindel/mindel_slideshow_012002/_jcr_content/par/cn_contentwe
ll/par-main/cn_pagination_container/cn_slideshow/item11.rendition.slideshowVertical.arsl14_shelton.jpg

http://www.pps.org/graphics/gpp/nyc_Paley_park_nyc_large

http://1.bp.blogspot.com/-9wWQn3o8WgM/UOlfz1vRL7I/AAAAAAAAFaM/u5wEA7Wg9qs/s1600/NEW_2852.jpg

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