Phobias: Transactional Analysis Journal
Phobias: Transactional Analysis Journal
Phobias
To cite this article: Mary McClure Goulding (1977) Phobias, Transactional Analysis Journal, 7:1,
44-54, DOI: 10.1177/036215377700700111
Article views: 52
PHOBIAS
© Mary McClure Goulding (1976), all rights reserved
sexual being.
Jay: "So I open the door. You don't
scare me, Wicked Witch. I turn off my
flashlight.. .and I run like hell." (Gallows
laughter from group.)
"DON'T TRUST"
Mary: "Wait. .. that's not going to help
you any.
People who Decide not to trust may be
phobic in any situation where their lives Jay: "Nope."
are literally in someone else's hands. This Mary: "Turn your light on again. What
seems to be the basic component of fear do you see? (He describes and explores
of flying or of riding in a car or elevator. the basement and says he is calm again.)
All of the fears listed under the "Don't Mary: "OK. Turn off your flashlight.
be" injunction apply to the nontrusting What do you see?"
person if the fear is of being killed, rather Jay: "Blackness. I see the window on
than of killing self. (Usually, those who the north wall."
decide not to trust have a primary "Don't Mary: "Blackness has many colors and
be" injunction.) Fear of the dark is a fear textures. Look carefully."
of those creatures out there, hidden by the Jay: "The windows have a lighter tone.
Trans. An. J., 7:1, January 1977 47
MARY McCLURE GOULDING
In the northeast corner it is very dark. have-snake and mice phobias. I do not
(He continues to get in touch with colors know that their phobias were related to
and textures.) The branches against the their early sexual identity confusions;
window are beautiful." however, they used their phobias to
Mary: "Are you ready to walk back harass themselves for not being
into your bedroom?" "sufficiently" male. One woman, who
Jay: "Yeah." was supposed to be a boy, was an
Mary: "Want your flashlight on or excellent baseball player until adolescence,
off?" when she developed such an intense fear
Jay: "I want to do it with the flash- of the ball that she stopped playing. This
light off. I am walking down the hall. phobia seemingly was in the service of
(Pause) As I walk, I feel this little shiver her becoming what she thought of as
down my spine." "more female."
Mary: "Will you enjoy that? Feel your
shiver just for a moment as a little sexy
"DON'T MAKE IT"
shiver?"
Jay: "Yeah, OK. Yeah, it is. Down my Sometimes a phobic decision prevents
back and down my sides. Whew. I like a person from being successful. One client
that. I want to run and jump in bed and (Goulding, 1975), would not give up his
enjoy my shiver. Yeah, right now, I feel plane phobia in spite of desensitization,
a lot of movement in my body. I am in until he decided not to be president of
bed." (He goes on to enjoy the lighter and his firm. When he resigned, he took his
darker aspects of his own room and his family on a plane trip to a resort. This
own body. Then he says he is fine, and we was his first plane trip in twenty years
finish.) (except for one trial in a small plane after
Group Member: "Did you have a his first desensitization), and he enjoyed
domineering mother?" it.
Other Group Member: "Wouldn't it be Whenever a person uses a phobia to
better to explore the meaning of the keep herself from being successful, I
witch?" also look for other aspects of a "Don't
Mary: "It doesn't matter what the make it" decision. Fear of the streets,
witch represented. That was a long time high buildings, bridges, flying, driving,
ago, so don't fuck around with his may be used to keep the person from
ex-witch. " advancing professionally.
"DON'T HA VE FUN"
"DON'T BE IMPORTANT"
Many successful therapists decided
In all public speaking phobias I have early not to have fun: to work rather than
found a Decision not to be important, play. Otherwise, how would we have
not to "go public" again. Most often, the forced ourselves to get "A" marks in
decision was made the first time the uninteresting courses, year after year? It
Child, full of excitement and self- is more than coincidental that most
importance, was shamed or ridiculed by phobic therapists have phobias that limit
parents, peers, or teachers. their fun.
person won't do it herself reinforce a pant haven't found the right "key," we
Decision not to grow. This does not mean may work up to 30 minutes on two or
such people are passive dependent; it three consecutive days. When a partici-
simply means that in a particular way the pant contracts to cease being phobic, we
person has used fear to limit her inde- first make certain that she has "closed
pendence. Such a person may rid her the escape hatches" (as Harry Boyd
house of mice by independently contract- says). If the person is in any degree
ing with an exterminating company, or suicidal, homicidal, or psychotic, work in
she may in this area remain dependent on these areas takes precedence. Any person
a non-phobic spouse. who is using phobia to collect stamps
Cultural conditioning supports insect, for suicide must decide, "I won't kill
rodent, and reptile phobias in women. myself even if I never get rid of my
Little girls are loved, comforted, held and phobia" before I will work with her to
called "cute" when they are afraid, drop her phobia. Next, I'll ask for the
whereas boys are shamed, ridiculed, even details of a phobia to make sure that what
punished. Further, should a little girl the person wants to do is, in fact, safe. (It
bring one of these creatures into the is not phobic to be afraid to dive to
house, she may well witness mother depths where any error could mean
screaming and father taking charge. We death.) I ask about advantages and dis-
find more women than men who say advantages of the phobia and about who
they are afraid of small creatures. In will be affected by the participant's cure.
other areas, men and women seem to be Finally, I want the client to clear up any
equally phobic. unrealistic expectations. Learning to swim
or to enjoy sex will not necessarily make
her spouse love her. Being a good public
speaker will not necessarily lead to self-
TREATMENT respect; in fact, since self-respect is a
more important issue than public speak-
Because phobias are based on Child
ing, I'd work first on respecting oneself
Decisions, cure consists of a Child rede- while phobic.
cision of "I am not afraid!" Our goal,
then, is for the participant to experience
without fear that which was previously
feared.
Bob and I treat all participants in
group, both because doing so is eco- TA-GESTALT RE-WORKING OF
nomical (in terms of our time and effort PAST SCENES
and clients' money) and because group I will use this approach first when the
support and encouragement is an integral ramifications of the old decision include
part of our approach. Though we almost more than the phobia. Re-working an old
always work together, we find that in scene, then, may involve Deciding solidly
desensitization-as in dream work-two to live, be close, grow up and be impor-
therapsists are distracting, so one or the tant. I may also use it as a participant
other sits back, coming in only if some- remembers developing a phobia in
thing important has been overlooked. We response to a traumatic incident.
never work more than 30 minutes with a Example. A participant learned to be
patient and usually cure phobias in about afraid of heights because his father used
fifteen minutes. If the participant is ex- to dangle him over a ledge when he was
tremely phobic, or if we and the partici- three to six years old. He went back into
Trans. An. J .. 7:1, January 1977
MARY McCLURE GOULDING
the scene. He became enraged at Father kinds of little animals. And since I live
and told him, "You are a bastard... a in , there are a lot of
bully ...a little nothing man ...a cheap little animals."
nothing... You cant prove you're a man Mary: "OK, so you see an insect, and
with other men, so you mess with me... what do you do?"
I'd like to beat you ...1 hate you ... " When Lupe: "I scream and someone kills."
he had finished with his anger, he felt (Giggles. I might have gone with her
sad, a feeling he had not previously giggle, asking how old she is giggling,
allowed himself to feel towards his.father. and taken her back to that time, in order
"I'm sorry for you. You always felt so to work with an early scene. I decided to
inferior. You really were inferior in stay in the present instead.)
ways." He cried. Then, several minutes Mary: "What would you rather do?"
later, he laughed, "You know what, you Lupe: "I'd rather kill that animal."
bastard, you weren't trying to kill me like Mary: "Why? You have a fine system.
I thought. If you had decided to kill me, You scream, others kill." (Lupe explains
you'd have dropped me. I was not in that she is teaching the autonomy of
danger. And I'm not in danger now." women throughout South America, and
He came back to the present. "Shit, I'm she considers phobias to be non-
a foot taller than my father. Nobody's autonomous.)
going to dangle me like that. I take care Mary: "OK. Let's pretend. Let's start
of myself fine." When he was finished, with a small one. Ant. You know ant?"
he hiked up our road on the cliff side. Lupe: "Yes. "
That weekend he had a good time walking Mary: "OK. There's a little ant on the
safely and enthusiastically near the floor right there. Just a little tiny, tiny
"cliffs" at Point Lobos State Park. one."
Lupe: "I can do that. "
Mary: "Go ahead."
Lupe: (Gets up and steps on the ant,
squashing it with her shoe.)
DESENSITIZA TION Mary: "What do you feel?"
Wolpe (1974) uses the parental philo- Lupe: "OK. No, I don't like to kill
sophy, "Calm down." He teaches parti- him."
cipants relaxation techniques prior to Mary: "How come?"
desensitization. We prefer the Fritz Perls' Lupe: "I don't like to hurt that little
philosophy that excitement is the best animal."
replacement for anxiety. Sometimes we Mary: "OK. See another ant. Say to it,
use the classical approach of having the 'My house is your house. You may stay in
person sit, keeping hands visible to the my house and bring all your brothers and
therapist. The person is then instructed to sisters and cousins.' "
raise the left forefinger when uncom- Lupe: "No. No. If it is one ant, I am
fortable and the right forefinger when with a (gestures sweeping)."
comfortable. Beginning where the partici- Group: "Broom."
pant is least anxious, he or she is led on Lupe: "Yes. I do this." (Pretends to
a fantasy trip or acts out the scene. sweep the imaginary ant out the door,
opens door and sweeps it out.)
Lupe: "I am scared since I am a little Mary: "OK?"
girl. I have always been scared about the Lupe: "OK!"
little animals-spiders, cucarachas, all Mary: "Now see a cockroach ...
'if) Trans. An. J.• 7:1, January 1977
PHOBIAS
cucaracha... over there. OK?" insects," or even, "I scare myself about
Lupe: "Yes." insects. "
Mary: "First tell it what you want. In 3) The participant needs to reinforce
the house or out of the house." a fantasy desensitization with a reality
Lupe: "Out of the house." experience as soon as possible after the
Mary: "Tell it what you are going to desensitization.
do."
Lupe: "Well, what I do is... (pause)
I call for somebody. No, I don't want to BEING THE FEARED OBJECT
call for somebody. (Pause)."
Just after Lupe had finished her work,
Mary: "So tell it what you are going another woman brought up her fear of
to do." spiders. She was specifically afraid that
Lupe: "I am going to bring the ... what they would crawl on her. I had her be the
is the name?" spider, crawl on her arm, and accept the
Group: "Broom." qualities she attributed to the spider:
Lupe: "Broom. Broom. I am going to inquisitiveness, excitement, and fear of
bring the broom. 'Out of my house!' being too little to protect herself. That
(She sweeps.) I open the door. (She was all the work I did with her because
sweeps it outside.)" she had already "piggybacked" on
Mary: "OK. You OK?" Lupe's work. During the break, the two
Lupe: "Yes" women hunted spiders on our property,
Mary: "Ready for a spider?" let them crawl on their hands, and killed
Lupe: "Yes" them.
Mary: "OK, see it and tell it." (She
sweeps.)
Mary: "What are you thinking?"
COMBINED TECHNIQUES
Lupe: "They are going to come."
Mary: "Sure, they are going to come Mary: "Why do you want to give up
back in. Are you going to keep sweeping fear of snakes?" Annie tells of not going
them out?" on vacations, running out of the room if
Lupe: (Laughs joyously.) "No, I am snakes are mentioned, etc. She is obvious-
not. I am too tired. (She stamps happily ly frightened while talking. We discuss
around the room, squashing bugs, as the snakes, including the positive aspects of
group cheers and applauds.)" knowing which are and aren't harmful.
I then begin a brief, unsatisfactory
desensitizing scene using a movie on TV
of a tiny garter snake. She does not get
Three rules are followed while using comfortable. She will not fantasize a live
desensitization: snake at any distance. She then describes
1) Never, at any time, force a phobic her fear that a snake would crawl all over
patient. Set up the fantasy, or let the her, she being unable to protect herself
participant set it up, and then never move because she wouldn't dare touch it. She
faster than the participant-without claimed her only recourse would be to
fear-is willing to move. faint.
2) Do not let the participant believe "I
can't" or "The (feared object) scared Mary: "Does that fit anything in your
me." Instead, ask the participant to life? It's a kinda far out fantasy ...you
recognize the truth: "I won't do what can't, or won't, protect and won't touch,
I'm afraid to do" and "I am afraid of so your only recourse is to faint."
Trans. An. J., 7: I, January 1977 51
MARY McCLURE GOULDING
Annie: "No. I can't click into any- That wiggling. That kind of movement. "
thing." (I decide not to push in that Mary: "OK. Come here (I take her to
direction. I have no treatment contract the closed glass doors). Are you willing
with this woman, except to work with her to see that black and white king snake
to cure her phobia. She is a participant slithering way down there in the grass."
in a partner's workshop.) Annie: "MMMhmm."
Mary: "OK, then. I want you to Mary: "Let it come as close as you are
pretend, without prejudice, that you are willing without being at all afraid."
a snake, a lovely king snake. (I describe Annie: (Looks out, doesn't appear
a king snake.) Will you be a king snake afraid.)
and be way out there under the redwood Mary: "Where is it?"
trees? Right now?" Annie: "Right there at that bare patch
Annie: "I am black and white. It's (about 20 feet away)."
hard for me to think of a snake as lovely." Mary: "You feel OK?"
Mary: "OK." Annie: "Yes."
Annie: "I am black and white and... Mary: "Fine. That's enough for today.
slithery. And I...I move really fast. And You've come a long way."
I make a rustling noise." (Pause.) Annie: "Yes I have. Thank you very
Mary: "What do you feel as you move? much."
What sensations?" Mary: "I'll be glad to find time
Annie: "I feel...I feel someone is walk- tomorrow or Monday to work again. In
ing by and I want them to go away. (This the meantime, start reading about snakes.
is not the proper occasion to deal with the OK?"
difference between "think" and "feel.") Annie: "OK."
Mary: "Will you tell the person that?" A participant may start with desensiti-
Annie: "I am scared of you. I don't zation and then remember an early scene:
want to wrap around you."
Mary: "In fact, I've never in my life Mary: "What are you afraid of?"
wrapped around a person?" Shirley: "I'm afraid the car will go over
Annie: "No, I've never wrapped the edge."
around a person. 'Cause I don't let people Mary: "Are you willing to say 'I am
get that close to me." afraid I will drive the car over the edge'?"
Mary: "Now be you and respond." Shirley: "I wouldn't drive the care over
Annie: "I'm glad you are going away. the edge. I'm not suicidal."
You are just as scared of me as I am of Mary: "You know how to drive?"
you." Shirley: "Sure."
Mary: "Be the snake again. Anything Mary: "Good driver?"
else about being the snake?" Shirley: "Sure."
Annie: "I like to lie out in the sun and Mary: "Then the car can't go over the
sleep and I move the way I do because it edge. Either you drive it over or you
is the only way I know how to move. I don't. "
enjoy moving that way. I enjoy the feel Shirley: "I guess that's true."
of the grass when I slither through it. Mary: "That's true."
It's really nice. A sensual movement." Then I asked her to start driving, stop
Mary: "I am nice and I move sensually. when anxious, etc. Suddenly, she said,
Will you claim that for you?" "This is all from when I was a kid." We
Annie: (Laughs.) "Yes, yes. I like that stopped the desensitization, and I asked
feeling and I identify with that feeling. her to go back to the scene she was
--1
I liked Eric Berne's response to a journalist who twitted him about
having seven children "to prove his potency." He said, "Potency is an
important attribute- important for females as well as for men." I
I
...
At last here was a psychoanalyst who publicly debunked the myth
of "penis envy" when a female seeks potency.
IjoinedlTAA.