Architecture - June 2022
Architecture - June 2022
Architecture - June 2022
Can this be? Surely this cannot be? - Architectural Workers Organizing In Europe
Galerie Vi Per 2021 ISBN 9788090843301 Acqn 32248
Pb 100pp col ills £20.25
Comprising a set of essays for and about architectural workers in Europe, this book takes stock of
the many people and attitudes involved in the production of architecture. It is for workers who are
appalled and disillusioned but who are still part of the architectural industry. For those who are
trying to reconcile their dismay with the need to make a living, but who also hold onto a cautious
sense of optimism that things will change. Marisa Cortright's critique of architectural work draws
from the direct experiences of architectural workers in Europe, including her own, to address the
ideological truths that keep the embattled industry afloat. With an introduction by theorist Douglas
Spencer.
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ARCHITECTURE
'Anna Heringer. Essential Beauty' covers the main works and projects by the German architect,
from her buildings in Bangladesh - the METI and DESI schools or the Anandaloy Building -, in
China - the bamboo shelters and the Ceramics Museum in Majiayao - and in Africa - an
educational campus in Ghana or a kindergarten in Zimbabwe -, to the projects developed in
Europe, in which she has incorporated traditional materials and techniques from those countries,
such as rammed earth. Under the motto 'Architecture is a tool to improve lives,' Heringer has also
impulsed initiatives like the Dipdii Textiles workshop for women in Bangladesh or the Laufen
Manifesto for a more humane design culture.
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'Log 53' asks the simple yet provocative question "Why Italy Now?" The responses are as diverse
and multifaceted as the country itself. Exploring this seemingly well-trodden ground, one
discovers that because of its historic centrality - and its precarity - Italy remains relevant to the
challenges facing architecture today. As contributor Giulia Amoresano writes: "Amid calls today to
challenge the Eurocentrism of canonical histories of architecture's modernity and to work on
decolonizing its theories and practices, work needs to be done on what we think canonical
spaces are."
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Awarded the Pritzker Prize in 2022, Burkinabe architect Francis Kere has built his reputation on
works that are not only innovative but also sustainable and collaborative in nature. This issue
examines his development over the years by profiling his numerous projects for education, health
care, social welfare, and the arts, as well as other prominent works such as the Burkina Faso
National Assembly, Serpentine Pavilion, National Park of Mali, and Goethe-Institut Dakar. The
magazine also features examples of Kere's work in exhibition design, furniture objects, and even
an otherworldly pavilion in Montana. Four authors contribute illuminating essays on the architect.
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Muoto means "form" in Finnish, and yet this architecture studio is based in Paris. Started in 2003
by Gilles Delalex and Yves Moreau, the practice is guided by geometric rigour and an intelligent
combination of precise elements. This issue examines how Studio Muoto's work expresses their
concern for ethical responsibility and attention to social and economic contexts in a variety of
programmes and typologies, and is designed to evolve over time. Selected projects include the
Ecole des medias in Brussels, Laboratoires in Basel, and Groupe scolaire in Versailles. The issue
also features domestic experiments in Japanese suburbs and an update on the Public Library of
Cordoba.
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The International Architecture Biennale in Venice - La Biennale - is a platform for engaging with
and discussing architecture. As a temporary and recurrent exhibition of cultural translations and a
place of transnational encounters, the world's most prominent architectural exhibition reflects
contemporary architectural practice. Starting out from Venice, offshoots of this format have been
established around the world over the past decades. In 2021, in view of the current pandemic, the
Architecture Biennale is taking place in Venice under changed conditions - might this be a
blueprint for the future? This book analyses the methods of exhibiting architecture today.
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This volume is the outcome of a series of online lunch lectures at ETH Zurich, organised by
studio Jan de Vylder during the pandemic lockdown. Speakers received a briefing that was both
simple and tricky: talk about seven questions that you consider relevant without answering them.
More than 60 experts from fields like architecture, design, history, theory, sociology, art, and more
offered a diverse range of insights into the creative processes that drive their work. With
contributions by Tom Avermaete, Petra Blaisse, Roger Boltshauser, Irina Davidovici, Joseph
Grima, Bijoy Jain, Momoyo Kaijima, Elli Mosayebi, Freek Persyn, Marianna Rentzou, Philip
Ursprung, Lori Waxman, and many others.
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'DOMa' revisits the architectural process in an informed and elaborate manner, to understand and
analyse it from within while ensuring the creative process is not overlooked. The sixth issue
includes a project on making houses in three different contexts (city, suburbs, countryside) by
Bak Gordon Arquitectos; an analysis by 6A Architects of A2_B2 Greenwhich Design District;
KAAN Architecten's examination of the design and construction of the Royal Museum of Fine Arts
Antwerp; a peek into the archive of the project EspacioSOLO by Estudio Herreros; and altering
the perception of two existing towers through minimal effort and intervention proposed by
Brandlhuber+.
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In the fertile formal laboratory of Juan Carlos Sancho and Sol Madridejos, the fold is an
instrument with great potential in their quest to attain structural, spatial, and material coherence in
a single sweeping gesture. Arquitectura Viva presents a selection of four Spanish works, from a
small chapel to a large educational complex, concluding with a recent international project. The
magazine's dossier features two museums that officially opened in recent months and which
illustrate the trend of displaying collections in 'visitable storehouses,' free of exhibition criteria: the
Musee de la Romanite in Narbonne, by Foster + Partners; and the Depot Boijmans Van
Beuningen in Rotterdam, by MVRDV.
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Ukrainian Urbicide. Spurred by its journalistic spirit, Arquitectura Viva presents recent events and
society's reactions to the war being waged on Ukraine through a semi-monographic issue that
takes stock of its impact beyond the strictly architectural sphere. In a triad of articles Luis
Fernandez-Galiano comments on the early beats of the conflict and encourages reflection on its
causes, while Vladimir Belogolovsky, Jean-Louis Cohen, and Slavoj Zizek speak their minds on
the war's grave consequences on a cultural, sociopolitical, and human level.
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Museums facilitate encounters among visitors, objects, and stories while also facilitating the
staging of these visits. In the 19th century, the transition from city to museum interior was
dramatized, while in the 20th-century post-war period the "barrier-free" museum emerged in an
attempt to abolish this boundary. Today, other boundaries are being rethought as well, such as
opening up depots and restoration studios to the public. This edition examines how historical and
contemporary buildings stage museum visits and museum activities, how permanent furnishing
and temporary scenography interact, and how museums display their activities either
transparently or imaginatively.
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This publication records the different manifestations of an exhibition as it travels from Tokyo to
Helsinki, Berlin, and Weimar, a presentation that serves to rediscover a design style that both
Finland and Japan can share, and to promote a response to future design in both countries.
Identical objects representing parts of contemporary Japanese architecture are introduced within
different contexts according to the locality of the four venues in three countries, placing them in
one scenario and thereby producing a layered and complex exploration of their operation. The
book includes critiques by local experts, a summary of each exhibition, and the relationship
between each.
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A special issue devoted to the luxury hotel founded by Kishichiro Okura (1882-1963) and
completed in 1962 in Tokyo's central Toranomon district. The hotel complex is a total work of art
defined by Japanese aesthetics and with interior design styled after a Heian sensibility that
achieves a restrained elegance. Built on this legacy of refined craftsmanship, the grand hotel has
since undergone expansions and redevelopment, including the lobby's structural restoration to
bring its seismic performance up to date. In facilitating a collaborative relationship with the local
community through environmentally friendly technologies, the hotel is both preserved and made
future-proof.
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