Manual - Flattened
Manual - Flattened
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Blue Cat's Triple EQ User Manual
Copyright (c) 2006-2014 Blue Cat Audio
Table Of Content
Introduction
Description
Features
System Requirements
Installation
Using Blue Cat's Triple EQ
The User Interface
Operation
Blue Cat Audio Plugins Basics
User Interface Basics
Controls
Keyboard
Mouse
Presets Management
MIDI & Automation Control
More
Blue Cat's Triple EQ Parameters
Blue Cat's Triple EQ Curves
Plug- in Settings
The Global Settings Window
The Preset Settings Window
About Skins
Changing the Skin
Create a Custom Skin
Frequently Asked Questions
More
Extra Skins
Tutorials
Updates
Versions History
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Note: An online version of this user manual is available here.
Introduction
Description
Blue Cat's Triple EQ is a 3 bands semi- parametric equalizer that can be controlled like a single filter with customizable shape.
It includes a low shelf filter, a high shelf filter and a boost/ cut peak filter. Its wide range of gain (+/-40 dB per band) and bandwidth
(.01 to 5 Octave) makes it very versatile to create any filter shape. The three filters are linked together so that when you change the
center frequency or the bandwidth, the parameters of the three filters are modified accordingly: you can control the entire equalizer
characteristics with a single mouse click.
The graph shows the computed frequency response of the plug- in, so that you can exactly know how your signal is processed.
The controls are directly available on top of the filter graph, making the design of the filter shape even easier.
The plug- in also offers a dual channels version, with independent left/ right or mid/ side equalization capabilities. Both channels
can be linked together in many ways, letting you transform this plugin into a frequency- dependent panner and much more.
The plug- in can be controlled in real time with MIDI or automation: it is capable of absolutely zipper- free clean and continuous
time- varying equalization with no latency. it is the ideal companion of our audio analysis tools for signal- dependent side chain
filtering.
Features
System Requirements
Windows Mac OS X
An SSE2- enabled processor (Pentium 4 or later). An Intel processor.
Microsoft Windows XP, Vista, Windows 7 or 8. Mac OS X Mavericks(10.9), Moutain Lion (10.8), Lion (10.7),
Any DirectX / VST / RTAS / AAX compatible host software (32 or Snow Leopard (10.6), or Leopard (10.5).
64 bit). Any VST / Audio Unit (32/64- bit) / RTAS / AAX compatible
application.
Installation
Blue Cat Audio plug- ins cannot be run standalone, they require a host application (see the System Requirements chapter for more
information). Depending on which host application you use, you might need to install the plug- ins in different locations.
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Windows
Install
All versions of the plug- in provide an installation program. Follow the steps of the wizard to install the plug- in on your machine.
During the installation you will be asked where you want the plug- in(s) to be installed. For the VST version you should install the
plug- in inside the VST plug- ins folder used by your host application(s). The default path set in the installer should work for most
applications, but you should check your host software documentation to know where it looks for VST plug- ins.
Some applications will not automatically rescan the new plug- ins, so you might have to force a refresh of the plug- ins list.
Upgrade
When a new version of the plug- in is released, just launch the new installer: it will update the current installation.
Uninstall
To uninstall the plug- in, simply launch the "Uninstall" program that is available in the start menu or in the configuration panel. It will
take care of removing all files from your computer.
Mac
Install
On Mac the plug- ins are available as drive images. After download, double click on the file to open it. You can then drag and drop
the plug- in file(s) to the shortcut that is provided within the image. It will install the plug- in(s) for all users on the machine.
In case you do not have admin rights on your Mac or if you want to install the plug- in(s) to another directory, just copy the files to
the appropriate location. If required, more information is available in the README.txt file that is included in the package.
Upgrade
When a new version of the plug- in is released, open the new image and copy the files over the previous ones. The new version will
replace the older one.
Uninstall
To uninstall the plug- in, simply remove the plug- in components from the folder where you have copied them during install (move
them to the trash).
If you want to completely remove all settings and configuration files, you can also remove these additional directories that may
have been created on your computer:
~/ Library/ Preferences/ Blue Cat Audio/ [Plug- in name and TYPE], where TYPE is VST, AU, RTAS or AAX: global
preferences.
~/ Documents/ Blue Cat Audio/ [Plug- in name]: user data, such as presets, additional skins and user- created plug- in data.
Just beware that these directories may contain user data that you have created. Remove these directories only if you wo not want
to reuse this data later.
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to reuse this data later.
Blue Cat's Triple EQ effect comes in two flavors: single or dual channels. The single channel version offers the same controls as
the dual channels, but for a single channel only. So we'll cover the dual channels version in this manual.
The blue color is used to reference the left o mid channel, and the pink color is used for the right or side channel.
1. Show/ Hide the knobs view (see below) and/ or graph view.
3. Control the gain and frequency of the mid frequencies filter. The bandwidth can also be changed with the mouse wheel or by
double clicking on each cat paw.
6. Auto gain mode: when auto gain mode is on, the overall gain of the plugin is automatically adjusted according to the
maximum filter gain to keep the maximum frequency response around 0dB.
7. The position of the mouse cursor is shown here to help you adjust the values of the filters frequencies and gains.
8. Adjust the bandwidth of the mid filter (auto adjusts the cutoff frequencies of the high and low shelf filters).
9. Choose the range of the graph and controls: you can zoom to your prefered value by clicking on the controls below the graph
or by dragging the slider on the left.
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11. Link channels: when the link is on, moving the control for a channel automatically adjusts the controls for the other channel,
according to the options set.
12. Absolute/ Relative: in absolute mode the values of the controls for both channels are identical, whereas in relative mode only
controls variations are reported on the other channel (letting you setup a different EQ on each channel and then apply linked
modifications for example).
13. Mirror mode: in mirror mode, the gain value for both channels are reversed. It is very handy when you want to use the EQ as
a balance between channels.
14. Select Left/ Right or Mid/ Side mode. In Mid/ Side mode, the controls in blue color affect the mid (center, or mono) channel,
and the red controls affect the sides (non- mono) signal.
This view also lets you access the midi and automation settings for most of the parameters of the plug- in (see the next chapter for
details).
The various elements of the user interface (knobs, sliders, buttons...) are simple and intuitive to operate, but more information
about how to interact with them is available in the "Plug- ins Basics" chapter of this manual.
Operation
Using the Blue Cat's Triple EQ plug- in is straightforward: draw your EQ curve for each channel (left/ right, mid/ side or single
channel) using the controls and you are done! Here are however a few tricks to help you get the best out of this particular EQ.
Dual channels
With the dual version and no link between channels, you can use the plugin to shape the spectrum of the left and right or center
and sides of a stereo track independently. You can for example choose to reinforce bass on the center of a mix, and boost the
highs on the sides to make it feel wider without yet making it too artifical.
Single Channel
With the single channel version, or when the link is enabled and its mode set to "absolute", the plugin behaves just like a single
channel EQ: both channels are processed with the exact same settings.
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You can use the same technique in stereo mode (mid/ side disabled) to usethe plug- in as a spectral Left/ Right balance.
Use Automation
Since this plug- in supports smooth parameters update, you can use and abuse of automation to create time varying filter effects. It
is also possible to control these variations remotely in real time thanks to the ability of the plugin to be controlled via MIDI, as shown
in our MIDI Wah tutorials (see the tutorials section).
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Blue Cat Audio Plug- ins Basics
This chapter describes the basic features that are common to all our plug- ins. If you are already familiar with our products, you can
skip this part.
Especially with third party skins, the experience may be quite different from the one offered by the default skins that we provide.
However, our plug- ins and our skinning engine have several standard features that will be available whatever your favorite skin.
More information about custom skins can be found in the skins section.
Presets Area
At the center of the toolbar, you can see the current preset area (the "Default Settings" box). It displays the name of the current
preset, with a "*" at the end if it has been modified since loaded.
The arrows on the left and right let you navigate thru the (factory and user) presets available for the plug- in.
Clicking on the preset name opens the presets menu which lets you manage the presets of the plug- in.
Commands
The icons in the toolbar give you access the to the following commands that are detailed in the next paragraph:
Undo Undo
Redo Redo
About About
Smooth Bypass: smoothly bypass the plug- in (just like a power button).
Window Opacity: reduce the opacity value by turning the knob, and make the the plug- in window transparent. (the result
may depend on the host application).
Show/ Hide MIDI and Automation Control Settings: show/ hide the buttons that give access to direct MIDI/ Automation
setup for each parameter in the user interface. This button will show or hide dropdown menu buttons that popup a MIDI/
Automation setup menu described here.
Controls
Examples
Here are a few examples of typical controls you will encounter in the user interface of our plug- ins:
Setting the keyboard focus on a control (so that it responds to key strokes) may be automatic (when you pass the mouse over it it
gets focus) or manual (you have to click on the control to set the focus on it). Note that all host applications behave differently
regarding keyboard handling. In some applications you may not be able to use all keys described later in this manual to interact
with our plug- ins. It is usually made obvious to you to know the active surfaces of the skin (the places where you can click with the
mouse): the mouse cursor usually changes when you can do something on a control. In the default skins delivered with the plug- in,
the cursor changes to a small hand or an arrow to tell you when your mouse is over an active control.
Mouse
Various mouse movements will let you interact with the controls:
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Mouse Interaction Action
Acquire focus and launch the “fine tuning” edit box (except button):
Mouse Drag Change the control position depending on mouse movement (except button)
Keyboard
All control widgets support the following keys (note that some of them are caught by the host and thus never forwarded to the
control. For example in Steinberg Cubase SX you cannot use the arrow keys to control the plug- in):
Key Action
When the key is down, the fine tuning mode is on, and you can modify the value with
SHIFT better precision when moving the mouse, the mouse wheel or using the keyboard.
Just release the key to get back to the normal mode.
Key Action
Presets
To get started with the plug- in and discover its capabilities, a couple of factory presets are provided. You can also save your own
presets and recall them later for other projects. Our plug- ins propose a full- featured preset manager to let you save, browse,
organize and recall its presets.
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Factory Presets: shows the list of factory presets delivered with the plug- in.
"Folder A" to "User Preset Z": user presets and categories.
Load: load preset from file.
Save As: save current preset to a file.
Copy copy preset to the system clipboard.
Paste paste preset from the system clipboard, if available.
Save As Default: save the current state as the default preset. This preset is used every time a new instance of the plug- in is
created.
Reset Default: reset the default preset to its factory state: this makes the plug- in forgets the custom settings you might have
saved as a default preset.
More about Presets
There are two types of presets: factory presets (read only) that are provided with the plug- in, and user presets that can be created
and stored by the user.
The user presets are stored in a subdirectory of the documents folders of your profile ("Documents" on Mac, and "My Documents"
on Windows): Blue Cat Audio/ [Plug- in Name]/ Presets. Each preset is stored as an individual file. You can create folders and
subfolders in the Presets directory to classify your presets, as shown in the example below:
If you save a preset named "Default" in the root Presets directory, it will override the factory default preset (that's what "Save As
Default" does). To restore the factory default preset, you can just remove this file or use the "Reset Default" command.
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MIDI Learn: launches MIDI learn mode for the control: touch your MIDI controller and the control will learn from it the MIDI
channel and CC number. To end the learn mode, reopen this menu and deselect the option.
MIDI Unlearn: deactivates MIDI control for this parameter.
Settings: launches the advanced settings panel described below. This controls the settings for the current preset.
MIDI Settings:
Response: response curve of the MIDI or automation control: from very fast to slow control.
Min: minimal value of the parameter when MIDI controlled or automated.
Max: Maximum value of the parameter when MIDI controlled or automated.
Note: if the Min value is higher than the Max value, the response curve will be reversed: increasing the control value will decrease
the parameter value.
Note: if you double click on the parameter text control boxes for the max and min values, a “fine tuning” edit box will appear and let
you change the min and max values with more precision:
More
Check our online tutorial for more screenshots and more examples of our plug- ins user interfaces.
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Blue Cat's Triple EQ Parameters
All parameters described below can be automated and controlled via MIDI if your host application supports it. You can precisely
define this behavior in the settings panels described later in this manual.
dsp.input2 Frequency Hz Center frequency of the mid band filter. This also adjusts
the cutoff frequencies of the low and high shelf filters
automatically.
dsp.input3 Bandwidth Octave Bandwidth of the mid band filter. This also adjusts the
cutoff frequencies of the low and high shelf filters
automatically.
dsp.input3 Frequency (1) Hz Center frequency of the mid band filter for the first channel.
This also adjusts the cutoff frequencies of the low and high
shelf filters automatically.
dsp.input4 Bandwidth (1) Octave Bandwidth of the mid band filter for the first channel. This
also adjusts the cutoff frequencies of the low and high shelf
filters automatically.
dsp.input5 Low (1) dB Gain of the low shelf filter for the first channel.
dsp.input6 Mid (1) dB Gain of the mid band filter for the first channel.
dsp.input7 High (1) dB Gain of the high shelf filter for the first channel.
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dsp.input8 Gain (2) dB Main gain of the second channel channel.
dsp.input9 Frequency (2) Hz Center frequency of the mid band filter for the second
channel. This also adjusts the cutoff frequencies of the low
and high shelf filters automatically.
dsp.input10 Bandwidth (2) Octave Bandwidth of the mid band filter for the second channel.
This also adjusts the cutoff frequencies of the low and high
shelf filters automatically.
dsp.input11 Low (2) dB Gain of the low shelf filter for the second channel.
dsp.input12 Mid (2) dB Gain of the mid band filter for the second channel.
dsp.input13 High (2) dB Gain of the high shelf filter for the second channel.
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Blue Cat's Triple EQ Curves
The Triple EQ plug- in also provides visual feedback about the response curve of the equalizer with output curves.
id Name Description
dsp.output_curve2 Low Frequency Response Frequency response of the low pass filter.
(dB)
dsp.output_curve3 Mid Frequency Response Frequency response of the mid band filter.
(dB)
dsp.output_curve4 High Frequency Response Frequency response of the high pass filter.
(dB)
id Name Description
dsp.output_curve0 Frequency Response (1) Global frequency response of the equalizer for the first
channel.
dsp.output_curve1 Frequency Response (dB) (1) Global frequency response of the equalizer (decibels)
for the first channel
dsp.output_curve2 Low Frequency Response Frequency response of the low pass filter for the first
(dB) (1) channel.
dsp.output_curve3 Mid Frequency Response Frequency response of the mid band filter for the first
(dB) (1) channel.
dsp.output_curve4 High Frequency Response Frequency response of the high pass filter for the first
(dB) (1) channel.
dsp.output_curve6 Frequency Response (2) Global frequency response of the equalizer for the
second channel.
dsp.output_curve7 Frequency Response (dB) (2) Global frequency response of the equalizer (decibels)
for the second channel
dsp.output_curve8 Low Frequency Response Frequency response of the low pass filter for the
(dB) (2) second channel.
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dsp.output_curve9 Mid Frequency Response Frequency response of the mid band filter for the
(dB) (2) second channel.
dsp.output_curve10 High Frequency Response Frequency response of the high pass filter for the
(dB) (2) second channel.
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Plug- in Settings
In addition to the controls offered in the main user interface, Blue Cat's Triple EQ has various settings that let you fine tune the
behavior of the plug- in. You can choose to change these settings either for the current preset or globally for all instances of the
plug- in.
General
You can change the default skin for all instances of the plug- in: write the skin file path in the text edit box or click on the button to
open a file chooser dialog. If you have several instances of the plug- in opened in your session, you will have to re- open the user
interfaces of these plug- ins to see the skin change.
The output data refresh rate can also be customized for all instances of the plug- in. It controls the refresh rate of non- audio data
produced by the plug- in (parameters, curves...). It also controls the refresh rate of output MIDI CC messages or output automation
data. The higher the refresh rate, the better precision, but also the higher cpu usage (some host applications may also have trouble
recording MIDI data at high refresh rates). The default value is 50 Hz.
For each parameter you can define a default MIDI channel and CC number. You can then control the plug- in with an external MIDI
controller or one of our plug- ins that generate MIDI messages.
MIDI Settings:
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CC: Control Change Number.
Learn: click on this button to activate the MIDI learn functionality. When it is activated, you can move your MIDI controller,
and the plug- in will automatically set the MIDI Channel and CC Number.
Response: response curve of the MIDI or automation control: from very fast to slow control.
Min: minimal value of the parameter when MIDI controlled or automated.
Max: Maximum value of the parameter when MIDI controlled or automated.
(generic screen shot, does not correspond to the actual plug- in parameters)
Note: if the Min value is higher than the Max value, the response curve will be reversed: increasing the control value will decrease
the parameter value.
Note: if you double click on the parameter text control boxes for the max and min values, a “fine tuning” edit box will appear and let
you change the min and max values with more precision:
Preset Skin
You can choose to use the global skin setting or to change the skin for the current preset. This way you can have different skins for
different instances of the plug- in in the same session in order to differentiate them.
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Preset Control Input Settings (MIDI and Automation)
Use the global settings or override them for the current preset. The parameters are the same as for the global input settings.
(generic screen shot, does not correspond to the actual plug- in parameters)
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(generic screen shot, does not correspond to the actual plug- in parameters)
About Skins
Blue Cat's Triple EQ integrates Blue Cat's skinning engine that allows you to customize the user interface. You can download new
skins for your plug- in at the following address:
See the main menu for more information about how to access these options.
On some hosts the plug- in window won't resize automatically when you choose a skin with a different size. In this case, just close
the window and re- open it: it will be displayed with the right size.
Just read the Blue Cat's Skinning Language manual and download the samples for the tutorial on http:// www.bluecataudio.com/
Skins. You can get ready to create your own skins in a few minutes.
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FAQ
What are the main differences between DX, VST, RTAS, AAX and Audio Units?
VST is a protocol that works on several platforms (Mainly Windows, MacOS, BeOS, and some Linux platforms use it as well)
whereas DirectX is Microsoft Windows only, and Audio Units are available only on the Mac. RTAS and AAX are available on Mac
and PC, but only for Pro Tools products (AVID). AAX plug- ins are compatible with Pro Tools 10 and higher, whereas RTAS
versions are compatible for Pro Tools 10 and lower versions.
Which version (VST, Audio Unit, RTAS or DX) should I use in my host application?
Here is a list of host software and the version we recommend you to use. Many other applications are supported, check your
application user manual to choose the best version (AU stands for "Audio Unit" and DX for "DirectX"):
Sony Products (Vegas, ACID, Soundforge) DX for old versions, VST for new
EnergyXT VST
...
www.steinberg.net
www.microsoft.com
www.kvraudio.com
www.apple.com
www.digidesign.com
Installation
I have installed my software and it is not listed as an application. Why? What can I do? How can I launch it?
Most software you can purchase on this website is plug- ins for host applications. It means you need another application to use it.
See the "Plug- ins Formats" section in this FAQ for more information.
I have installed my plug- in and it does not show up in my host application. What can I do?
First check that you application supports DirectX, Audio Unit or VST plug- ins.
If you are using the DirectX version, check that your host application supports DXi plug- ins (MIDI enabled DirectX plug- ins). If it
does not, it may remove it from the DirectX plug- ins list (some applications such as Sony Vegas 5 and Cool Edit Pro are known to
do this). In this case, use our DXi Manager free utility and disable the MIDI capabilities of the plug- in. You may need to reinstall the
software again before it shows up into your host application. For more information about this topic please read our DXi in Sony
Vegas tutorial (it is applicable to other applications than Sony Vegas).
If you are using the Direct X version and your host application supports DXi, check that the plug- in does not appear in the 'virtual
synth' or 'synthesizers' category. If you wish not to use the MIDI capabilities of the plug- in and use it as a regular Direct X plug- in,
you can download the freeware DXi Manager and disable the MIDI capabilities of the plug- in.
I have installed my plug- in on windows 64- bit, checked the items above, and it still does not show up in my host
application. What can I do?
You are probably running a 32- bit application. If that's the case, you need to install the 32- bit version of the plug- in: the choice for
32 or 64- bit is not determined by the operating system (64- bit windows can run both 32 and 64- bit applications), but by the host
application that you are using.
Why are there two plug- ins called xxxx(Mono) and xxxx(Stereo) installed ?
"Mono effects" (which are effects that do not make any difference between left and right channels) are bundled this way for
performance reasons. Some developers just deliver a stereo Version which also processes (twice) mono streams. The "(Mono)"
plug- in is to be used with mono streams, and the (Stereo) one with stereo streams. The effect itself is the same in both cases but
the number of processed channels is different: this may drastically improve performance for CPU intensive plug- ins.
Why do your plug- ins need an installer on Windows? Do they modify the registry or system settings? Why not providing
just a dll?
Our plug- ins require several additional files for default settings, skins and miscellaneous data. We provide an installer for our
customers' convenience. Our installers do not modify the system settings or the Windows registry, except for the DirectX versions
registration. Our installers won't harm your system.
Software Version
How do I know the version of the plug- in I am using?
You can see the version information in the about box: right click on the background of the plug- in user interface and select "About".
The product version is also available in the Windows Add/ Remove Programs Window.
Why do newer versions of a plug- in override older ones (they have exact same name and IDs)?
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Because newer versions improve previous ones. When a new version is released, older versions are not supported anymore. In
some cases the new versions may be installed as new products (compatibility reasons, major changes...), but it is explicitly
documented on the product page.
A new minor version of a product I purchased some time ago is available. Where can I download the update?
The new version can be downloaded from the same place where you downloaded the original version. All information is contained
in the email you received when you purchased the product. Your registration number has not changed either.
Upgrade
A new minor version of my plug- in has been released. Where can I download it?
When you purchased the plug- in, an email containing the information to download and register your software has been sent to
you. You can download the new version from the exact same location as the first time.
Automation
What is "Parameters Automation"?
The parameters of an effect can be automated in most host software. It means that you can record the changes you do during
playback or recording so that it's replayed when playing back again. It's a way of sequencing parameters changes the same way
you do with Audio or MIDI data.
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More...
This manual only covers the basics of Blue Cat's Triple EQ. Our website offers many additional resources for your Blue Cat's Triple
EQ plug- in and is constantly updated, so keep an eye on it! You will find below a few examples of available resources.
Extra Skins
We encourage our customers to propose their own skins for our products and we often propose alternative skins to let you choose
the one that best suits your needs. You can check Blue Cat's Triple EQ skins page to get the latest skins.
There were no extra skins for Blue Cat's Triple EQ when initially released. Please check the skins page to see if new skins are now
available.
Tutorials
Many Tutorials are available on our website. They cover a wide range of topics and host applications. You will find below a list of
tutorials that are related to the Blue Cat's Triple EQ plug- in. An updated list is also available online.
This tutorial will teach you how to use any DXi plug- in in Sony Vegas: Sony Vegas does not
support MIDI automation, so if your plug- in supports the MIDI Dxi protocol, it is removed from the
plug- ins l...
[Read More...]
This tutorial shows you how to export your presets in order to share them with the community on
the Blue Cat Audio website. This tutorial uses Blue Cat's Stereo Triple EQ for the demonstration
bu...
[Read More...]
Get used to the user interface features of Blue Cat Audio products! They have been designed for
an optimal workflow, so here are the tips and tricks to save time. All these functionalities are
explain...
[Read More...]
This tutorial will help you understand how to use parameters MIDI control in Cakewalk Sonar. It is
applicable to any DXi plug- in (MIDI enabled DirectX plug- in)....
[Read More...]
This tutorial will help you create your own MIDI controlled Wah pedal and customize its parameters
to match an existing Wah pedal or create a brand new virtual one: yours. You can use this custom
wah ...
[Read More...]
Tutorial - Connecting plug- ins together in Logic for advanced side chain effects
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This tutorial shows how to use the connectivity capabilities of our plugins within Logic. We use Blue
Cat's DP Meter Pro plugin (DPMP) as an example, but you can use any other audio plugin which
provi...
[Read More...]
Tutorial - Using Blue Cat Audio plug- ins connectivity in Pro Tools
This tutorial shows how to use the MIDI connectivity of our plugins within Pro Tools. We use Blue
Cat's DP Meter Pro plugin as an example, but you can use any other audio plugin which provides
output ...
[Read More...]
This tutorial shows you how to get and load free presets for your favorite Blue Cat Audio plugin.
This tutorial uses Blue Cat's Dynamics for the demonstration but is applicable to all our plugins...
[Read More...]
Updates
As you can see in the history log below, we care about constantly updating our products in order to give you the latest technology
available. Please visit our website often to check if Blue Cat's Triple EQ has been updated, or subscribe to our Newsletter to be
informed of the latest news about our products.
You can also follow us on twitter and facebook for almost real time updates notification, and subscribe to our YouTube channel to
see the latest videos about our software.
Versions History
V4.1 (2014/01/09)
New Features:
Copy/ paste the plug- in's current state from the presets menu using the system clipboard.
Improvements:
Reduced the plug- in's memory usage.
Windows VST Installer now remembers where the plug- in was initially installed to simplify upgrades.
(Mac) plug- in version number is now available when using "Get Info" in the Finder.
(Mac) Improved display of Audio Unit parameters in most host applications.
Bug Fixes:
Fixed window frame not showing with Cubase 7.5 (32- bit) on Mac.
(Mac) About window does not show up first in the corner of the screen anymore.
(Win) Alt- Click on a control now resets the value to default in Pro Tools, as expected.
Fixed version number reported to host application for VST and Audio Unit versions.
V4.02 (2013/06/21)
New Features:
64- bit AAX support for Pro Tools 11.
Improvements:
The windows installer now automatically detects the most appropriate VST install path.
Bug Fixes:
Fixed AAX version not showing up in Pro Tools 10.3.5 on Windows.
(RTAS) Fixed parameters control with EUCON control surfaces in Pro Tools.
Fixed user interface issues in Final Cut Pro X.
Fixed compare button issues in Pro Tools.
Mac- VST: Fixed window resize issues on Cubase and Nuendo (Mac).
Mac: Control MIDI settings dialog now brought back to front when already opened in the background.
V4.01 (2012/04/23)
Bug Fixes:
AAX/ RTAS on Mac: Fixed audio engine freeze or error issue with Pro Tools on some Mac configurations.
AAX on Mac: Fixed compare button that did not work well when using factory presets or any preset created on Windows.
Performance improvement when running under high CPU load for other platforms.
V4.0 (2012/03/28)
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New Features:
New user interface.
New integrated presets manager:
Load/ save presets from the plug- in's user interface.
Organize presets with folders.
Customize the default preset.
Exchange presets easily.
Automation range and response curve can now be customized for each parameter.
Automation and MIDI settings (channel, MIDI learn etc.) are now accessible from the main user interface.
AAX plug- in format is now also supported on Windows.
Improvements:
Plug- in name has been shortened for a clearer display in mixer view for most host applications.
The plug- in now appears in the "EQ" category in Pro Tools.
Changed the default VST install path on Windows.
Improved default response curve for automation and MIDI control.
Added new presets.
Improved value display in fine edit window.
Improved user manual.
This product now includes both the single and dual channels versions.
Optimizations and Performance Improvements:
Reduced VST plug- in loading time.
Improved parameters precision (now stored as 64- bit).
More compact presets format (uses less space and loads faster).
Smaller binaries on Mac (dropped PowerPC support).
Bug Fixes:
Fixed presets- related crashes in Cubase on Mac.
Fixed user interface display issues in Wavelab on Mac.
Note: this new version can be installed side by side with the previous version for backward compatibility reasons: installing this
new version won't break your previous projects.
V3.53 (2011/02/10)
Fixed keyboard focus stealing issue in Pro Tools and several other host applications.
64- bit Mac VST support.
V3.52 (2010/03/19)
This update only concerns the RTAS version of the plug- in:
RTAS plug- in bug fix: when using both the mono and stereo versions in the same session, the controls of the instances
were linked together.
V3.51 (2010/02/25)
Space bar does not trigger plug- in buttons anymore (avoids conflict with transport control in most applications).
Win x64: fixed issue with some hosts not opening the plugins.
Win x64: fixed issue with settings window that was not displayed properly in some hosts.
Mac: fixed keyboard/ mouse focus issues in some hosts.
Mac: fixed multiple screens issue.
V3.5 (2010/01/30)
RTAS plugin format support for Pro Tools (Mac and Windows).
64- bit applications support for Windows DX and VST under Windows x64.
Mac AU 64- bit format support (compatible with 64- bit Logic 9.1 on Snow Leopard)
Mac: fixed user interface crashes in some hosts under Snow Leopard.
Fixed MIDI learn issues.
V3.4 (2009/11/20)
Factory presets are now available from the plugin menu.
RTAS plugin format support (final beta stage - currently available with the Free Pack only)
Mac: fixed keyboard/ mouse focus issues in some hosts.
Mac: fixed user interface crashes in some hosts, when used with particular display settings.
Mac- AU: fixed user interface resizing issue when changing skin in some hosts (Logic).
Mac- AU: fixed settings lost issue when doing offline rendering in some applications.
V3.3 (2009/09/21)
New Windows Installer (much faster install, improved upgrades).
Bug Fix (PC): Cubase freezes when loading a preset using a different skin while the plugin window is open.
Blue Cat's Skinning Language 1.6.1 support.
V3.21 (2009/05/05)
Mac VST update: fixed incompatibility issues with Cubase 5 on Mac.
V3.2 (2009/02/03)
Mac Audio Unit Support.
V3.2 (2008/11/21)
First Mac version.
(Bug fix): the response curve was not updated in some hosts while not processing audio.
V3.1 (2008/05/06)
Fixed a crash when changing the skin from the toolbar menu.
V3.0 (2008/04/14)
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The plugin is now free.
New GUI design and Blue Cat's Skinnning language 1.4.2 support:
Streamlined user interface with simplified controls for optimal workflow.
Zooming: adjust the dB range of the EQ and the response curve graph.
Frequency response measurement: new mouse coordinates display.
Window Opacity Management: make the plugin window transparent.
New toolbar to access the main functionalities.
Smooth bypass: activate/ deactivate the plugin with absolutely no noise.
Undo/ Redo.
Import/ Export presets in a host independant format: you can now share presets between the directX and VST versions
Enlarged the filters frequency range.
Performance improvements:
Faster skin loading.
Reduced memory consumption when several instances are loaded.
V2.1 (2006/11/29)
Now supports Blue Cat's Skinnning language 1.2.4.
Curves are now antialised.
Parameters can be fine tuned when the shift key is down, which offers a .1 dB gain resolution.
CPU efficiency improvement: no processing occurs when input is silent.
Settings window now loads faster.
(Bug fix): in some plug- in adapters (such as FxPansion's VST to RTAS adapter) the GUI did not display properly when first
loaded.
(Bug fix): when reinstalling the software in another directory, the "skin not found" message was displayed.
V2.0 (2006/09/27)
Advanced MIDI control with customizable parameters curve response and MIDI learn.
Blue Cat's Skinning language V1.2.2 support.
Now supports one skin per preset and a global default skin: customize each instance of the plug- in in the same session.
All parameters can now be fine tuned thanks to a text- edit popup window that appears when double clicking on user
interface widgets.
Warning: because it now supports MIDI events, the DirectX plug- in may appear in the "Synth" or "DXi" category instead of
"effects" in some hosts (such as Cakewalk Sonar). If it does not appear in you host, you might want to use our DXi Manager
to de- activate MIDI features.
Warning: this new version breaks the presets compatibility, and is thus installed as a new plug- in. If you have a previous
version installed and do not want to keep it, just uninstall it manually.
V1.0 (2006/06/06)
First release.
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Copyright (c) 2006-2014 Blue Cat Audio