Shrivastava
Shrivastava
Shrivastava
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I declare that this report is my own work and has not previously been
submitted for assessment.
Shravani Shrivastava
27 April 2021
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TABLE OF CONTENTS
1. INTRODUCTION ....................................................... 1
1.1 Research Problem ......................................................................... 1
1.2 Research Aim................................................................................. 1
1.3 Research Objective ........................................................................ 1
1.4 Research Delimitation .................................................................... 1
6. CONCLUSION ......................................................... 11
7. REFERENCES ......................................................... 12
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List of Figures
Figure 5.1: Network diagram of the project plan that will followed 10
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1. INTRODUCTION
Interioriority is a concept that is argued, debated and has earned various
definitions, approaches and perspectives to investigate its practice in
interior spaces. It is not merely a line that separates inside and outside.
With the changing time and at your fingertip technology the use of interior
spaces has evolved and people prefer spending major chunk of their time
inside four walls. This lifestyle has started putting emphasis on how the
interior spaces are designed and their effects on the inhabitants.
Staying in has drawn a boundary between external environment and
human, demanding spaces that incorporate nature and its patterns, colour,
style, characteristics and effects it has on human psychology and well-
being. Office spaces are next in line after residential buildings where
people spend maximum hours. Thereby demanding a change in their
designs to suit and comfort the inhabitants maximising the output and
enhancing the work environment. Biophilic Design approach in Office
interiors can produce sizeable results benefitting both the employs and the
production.
In this research this argument will be discussed in detail and will be
evidence based, narrowing down to a final design result that will be based
on the discussion.
• Study different aspects of biophilic design and its relation with interior
spaces.
2.1 Interiority
The Oxford definition of Interiority is the quality of being interior or inward.
The utilization and interpretation of the given term is diverse across various
disciplines inclusive of psychology, literature, philosophy, interiors and
architecture. Following this the term ‘Interiority’ cannot be bound simply to
mere interior design components per say, such as colour, dimensions,
furniture, texture, lighting, materials (Perolini, P., 2013,1). In the discipline
of Interior design to elucidate interiority there exists a long general
perception of relating it to bounded spaces, limiting it within boundaries and
to correlation between public and private domain (Huppatz, D. J. et al,
2015, 1). Even the cultural norms and technological practices oppose the
aforementioned belief of an interior space as a contained enclosure with
clearly defined boundaries. On the contrary, the dubiety and the blurriness
between the inside and the outside, public and private domain, interior and
exterior, interiority and exteriority poses challenges in comprehending the
Interior Design discipline (Huppatz, D. J. et al, 2015, 1). The concept of
interiority or the quality of interiority, or the quality of interior spaces is
based on the notion of boundedness and openness in terms of both
physicality and culture. Gazing through physical aspect of interiority it is the
product of boundaries; whereas culturally it infers the exterior or existence
of the other to create the conditions that manifest it inside (Coleman,
C.,2001,94). Martin Heidegger writes, “A boundary is not that at which
something stops, but as the Greeks recognized, the boundary is that from
which something begins its presenting.” Numerous designers, architects
have been considering interiority or the inside as intrinsic to the exteriority
of the outside (Coleman, C.,2001,94). Interiority can be contemplated
rather as a condition or sense of being inside or experiencing a space than
an actual indoor place. Comprehending interiority as a cognitive condition,
implies that the built environment is a phenomenon of a range of human
experiences and day to day conditions (Teston, L., 2020, 1).
The linkage of interiority to interior spaces is simply not limited to private
intimate spaces and human thought processes rather it extends beyond
and captures the intricate variability of technological advances, ethnic
portability, performativity and material palette (Leonard, A., 2017,1). It can
be concluded that Interiority is an impalpable and presumably an abstract
concept however its quintessence builds the experience of the space to be
amicable, worthwhile and close to the individual (Perolini, P., 2013,1).
2.3 Biophilia
In 1984, Edward O. Wilson defined Biophilia as the “innate tendency to
focus on life and life-like processes”. Human affiliation and dependence on
nature stretches beyond the elementary concern of materiality and tangible
nourishment that aims to encircle human desire especially for aesthetics,
comprehension, intellect, psychology also including spiritual pathways and
contentment; which is manifested by the Biophilia hypothesis (Kellert, S. et
al, 2013, 20). Deriving out from the minimal evidence or proof referring to
its nature, Biophilia is not just a simple term with a single meaning
associated to its name, it is combination of complex directives that can be
segregated and inspected, explored discretely. The Biophilia hypothesis
also infers that when individuals detach themselves from the environment
or nature, the modern versions of equally well adapted artifacts cannot
reinstate the biophilic rules (Kellert, S. et al, 2013, 20). Thereby reaching a
conclusion that suggests the concept of biophilia firmly strengthens the
belief that most of the human chase for cogent and gratifying life and
existence is directly proportional and hingeing on the relationship shared
with natural environment.
• Environment features
• Natural shapes and forms
• Natural patterns and processes
• Light and space
• Place-based relationships
• Evolved human-nature relationship.
Figure 5.1: Network diagram of the project plan that will followed
Kahn, P.H. (1999) The Human Relationship with Nature: Development and
Culture, Cambridege, Massachusetts, London, England: The MIT Press.
Kellert, R., Heerwagen, J., Mador, M. (2008) Biophilic design the theory,
science, and practice of bringing buildings to life, Hoboken: N.J.: Wiley.
Merrick, M.S., Price, E.A. (2008) The Distinction between Humans and
Nature: Human Perceptions of Connectedness to Nature and
Elements of the Natural and Unnatural: Human Ecology Review, 15(1), 1-
11.
McGee, B., Marshall-Baker, A. (2015) Loving Nature From the Inside Out:
A Biophilia Matrix Identification Strategy for Designers: Health
Environments Research & Design Journal, 8(4), 115-130.
McGee, B., Park, N., Portillo, M., Bosch, S., Swisher, M. (2019) Diy
Biophilia: Development of the Biophilic Interior Design Matrix as a Design
Tool: Journalof Interior Design, 44(4), 201-222.
Pioppi, B., Piselli, C., Crisanti, C., Pisello, A.L. (2020) Human-centric green
building design: the energy saving potential of occupants’ behaviour
enhancement in the office environment: Journal of Building performance
simulation, 13(6), 621-644.