Freud Drawings

Lucian Freud
32 Etchings
London, 15 October 2015
From an Important American Collection
UK_Editions_Freud_Oct15_Cover.indd 4 16/09/15 16:35

UK_Editions_Freud_Oct15_IFC+IBC.indd 1 16/09/15 15:54
25. Eli

2. Girl Sitting
UK_Editions_Freud_Oct15_2-33.indd 2 16/09/15 14:15

19. Head of an Irishman

10. Bella in Her Pluto T-Shirt

11. Naked Man of a Sofa

14. Self-Portrait: Refection

Lucian Freud 32 Etchings:
London, 15 October 2015, 1pm
Auction and Viewing Location Modern and Contemporary Editions

30 Berkeley Square, London W1J 6EX
Worldwide Director, Contemporary Editions
Auction Cary Leibowitz +1 212 940 1222
15 October 2015, 1pm cleibowitz@phillips.com
Viewing Worldwide Director, Modern Editions

9 – 15 October 2015 Kelly Troester +1 212 940 1221
Monday – Saturday 10am - 6pm ktroester@phillips.com
Sunday 12pm - 6pm
Head of Sale, London
Sale Designation Robert Kennan +44 20 7318 4075
When sending in written bids or making rkennan@phillips.com
enquiries please refer to this sale as
UK030315 or Lucian Freud 32 Etchings. Specialists
Anne Schneider-Wilson +44 20 7318 4042
Absentee and Telephone Bids aschneider-wilson@phillips.com
tel +44 20 7318 4045
fax +44 20 7318 4035 Ross Thomas +44 20 7318 4077
bidslondon@phillips.com rthomas@phillips.com
Cataloguer
Rebecca Tooby-Desmond +44 20 7318 4079
rtooby-desmond@phillips.com
Administrator
Eliza Allan +44 20 7318 4069
eallan@phillips.com

22. After Chardin

Lucian Freud 32 Etchings:
1. Landscape 17. Garden in Winter
2. Girl Sitting 18. Head of Ali
3. Two Men in the Studio 19. Head of an Irishman
4. Woman on a Bed 20. Pluto Aged Twelve
5. Kai 21. After Chardin
6. Large Head 22. After Chardin
7. Reclining Figure 23. After Chardin (Small Plate)
8. Head of a Man 24. After Constable’s Elm
9. The Egyptian Book 25. Eli
10. Bella in Her Pluto T-Shirt 26. The Painter’s Garden
11. Naked Man on a Sofa 27. Susanna
12. Woman Sleeping 28. Head of a Naked Girl
13. Woman with an Arm Tattoo 29. Portrait Head
14. Self-Portrait: Reflection 30. Before the Fourth
15. Conversation 31. Solicitor’s Head
16. David Dawson 32. Girl with Fuzzy Hair

Me and Mr Freud
By Sue Tilley
What a treat to see over 30 Lucian Freud etchings In the early evening I sat under a tree wearing
in one place; it’s like seeing a bunch of old friends. a low-front top chatting to a couple of people;
when I went to my room I was shocked to see
Leigh Bowery gave me several books on Lucian’s that my décolletage was a rather angry shade
work before I started sitting for him. I pored over of red. I rubbed some cream on it in the hope
them and was thrilled to meet most of the sitters that it would go away. Of course, it didn’t.
in ‘real life’, working out how they related to, or
knew one another. I have often compared Lucian’s I returned to work at Lucian’s a couple of days
exhibitions to Tracey Emin’s tent, but instead of later ensuring that I was well covered up as I
‘Everyone I Have Ever Slept With’ they should be wanted to delay the moment he found out.
called ‘Everyone I Have Ever Known’. I was hoping he might not notice which was rather
ridiculous as he could spot one streak of mascara
I sat for two of the etchings that appear in this on an eyelash. As we went into the studio I slowly
collection; the first one came about entirely removed my clothes, his eyes almost popped out
by accident. of his head and he rushed back to the kitchen.
Lucian was halfway through painting ‘Sleeping by I heard him shouting down the phone at his
the Lion Carpet’ when I begged him to let me go daughter, Bella, as if it was her fault. He said
to the Fondation Maeght in Saint-Paul-de-Vence, she should have kept an eye on me. He came
which was staging an exhibition of works by Freud harrumphing back into the studio and then
and Bacon. said while pointing at my chest, “I’m going
have to do an etching while THAT fades away”.
He gave me strict instructions to stay out of the
sun, as any change to my skin colour would ruin I was secretly thrilled as I knew it was tradition
the painting he was in the middle of. to give the sitter an etching, but at the same
time I was disappointed in myself. Although
There was a large crowd of people staying in the I like to think I am well behaved, some small
same hotel for the exhibition, including several rebel gene inside me had escaped yet again
Benefits Supervisor Resting, 1994
of Lucian’s daughters and some collectors. There and I had let myself get burnt.
Oil on canvas was also a large pool and, as I loved swimming,
Private Collection
© The Lucian Freud Archive /
I couldn’t resist getting in but I covered myself Sure enough, when the etching was finished he
Bridgeman Imagess with very strong sunscreen. gave me one. Although he had used the same pose

‘I’m going to have to do an etching while THAT fades away.’
as ‘Sleeping by the Lion Carpet’, he had left out the chair so When I told him the value of the etching he just
I just looked like a huge barrage balloon floating in space. screwed up his face in disbelief and went on to ask
the cost of my electric kettle.
I loved having the etching on my wall and it was later
joined by another one, ‘Woman with an Arm Tattoo’. After a few years my spending overtook my income
It was strange that he featured the tattoo as when he so I had no choice but to sell one of my etchings.
painted me he had covered it in flesh-coloured paint I would miss it, but I’m not a sentimental person and
so he didn’t have to look at it as it jarred his eyes. I always luckily I sold it to one of my friends who only lived
felt that the etchings were slightly incongruous in an round the corner so I could go and see it whenever
ex-council flat in Camden Town. I liked. Several years after he bought it, he had a big
tax bill and was forced to sell it too. He made a good
It was great to be able to study them in great detail as profit so kindly paid for me to go to Cape Town with
the more you look, the more you find. Lucian only took up him. In a bizarre form of serendipity the etching,
etching in 1982 after a brief experimentation in the 1940s. which had been made because of an accidental sun
They are much harder to produce than drawings as the tan, ended up allowing me to soak up the sun for a
artist scratches them back to front and the thickness of full week as I no longer worked for Lucian.
the ink depends on the depth of the scratch on the copper
plate. The background then depends on how cleanly the I love that there is more than one copy of the etchings
copper plate has been wiped before printing. and that they are affordable compared to Lucian’s
paintings. They pop up all over the place and friends
Lucian loved the mystery and chance of not knowing are always sending me photos when they have seen
what they would look like until they came out of the press. them. Recently, etchings of me and Leigh were next
You can see all the changes in the drawing where Lucian to each other in New York’s Met Museum. As we were
was not happy with the first attempt. facing each other, I like to think that we had a good
old chat once the place had closed for the night.
Studying ‘Woman with an Arm Tattoo’, you can see
that Lucian has noticed all the multiple piercings in my Although I eventually had to sell my etchings I had
ear. I am a little disturbed with the way my nose looks like them on show when I owned them. I hate that
it’s squashed into my face, but he has captured the bump people buy art just as a commodity and hide it away
that both my sister and brother have as well as me. in a safe to be sold at a later date for a vast profit.
Fair enough, sell it if you need to and at least it means
As I’ve always lived above my means I forgot to pay my that someone else can enjoy it; but while you have it,
council tax so ended up with the bailiff at my door. I had show it and love it. There’s a story behind all of them The painter in his chair, 2010
David Dawson (b.1960)
the money to pay him but before we went to the bank, he and as they pass along from person to person their Private Collection
insisted on going round my flat pricing up my possessions. history only grows richer and more fascinating. Bridgeman Images

‘With etching, there’s an
element of danger and
mystery. You don’t know
how it’s going to come out.
What’s black is white.
What’s left is right.’
Lucian Freud

1. Lucian Freud 1922-2011
Landscape, 1993
Etching, on BFK Rives 250gsm paper,
with full margins, signed with initials
and numbered 4/30 in pencil (there were
also 12 artist’s proofs), published by
Matthew Marks Gallery, New York, framed.
I. 14.9 x 19.7 cm (5 7⁄8 x 7 3⁄4 in.)
S. 34.6 x 38.1 cm (13 5⁄8 x 15 in.)
Estimate
£15,000-20,000 $22,800-30,400
€20,400-27,200 ‡ z
Provenance
The Artist
Matthew Marks Gallery, New York
Private Collection
Exhibited
New York, Museum of Modern Art, Lucian
Freud: The Painter’s Etchings, 16 Dec 2007 -
10 Mar 2008 (another impression exhibited
and illustrated p.125)
New York, Matthew Marks Gallery,
Lucian Freud: Recent Drawings and
Etchings, 11 Dec 1993 - 24 Jan 1994 (another
impression exhibited and illustrated pl.22)
Literature
Catherine Lampert 78
Craig Hartley 48
Starr Figura 95
Bruce Bernard and Derek Birdsall 275
William Feaver 265

Girl Sitting, 1987

Etching printed with plate tone, on Somerset Satin
paper, with full margins, signed with initials and
annotated ‘proof’ in pencil (an unnumbered proof
aside from the edition of 50 and 10 artist’s proofs)
published by James Kirkman, London and Brooke
Alexander, New York, framed.
I. 54.3 x 69.9 cm (21 3⁄8 x 27 1⁄2 in.)
S. 56.5 x 75.9 cm (22 1⁄4 x 29 7⁄8 in.)
Estimate
£20,000-30,000 $30,400-45,500
€27,200-40,800 ‡ z
Provenance
The Artist
Private Collection
Exhibited
New York, Museum of Modern Art, Lucian Freud:
The Painter’s Etchings, 16 Dec 2007 - 10 Mar 2008
(another impression exhibited and illustrated p.67)
New York, Matthew Marks Gallery, Lucian Freud:
Recent Drawings and Etchings, 11 Dec 1993 -
24 Jan 1994 (this impression exhibited and
illustrated pl.3)
Literature
Craig Hartley 33
Starr Figura 36
Print Quarterly 34
Girl Sitting, 1987-88

Oil on canvas
Private Collection
© The Lucian Freud Archive/
Bridgeman Images

Two Men in the Studio, 1989

Etching, on Somerset Satin paper, with full margins,
signed with initials and numbered 15/25 in pencil
(there were also some artist’s proofs), published
by James Kirkman, London and Brooke Alexander,
New York, framed.
I. 22.9 x 20.3 cm (9 x 8 in.)
S. 40.6 x 36.2 cm (16 x 14 1⁄4 in.)
Estimate
£5,000-7,000 $7,600-10,600 €6,800-9,500 ‡ z
Provenance
The Artist
Private Collection
Exhibited
(this impression exhibited and illustrated p.79)
Literature
Craig Hartley 39
Starr Figura 46
Print Quarterly 39
Two Men in the Studio, 1987-89

Oil on canvas
Saatchi Collection, London, UK,
© The Lucian Freud Archive / Bridgeman Images

Woman on a Bed, 1991-92

Etching, on Somerset Satin paper, with full
margins, signed with initials and numbered
10/30 in pencil (there were also 10 artist’s proofs),
published by Matthew Marks Gallery, New York
and James Kirkman, London, framed.
I. 23.8 x 20.6 cm (9 3⁄8 x 8 1⁄8 in.)
S. 43.5 x 38.7 cm (17 1⁄8 x 15 1⁄4 in.)
Estimate
£8,000-12,000 $12,100-18,200
€10,900-16,300 ‡ z
Provenance
The Artist
Private Collection
Exhibited
(another impression exhibited and illustrated p. 70)
24 Jan 1994 (another impression exhibited and
illustrated pl.17)
Literature
Craig Hartley 44
Starr Figura 38
Woman Holding her Thumb, 1992

Oil on canvas
Private Collection

Kai, 1991-92
Etching, on Somerset Satin Textured 350gsm
paper, with full margins, signed with initials
and numbered 23/40 in pencil (there
were also 10 artist’s proofs), published by
I. 69.9 x 54.6 cm (27 1⁄2 x 21 1⁄2 in.)
S. 79.4 x 62.9 cm (31 1⁄4 x 24 3⁄4 in.)
Estimate
£50,000-70,000 $75,900-106,000
€68,000-95,200 ‡ z
Provenance
The Artist
Private Collection
Exhibited
New York, The Metropolitan Museum of Art,
Robert Wood Johnson, Jr., Gallery of Prints
and Drawings, permanent collection, another
impression currently on view, summer 2015.
London, National Portrait Gallery, Lucian
Freud: Portraits, 9 Feb - 27 May 2012 (another
impression exhibited and illustrated p.194)
24 Jan 1994 (another impression exhibited
and illustrated pl.16)
Literature
Craig Hartley 45
Starr Figura 64
Sarah Howgate 117
William Feaver 52; 262
Large Interior W11 (after Watteau), 1981-83

Oil on canvas
Private Collection

Leigh Bowery, 1991
Oil on canvas
Private Collection
Bridgeman Images
Large Head, 1993

Etching, on Somerset Satin Textured 300gsm
paper, with full margins, the second (final) state
(there was an unpublished trial state of 1 or 2 proofs
before the lines on the sitter’s right shoulder were
cleaned), signed with initials and inscribed ‘A/P’
in pencil (one of 12 artist’s proofs aside from the
edition of 40), published by Matthew Marks Gallery,
New York, framed.
I. 69.2 x 54.6 cm (27 1⁄4 x 21 1⁄2 in.)
S. 78.7 x 63.5 cm (31 x 25 in.)
Estimate
£50,000-70,000 $75,900-106,000
€68,000-95,200 ‡ z
Provenance
The Artist
Private Collection
Exhibited
New York, The Metropolitan Museum of Art, Robert
Wood Johnson, Jr., Gallery of Prints and Drawings,
permanent collection, another impression currently
on view, summer 2015.
London, National Portrait Gallery, Lucian Freud:
Portraits, 9 Feb - 27 May 2012 (another impression
exhibited and illustrated p.194)
Recent Drawings and Etchings, 11 Dec 1993 - 24 Jan
1994 (this impression exhibited and illustrated pl.21)
Literature
Craig Hartley 47
Starr Figura 72
Sarah Howgate 118
William Feaver 59; 97; 267

Reclining Figure, 1994

Etching with drypoint, on Arches 300gsm paper, with
full margins, signed with initials and inscribed ‘proof’
in pencil (an unnumbered proof aside from the edition
of 30 and 14 numbered artist’s proofs), published by
I. 17.1 x 23.8 cm (6 3⁄4 x 9 3⁄8 in.)
S. 34.9 x 41.6 cm (6 3⁄4 x 9 3⁄8 in.)
Estimate
£12,000-18,000 $18,200-27,300 €16,300-24,500 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Craig Hartley 50
Starr Figura 75
Leigh on a Green Sofa, 1994

Oil on canvas
Private Collection

Leigh Bowery: One of the things I like about sitting for you is that
I get to look at your things for much longer than I would in a museum,
which is the only place I’d be able to see them otherwise.
Lucian Freud: Good. Anything to keep you here…
Lucian Freud: Recent Drawings and Etchings, Matthew Marks Gallery, New York, 2003
Head of a Man, 1992 Exhibited

Etching, on BFK Rives 250gsm paper, New York, Museum of Modern Art,
with full margins, signed with initials Lucian Freud: The Painter’s Etchings,
and numbered 5/20 in pencil (there 16 Dec 2007 - 10 Mar 2008 (this
were also 14 artist’s proofs), published by impression exhibited and illustrated p.100)
Matthew Marks Gallery, New York, framed. New York, Matthew Marks Gallery, Lucian
I. 21.9 x 20.3 cm (8 5⁄8 x 8 in.) Freud: Recent Drawings and Etchings,
S. 41.9 x 40 cm (16 1⁄2 x 15 3⁄4 in.) 11 Dec 1993 - 24 Jan 1994 (another
impression exhibited and illustrated pl.19)
Estimate
£10,000-15,000 $15,200-22,800 Literature
€13,600-20,400 ‡ z Craig Hartley 46
Starr Figura 69
Provenance
The Artist
Private Collection

The Egyptian Book, 1994

Etching, on T. H. S. Saunders 140lbs paper,
with full margins, signed with initials and
numbered 36/40 in pencil (there were also
12 artist’s proofs), published by Matthew
Marks Gallery, New York, framed.
I. 29.8 x 29.8 cm (11 3⁄4 x 11 3⁄4 in.)
S. 46.4 x 42.5 cm (18 1⁄4 x 16 3⁄4 in.)
Estimate
£8,000-12,000 $12,100-18,200
€10,900-16,300 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Craig Hartley 49
Sabine Haag and Jasper Sharp p.136
Sarah Howgate 124
William Feaver p.14
Still Life with Book, 1991-92

Oil on canvas
Private Collection

Bella, 1981
Oil on canvas
Private Collection
Bridgeman Images
Bella in Her Pluto T-Shirt, 1995 Exhibited

Etching, on Somerset Textured paper, with London, National Portrait Gallery,
full margins, the third (final) state (there Lucian Freud: Portraits, 9 Feb - 27 May
were two unpublished trial states before the 2012 (another impression exhibited and
head was re-drawn), signed with initials and illustrated p.198)
numbered 8/36 in pencil (there were also 12 New York, Museum of Modern Art,
artist’s proofs), published by Matthew Marks Lucian Freud: The Painter’s Etchings,
Gallery, New York, framed. 16 Dec 2007 - 10 Mar 2008 (another
I. 67.9 x 59.1 cm (26 3⁄4 x 23 1⁄4 in.) impression exhibited and illustrated p.85)
S. 81.3 x 72.4 cm (32 x 28 1⁄2 in.)
Literature
Estimate Craig Hartley 51
£20,000-30,000 $30,400-45,500 Starr Figura 53
€27,200-40,800 ‡ z Sarah Howgate 125
Yale 38
Provenance
The Artist
Private Collection

‘You are very conscious
of the air going round
people in diferent
ways, to do with their
particular vitality.’
Lucian Freud

Naked Man on a Sofa, c. 1985

Etching, on Somerset Satin paper,
with full margins, signed with initials in
pencil, one of two unpublished proofs
(it was never editioned), printed by
Terry Wilson at Palm Tree Studios,
London, framed.
I. 54.6 x 69.9 cm (21 1⁄2 x 27 1⁄2 in.)
S. 66.4 x 80.6 cm (26 1⁄8 x 31 3⁄4 in.)
Estimate
£120,000-180,000 $182,000-273,000
€163,000-245,000 ‡ z
Provenance
The Artist
Private Collection
Exhibited
New York, Matthew Marks Gallery,
Lucian Freud: Recent Drawings and Etchings,
11 Dec 1993 - 24 Jan 1994 (this impression
exhibited and illustrated pl.4)
Literature
Craig Hartley 28
Starr Figura 45
Painter and Model, 1986-87

Oil on canvas
Private Collection

UK_Editions_Freud_Oct15_Fold Out 1_38-39.indd 1 16/09/15 14:52
Sleeping by the Lion Carpet, 1996
Oil on canvas,
Private Collection
Bridgeman Images
Woman Sleeping, 1995 Exhibited

Etching, on Somerset Textured paper, New York, Museum of Modern Art,
with full margins, signed with initials and Lucian Freud: The Painter’s Etchings,
numbered 29/36 in pencil (there were 16 Dec 2007 - 10 Mar 2008
also 12 artist’s proofs), published by (another impression exhibited and
Matthew Marks Gallery, New York, framed. illustrated p.71)
I. 73 x 59.1 cm (28 3⁄4 x 23 1⁄4 in.)
S. 81.3 x 67.3 cm (32 x 26 1⁄2 in.) Literature
Craig Hartley 52
Estimate Starr Figura 39
£25,000-35,000 $38,000-53,100 Bruce Bernard and Derek Birdsall 286
€34,000-47,600 ‡ z Sebastian Smee 5
William Feaver 276
Provenance Yale 39 (Benefits Supervisor Sleeping)
The Artist
Private Collection

Woman with an Arm Tattoo, 1996

Etching, on Somerset Textured paper,
numbered 3/40 in pencil (there were
also 12 artist’s proofs), published by
I. 59.7 x 81.9 cm (23 1⁄2 x 32 1⁄4 in.)
S. 70.5 x 91.4 cm (27 3⁄4 x 36 in. )
Estimate
£30,000-50,000 $45,500-75,900
€40,800-68,000 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Craig Hartley 54
Starr Figura 40
Sebastian Smee 4
William Feaver 65; 102; 275
Yale 40

Self-Portrait: Reflection, 1996

I. 59.4 x 42.9 cm (23 3⁄8 x 16 7⁄8 in.)
S. 88.3 x 69.9 cm (34 3⁄4 x 27 1⁄2 in.)
Estimate
£60,000-80,000 $91,100-121,000
€81,600-109,000 ‡ z
Provenance
The Artist
Private Collection
Exhibited
London, National Portrait Gallery,
Lucian Freud: Portraits, 9 Feb -
27 May 2012 (another impression
New York, Museum of Modern Art,
Lucian Freud: The Painter’s Etchings,
16 Dec 2007 - 10 Mar 2008 (another
Literature
Craig Hartley 55
Starr Figura 76
Sarah Howgate 123
Sebastian Smee 1
William Feaver 66
Yale 41
Painter Working, Reflection, 1993

Oil on canvas
Private Collection

‘I work from the people that interest me,
and that I care about, in rooms that
I live in and know.’
Conversation, 1998
I. 20 x 25.1 cm (7 7⁄8 x 9 7⁄8 in.)
S. 33.3 x 38.1 cm (13 1⁄8 x 15 in.)
Estimate
£10,000-15,000 $15,200-22,800
€13,600-20,400 ‡ z
Provenance
The Artist
Private Collection
Literature
Craig Hartley 57
Yale 44

David Dawson, 1998 Exhibited

Etching, on Somerset Textured paper, London, National Portrait Gallery,
with full margins, signed with initials and Lucian Freud: Portraits, 9 Feb - 27 May
numbered 34/46 in pencil (there were also 2012 (another impression exhibited and
12 artist’s proofs), published by Matthew illustrated p.195)
Marks Gallery, New York, framed. New York, Museum of Modern Art,
I. 59.7 x 42.5 cm (23 1⁄2 x 16 3⁄4 in.) Lucian Freud: The Painter’s Etchings,
S. 75.6 x 57.2 cm (29 3⁄4 x 22 1⁄2 in.) 16 Dec 2007 - 10 Mar 2008 (this impression
Estimate
£12,000-18,000 $18,200-27,300 Literature
€16,300-24,500 ‡ z Craig Hartley 56
Starr Figura 78
Provenance Sarah Howgate 119
The Artist Sebastian Smee 25
Matthew Marks Gallery, New York William Feaver p.30; 110; 290
Private Collection Yale 43
David and Eli, 2003-04

Oil on canvas
Private Collection
Bridgeman Images

Garden in Winter, 1998-99

annotated ‘A.P 11/12’ (an artist’s proof aside
from the edition of 46), published by
I. 76.2 x 59.1 cm (30 x 23 1⁄4 in.)
S. 97.2 x 76.8 cm (38 1⁄4 x 30 1⁄4 in.)
Estimate
£50,000-70,000 $75,900-106,000
€68,000-95,200 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Craig Hartley 58
Starr Figura 97
Sebastian Smee 32
Garden Painting, 1995

Oil on canvas
Private Collection

The Painter’s Son, Ali, 1998
Oil on canvas
Private Collection,
Bridgeman Images
Head of Ali, 1999

I. 59.7 x 43.2 cm (23 1⁄2 x 17 in.)
S. 75.9 x 57.5 cm (29 7⁄8 x 22 5⁄8 in.)
Estimate
£18,000-25,000 $27,300-38,000
€24,500-34,000 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Craig Hartley 59
Starr Figura 79
Sarah Howgate 120
Sebastian Smee 42

Head of an Irishman, 1999

Etching, on Somerset Textured paper, with full
margins, signed with initials and numbered 35/36
in pencil (Figura calls for an edition of 46 and 12
artist’s proofs), published by Matthew Marks Gallery,
New York, framed.
I. 73.7 x 55.9 cm (29 x 22 in.)
S. 96.5 x 77.5 cm (38 x 30 1⁄2 in.)
Estimate
£30,000-50,000 $45,500-75,900
€40,800-68,000 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Craig Hartley 60
Starr Figura 81
Sarah Howgate 127
Sebastian Smee 29

Pluto Aged Twelve, 2000

margins, signed with initials and numbered 3/46 in
pencil (there were also 12 artist’s proofs), published
by Matthew Marks Gallery, New York, framed.
I. 43.2 x 59.7 cm (17 x 23 1⁄2 in.)
S. 57.2 x 72.4 cm (22 1⁄2 x 28 1⁄2 in.)
Estimate
£50,000-70,000 $75,900-106,000
€68,000-95,200 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Starr Figura 91
Sarah Howgate 126
Sebastian Smee 45
William Feaver 303
Pluto, 1988
Oil on canvas
Private Collection

‘I don’t want to copy the Chardin…

I simply want to get as near to it as I can. It’s a labour of love.’
Lucian Freud

After Chardin, 2000 Provenance

Etching, a working proof with hand-touching The Artist
in charcoal, on Somerset Textured paper, Matthew Marks Gallery, New York
with full margins, signed with initials and Private Collection
inscribed ‘Trial Proof’ in pencil (aside from
the final edition of 46 and 12 artist’s proofs Exhibited
without charcoal), published by Matthew New York, Museum of Modern Art, Lucian
Marks Gallery, New York, framed. Freud: The Painter’s Etchings, 16 Dec 2007 -
I. 59.1 x 73 cm (23 1⁄4 x 28 3⁄4 in.) 10 Mar 2008 (another impression, from the
S. 77.5 x 96.5 cm (30 1⁄2 x 38 in.) final edition, exhibited and illustrated p.131)
Estimate Literature
£35,000-45,000 $54,000-69,400 Starr Figura 101
€47,600-61,300 ‡ z Sebastian Smee 43 (image erroneously cropped)
William Feaver 308
After Chardin, 1999

Oil on canvas
Private Collection

After Chardin, 2000

Etching, on Somerset Textured paper, with full margins,
signed with initials and numbered 41/46 in pencil (there
were also 12 artist’s proofs), published by Matthew Marks
Gallery, New York, framed.
I. 59.4 x 73.7 cm (23 3⁄8 x 29 in.)
S. 76.8 x 96.5 cm (30 1⁄4 x 38 in.)
Estimate
£15,000-25,000 $22,800-38,000 €20,400-34,000 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Starr Figura 101
Sebastian Smee 43 (image erroneously cropped)
William Feaver 308

After Chardin (Small Plate), 2000

margins, signed with initials and annotated
‘A.P 2/24’ in pencil (an artist’s proof aside from
the edition of 80), published by Matthew Marks
Gallery, New York, framed.
I. 15.2 x 20 cm (6 x 7 7⁄8 in.)
S. 38.1 x 50.5 cm (15 x 19 7⁄8 in.)
Estimate
£4,000-6,000 $6,100-9,100 €5,400-8,200 ‡ z
Provenance
The Artist
Private Collection
Literature
William Feaver 311
After Chardin (Small), 1999

Oil on canvas
Private Collection
Bridgeman Images

After Constable’s Elm, 2003

(there were also 12 artist’s proofs), published by
I. 31.1 x 24.1 cm (12 1⁄4 x 9 1⁄2 in.)
S. 47.9 x 37.8 cm (18 7⁄8 x 14 7⁄8 in.)
Estimate
£20,000-30,000 $30,400-45,500 €27,200-40,800 ‡ z
Provenance
The Artist
Private Collection
Exhibited
New York, Acquavella Contemporary Art, Inc., Lucian
Freud: Recent Paintings & Etchings, 28 April - 27 May
2004 (another impression exhibited and illustrated pl.5)
Literature
Sabine Haag and Jasper Sharp p.72 (detail); 84
Study of the Trunk of an

Elm Tree, c.1821
Oil on canvas
Private Collection
Bridgeman Images

Eli, 2002 Exhibited

Etching, on Somerset Textured paper, with full New York, Museum of Modern Art, Lucian
margins, signed with initials and numbered 13/46 Freud: The Painter’s Etchings, 16 Dec 2007 -
in pencil (there were also 12 artist’s proofs), published 10 Mar 2008 (another impression exhibited
by Matthew Marks Gallery, New York, framed. and illustrated p.123)
I. 66 x 85.1 cm (26 x 33 1⁄2 in.) New York, Acquavella Contemporary Art,
S. 76.8 x 95.9 cm (30 1⁄4 x 37 3⁄4 in.) Inc., Lucian Freud: Recent Paintings &
Etchings, 28 April - 27 May 2004 (another
Estimate impression exhibited and illustrated pl.7)
£80,000-120,000 $121,000-182,000
€109,000-163,000 ‡ z Literature
Starr Figura 93
Provenance Sebastian Smee 67
The Artist William Feaver 79; 330
Private Collection
Eli, 2002
Oil on canvas
Private Collection
Bridgeman Images

The Painter’s Garden, 2003-2004

signed with initials and inscribed ‘proof’ in pencil (an
unnumbered proof aside from the edition of 46 and 12
numbered artist’s proofs), published by Acquavella LLC,
New York, framed.
I. 64.5 x 87.6 cm (25 3⁄8 x 34 1⁄2 in.)
S. 76.8 x 100.3 cm (30 1⁄4 x 39 1⁄2 in.)
Estimate
£30,000-50,000 $45,500-75,900 €40,800-68,000 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Starr Figura 99
Sebastian Smee 97
The Painter’s Garden, 2005-06

Oil on canvas
Private Collection
Bridgeman Images

Susanna, 1996
margins, signed with initials and numbered 38/40
in pencil (there were also 12 artist’s proofs), published
by Matthew Marks Gallery, New York, framed.
I. 29.8 x 29.8 cm (11 3⁄4 x 11 3⁄4 in.)
S. 49.8 x 49.8 cm (19 5⁄8 x 19 5⁄8 in.)
Estimate
£12,000-18,000 $18,200-27,300 €16,300-24,500 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Craig Hartley 53
Starr Figura 57
Bruce Bernard and Derek Birdsall 274 (Head of a Woman)
Sebastian Smee 8
Yale 42
Susanna, 1999
Oil on canvas
Private Collection
Bridgeman Images

Head of Naked Girl, 1999
Oil on canvas
Private Collection
Bridgeman Images
Head of a Naked Girl, 2000

(there were also 12 artist’s proofs), published by
I. 38.1 x 38.1 cm (15 x 15 in.)
S. 59.1 x 57.2 cm (23 1⁄4 x 22 1⁄2 in.)
Estimate
£15,000-20,000 $22,800-30,400
€20,400-27,200 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Starr Figura 60
William Feaver 317

Portrait Head, 2001

9/46 in pencil (there were also 12 artist’s
proofs), published by Matthew Marks Gallery,
New York, framed.
I. 59.7 x 47.3 cm (23 1⁄2 x 18 5⁄8 in.)
S. 72.4 x 57.2 cm (28 1⁄2 x 22 1⁄2 in.)
Estimate
£18,000-25,000 $27,300-38,000
€24,500-34,000 ‡ z
Provenance
The Artist
Private Collection
Exhibited
Literature
Starr Figura 61
Sebastian Smee 44

Before the Fourth, 2004

annotated ‘A.P 1/12’ in pencil (an artist’s
proof aside from the edition of 46), published
by Acquavella LLC, New York, framed.
I. 34.3 x 42.5 cm (13 1⁄2 x 16 3⁄4 in.)
S. 57.2 x 66 cm (22 1⁄2 x 26 in.)
Estimate
£7,000-10,000 $10,800-15,400
€9,500-13,600 ‡ z
Provenance
The Artist
Private Collection
Annabel and Rattler, 1998

Oil on canvas
Private Collection

Naked Solicitor, 2003
Oil on canvas
Private Collection
Bridgeman Images
Solicitor’s Head, 2003

Etching, on Somerset Soft paper, with full
3/46 in pencil (there were also 12 artist’s
proofs), published by Acquavella LLC,
New York, framed.
I. 36.8 x 27.6 cm (14 1⁄2 x 10 7⁄8 in.)
S. 59.1 x 47.9 cm (23 1⁄4 x 18 7⁄8 in.)
Estimate
£8,000-12,000 $12,100-18,200
€10,900-16,300 ‡ z
Provenance
The Artist
Private Collection
Exhibited
New York, Acquavella Contemporary Art, Inc.,
Lucian Freud: Recent Paintings & Etchings,
28 April - 27 May 2004 (another impression
exhibited and illustrated pl.10)
Literature
Starr Figura 62
Sarah Howgate 128
Sebastian Smee 80
William Feaver 337

Girl with Fuzzy Hair, 2004 Exhibited

Etching, on Somerset Textured paper, with full London, National Portrait Gallery, Lucian Freud:
margins, signed with initials and annotated ‘1/12 A.P’ Portraits, 9 Feb - 27 May 2012 (another impression
in pencil (an artist’s proof aside from the edition of 46), exhibited and illustrated p.201)
published by Acquavella LLC, New York, framed. New York, Museum of Modern Art, Lucian Freud:
I. 34.3 x 32.4 cm (13 1⁄2 x 12 3⁄4 in.) The Painter’s Etchings, 16 Dec 2007 - 10 Mar 2008
S. 63.5 x 50.2 cm (25 x 19 3⁄4 in.) (another impression exhibited and illustrated p.93)
New York, Acquavella Contemporary Art, Inc., Lucian
Estimate Freud: Recent Paintings & Etchings, 28 April - 27 May
£12,000-18,000 $18,200-27,300 2004 (another impression exhibited and illustrated pl.18)
€16,300-24,500 ‡ z
Literature
Provenance Starr Figura 63
The Artist Sarah Howgate 129
Matthew Marks Gallery, New York Sebastian Smee 89
Private Collection William Feaver 89; 342
Girl with Fuzzy Hair Sitting, 2004

(c-type photo)
David Dawson (b.1960)
Bridgeman Images

‘I know. I’m always moaning.
I don’t want to retire.
I hope to paint myself to death.’
Lucian Freud

Guide for Prospective Buyers
Buying at Auction Pre-Auction Viewing
The following pages are designed to offer you information on how to buy at Pre-auction viewings are open to the public and free of charge. Our specialists are
auction at Phillips. Our staff will be happy to assist you. available to give advice and condition reports at viewings or by appointment.
Conditions of Sale Electrical and Mechanical Lots

The Conditions of Sale and Authorship Warranty which appear later in this All lots with electrical and/or mechanical features are sold on the basis of their
catalogue govern the auction. Bidders are strongly encouraged to read them as decorative value only and should not be assumed to be operative. It is essential
they outline the legal relationship among Phillips, the seller and the buyer and that, prior to any intended use, the electrical system is verified and approved by a
describe the terms upon which property is bought at auction. Please be advised qualified electrician.
that Phillips generally acts as agent for the seller. Bidders should also read the
Important Notices and VAT information immediately following this Guide for Symbol Key
Prospective Buyers. The following key explains the symbols you may see inside this catalogue.
Buyer’s Premium O x Guaranteed Property

Phillips charges the successful bidder a commission, or buyer’s premium, on the The seller of lots designated with the symbol O has been guaranteed a minimum
hammer price of each lot sold. The buyer’s premium is payable by the buyer as part price financed solely by Phillips. Where the guarantee is provided by a third party
of the total purchase price at the following rates: 25% of the hammer price up to and or jointly by us and a third party, the property will be denoted with the symbols O x.
including £50,000, 20% of the portion of the hammer price above £50,000 up to and When a third party has financed all or part of our financial interest in a lot, it assumes
including £1,000,000 and 12% of the portion of the hammer price above £1,000,000. all or part of the risk that the lot will not be sold and will be remunerated accordingly.
The compensation will be a fixed fee, a percentage of the hammer price or the
VAT buyer’s premium or some combination of the foregoing. The third party may bid on
Value added tax (VAT) may be payable on the hammer price and/or the buyer’s the guaranteed lot during the auction. If the third party is the successful bidder, the
premium. The buyer’s premium may attract a charge in lieu of VAT. Please read remuneration may be netted against the final purchase price. If the lot is not sold, the
carefully the VAT and Other Tax Information for Buyers section in this catalogue. third party may incur a loss.
1 Prior to Auction ∆ Property in which Phillips has an Ownership Interest

Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an
Catalogue Subscriptions economic interest in the lot equivalent to an ownership interest.
If you would like to purchase a catalogue for this auction or any other Phillips sale,
please contact us at +44 20 7318 4010 or +1 212 940 1240. •Unless
No Reserve
indicated by a •, all lots in this catalogue are offered subject to a reserve. A
Pre-Sale Estimates reserve is the confidential value established between Phillips and the seller and
Pre-sale estimates are intended as a guide for prospective buyers. Any bid within below which a lot may not be sold. The reserve for each lot is generally set at a
the high and low estimate range should, in our opinion, offer a chance of success. percentage of the low estimate and will not exceed the low pre-sale estimate.
However, many lots achieve prices below or above the pre-sale estimates. Where
‘Estimate on Request’ appears, please contact the specialist department for z Property Subject to the Artist’s Resale Right
further information. It is advisable to contact us closer to the time of the auction as Lots marked with z are subject to the Artist’s Resale Right calculated as a
estimates can be subject to revision. Pre-sale estimates do not include the buyer’s percentage of the hammer price and payable as part of the purchase price as follows:
premium or VAT.
Portion of the Hammer Price (in EUR) Royalty Rate
Pre-Sale Estimates in US Dollars and Euros From 0 to 50,000 4%
Although the sale is conducted in pounds sterling, the pre-sale estimates in the From 50,000.01 to 200,000 3%
auction catalogues may also be printed in US dollars and/or euros. Since the From 200,000.01 to 350,000 1%
exchange rate is that at the time of catalogue production and not at the date of From 350,000.01 to 500,000 0.5%
auction, you should treat estimates in US dollars or euros as a guide only. Exceeding 500,000 0.25%
Catalogue Entries The Artist’s Resale Right applies where the hammer price is EUR 1,000 or more,
Phillips may print in the catalogue entry the history of ownership of a work of art, as subject to a maximum royalty per lot of EUR 12,500. Calculation of the Artist’s
well as the exhibition history of the property and references to the work in art Resale Right will be based on the pounds sterling/euro reference exchange rate
publications. While we are careful in the cataloguing process, provenance, exhibition quoted on the date of the sale by the European Central Bank.
and literature references may not be exhaustive and in some cases we may
intentionally refrain from disclosing the identity of previous owners. Please note that ∑ Endangered Species
all dimensions of the property set forth in the catalogue entry are approximate. Lots with this symbol have been identified at the time of cataloguing as containing
endangered or other protected species of wildlife which may be subject to
Condition of Lots restrictions regarding export or import and which may require permits for export
Our catalogues include references to condition only in the descriptions of multiple as well as import. Please refer to Paragraph 4 of the Guide for Prospective Buyers
works (e.g., prints). Such references, though, do not amount to a full description of and Paragraph 11 of the Conditions of Sale.
condition. The absence of reference to the condition of a lot in the catalogue entry
does not imply that the lot is free from faults or imperfections. Solely as a †, §, ‡, or Ω Property Subject to VAT
convenience to clients, Phillips may provide condition reports. In preparing such Please refer to the section entitled ‘VAT and Other Tax Information for Buyers’ in
reports, our specialists assess the condition in a manner appropriate to the this catalogue for additional information.
estimated value of the property and the nature of the auction in which it is
included. While condition reports are prepared honestly and carefully, our staff are 2 Bidding in the Sale
not professional restorers or trained conservators. We therefore encourage all
prospective buyers to inspect the property at the pre-sale exhibitions and Bidding at Auction
recommend, particularly in the case of any lot of significant value, that you retain Bids may be executed during the auction in person by paddle, by telephone, online
your own restorer or professional advisor to report to you on the property’s or prior to the sale in writing by absentee bid. Proof of identity in the form of
condition prior to bidding. Any prospective buyer of photographs or prints should government-issued identification will be required, as will an original signature. We
always request a condition report because all such property is sold unframed, may also require that you furnish us with a bank reference. Please note that buyers
unless otherwise indicated in the condition report. If a lot is sold framed, Phillips bidding in person, by telephone, online or by absentee bid will not have the right to
accepts no liability for the condition of the frame. If we sell any lot unframed, we cancel the sale of any lot purchased under the Consumer Contracts (Information,
will be pleased to refer the purchaser to a professional framer. Cancellation and Additional Charges) Regulations 2013.

Wayne Thiebaud
Nickel Machine, 1964/2002
Watercolour over etching
Estimate $90,000–120,000
More. More. More.

Modern and Contemporary Editions
Including Works on Paper
26 October 2015, New York
This fall, our Evening and Day Editions sales

will bring a fresh focus to some of the world’s
most exciting and recognisable art and
artists, featuring museum quality original
prints and multiple objects and unique
works on paper.
Visit our public viewing 17–25 October 2015

at 450 Park Avenue or at phillips.com

Bidding in Person Interested Parties Announcement
To bid in person, you will need to register for and collect a paddle before the auction In situations where a person allowed to bid on a lot has a direct or indirect interest
begins. New clients are encouraged to register at least 48 hours in advance of a sale to in such lot, such as the beneficiary or executor of an estate selling the lot, a joint
allow sufficient time for us to process your information. All lots sold will be invoiced owner of the lot or a party providing or participating in a guarantee on the lot,
to the name and address to which the paddle has been registered and invoices Phillips will make an announcement in the saleroom that interested parties may
cannot be transferred to other names and addresses. Please do not misplace your bid on the lot.
paddle. In the event you lose it, inform a Phillips staff member immediately. At the
end of the auction, please return your paddle to the registration desk. Consecutive and Responsive Bidding; No Reserve Lots
The auctioneer may open the bidding on any lot by placing a bid on behalf of the
Bidding by Telephone seller. The auctioneer may further bid on behalf of the seller up to the amount of
If you cannot attend the auction, you may bid live on the telephone with one of our the reserve by placing consecutive bids or bids in response to other bidders. If a lot
multilingual staff members. This service must be arranged at least 24 hours in is offered without reserve, unless there are already competing absentee bids, the
advance of the sale and is available for lots whose low pre-sale estimate is at least auctioneer will generally open the bidding at 50% of the lot’s low pre-sale
£500. Telephone bids may be recorded. By bidding on the telephone, you consent estimate. In the absence of a bid at that level, the auctioneer will proceed
to the recording of your conversation. We suggest that you leave a maximum bid, backwards at his or her discretion until a bid is recognized and will then advance
excluding the buyer’s premium and VAT, which we can execute on your behalf in the bidding from that amount. Absentee bids on no reserve lots will, in the absence
the event we are unable to reach you by telephone. of a higher bid, be executed at approximately 50% of the low pre-sale estimate or
at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there
Online Bidding is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold.
If you cannot attend the auction in person, you may bid online on our online live
bidding platform available on our website at www.phillips.com. The digital saleroom is 4 After the Auction
optimised to run on Google Chrome, Firefox, Opera and Internet Explorer browsers.
Clients who wish to run the platform on Safari will need to install Adobe Flash Player. Payment
Follow the links to ‘Auctions’ and ‘Live Auctions’ and then pre-register by clicking on Buyers are required to pay for purchases immediately following the auction unless
‘Register to Bid Live.’ The first time you register you will be required to create an other arrangements have been agreed with Phillips in writing in advance of the
account; thereafter you will only need to register for each sale. You must pre-register sale. Payment must be made in pounds sterling either by cash, cheque drawn on a
at least 24 hours before the start of the auction in order to be approved by our bid UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our
department. Please note that corporate firewalls may cause difficulties for online bidders. corporate policy not to make or accept single or multiple payments in cash or cash
equivalents in excess of the local currency equivalent of US$10,000.
Absentee Bids
If you are unable to attend the auction and cannot participate by telephone, Credit Cards
Phillips will be happy to execute written bids on your behalf. A bidding form can be As a courtesy to clients, Phillips will accept American Express, Visa, MasterCard,
found at the back of this catalogue. This service is free and confidential. Bids must UnionPay (for in-person transactions only) and UK-issued debit cards to pay for
be placed in the currency of the sale. Our staff will attempt to execute an absentee invoices of £50,000 or less. A processing fee will apply.
bid at the lowest possible price taking into account the reserve and other bidders.
Always indicate a maximum bid, excluding the buyer’s premium and VAT. Collection
Unlimited bids will not be accepted. Any absentee bid must be received at least It is our policy to request proof of identity on collection of a lot. A lot will be
24 hours in advance of the sale. In the event of identical bids, the earliest bid released to the buyer or the buyer’s authorized representative when Phillips has
received will take precedence. received full and cleared payment and we are not owed any other amount by the
buyer. After the auction, we will transfer all lots to our fine art storage facility
Employee Bidding located near Wimbledon and will so advise all buyers. If you are in doubt about the
Employees of Phillips and our affiliated companies, including the auctioneer, may location of your purchase, please contact the Shipping Department prior to
bid at the auction by placing absentee bids so long as they do not know the reserve arranging collection. We will levy removal, interest, storage and handling charges
when submitting their absentee bids and otherwise comply with our employee on uncollected lots.
bidding procedures.
Loss or Damage
Bidding Increments Buyers are reminded that Phillips accepts liability for loss or damage to lots for a
Bidding generally opens below the low estimate and advances in increments of up maximum of seven days following the auction.
to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform
to the increments set below may be lowered to the next bidding increment. Transport and Shipping
As a free service for buyers, Phillips will wrap purchased lots for hand carry only.
UK£50 to UK£1,000 by UK£50s We do not provide packing, handling or shipping services directly. However, we will
UK£1,000 to UK£2,000 by UK£100s coordinate with shipping agents instructed by you in order to facilitate the
UK£2,000 to UK£3,000 by UK£200s packing, handling and shipping of property purchased at Phillips. Please refer to
UK£3,000 to UK£5,000 by UK£200s, 500, 800 (e.g. UK£4,200, 4,500, 4,800) Paragraph 7 of the Conditions of Sale for more information.
UK£5,000 to UK£10,000 by UK£500s
UK£10,000 to UK£20,000 by UK£1,000s Export and Import Licences
UK£20,000 to UK£30,000 by UK£2,000s Before bidding for any property, prospective bidders are advised to make
UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000 independent enquiries as to whether a licence is required to export the property
UK£50,000 to UK£100,000 by UK£5,000s from the United Kingdom or to import it into another country. It is the buyer’s sole
UK£100,000 to UK£200,000 by UK£10,000s responsibility to comply with all import and export laws and to obtain any
above UK£200,000 at the auctioneer’s discretion necessary licences or permits. The denial of any required licence or permit or any
delay in obtaining such documentation will not justify the cancellation of the sale
The auctioneer may vary the increments during the course of the auction at his or or any delay in making full payment for the lot.
her own discretion.
Endangered Species
3 The Auction Items made of or incorporating plant or animal material, such as coral, crocodile,
ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective
Conditions of Sale of age, percentage or value, may require a licence or certificate prior to exportation
As noted above, the auction is governed by the Conditions of Sale and Authorship and additional licences or certificates upon importation to the US or to any country
Warranty. All prospective bidders should read them carefully. They may be within or outside the European Union (EU). Please note that the ability to obtain an
amended by saleroom addendum or auctioneer’s announcement. export licence or certificate does not ensure the ability to obtain an import licence

VAT and Other Tax Information for Buyers
or certificate in another country, and vice versa. We suggest that prospective The following paragraphs provide general information to buyers on the VAT and
bidders check with their own government regarding wildlife import requirements certain other potential tax implications of purchasing property at Phillips. This
prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary information is not intended to be complete. In all cases, the relevant tax legislation
export or import licences or certificates as well as any other required takes precedence, and the VAT rates in effect on the day of the auction will be the
documentation. Please note that the US prohibits the importation of any item rates charged. It should be noted that, for VAT purposes only, Phillips is not usually
containing African elephant ivory. Asian elephant ivory may be imported in to the treated as agent and most property is sold as if it is the property of Phillips. In the
US only if accompanied by independent scientific analysis regarding continent of following paragraphs, reference to VAT symbols shall mean those symbols located
origin and confirmation the object is more than 100 years old. We have not beside the lot number or the pre-sale estimates in the catalogue (or amending
obtained a scientific analysis on any lot prior to sale and cannot indicate whether saleroom addendum).
elephant ivory in a particular lot is African or Asian elephant. Buyers purchase
these lots at their own risk and will be responsible for the costs of obtaining any 1 Property with No VAT Symbol
scientific analysis or other report required in connection with their proposed Where there is no VAT symbol, Phillips is able to use the Auctioneer’s Margin
import of such property into the US. Scheme, and VAT will not normally be charged on the hammer price. Phillips must
bear VAT on the buyer’s premium. Therefore, we will charge an amount in lieu of
With regard to any item containing endangered species other than elephant ivory, VAT at 20% on the buyer’s premium. This amount will form part of the buyer’s
an importer into the US must provide documented evidence of the species premium on our invoice and will not be separately identified.
identification and age of an object in order to demonstrate that the object qualifies
as an antique. This will require the buyer to obtain an independent appraisal 2 Property with a † Symbol
certifying the species of endangered material on the object and certifying that the These lots will be sold under the normal UK VAT rules, and VAT will be charged at
object is not less than 100 years of age. A prospective buyer planning to import an 20% on both the hammer price and buyer’s premium. Where the buyer is a
object into the US may not rely on Phillips cataloguing to establish the species of relevant business person in the EU (non-UK) or is a relevant business person in a
endangered material on the object or to establish the age of the object and must non-EU country then no VAT will be charged on the buyer’s premium. This is
consult with a qualified independent appraiser prior to placing a bid on the lot. subject to Phillips being provided with evidence of the buyer’s VAT registration
number in the relevant Member State (non-UK) or the buyer’s business status in a
Please note that lots containing potentially regulated plant or animal material are non-EU country such as the buyer’s Tax Registration Certificate. Should this
marked as a convenience to our clients, but Phillips does not accept liability for evidence not be provided then VAT will be charged on the buyer’s premium.
errors or for failing to mark lots containing protected or regulated species.
3 Property with a § Symbol
Lots sold to buyers whose registered address is in the EU will be assumed to be
Important Notices remaining in the EU. The property will be invoiced as if it had no VAT symbol.
However, if an EU buyer advises us that the property is to be exported from the EU,
Items Sold under Temporary Admission Phillips will re-invoice the property under the normal VAT rules. Lots sold to
We wish to draw your attention to changes recently made to items sold under buyers whose address is outside the EU will be assumed to be exported from the
temporary admission (originally called temporary importation). The cancelling or EU. The property will be invoiced under the normal VAT rules. Although the
refunding of applicable VAT is now subject to items being exported from the EU hammer price will be subject to VAT, the VAT will be cancelled or refunded upon
within 30 days of payment, rather than 90 days from the date of sale as previously export. The buyer’s premium will always bear VAT unless the buyer is a relevant
required. For up-to-date information on this matter, please refer to the section business person in the EU (non-UK) or is a relevant business person in a non-EU
entitled VAT and Other Tax Information for Buyers below. country, subject to Phillips receiving evidence of the buyer’s VAT registration
number in the relevant Member State (non-UK) or the buyer’s business status in a
Identification of Business or Trade Buyers non-EU country such as the buyer’s Tax Registration Certificate. Should this
As of January 2010, Her Majesty’s Revenue & Customs (‘HMRC’) has made it an evidence not be provided VAT will be charged on the buyer’s premium.
official requirement for auction houses to hold evidence of a buyer’s business
status, due to the revised VAT rules regarding buyer’s premium for lots with 4 Property Sold with a ‡ or Ω Symbol
symbols for businesses outside the UK. These lots have been imported from outside the EU to be sold at auction under
temporary admission. Property subject to temporary admission will be offered
• Where the buyer is a non-EU business, Phillips requires evidence of the business under the Auctioneer’s Margin Scheme and will be subject to import VAT of either
status by means of the company identification, Certificate of Incorporation, 5% or 20%, marked by ‡ and Ω respectively, on the hammer price and an amount in
Articles of Association or government-issued documents showing that the lieu of VAT at 20% on the buyer’s premium. Anyone who wishes to buy outside the
company exists. Auctioneer’s Margin Scheme should notify the Client Accounting Department
• Where the buyer is an EU VAT registered business, Phillips requires the business’s before the sale.
VAT registration number.
Where lots are sold outside the Auctioneer’s Margin Scheme and the buyer is a
These details can be scanned and emailed to us, or alternatively they can be faxed relevant business person in the EU (non-UK) or is a relevant business person in a
or mailed. If these requirements are not met, we will be unable to cancel/refund non-EU country then no VAT will be charged on the buyer’s premium. This is
any applicable VAT. subject to Phillips receiving evidence of the buyer’s VAT registration number in
the relevant Member State (non-UK) or the buyer’s business status in a non-EU
country such as the buyer’s Tax Registration Certificate. Should this evidence not
be provided VAT will be charged on the buyer’s premium.

5 Exports from the European Union 6 VAT Refunds from HM Revenue & Customs
The following types of VAT may be cancelled or refunded by Phillips on exports Where VAT charged cannot be cancelled or refunded by Phillips, it may be possible
made within three months of the sale date if strict conditions are met: to seek repayment from HMRC . Repayments in this manner are limited to
businesses located outside the UK and may be considered for example for Import
• The amount in lieu of VAT charged on the buyer’s premium for property sold VAT charged on the hammer price for lots sold under temporary admission.
under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol).
All claims made by customers located in another member state to the UK will need
• The VAT on the hammer price for property sold under the normal VAT rules to be made under a new mechanism from 1 January 2010. The process prior to 1
(i.e., with a † or a § symbol). January 2010 is no longer in operation.
The following type of VAT may be cancelled or refunded by Phillips on exports If you are located in an EU member state other than the UK you will now need to
made within 30 days of payment date if strict conditions are met: apply for a refund of UK VAT directly to your local tax authority. This is done via
submission of an electronically based claim form which should be accessed
• The import VAT charged on the hammer price and an amount in lieu of VAT on through the website of your local tax authority. As a result, your form may include
the buyer’s premium for property sold under temporary admission (i.e., with a ‡ VAT incurred in a number of member states. Furthermore, from 1 January 2010 you
or a Ω symbol) under the Auctioneer’s Margin Scheme. should only submit one form per year, rather than submitting forms throughout
the year.
In each of the above examples, where the appropriate conditions are satisfied, no
VAT will be charged if, at or before the time of invoicing, the buyer instructs Please note that the time limits by which you must make a claim have been
Phillips to export the property from the EU. This will require acceptance of an extended. When making a claim for VAT incurred in another EU member state any
export quotation provided by Phillips. If such instruction is received after claim will still be made on a calendar year basis but must now be made no later
payment, a refund of the VAT amount will be made. than 30 September following that calendar year. This effectively extends the time
by which claims should be made by three months (e.g., for VAT incurred in the year
Where the buyer carries purchases from the EU personally or uses the services of a 1 January to 31 December 2010 you should make a claim to your local tax authority
third party, Phillips will charge the VAT amount due as a deposit and refund it if the no later than 30 September 2011). Once you have submitted the electronic form to
lot has been exported within the timelines specified below and either of the your local tax authority it is their responsibility to ensure that payment is obtained
following conditions are met: from the relevant member states. This should be completed within four months. If
• For lots sold under the Auctioneer’s Margin Scheme or the normal VAT rules, this time limit is not adhered to you may receive interest on the unpaid amounts.
Phillips is provided with appropriate original documentary proof of export from
the EU within three months of the date of sale. Buyers carrying their own If you are located outside the EU you should apply for a refund of UK VAT directly to
property should obtain hand-carry papers from the Shipping Department to HMRC (the rules for those located outside of the EU have not changed). Claim
facilitate this process. forms are only available from the HMRC website. Go to hmrc.gov.uk, select Forms
under Quick Links and then Find a Form. The relevant form is VAT65A. Completed
• For lots sold under temporary admission, Phillips is provided with the original forms should be returned to: HM Revenue & Customs, VAT Overseas Repayments,
correct paperwork duly completed and stamped by HMRC which shows the 8th/13th Directive, PO Box 34, Foyle House, Duncreggan Road, Londonderry
property has been exported from the EU via the UK within 30 days of payment BT48 7AE, Northern Ireland, (tel) +44 (0)2871 305100 (fax) +44 (0)2871 305101,
date. It is essential for shippers acting on behalf of buyers to collect copies of email enq.oru.ni@hmrc.gsi.gov.uk.
original import papers from our Shipping Department. HMRC insist that the
correct customs procedures are followed and Phillips will not be able to issue You should submit claims for VAT to HMRC no later than six months from the end
any refunds where the export documents do not exactly comply with of the 12 month period ending 30 June (e.g., claims for the period 1 July 2011 to 30
governmental regulations. Property subject to temporary admission must be June 2012 should be made no later than 31 December 2012).
transferred to another customs procedure immediately if any restoration or
repair work is to be carried out. Please note that refunds of VAT will only be made where VAT has been incurred for
a business purpose. Any VAT incurred on articles bought for personal use will not
Buyers carrying their own property must obtain hand-carry papers from the be refunded.
Shipping Department, for which a charge of £20 will be made. The VAT refund will
be processed once the appropriate paperwork has been returned to Phillips. 7 Sales and Use Taxes
Phillips is not able to cancel or refund any VAT charged on sales made to UK or EU Buyers from outside the UK should note that local sales taxes or use taxes may
private residents unless the lot is subject to temporary admission and the become payable upon import of lots following purchase. Buyers should consult
property is exported from the EU within 30 days of payment date. Any refund of their own tax advisors.
VAT is subject to a minimum of £50 per shipment and a processing charge of £20.
Buyers intending to export, repair, restore or alter lots under temporary admission
should notify the Shipping Department before collection. Failure to do so may
result in the import VAT becoming payable immediately and Phillips being unable
to refund the VAT charged on deposit.

Conditions of Sale
The Conditions of Sale and Authorship Warranty set forth below govern the 4 Bidding at Auction
relationship between bidders and buyers, on the one hand, and Phillips and sellers, (a) Phillips has absolute discretion to refuse admission to the auction or
on the other hand. All prospective buyers should read these Conditions of Sale, the participation in the sale. All bidders must register for a paddle prior to bidding,
Important Notices and VAT information following the Guide for Prospective Buyers supplying such information and references as required by Phillips.
and the Authorship Warranty carefully before bidding.
(b) As a convenience to bidders who cannot attend the auction in person, Phillips
1 Introduction may, if so instructed by the bidder, execute written absentee bids on a bidder’s
Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions behalf. Absentee bidders are required to submit bids on the Absentee Bid Form, a
of Sale and Authorship Warranty; (b) additional notices and terms printed in other copy of which is printed in this catalogue or otherwise available from Phillips. Bids
places in this catalogue, including the Guide for Prospective Buyers and (c) must be placed in the currency of the sale. The bidder must clearly indicate the
supplements to this catalogue or other written material posted by Phillips in the maximum amount he or she intends to bid, excluding the buyer’s premium and
saleroom, in each case as amended by any addendum or announcement by the value added tax (VAT). The auctioneer will not accept an instruction to execute an
auctioneer prior to the auction. absentee bid which does not indicate such maximum bid. Our staff will attempt to
By bidding at the auction, whether in person, through an agent, by written bid, by execute an absentee bid at the lowest possible price taking into account the
telephone bid or other means, bidders and buyers agree to be bound by these reserve and other bidders. Any absentee bid must be received at least 24 hours in
Conditions of Sale, as so changed or supplemented, and Authorship Warranty. advance of the sale. In the event of identical bids, the earliest bid received will take
These Conditions of Sale, as so changed or supplemented, and Authorship precedence.
Warranty contain all the terms on which Phillips and the seller contract with the
buyer. (c) Telephone bidders are required to submit bids on the Telephone Bid Form, a
copy of which is printed in this catalogue or otherwise available from Phillips.
2 Phillips as Agent Telephone bidding is available for lots whose low pre-sale estimate is at least
Phillips acts as an agent for the seller, unless otherwise indicated in this catalogue £500. Phillips reserves the right to require written confirmation of a successful bid
or at the time of auction. On occasion, Phillips may own a lot directly, in which case from a telephone bidder by fax or otherwise immediately after such bid is accepted
we will act in a principal capacity as a consignor, or a company affiliated with Phillips by the auctioneer. Telephone bids may be recorded and, by bidding on the
may own a lot, in which case we will act as agent for that company, or Phillips or an telephone, a bidder consents to the recording of the conversation.
affiliated company may have a legal, beneficial or financial interest in a lot as a
secured creditor or otherwise. (d) Bidders may participate in an auction by bidding online through Phillips’s online
live bidding platform available on our website at www.phillips.com. To bid online,
3 Catalogue Descriptions and Condition of Property bidders must register online at least 24 hours before the start of the auction. Online
Lots are sold subject to the Authorship Warranty, as described in the catalogue bidding is subject to approval by Phillips’s bid department in our sole discretion. As
(unless such description is changed or supplemented, as provided in Paragraph 1 noted in Paragraph 3 above, Phillips encourages online bidders to inspect prior to
above) and in the condition that they are in at the time of the sale on the following the auction any lot(s) on which they may bid, and condition reports are available
basis. upon request. Bidding in a live auction can progress quickly. To ensure that online
bidders are not placed at a disadvantage when bidding against bidders in the room
(a) The knowledge of Phillips in relation to each lot is partially dependent on or on the telephone, the procedure for placing bids through Phillips’s online bidding
information provided to us by the seller and Phillips is not able to and does not platform is a one-step process. By clicking the bid button on the computer screen, a
carry out exhaustive due diligence on each lot. Prospective buyers acknowledge bidder submits a bid. Online bidders acknowledge and agree that bids so submitted
this fact and accept responsibility for carrying out inspections and investigations are final and may not under any circumstances be amended or retracted. During a
to satisfy themselves as to the lots in which they may be interested. live auction, when bids other than online bids are placed, they will be displayed on
Notwithstanding the foregoing, we shall exercise such reasonable care when the online bidder’s computer screen as ‘floor’ bids. ‘Floor’ bids include bids made by
making express statements in catalogue descriptions or condition reports as is the auctioneer to protect the reserve. In the event that an online bid and a ‘floor’ or
consistent with our role as auctioneer of lots in this sale and in light of (i) the ‘phone’ bid are identical, the ‘floor’ bid may take precedence at the auctioneer’s
information provided to us by the seller; (ii) scholarship and technical knowledge discretion. The next bidding increment is shown for the convenience of online
and (iii) the generally accepted opinions of relevant experts, in each case at the bidders in the bid button. The bidding increment available to online bidders may
time any such express statement is made. vary from the next bid actually taken by the auctioneer, as the auctioneer may
deviate from Phillips’s standard increments at any time at his or her discretion, but
(b) Each lot offered for sale at Phillips is available for inspection by prospective an online bidder may only place a bid in a whole bidding increment. Phillips’s
buyers prior to the auction. Phillips accepts bids on lots on the basis that bidders bidding increments are published in the Guide for Prospective Buyers.
(and independent experts on their behalf, to the extent appropriate given the
nature and value of the lot and the bidder’s own expertise) have fully inspected the (e) When making a bid, whether in person, by absentee bid, on the telephone or
lot prior to bidding and have satisfied themselves as to both the condition of the online, a bidder accepts personal liability to pay the purchase price, as described
lot and the accuracy of its description. more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has
been explicitly agreed in writing with Phillips before the commencement of the
(c) Prospective buyers acknowledge that many lots are of an age and type which auction that the bidder is acting as agent on behalf of an identified third party
means that they are not in perfect condition. As a courtesy to clients, Phillips may acceptable to Phillips and that we will only look to the principal for such payment.
prepare and provide condition reports to assist prospective buyers when they are
inspecting lots. Catalogue descriptions and condition reports may make reference (f) By participating in the auction, whether in person, by absentee bid, on the
to particular imperfections of a lot, but bidders should note that lots may have telephone or online, each prospective buyer represents and warrants that any bids
other faults not expressly referred to in the catalogue or condition report. All placed by such person, or on such person’s behalf, are not the product of any
dimensions are approximate. Illustrations are for identification purposes only and collusive or other anti-competitive agreement and are otherwise consistent with
cannot be used as precise indications of size or to convey full information as to the federal and state antitrust law.
actual condition of lots.
(g) Arranging absentee, telephone and online bids is a free service provided by
(d) Information provided to prospective buyers in respect of any lot, including any Phillips to prospective buyers. While we undertake to exercise reasonable care in
pre-sale estimate, whether written or oral, and information in any catalogue, undertaking such activity, we cannot accept liability for failure to execute such
condition or other report, commentary or valuation, is not a representation of fact bids except where such failure is caused by our willful misconduct.
but rather a statement of opinion held by Phillips. Any pre-sale estimate may not
be relied on as a prediction of the selling price or value of the lot and may be (h) Employees of Phillips and our affiliated companies, including the auctioneer,
revised from time to time by Phillips at our absolute discretion. Neither Phillips nor may bid at the auction by placing absentee bids so long as they do not know the
any of our affiliated companies shall be liable for any difference between the pre- reserve when submitting their absentee bids and otherwise comply with our
sale estimates for any lot and the actual price achieved at auction or upon resale. employee bidding procedures.

5 Conduct of the Auction (d) Unless otherwise agreed, a buyer is required to pay for a purchased lot
(a) Unless otherwise indicated by the symbol •, each lot is offered subject to a immediately following the auction regardless of any intention to obtain an export
reserve, which is the confidential minimum selling price agreed by Phillips with the or import license or other permit for such lot. Payments must be made by the
seller. The reserve will not exceed the low pre-sale estimate at the time of the auction. invoiced party in pounds sterling either by cash, cheque drawn on a UK bank or
wire transfer, as follows:
(b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot,
re-offer a lot for sale (including after the fall of the hammer) if he or she believes (i) Phillips will accept payment in cash provided that the total amount paid in cash
there may be error or dispute and take such other action as he or she deems or cash equivalents does not exceed the local currency equivalent of US$10,000.
reasonably appropriate. Phillips shall have no liability whatsoever for any such
action taken by the auctioneer. If any dispute arises after the sale, our sale record (ii) Personal cheques and banker’s drafts are accepted if drawn on a UK bank and
is conclusive. The auctioneer may accept bids made by a company affiliated with the buyer provides to us acceptable government-issued identification. Cheques and
Phillips provided that the bidder does not know the reserve placed on the lot. banker’s drafts should be made payable to Phillips Auctioneers Ltd. If payment is
sent by post, please send the cheque or banker’s draft to the attention of the Client
(c) The auctioneer will commence and advance the bidding at levels and in Accounting Department at
increments he or she considers appropriate. In order to protect the reserve on any 30 Berkeley Square, London, W1J6EX and ensure that the sale number is written on
lot, the auctioneer may place one or more bids on behalf of the seller up to the the cheque. Cheques or banker’s drafts drawn by third parties will not be accepted.
reserve without indicating he or she is doing so, either by placing consecutive bids
or bids in response to other bidders. If a lot is offered without reserve, unless there (iii) Payment by wire transfer may be sent directly to Phillips. Bank transfer details:
are already competing absentee bids, the auctioneer will generally open the
bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that Bank of Scotland
level, the auctioneer will proceed backwards at his or her discretion until a bid is Gordon Street, Glasgow G1 3RS, Scotland
recognized and will then advance the bidding from that amount. Absentee bids on Account of Phillips Auctioneers Ltd.
no reserve lots will, in the absence of a higher bid, be executed at approximately Account No: 00440780
50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of Sort code: 80-54-01
the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the SWIFT/BIC: BOFSGB21138
auctioneer may deem such lot unsold. IBAN: GB36BOFS80540100440780
(d) The sale will be conducted in pounds sterling and payment is due in pounds (e) As a courtesy to clients, Phillips will accept American Express, Visa,
sterling. For the benefit of international clients, pre-sale estimates in the auction MasterCard, UnionPay (for in-person transactions only) and UK-issued debit cards
catalogue may be shown in US dollars and/or euros and, if so, will reflect to pay for invoices of £50,000 or less. A processing fee will apply.
approximate exchange rates. Accordingly, estimates in US dollars or euros should
be treated only as a guide. If a currency converter is operated during the sale, it is (f) Title in a purchased lot will not pass until Phillips has received the Purchase
done so as a courtesy to bidders, but Phillips accepts no responsibility for any Price for that lot in cleared funds. Phillips is not obliged to release a lot to the buyer
errors in currency conversion calculation. until title in the lot has passed and appropriate identification has been provided,
and any earlier release does not affect the passing of title or the buyer’s
(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted unconditional obligation to pay the Purchase Price.
by the auctioneer will be the buyer and the striking of the hammer marks the
acceptance of the highest bid and the conclusion of a contract for sale between the 7 Collection of Property
seller and the buyer. Risk and responsibility for the lot passes to the buyer as set (a) Phillips will not release a lot to the buyer until we have received payment of its
forth in Paragraph 7 below. Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts
due to Phillips or any of our affiliated companies, including any charges payable
(f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’, pursuant to Paragraph 8 (a) below, and the buyer has satisfied such other terms as
‘withdrawn’, ‘returned to owner’ or ‘bought-in’. we in our sole discretion shall require, including completing any anti-money
laundering or anti-terrorism financing checks. As soon as a buyer has satisfied all
(g) Any post-auction sale of lots offered at auction shall incorporate these of the foregoing conditions, he or she should contact us at +44 (0) 207 318 4081 or
Conditions of Sale and Authorship Warranty as if sold in the auction. +44 (0) 207 318 4082 to arrange for collection of purchased property.
6 Purchase Price and Payment (b) The buyer must arrange for collection of a purchased lot within seven days of
(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the the date of the auction. After the auction, we will transfer all lots to our fine art
buyer’s premium, plus any applicable value added tax (VAT) and any applicable storage facility located near Wimbledon and will so advise all buyers. Purchased
resale royalty (the ‘Purchase Price’). The buyer’s premium is 25% of the hammer lots are at the buyer’s risk, including the responsibility for insurance, from (i) the
price up to and including £50,000, 20% of the portion of the hammer price above date of collection or (ii) seven days after the auction, whichever is the earlier. Until
£50,000 up to and including £1,000,000 and 12% of the portion of the hammer risk passes, Phillips will compensate the buyer for any loss or damage to a
price above £1,000,000. Phillips reserves the right to pay from our compensation purchased lot up to a maximum of the Purchase Price paid, subject to our usual
an introductory commission to one or more third parties for assisting in the sale of exclusions for loss or damage to property.
property offered and sold at auction.
(b) VAT is payable in accordance with applicable law. All prices, fees, charges and (c) As a courtesy to clients, Phillips will, without charge, wrap purchased lots for
expenses set out in these Conditions of Sale are quoted exclusive of VAT. hand carry only. We do not provide packing, handling, insurance or shipping
services. We will coordinate with shipping agents instructed by the buyer, whether
(c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees or not recommended by Phillips, in order to facilitate the packing, handling,
to pay to us an amount equal to the resale royalty provided for in those regulations insurance and shipping of property bought at Phillips. Any such instruction is
and we undertake to the buyer to pay such amount to the artist’s collection agent. entirely at the buyer’s risk and responsibility, and we will not be liable for acts or
In circumstances where (i) we are on notice that the resale royalty is payable or (ii) omissions of third party packers or shippers.
we have not been able to ascertain the nationality of the artist, we will identify the
lot with the symbol z next to the lot number and will invoice the resale royalty to (d) Phillips will require presentation of government-issued identification prior to
the buyer. If we subsequently determine that the nationality of the artist does not release of a lot to the buyer or the buyer’s authorized representative.
entitle him/her to the resale royalty on the lot, we will arrange a refund to the
buyer of the amount of the royalty paid to us. If, after a sale in which we did not 8 Failure to Collect Purchases
collect the resale royalty on a particular lot, we become aware that information (a) If the buyer pays the Purchase Price but fails to collect a purchased lot within
provided to us prior to the auction concerning an artist’s nationality was incorrect 30 days of the auction, the buyer will incur a storage fee of £10 per day for each
and the artist is entitled to the resale royalty on the lot, the buyer shall pay the uncollected lot. Additional charges may apply to oversized lots. We will not release
resale royalty to us upon receipt of an invoice. purchased lots to the buyer until all such charges have been paid in full.

(b) If a purchased lot is paid for but not collected within six months of the auction, some countries prohibit the import of property made of or incorporating plant or
the buyer authorizes Phillips, upon notice, to arrange a resale of the item by animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood,
auction or private sale, with estimates and a reserve set at Phillips’s reasonable rhinoceros horn or tortoiseshell, irrespective of age, percentage or value.
discretion. The proceeds of such sale will be applied to pay for storage charges and Accordingly, prior to bidding, prospective buyers considering export of purchased
any other outstanding costs and expenses owed by the buyer to Phillips or our lots should familiarize themselves with relevant export and import regulations of
affiliated companies and the remainder will be forfeited unless collected by the the countries concerned. Please note that the US prohibits the importation of any
buyer within two years of the original auction. item containing African elephant ivory. Asian elephant ivory may be imported in
to the US only if accompanied by independent scientific analysis of continent of
9 Remedies for Non-Payment origin and confirmation the object is more than 100 years old.
(a) Without prejudice to any rights the seller may have, if the buyer without prior
agreement fails to make payment of the Purchase Price for a lot in cleared funds With regard to any item containing endangered species other than elephant ivory,
within seven days of the auction, Phillips may in our sole discretion exercise one or an importer into the US must provide documented evidence of the species
more of the following remedies: (i) store the lot at Phillips‘s premises or elsewhere identification and age of an object in order to demonstrate that the item qualifies
at the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any as an antique. This will require the buyer to obtain an independent appraisal
partial payment of the Purchase Price as liquidated damages; (iii) reject future bids certify the species of endangered material on the object and certifying that the
from the buyer or render such bids subject to payment of a deposit; (iv) charge object is not less than 100 years of age. A prospective buyer planning to import an
interest at 12% per annum from the date payment became due until the date the object containing endangered species into the US may not rely on Phillips
Purchase Price is received in cleared funds; (v) subject to notification of the buyer, cataloguing to establish the species of endangered material on the object or to
exercise a lien over any of the buyer’s property which is in the possession of Phillips establish the age of the object and must consult with a qualified independent
and instruct our affiliated companies to exercise a lien over any of the buyer’s appraiser prior to placing a bid on the lot.
property which is in their possession and, in each case, no earlier than 30 days
from the date of such notice arrange the sale of such property and apply the It is solely the buyer’s responsibility to comply with these laws and to obtain any
proceeds to the amount owed to Phillips or any of our affiliated companies after necessary export, import and endangered species licences or permits. Failure to
the deduction from sale proceeds of our standard vendor’s commission, all sale- obtain a licence or permit or delay in so doing will not justify the cancellation of the
related expenses and any applicable taxes thereon; (vi) resell the lot by auction or sale or any delay in making full payment for the lot. As a courtesy to clients,
private sale, with estimates and a reserve set at Phillips’s reasonable discretion, it Phillips has marked in the catalogue lots containing potentially regulated plant or
being understood that in the event such resale is for less than the original hammer animal material, but we do not accept liability for errors or for failing to mark lots
price and buyer’s premium for that lot, the buyer will remain liable for the shortfall containing protected or regulated species.
together with all costs incurred in such resale; (vii) commence legal proceedings to
recover the hammer price and buyer’s premium for that lot, together with interest 12 Data Protection
and the costs of such proceedings; (viii) set off the outstanding amount (a) In connection with the supply of auction and related services, or as required by
remaining unpaid by the buyer against any amounts which we or any of our law, Phillips may ask clients to provide personal data. Phillips may take and retain a
affiliated companies may owe the buyer in any other transactions; (ix) release the copy of government-issued identification such as a passport or driving licence. We
name and address of the buyer to the seller to enable the seller to commence legal will use your personal data (i) to provide auction and related services; (ii) to
proceedings to recover the amounts due and legal costs; or (x) take such other enforce these Conditions of Sale; (iii) to carry out identity and credit checks; (iv) to
action as we deem necessary or appropriate. implement and improve the management and operations of our business and (v)
for other purposes set out in our Privacy Policy published on the Phillips website at
(b) The buyer irrevocably authorizes Phillips to exercise a lien over the buyer’s www.phillips.com (the ‘Privacy Policy’) and available on request by emailing
property which is in our possession upon notification by any of our affiliated dataprotection@phillips.com. By agreeing to these Conditions of Sale, you consent
companies that the buyer is in default of payment. Phillips will notify the buyer of to our use of your personal data, including sensitive personal data, in accordance
any such lien. The buyer also irrevocably authorizes Phillips, upon notification by with the Privacy Policy. The personal data we may collect and process is listed, and
any of our affiliated companies that the buyer is in default of payment, to pledge sensitive personal data is defined, in our Privacy Policy. Phillips may also, from
the buyer’s property in our possession by actual or constructive delivery to our time to time, send you promotional and marketing materials about us and our
affiliated company as security for the payment of any outstanding amount due. services. If you would prefer not to receive such information, please email us at
Phillips will notify the buyer if the buyer’s property has been delivered to an dataprotection@phillips.com. Please also email us at this address to receive
affiliated company by way of pledge. information about your personal data or to advise us if the personal data we hold
about you is inaccurate or out of date.
(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips to
instruct any of our affiliated companies in possession of the buyer’s property to (b) In order to provide our services, we may disclose your personal data to third
deliver the property by way of pledge as the buyer’s agent to a third party instructed parties, including professional advisors, shippers and credit agencies. We will
by Phillips to hold the property on our behalf as security for the payment of the disclose, share with and transfer your personal data to Phillips’s affiliated persons
Purchase Price and any other amount due and, no earlier than 30 days from the date (natural or legal) for administration, sale and auction related purposes, including
of written notice to the buyer, to sell the property in such manner and for such to persons outside the European Economic Area (EEA), where national laws may
consideration as can reasonably be obtained on a forced sale basis and to apply the not provide an equivalent level of protection to personal data as that provided
proceeds to any amount owed to Phillips or any of our affiliated companies after the within the EEA. You expressly consent to such transfer of your personal data,
deduction from sale proceeds of our standard vendor’s commission, all sale-related including sensitive personal data, outside the EEA. We will not sell, rent or
expenses and any applicable taxes thereon. otherwise transfer any of your personal data to third parties except as otherwise
expressly provided in this Paragraph 12.
10 Rescission by Phillips
Phillips shall have the right, but not the obligation, to rescind a sale without notice (c) Phillips’s premises may be subject to video surveillance and recording.
to the buyer if we reasonably believe that there is a material breach of the seller’s Telephone calls (e.g., telephone bidding) may also be recorded. We may process
representations and warranties or the Authorship Warranty or an adverse claim is that information in accordance with our Privacy Policy.
made by a third party. Upon notice of Phillips election to rescind the sale, the buyer
will promptly return the lot to Phillips, and we will then refund the Purchase Price 13 Limitation of Liability
paid to us. As described more fully in Paragraph 13 below, the refund shall (a) Subject to sub-paragraph (e) below, the total liability of Phillips, our affiliated
constitute the sole remedy and recourse of the buyer against Phillips and the seller companies and the seller to the buyer in connection with the sale of a lot shall be
with respect to such rescinded sale. limited to the Purchase Price actually paid by the buyer for the lot.
11 Export, Import and Endangered Species Licences and Permits (b) Except as otherwise provided in this Paragraph 13, none of Phillips, any of our
Before bidding for any property, prospective buyers are advised to make their own affiliated companies or the seller (i) is liable for any errors or omissions, whether
enquiries as to whether a licence is required to export a lot from the United orally or in writing, in information provided to prospective buyers by Phillips or any of
Kingdom or to import it into another country. Prospective buyers are advised that our affiliated companies or (ii) accepts responsibility to any bidder in respect of acts

Authorship Warranty
or omissions, whether negligent or otherwise, by Phillips or any of our affiliated Phillips warrants the authorship of property in this auction catalogue described in
companies in connection with the conduct of the auction or for any other matter headings in BOLD or CAPITALIZED type for a period of five years from date of sale
relating to the sale of any lot. by Phillips, subject to the exclusions and limitations set forth below.
(c) All warranties other than the Authorship Warranty, express or implied, (a) Phillips gives this Authorship Warranty only to the original buyer of record (i.e.,
including any warranty of satisfactory quality and fitness for purpose, are the registered successful bidder) of any lot. This Authorship Warranty does not
specifically excluded by Phillips, our affiliated companies and the seller to the extend to (i) subsequent owners of the property, including purchasers or recipients
fullest extent permitted by law. by way of gift from the original buyer, heirs, successors, beneficiaries and assigns;
(ii) property where the description in the catalogue states that there is a conflict of
(d) Subject to sub-paragraph (e) below, none of Phillips, any of our affiliated opinion on the authorship of the property; (iii) property where our attribution of
companies or the seller shall be liable to the buyer for any loss or damage beyond authorship was on the date of sale consistent with the generally accepted opinions
the refund of the Purchase Price referred to in sub-paragraph (a) above, whether of specialists, scholars or other experts; (iv) property whose description or dating is
such loss or damage is characterised as direct, indirect, special, incidental or proved inaccurate by means of scientific methods or tests not generally accepted
consequential, or for the payment of interest on the Purchase Price to the fullest for use at the time of the publication of the catalogue or which were at such time
extent permitted by law. deemed unreasonably expensive or impractical to use or likely in our reasonable
opinion to have caused damage or loss in value to the lot or (v) property where
(e) No provision in these Conditions of Sale shall be deemed to exclude or limit the there has been no material loss in value from the value of the lot had it been as
liability of Phillips or any of our affiliated companies to the buyer in respect of any described in the heading of the catalogue entry.
fraud or fraudulent misrepresentation made by any of us or in respect of death or
personal injury caused by our negligent acts or omissions. (b) In any claim for breach of the Authorship Warranty, Phillips reserves the right,
as a condition to rescinding any sale under this warranty, to require the buyer to
14 Copyright provide to us at the buyer’s expense the written opinions of two recognized experts
The copyright in all images, illustrations and written materials produced by or for approved in advance by Phillips. We shall not be bound by any expert report
Phillips relating to a lot, including the contents of this catalogue, is and shall produced by the buyer and reserve the right to consult our own experts at our
remain at all times the property of Phillips and, subject to the provisions of the expense. If Phillips agrees to rescind a sale under the Authorship Warranty, we shall
Copyright, Designs and Patents Act 1988, such images and materials may not be refund to the buyer the reasonable costs charged by the experts commissioned by
used by the buyer or any other party without our prior written consent. Phillips and the buyer and approved in advance by us.
the seller make no representations or warranties that the buyer of a lot will acquire
any copyright or other reproduction rights in it. (c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may
bring a claim for breach of the Authorship Warranty provided that (i) he or she has
15 General notified Phillips in writing within three months of receiving any information which
(a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 causes the buyer to question the authorship of the lot, specifying the auction in
above, and Authorship Warranty set out the entire agreement between the parties which the property was included, the lot number in the auction catalogue and the
with respect to the transactions contemplated herein and supersede all prior and reasons why the authorship of the lot is being questioned and (ii) the buyer returns
contemporaneous written, oral or implied understandings, representations and the lot to Phillips to the saleroom in which it was purchased in the same condition as
agreements. at the time of its auction and is able to transfer good and marketable title in the lot
free from any third party claim arising after the date of the auction. Phillips has
(b) Notices to Phillips shall be in writing and addressed to the department in charge of discretion to waive any of the foregoing requirements set forth in this
the sale, quoting the reference number specified at the beginning of the sale subparagraph (c) or subparagraph (b) above.
catalogue. Notices to clients shall be addressed to the last address notified by them in
writing to Phillips. (d) The buyer understands and agrees that the exclusive remedy for any breach of
the Authorship Warranty shall be rescission of the sale and refund of the original
(c) These Conditions of Sale are not assignable by any buyer without our prior Purchase Price paid. This remedy shall constitute the sole remedy and recourse of
written consent but are binding on the buyer’s successors, assigns and the buyer against Phillips, any of our affiliated companies and the seller and is in
representatives. lieu of any other remedy available as a matter of law or equity. This means that
none of Phillips, any of our affiliated companies or the seller shall be liable for loss
(d) Should any provision of these Conditions of Sale be held void, invalid or or damage beyond the remedy expressly provided in this Authorship Warranty,
unenforceable for any reason, the remaining provisions shall remain in full force whether such loss or damage is characterized as direct, indirect, special, incidental
and effect. No failure by any party to exercise, nor any delay in exercising, any right or consequential, or for the payment of interest on the original Purchase Price.
or remedy under these Conditions of Sale shall act as a waiver or release thereof in
whole or in part.
(e) No term of these Conditions of Sale shall be enforceable under the Contracts
(Rights of Third Parties) Act 1999 by anyone other than the buyer.
16 Law and Jurisdiction

(a) The rights and obligations of the parties with respect to these Conditions of
Sale and Authorship Warranty, the conduct of the auction and any matters related
to any of the foregoing shall be governed by and interpreted in accordance with
English law.
(b) For the benefit of Phillips, all bidders and sellers agree that the Courts of
England are to have exclusive jurisdiction to settle all disputes arising in
connection with all aspects of all matters or transactions to which these Conditions
of Sale and Authorship Warranty relate or apply. All parties agree that Phillips shall
retain the right to bring proceedings in any court other than the Courts of England.
(c) All bidders and sellers irrevocably consent to service of process or any other
documents in connection with proceedings in any court by facsimile transmission,
personal service, delivery by mail or in any other manner permitted by English law,
the law of the place of service or the law of the jurisdiction where proceedings are
instituted at the last address of the bidder or seller known to Phillips.

Executive Management
Chairman & CEO

Edward Dolman
President
Michael McGinnis
Deputy Chairman Directors Chief of Staff Chief Financial Officer

Svetlana Marich Henry Allsopp Lisa King Annette Schwaer
Alex Heminway
Deputy Chairmen, Chief Operating Officer, Chief Information Officer
Nazgol Jahan
Europe & Asia Americas Ben Carey
Martin Klosterfelde
Matt Carey-Williams Sean Cleary
Cary Leibowitz Chief People Officer
Finn Schouenborg
Zach Miner Chief Operating Officer, Irina Shifrin
Dombernowsky
Jean-Michel Placent UK Europe & Asia
Peter Sumner Chief Creative Officer
Senior Advisor Frank Lasry
Kelly Troester Damien Whitmore
Arnold Lehman
Chief Counsel International Business

Richard Aydon Director
Bart Van Son
Senior Directors
David Georgiades Managing Director,
Vanessa Hallett Geneva
Alexander Payne Myriam Christinaz
August O. Uribe
Olivier Vrankrenne
International Specialists Worldwide Offices
Berlin Martin Klosterfelde London New York

Director and International Specialist, Contemporary Art 30 Berkeley Square 450 Park Avenue
+49 177 628 4110 London W1J 6EX, United Kingdom New York, NY 10022, USA
tel +44 20 7318 4010 tel +1 212 940 1200
Brussels Olivier Vrankenne fax +44 20 7318 4011 fax +1 212 940 1378
Co-Head Contemporary Art, Europe +32 486 43 43 44
Denver Melyora de Koning Berlin Istanbul

Senior Specialist, Contemporary Art +1 917 657 7193 Kurfürstendamm 193 Meclisi Mebusan Caddesi
10707 Berlin, Germany Deniz Apartmani No. 79/8
Geneva Dr. Nathalie Monbaron tel +49 30 887 297 44 Beyoglu 34427, Istanbul, Turkey
Business Development Director, Watches +41 22 317 81 83 tel +90 533 374 1198
Brussels
Geneva Oksana Katchaluba rue Jean Baptiste Colyns 72 Moscow
Specialist, Contemporary Art +41 22 906 80 00 1050 Brussels, Belgium Nikolskaya Str 19–21, 5th floor,
tel +32 486 43 43 44 109012 Moscow, Russia
Hong Kong Sam Hines
tel +7 495 225 88 22
International Head of Watches +852 2318 2000 Geneva
fax +7 495 225 88 87
23 quai des Bergues
Istanbul Deniz Atac
1201 Geneva, Switzerland Paris
Consultant +90 533 374 1198
tel +41 22 906 80 00 46 rue du Bac,
London Svetlana Marich fax +41 22 906 80 01 75007 Paris, France
Co-Head Contemporary Art, Europe +44 20 7318 4010 tel +33 1 42 78 67 77
15 quai de l’Ile
fax +33 1 42 78 23 07
1204 Geneva, Switzerland
Paris Maria Cifuentes Caruncho
fax +41 22 317 81 80 Zurich
Specialist +33 142 78 67 77
Restelbergstrasse 89,
Hong Kong
Portugal Maura Marvão 8044 Zurich, Switzerland
Room 1301-13/F, York House,
Consultant, Contemporary Art +351 917 564 427 tel +41 79 533 90 00
The Landmark Building,
Zurich Niklaus Kuenzler 15 Queen’s Road Central, Hong Kong
Specialist, Contemporary Art +41 79 533 90 00 tel +852 2318 2000
fax +852 2318 2002

Specialists and Departments
Contemporary Art Design

David Georgiades, Worldwide Co-Head Contemporary Art +1 212 940 1280 Alexander Payne, Senior Director +44 20 7318 4052
August O. Uribe, Worldwide Co-Head Contemporary Art +1 212 940 1208 and Worldwide Head, Design
London London
Peter Sumner, Head of Contemporary Art, London +44 20 7318 4063 Madalena Horta e Costa, Head of Sale +44 20 7318 4019
Henry Highley, Head of Day Sale +44 20 7318 4061 Domenico Raimondo +44 20 7318 4016
Tamila Kerimova, Head of New Now Sale +44 20 7318 4065 Marine Hartogs +44 20 7901 7913
Matt Langton +44 20 7318 4074 Marcus McDonald +44 20 7318 4095
Iori Endo +44 20 7318 4039 Marta De Roia +44 20 7318 4096
Lisa Stevenson +44 20 7901 7925
Simon Tovey +44 20 7318 4084
Sofia Sayn-Wittgenstein +44 20 7318 4023
Hannah Tjaden +44 20 7318 4093
Alex Dolman +44 20 7901 7911
Ava Carleton-Williams +44 20 7901 7904 New York
Chiara Panarello +44 20 7318 4073 Alex Heminway, New York Director +1 212 940 1268
Meaghan Roddy +1 212 940 1266
New York
Cordelia Lembo +1 212 940 1265
Kate Bryan, Head of Evening Sale +1 212 940 1267
Jillian Pfifferling +1 212 940 1268
John McCord, Head of Day Sale +1 212 940 1261
Rebekah Bowling, Head of New Now Sale +1 212 940 1250
Photographs
Jean-Michel Placent +1 212 940 1263 Vanessa Hallett, Senior Director +1 212 940 1243
Zach Miner +1 212 940 1256 and Worldwide Head, Photographs
Kyla Sullivan +1 212 940 1204 London
Karen Garka-Prince +1 212 940 1219 Lou Proud, Head of Photographs, London +44 20 7318 4018
Katherine Lukacher +1 212 940 1215 Yuka Yamaji +44 20 7318 4098
Samuel Mansour +1 212 940 1219 Alexandra Bibby +44 20 7318 4087
Courtney Raterman +1 212 940 1392 Sophie Busby +44 20 7318 4092
Paula Campolieto +1 212 940 1255
Annie Dolan +1 212 940 1288 New York
Sarah Krueger, Head of Sale +1 212 940 1225
Latin American Art Caroline Deck +1 212 940 1247
Henry Allsopp, Worldwide Head +44 20 7318 4060 Rachel Peart +1 212 940 1246
Kaeli Deane, Head of Sale +1 212 940 1401 Kelly Van Ingen +1 212 940 1245
Natalia C. Zuluaga +1 305 776 4439 Chicago
Carolina Scarborough +1 212 940 1289 Carol Ehlers +1 773 230 9192
Isabel Suarez +1 212 940 1227
Jewels
Modern and Contemporary Editions Nazgol Jahan, Worldwide Director +1 212 940 1283
Cary Leibowitz, Worldwide Co-Director +1 212 940 1222
London
Kelly Troester, Worldwide Co-Director +1 212 940 1221
Lane Clements McLean +44 20 7318 4010
London
New York
Robert Kennan, Head of Sale +44 20 7318 4075
Kristen Dowling +1 212 940 1302
Anne Schneider-Wilson +44 20 7318 4042
Christina Alford +1 212 940 1365
Ross Thomas +44 20 7318 4077
Rebecca Tooby-Desmond +44 20 7318 4079
Watches
Eliza Allan +44 20 7318 4069
Sam Hines, International Head of Watches +85 26 77 39 315
New York
Geneva
Jannah Greenblatt +1 212 940 1332
Aurel Bacs, Senior Consultant Bacs & Russo +41 22 317 81 85
Audrey Lindsey +1 212 940 1322
Livia Russo, Senior Consultant Bacs & Russo +41 22 317 81 86
Jeffrey Barton-Kang +1 212 940 1238
Dr. Nathalie Monbaron +41 22 317 81 83
Virginie Liatard-Roessli +41 22 317 81 82
Exhibitions
Diana Ortega +41 22 317 8187
Brittany Lopez Slater +1 212 940 1299
Justine Séchaud +41 22 317 8188
Edwin Pennicott +44 20 7901 2909
London
Private Sales Paul David Maudsley +44 20 7901 7916
Susanna Brockman +44 20 7318 4041 Kate Lacey +44 20 7901 2907
New York
Paul Boutros +1 212 940 1293
Leigh Zagoory +1 212 940 1285
Hong Kong
Jill Chen +852 9133 0819
Joey Luk +852 2318 2032
Angel Ho +852 2318 2031

Specialists and Departments
Office of the Chairman and Chief Executive Officer Sponsorships

Mariangela Renshaw +1 212 940 1207, +44 207 318 4029 Lauren Shadford +1 212 940 1257
Cecilia Wolfson +1 212 940 1258
Office of the President
Elizabeth Anne Wallace +1 212 940 1303 Communications and Marketing
Kimberly French, Worldwide Head of Communications & PR +1 212 940 1229
Chief Operating Officer, Asia Trish Walsh, Marketing Manager +1 212 940 1224
Juliana Cheung +852 2318 2000 Emma Miller Gelberg, Marketing and Catalogue Coordinator +1 212 940 1240
Charlotte Adlard, Marketing Co-ordinator +44 207 901 7905
Associate General Counsel Alex Godwin-Brown, Head of Press and Events, Europe +44 20 7318 4036
Jonathan Illari +1 212 940 1331 Georgia Trotter, Events Manager +44 20 7318 4085
Private Client Services Creative Studio

London Andrea Koronkiewicz, Director of Creative Services +1 212 940 1326
Dawn Zhu +44 20 7318 4017 Orlann Capazorio, Director of Production +1 212 940 1281
Adam Clay +44 20 7318 4048 London
Lily Atherton Hanbury +44 20 7318 4040 Eve Campbell, Creative Services Manager +44 20 7901 7919
Fiona M. McGovern +44 20 7901 7901 Moira Gil, Graphic Designer +44 20 7901 7917
New York Laurie-Ann Ward, Graphic Designer +44 20 7901 7918
Philae Knight +1 212 940 1313 New York
Sara Tayeb-Khalifa +1 212 940 1383 Jeff Velazquez, Production Artist +1 212 940 1211
Christine Knorr, Graphic Designer +1 212 940 1325
James Reeder, Graphic Designer +1 212 940 1296
Sale Information
Auction and Viewing Location Modern and Contemporary Editions Catalogues
30 Berkeley Square, London W1J 6EX Emma Miller Gelberg +44 20 7318 4010
Worldwide Director, Contemporary Editions +1 212 940 1291
Auction Cary Leibowitz +1 212 940 1222 catalogues@phillips.com
15 October 2015, 1pm cleibowitz@phillips.com $35/€25/£22 at the gallery
Viewing Worldwide Director, Modern Editions Client Accounting

9 – 15 October 2015 Kelly Troester +1 212 940 1221 Jason King, Director +44 20 7318 4086
Monday – Saturday, 10am – 6pm ktroester@phillips.com Buyer Accounts
Sunday, 12pm – 6pm Carolyn Whitehead +44 20 7318 4020
Head of Sale, London Seller Accounts
Sale Designation Robert Kennan +44 20 7318 4075 Surbjit Dass +44 20 7318 4072
In sending in written bids or making enquiries rkennan@phillips.com
please refer to this sale as UK030315 or Client Services
Lucian Freud 32 Etchings. Specialists 30 Berkeley Square, London W1J 6EX
Anne Schneider-Wilson +44 20 7318 4042 Tel +44 20 7318 4010
Absentee and Telephone Bids aschneider-wilson@phillips.com
tel +44 20 7318 4045 fax +44 20 7318 4035 Shipping
Ross Thomas +44 20 7318 4077
Susanna Brockman +44 20 7318 4041 Jan Navratil +44 20 7318 4081
rthomas@phillips.com
bidslondon@phillips.com Richard Hore +44 20 7318 4026
Cataloguer Florencia Moscova +44 20 7318 4082
Rebecca Tooby-Desmond +44 20 7318 4079 Charlotte Turner +44 20 7318 4047
rtooby-desmond@phillips.com
Front cover: Lucian Freud Administrator

Kai, 1991-92 Eliza Allan +44 20 7318 4069
Lot 5 (detail) eallan@phillips.com
Bridgeman Images Photography
Jean Bourbon
Back cover: Lucian Freud Kent Pell
After Constable’s Elm, 2003
Lot 24 (detail)
Bridgeman Images

30 Berkeley Square, London, W1J 6EX
phillips.com +44 20 7318 4010
bidslondon@phillips.com
Please return this form by fax to +44 20 7318 4035 or email it to bidslondon@phillips.com at least • Private Purchases: Proof of identity in the form of
24 hours before the sale. Please read carefully the information in the right column and note that it government-issued identification will be required.
is important that you indicate whether you are applying as an individual or on behalf of a company. • Company Purchases: We require a copy of government-issued
identification (such as the certificate of incorporation) to verify the
Please select the type of bid you wish to make with this form (please select one): status of the company. This should be accompanied by an official
document confirming the company’s EU VAT registration number,
In-person Paddle Number if applicable, which we are now required by HMRC to hold.
Absentee Bidding • Conditions of Sale: All bids are placed and executed, and all lots
Telephone Bidding are sold and purchased, subject to the Conditions of Sale printed in
the catalogue. Please read them carefully before placing a bid. Your
attention is drawn to Paragraph 4 of the Conditions of Sale.
Please indicate in what capacity you will be bidding (please select one):
• If you cannot attend the sale, we can execute bids confidentially
As a private individual on your behalf.
On behalf of a company • Phillips charges the successful bidder a commission, or buyer’s
premium, on the hammer price of each lot sold. The buyer’s
Sale Title Sale Number Sale Date premium is payable by the buyer as part of the total purchase
price at the following rates: 25% of the hammer price up to and
Title First Name Surname including £50,000, 20% of the portion of the hammer price
above £50,000 up to and including £1,000,000 and 12% of the
Company (if applicable) Account Number portion of the hammer price above £1,000,000.
• “Buy” or unlimited bids will not be accepted. Alternative bids can
VAT number (if applicable)
be placed by using the word “OR” between lot numbers.
Address • For absentee bids, indicate your maximum limit for each lot,
excluding the buyer’s premium and any applicable VAT. Your bid
will be executed at the lowest price taking into account the
reserve and other bidders. On no reserve lots, in the absence of
City State/Country other bids, your bid will be executed at approximately 50% of
the low pre-sale estimate or at the amount specified, if less
Post Code than 50% of the low estimate.
Phone Mobile • Your bid must be submitted in the currency of the sale and will
be rounded down to the nearest amount consistent with the
Email Fax auctioneer’s bidding increments.
• If we receive identical bids, the first bid received will
Phone (for Phone Bidding only) take precedence.
• Arranging absentee and telephone bids is a free service provided
by us to prospective buyers. While we will exercise reasonable care
Lot number Brief description Maximum pound sterling price* in undertaking such activity, we cannot accept liability for errors
In Consecutive Order Absentee Bids Only
relating to execution of your bids except in cases of wilful misconduct.
Agreement to bid by telephone must be confirmed by you
promptly in writing or by fax. Telephone bid lines may be recorded.
• Please submit your bids to the Bid Department
by fax at +44 20 7318 4035 or scan and email to
bidslondon@phillips.com at least 24 hours before the sale. You
will receive confirmation by email within one business day. To
reach the Bid Department by phone please call +44 20 7318 4045.
• Absent prior payment arrangements, please provide a bank
reference. Payment for lots can be made by cash (up to £5,000),
credit card (up to £50,000) using Visa, American Express,
Mastercard or Union Pay (for in person transactions only), UK
debit cards, wire transfer, banker’s draft or personal cheque with
identification, drawn on UK banks. Please note that credit cards
are subject to a surcharge.
* Excluding Buyer’s Premium and VAT • Lots cannot be collected until payment has cleared and all
charges have been paid.
Financial Information • You will not have the right to cancel the sale of any lot
For your bid to be accepted, we require the following information for our reference only. Please note that you purchased by you under the Consumer Contracts (Information,
may be contacted to provide a bank reference: Cancellation and Additional Charges) Regulations 2013.
• By signing this Bid Form, you consent to our use of your
Credit Card Type Expiration Date
personal data, including sensitive personal data, in accordance
with Phillips’s Privacy Policy published on our website at
Credit Card Number
www.phillips.com or available on request by emailing
dataprotection@phillips.com. We may send you materials
about us and our services or other information which we think
you may find interesting. If you would prefer not to receive such
information, please email us at dataprotection@phillips.com.
• Phillips’s premises may be subject to video surveillance and
Signature Date recording. Telephone calls (e.g., telephone bidding) may also be
recorded. We may process that information in accordance with
By signing this form, you accept the Conditions of Sale of Phillips as stated in our catalogues and on our website. our Privacy Policy.

13. Woman with an Arm Tattoo

1. Landscape

phillips.com
UK_Editions_Freud_Oct15_Cover.indd 2 16/09/15 16:37

Freud Drawings

Uploaded by

Copyright:

Available Formats

Freud Drawings

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Freud Drawings

Uploaded by

Copyright:

Available Formats

What is the auction catalog about?

What is the auction catalog about?

What artworks are featured in the catalog?

What artworks are featured in the catalog?

Lucian Freud

From an Important American Collection

UK_Editions_Freud_Oct15_Cover.indd 4 16/09/15 16:35

UK_Editions_Freud_Oct15_IFC+IBC.indd 1 16/09/15 14:24

UK_Editions_Freud_Oct15_2-33.indd 2 16/09/15 14:15

UK_Editions_Freud_Oct15_2-33.indd 3 16/09/15 14:16

UK_Editions_Freud_Oct15_2-33.indd 4 16/09/15 14:16

UK_Editions_Freud_Oct15_2-33.indd 5 16/09/15 14:16

UK_Editions_Freud_Oct15_2-33.indd 6 16/09/15 14:39

Auction and Viewing Location Modern and Contemporary Editions

Viewing Worldwide Director, Modern Editions

UK_Editions_Freud_Oct15_2-33.indd 7 16/09/15 14:17

UK_Editions_Freud_Oct15_2-33.indd 8 16/09/15 14:19

1. Landscape 17. Garden in Winter

2. Girl Sitting 18. Head of Ali

3. Two Men in the Studio 19. Head of an Irishman

4. Woman on a Bed 20. Pluto Aged Twelve

5. Kai 21. After Chardin

6. Large Head 22. After Chardin

7. Reclining Figure 23. After Chardin (Small Plate)

8. Head of a Man 24. After Constable’s Elm

9. The Egyptian Book 25. Eli

10. Bella in Her Pluto T-Shirt 26. The Painter’s Garden

11. Naked Man on a Sofa 27. Susanna

12. Woman Sleeping 28. Head of a Naked Girl

13. Woman with an Arm Tattoo 29. Portrait Head

14. Self-Portrait: Reflection 30. Before the Fourth

15. Conversation 31. Solicitor’s Head

16. David Dawson 32. Girl with Fuzzy Hair

UK_Editions_Freud_Oct15_2-33.indd 9 16/09/15 14:20

UK_Editions_Freud_Oct15_2-33.indd 11 16/09/15 14:26

UK_Editions_Freud_Oct15_2-33.indd 12 16/09/15 14:26

UK_Editions_Freud_Oct15_2-33.indd 14 16/09/15 14:26

UK_Editions_Freud_Oct15_2-33.indd 17 16/09/15 14:35

Girl Sitting, 1987

Girl Sitting, 1987-88

UK_Editions_Freud_Oct15_2-33.indd 18 16/09/15 14:38

Two Men in the Studio, 1989

Two Men in the Studio, 1987-89

UK_Editions_Freud_Oct15_2-33.indd 21 16/09/15 14:36

Woman on a Bed, 1991-92

Woman Holding her Thumb, 1992

UK_Editions_Freud_Oct15_2-33.indd 22 16/09/15 14:38

Large Interior W11 (after Watteau), 1981-83

UK_Editions_Freud_Oct15_2-33.indd 25 16/09/15 14:44

6. Lucian Freud 1922-2011

Large Head, 1993

UK_Editions_Freud_Oct15_2-33.indd 26 16/09/15 14:45

Reclining Figure, 1994

Leigh on a Green Sofa, 1994

UK_Editions_Freud_Oct15_2-33.indd 28 16/09/15 14:45

8. Lucian Freud 1922-2011

Head of a Man, 1992 Exhibited

UK_Editions_Freud_Oct15_2-33.indd 31 16/09/15 14:47

The Egyptian Book, 1994