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    Mohsn Alghali
    This document discusses programming for museums. It contains several case studies of museum programming from around the world, including: - The National Gallery of Art in Washington D.C., which discusses the new building's programming and layout. - The Wallraf-Richartz Museum and Ludwig Museum in Cologne, which discusses their installation and programming. - The Museum of London, covering its programming and expansion. - The Georges Pompidou National Centre for Art and Culture in Paris, outlining its programming approach. - The Regional Museum of Aquitaine in Bordeaux, summarizing its programming.

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    127317engo (2) - 2

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    Mohsn Alghali
    8 views2 pages
    This document discusses programming for museums. It contains several case studies of museum programming from around the world, including: - The National Gallery of Art in Washington D.C., which discusses the new building's programming and layout. - The Wallraf-Richartz Museum and Ludwig Museum in Cologne, which discusses their installation and programming. - The Museum of London, covering its programming and expansion. - The Georges Pompidou National Centre for Art and Culture in Paris, outlining its programming approach. - The Regional Museum of Aquitaine in Bordeaux, summarizing its programming.

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    127317engo (2)-2

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    This document discusses programming for museums. It contains several case studies of museum programming from around the world, including: - The National Gallery of Art in Washington D.C., which discusses the new building's programming and layout. - The Wallraf-Richartz Museum and Ludwig Museum in Cologne, which discusses their installation and programming. - The Museum of London, covering its programming and expansion. - The Georges Pompidou National Centre for Art and Culture in Paris, outlining its programming approach. - The Regional Museum of Aquitaine in Bordeaux, summarizing its programming.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    8 views2 pages

    127317engo (2) - 2

    Uploaded by

    Mohsn Alghali
    This document discusses programming for museums. It contains several case studies of museum programming from around the world, including: - The National Gallery of Art in Washington D.C., which discusses the new building's programming and layout. - The Wallraf-Richartz Museum and Ludwig Museum in Cologne, which discusses their installation and programming. - The Museum of London, covering its programming and expansion. - The Georges Pompidou National Centre for Art and Culture in Paris, outlining its programming approach. - The Regional Museum of Aquitaine in Bordeaux, summarizing its programming.

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    You are on page 1of 2

    n I

    ,
    Programming
    tor museums

    Tom Hume Editorial 71

    Per Kåks Introduction 7 3

    T H E O R E T I C A L ASPECTS

    Claude Pecquet Programming-a tool at the service of the curator, the coninzissioni~igauthority and
    and Patrick O'Byrne the architect 7 4
    >

    !I ' Manfred Lehmbruck Progranzming 92

    CASE-STUDIES IN PROGRAMMING

    Smita J. Baxi The Cra$s Museum at New Delhi 9 6

    Yani Herremann Using historic monuments as museunzs: Mexico City, Oax4ca, Guadalajara 1O0

    Germaine Pelegrin Programving and the Louvre 1O 6

    David W. Scott The new building of the National Gallery of Art, Washington, D.C. 110

    Dieter Ronte Installation. of the WallrafRichar4 MuseunzlLudwig Museum, Cologfie 116


    I

    J.ames A. M . Bell ,The Museunz of,London 1 2 0


    I d '

    Claude Mollard The Georges Pomjidou National Ceiatre for A r t and Culture, Paris 126

    Louis Valensi The Regional Museunz of Aquitaine, Bordeaux 1 3 0

    Raymond O. Harrison The Red Deer and District Museum in Alberta 137

    ' ISSN 0027-3996


    M U " (Unesco. Paris). Vol. XXXI, NO 2, 1979.
    -I

    NATIONAL GALLERY OF ART,SMITHSONIAN


    INSTITUTION, Washington, D.C. Air and Space
    Museum. Deltu S o h , a sculpture by Alejandro
    Otero presented to the United States of
    America by Venezuela, 197 7. It is made of
    stainless steel and aluminium. In the sunshine,
    as the elements turn, their reflection can be seen
    in the water below. Behind is the west façade
    of the museum.

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