CHAPTER 4 Apayao
CHAPTER 4 Apayao
CHAPTER 4 Apayao
Lesson 4: Games and Sports, Oral Literature, Music and Dances, and Festivals
Games and Sports
Games are not only for physical activity, but also for social bonding, cultural
expression, or spiritual ritual. Some of the games in Apayao are:
1) "Bisnag" is a thigh hitting competition played by two to eight boys, aged nine and above.
The objective of the game is to develop endurance. This game is typically played during
mourning periods to express grief instead of shedding tears. The rules involve one player
slapping the thigh of their partner, with the thigh being made stiff to endure the pain. If a
participant gives up, they are eliminated from the game. No props are required for this
game.
2) Innalaan (Tag): Played by ten to twenty players, ages nine and above, in shallow water of
lakes or rivers and it aims to develop speed and agility. One player is selected as "it" and
tries to tag other players while they try to escape by diving into the water. Players who are
tagged twice are eliminated, and the last player not caught becomes the champion.
3) Pasangor (Stilt Race): Played by two to team players, ages eight to twelve, outdoors on
the ground or cement floor. The objective is to develop strength, speed, and balance.
Players use stilts to race around a post and back to the starting point. Falls require players
to go back to the starting line. The team that finishes first wins.
4) Sikwatan (Pick- up sticks game): Played by two to twenty players, ages seven to nine. The
objective is to develop patience and agility. Players toss sticks in the air and try to pick
them up one by one without moving the rest. Moving a stick results in elimination, and the
score depends on the number of sticks picked.
5) Dagay (Lower Imallod) or Magdadahay (Kabugao): Played by two to four adult players
outdoors. Players hit wooden tops (dagay) and form partnerships based on the top hit. The
first top to stop spinning determines the loser.
6) Kulipagpag: Played by boys and girls outdoors. One player acts as a bird (Kali) hunting
for chicks, while another player acts as a hen and the rest as chicks. The hen protects the
chicks from the bird, and the game continues with new players taking on the roles.
7) Magsisiniru or Sinniruan: Played by boys and girls in an outdoor setting. Players hide in
the playing area (forest) after a command is given, and the seeker tries to find them. The
game ends when all players are found.
Isnag Literature
The Isnag tribe possesses a rich cultural heritage expressed through various forms of
literature. Riddles, known as Banbane-u or Banihu, challenge critical thinking and convey
values such as hard work and strong family ties. The epic tale of Madalapang explores
themes of love, betrayal, and redemption, following the celestial chiefdom of Pindayan ruled
by Chieftain Gatan and his family. Panagkaag-agi or Damdamat poems express cultural
pride and identity, while Dindinnapuwan proverbs offer wisdom and thought-provoking
messages. Adages, known as Pagsasao, promote values like hospitality and work ethics.
Adodit stories entertain, motivate, and impart moral lessons, reflecting the struggles and
virtues of Isnag society. Additionally, folktales and legends depict the ancient people's
continuous struggle against the forces of nature, with stories of heroes like Gawan and
Gammelayan emerging. Thus, Isnag literature showcases the cultural richness and
resilience of the tribe.
Plays, Musical Instruments and Dances
To ease one's stress and express one's perceptions and feelings, the Isnags belt out
songs in the form of dissodis, uggayam, ay-ayaw, and other chanted verses. Isnag literature
encompasses various forms of songs and verses that express emotions, convey messages,
and reflect cultural practices. Disodis are songs that release tensions and share outlooks
on life, sung during feasts, solitary moments, and kaingin work rest. Uggayam or
patpatang, on the other hand, are conversational songs expressing passions and
aspirations, often sung during feasts, marriages, and dispute settlements. Dang-da-ngay or
anenas are oratory songs that involve discussions on topics like issues, current events, and
history. Pagbabas and pakkaw are heightened verses used to convey advocacies and
experiences. Ay-Ayaw is a chant to pay tribute to the deceased, expressing loneliness and
lamentation, often sung by children who have lost their parents. These various forms of
songs and verses hold cultural significance and serve as means of communication and
expression within the Isnag community.
The Isnags have a variety of dances. These are the talip and taddo, which are
performed with graceful and rhythmic movements. The talip (rooster dance) is executed by
employing rhythmic trotting steps to the tempo of the gansa (brass gong) and the ludag
(hollowed wooden drum), reproducing how the rooster coos to the hen. The taddo
(courtship dance) is danced leisurely. The two dances are sometimes followed by ayaya
(yells) from spectators to the dancers performing splendidly. These two dances vary
according to the tempo of the gongs played: Mandaya and the Mallod. The most rapid and
trotting steps are called sinarsar.
In the absence of the gansa (gong) and ludag (drum), the following are used: the
pagenggeng (a two-pronged bamboo tube) is sounded by beating it rhythmically at the
wrist, and its pair, pattanngu (one-pronged bamboo tube), which is sounded by beating it
with the back of an aliwa (bolo). Anggiwang (a one-stringed mouth instrument), uritang and
uribaw (xylophones), and bal-li-ing (nose flute) serve as musical play instruments.
Festivals
In Apayao, various festivals are celebrated to showcase the rich culture and
traditions of the region. One of the prominent festivals is the “Panagapit ken Panagyaman”
Festival of Luna, which highlights the unity and abundance of the community. Another
noteworthy celebration is the “Panagbunga” Festival in Conner, known as the fruit basket
of the province. In Calanasan, the “Lapat” Festival takes center stage, celebrating the
indigenous heritage and livelihood of the Isnag people. The festival showcases their
traditional music, dances, and rituals. Similarly, the “Kabinulig” Festival of Flora highlights
their main product: bananas. Lastly, the “Balangkoy” Festival of Sta. Marcela pays homage
to the cassava industry of the area. This festival displays the craftsmanship, creativity, and
economic significance of cassava in the community.
These festivals not only provide a platform for locals to express their cultural identity
but also attract visitors who come to witness and appreciate the unique traditions and
vibrant celebrations of Apayao province.
UNIT 3. TECHNOLOGICAL
Lesson 1: Symbols, Textiles, Arts and Crafts
The Isnag people possess a rich cultural heritage reflected in their traditional
artifacts and attire. Among their prized possessions are antique porcelain jars, which hold
immense sentimental value, typically acquired through inheritance or as part of a dowry
during local marriage customs known as akit. These exquisite wares, originating from
mainland China, were obtained through the barter system or trade in earlier times.
Adorned with intricate designs featuring dragons, humans, flowers, and geometric figures,
these jars bear names like duduri, garadugud, binilibil, and more.
In addition to the precious jars, the Isnag people also have a variety of other valuable
antiques, including ceramic bowls, plates, platters, beads, and heirloom objects worn by
both men and women. However, these artifacts are rarely seen today due to the indigenous
practice of keeping them close to the owner (tanad), as it is believed to cleanse the living
from guilt or harm. Interestingly, in certain cases, these antiques are even used as a form
of payment (awat) to settle crimes committed within the Isnag community.
Furthermore, the Isnag people have developed an array of traditional tools, devices,
and utensils that serve various purposes in their daily lives. From farming and weaving
tools such as the aliwa (crescent-shaped bolo) and the head ax (awatay) to fishing tools like
kawit, manabun, and tangdal, their craftsmanship is evident. They also have a wide range
of items for general use, including plates, frying pans, coconut shell containers, mortars,
woven baskets, and raincoats. These tools and equipment showcase their ingenuity and
resourcefulness in meeting their daily needs.
Moreover, the Isnag people take pride in their traditional clothing, adornments, and
accessories. For women, a key component is the wovsen skirt called aken, embellished with
vibrant embroideries. The attire is complemented by a waist-length blouse known as badio,
along with accessories like headdresses, belts, and fragrant herb adornments. Men, on the
other hand, wear long-sleeved upper garments called bado, paired with loincloths and
scarves that signify their social status.