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    L6 Bicolano Lit

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    Jasmine Pimentel
    Bicolano literature has its roots in orally transmitted poems and narratives reflecting Bicol history. The literature transformed as local and national history changed. Mariano Perfecto published the first Bicolano newspaper and printing press. Protest drama emerged as a form of expressing resentment towards Spanish rule. Writers like Sabas Armenta, Juan Alvarez Guerra, and Juan Miraflor wrote protest plays. "Magamang Pobre" is a popular Bicol corrido. Luis G. Dato and Marne L. Kilates are Bicolano poets. Bicolano folklore includes stories about duwendes, or little people, told to warn of their mischievous nighttime visits.

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    L6 Bicolano Lit

    Uploaded by

    Jasmine Pimentel
    22 views16 pages
    Bicolano literature has its roots in orally transmitted poems and narratives reflecting Bicol history. The literature transformed as local and national history changed. Mariano Perfecto published the first Bicolano newspaper and printing press. Protest drama emerged as a form of expressing resentment towards Spanish rule. Writers like Sabas Armenta, Juan Alvarez Guerra, and Juan Miraflor wrote protest plays. "Magamang Pobre" is a popular Bicol corrido. Luis G. Dato and Marne L. Kilates are Bicolano poets. Bicolano folklore includes stories about duwendes, or little people, told to warn of their mischievous nighttime visits.

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    L6-BICOLANO-LIT

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    Bicolano literature has its roots in orally transmitted poems and narratives reflecting Bicol history. The literature transformed as local and national history changed. Mariano Perfecto published the first Bicolano newspaper and printing press. Protest drama emerged as a form of expressing resentment towards Spanish rule. Writers like Sabas Armenta, Juan Alvarez Guerra, and Juan Miraflor wrote protest plays. "Magamang Pobre" is a popular Bicol corrido. Luis G. Dato and Marne L. Kilates are Bicolano poets. Bicolano folklore includes stories about duwendes, or little people, told to warn of their mischievous nighttime visits.

    Copyright:

    © All Rights Reserved
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    Download as pptx, pdf, or txt
    22 views16 pages

    L6 Bicolano Lit

    Uploaded by

    Jasmine Pimentel
    Bicolano literature has its roots in orally transmitted poems and narratives reflecting Bicol history. The literature transformed as local and national history changed. Mariano Perfecto published the first Bicolano newspaper and printing press. Protest drama emerged as a form of expressing resentment towards Spanish rule. Writers like Sabas Armenta, Juan Alvarez Guerra, and Juan Miraflor wrote protest plays. "Magamang Pobre" is a popular Bicol corrido. Luis G. Dato and Marne L. Kilates are Bicolano poets. Bicolano folklore includes stories about duwendes, or little people, told to warn of their mischievous nighttime visits.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
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    of 16

    BICOLANO

    LITERATURE
    BICOLANO LITERATURE

    Bikolano literature has its roots in orally


    transmitted poems and mythical narratives that
    reflect the history of the people. The
    transformation of the literature can be traced by
    going through local and national history.
    BICOLANO LITERATURE
    Mariano Perfecto
    • is the first Bikolano writer who published Bikola
    newspaper,
    • responsible for the development of the first
    printing press named “Imprenta de Nuestra
    Senora de Penafrancia.”
    BICOLANO LITERATURE

    Protest Drama
    • became a form of expressing the people’s
    growing resentment of the Spanish rule.
    BICOLANO LITERATURE

    WRITERS
    • Comedia writers such as Sabas Armenta , Juan Alvarez
    Guerra and Juan Miraflor have protest plays credited to
    their names.
    BIKOLCORRIDO
    • “Magamang Pobre” being a popular example
    BICOLANO POETRY
    Day on the Farm To all endearment and my gifts are vain;
    Luis G. Dato Come with me, love, you are too
    I’ve found you fruits of sweetest taste and found you old for crying , The church bells
    ring and I hear drops of rain.
    Bunches of Duhat growing by the hill,
    I’ve bound your arms and hair with vine and bound
    you
    With rare wildflowers but you are crying still. Luis Guevarra Dato
    worked as a newspaperman
    for the Bicol Star, Naga
    I’ve brought you all the forest ferns and brought you
    times, and the other
    newspapers. He was also
    Wrapped in green leaves cicadas singing sweet, I’ve
    considered as an “ authority
    caught you in my arms an hour and taught you Love’s
    on the Bicol
    secret where the mountain spirits meet.
    language and culture.”
    Your smiles have died and there is no replying
    BICOLANO POETRY
    A Cloud Named Looking-for-You water; My pain comes
    by Marne L. Kilates in guest, emptying me.
    May heart aches like the heaving sea;
    My tears riddle the face of the
    water; My pain comes
    in guests, emptying me.
    Marne Kilates
    he has published three
    Cursed with wandering, thin as air,
    books of his own poetry,
    How can I touch the bottom of nine books of poetry
    this grief? How can I lift translations from Filipino
    this shroud that covers into English, edited or
    My love’s grave? co-edited various literary
    anthologies, and
    participated in various
    My heart heaves like the aching sea; international literary anthologies,
    My tears riddle the face of the
    BICOLANO FOLKLORE
    Ang Duwende
    Malalim na ang gabi at abalang-abala pa sa
    pananahi ang dalawang magkapatid na
    babae.Tinatahi nila ang mga kamisa at saya nila, na
    isusuot nila para sa isang misa kinaumagahan.
    Ibinilin ng kanilang ina na siguruhing nakasara ang
    pinto at mga bintana ng kanilang bahay, kundi ay
    papasok ang duwende, na bumibisita sa kanila tuwing
    hatinggabi. Upang malaman ng kaniyang mga anak
    kung ano ang duwende, ikinuwento niya ito:
    Malalim na ang gabi at abalang-abala pa
    sa pananahi ang dalawang magkapatid na
    babae.Tinatahi nila ang mga kamisa at saya
    nila, na isusuot nila para sa isang misa
    kinaumagahan. Ibinilin ng kanilang ina na
    siguruhing nakasara ang pinto at mga
    bintana ng kanilang bahay, kundi ay papasok
    ang duwende, na bumibisita sa kanila tuwing
    hatinggabi. Upang malaman ng kaniyang
    mga anak kung ano ang duwende, ikinuwento
    niya ito:
    “Katulad lang ng mga ordinaryong tao ang
    mga duwende. Tuso silang mga nilalang,
    ngunit matulungin din. Ilan sa mga
    kapilyuhang ginagawa nila ay ang pagsira sa
    mga muwebles at mga larawan, pagbasag sa
    mga salamin, baso, plato, at tasa. Kung hindi
    sila makahanap ng mga bagay na sisirain o
    babasagin, kinukurot nila ang mga pisngi,
    braso, at katawan ng mga tulog na babae,
    upang maging mabigat ang pakiramdam nila
    pagkagising.
    Kung hindi kinaasaran ng mga duwende ang
    mga nakatira sa bahay na madalas nilang
    bisitahin, nagpapakita sila ng kabaitan sa
    mga ito. Sinasabing dinadalhan nila ang mga
    kaibigan nila ng mga masasarap na pagkain
    at ipinagtatanggol sila mula sa mga
    masasamang nilalang.
    Maraming tao tuloy ang sabik ngunit
    balisang makakilala ng duwende. Itinuturing
    nila ang mga nilalang na nagtataglay ng
    kakaibang
    karunungan dahil sinasabing alam na alam
    nila ang mga lihim at ikinikilos ng mga tao.
    Ngunit kung sakaling ang mga naging
    kaibigan ng duwende ay biglang nagsabi ng
    anumang masama o nagbalak ng masama sa
    kanila, kahit pa hindi sila marinig ng mga
    duwende, ay parurusahan sila at hindi na
    muling babalikan.

    “Ang duwendeng binabanggit ko rito ay


    madalas sa bahay namin habang ang nanay
    ninyo, ay buhay pa. Parati niyang sinasabi sa
    aming isara ang pinto at mga bintana bago
    kami matulog. Isang gabi, nang nagtatahi rin
    kami ng kapatid ko ng kamisa at saya,
    nakalimutan naming isara ang mga bintana
    at pinto. Ilang segundo bago maghatinggabi,
    naroon ang isang maliit na nilalang na
    nakatayo sa aming pinto. Maliit siya, kasinliit
    lamang ng isang dalawang taong gulang na
    bata; pula ang kaniyang mukha; mayroon
    siyang mahabang bigote at maputing kulot
    na buhok.
    Maigsi ang mga braso niyang balingkinitan,
    ngunit malaki ang mga kamay niya– malaki
    para sa kaniyang braso.”Nang marinig ng
    mga dalaga ang kuwento ng kanilang ina,
    natakot sila. Nang maghatinggabi, narinig
    nila ang mga tunog: takla, takla, takla. Gawa
    ito ng duwende. Takot na takot ang dalawa.
    Lumingon ang panganay, at nakita niya ang
    duwende na pumapasok sa pinto.
    At katulad ng inaasahan, tumakbo at tumalon
    siya papasok ng bahay, papunta sa mga
    dalaga. Dahil doon, nasipa niya ang isang
    gasera, na nagpaliyab sa mga kamisa at saya.
    Mula noon, naging maingat na ang
    magkapatid at ang buong bayan ng Legaspi
    sa duwende. Isinasara na nila ang kanilang
    mga pinto at mga bintana bago sila matulog
    sa gabi.
    BICOLANO FOLKLORE
    Damiana Ligon Eugenio (September 27, 1921 –
    October 10, 2014)
    • known as the mother of
    Philippine Folklore, was also
    a Filipino female author and
    has several publications in
    the field of Philippine literature
    ( folklore).

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