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The Metropolitan Museum of Art | European Paintings - Academia.edu
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      Artists Models16th and 17th century Dutch and Flemish Art
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      Literary studiesArt Theory and CriticismHistorical StudiesRenaissance Quarterly
An Egyptian Royal Head o f t he Nineteenth Dynasty i n t he Metropolitan Museum PATRICK D. CARDON Administratorfor Curatorial Affairs, The Brooklyn Museum THE METROPOLITAN MUSEUM of Art has in its Egyptian collection an unusual life-size... more
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      CuratorArms and Armor
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    • Sociology
comptes rendus 155 aux lecteurs les stimulantes discussions du colloque qui a fourni l'occasion de ce livre. jean-françois méthot Collège universitaire dominicain
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    • Art
An article introducing two previously unknown fifteenth-century intarsia panels created by Mattia di Nanni for the signory's bench in Siena
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      Renaissance HumanismItalian Renaissance ArtSienaWood Intarsia
discusses Caravaggio and his work for the market and the ways in which it may have expanded the possibilities of stylistic variation
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      NaplesCaravaggioHistory of Art Markets
Situates the newly discovered Ecce Homo by Caravaggio in its Neapolitan context
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      NaplesPatronage and collectingCaravaggioEcce Homo
discusses a 14th century Bohemian painting of the Madonna and Child in the collections of The Metropolitan Museum of Art
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      PaintingLate Medieval Bohemia and Central EuropePragueArt at the courts of France c. 1400
Discusses the cultural exchanges between Prague and Paris as it relates to a 14th century painting of the Virgin and Child in the collections of The Metropolitan Museum of Art
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      PaintingLate Medieval Bohemia and Central EuropeGothic ArtMedieval Prague
An overview of El Greco's move to Italy and the impact ofItalian artist on his transformation
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      PaintingRenaissance Rome16th century VeniceMannerism
Using as a point of departure Tiepolo's studies for his canvas of Apollo and Hyacinth, this paper explores the artist's creative thinking
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      MythologyCreativityDrawingGiovanni Battista Tiepolo
discusses a newly identified painting by the young Stefano da Verona, now in the collections of The Metropolitan Museum
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      PaintingGothic ArtVerona
Publishes a newly identified work by Orazio Gentileschi and discusses its placement with the artist's oeuvre and his work for the Savelli in Rome
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      PaintingFranciscan StudiesSaintsOrazio Gentileschi
Discusses the ways in which 18th century theatrical practice helps to understand the formal character and rhetorical gestures of Tiepolo's narrative practice
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      CreativityPaintingEighteenth Century HistoryItalian art
Review of the exhibitions Oro e colore nel cuore dell’Appennino (Pinacoteca Civica Bruno Molajoli, Fabriano) and  Ottaviano Nelli e il ’400 a Gubbio (Palazzo Ducale and Palazzo Consoli, Gubbio) in 2021-22
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      ExhibitionsOttaviano Nelli
An article about the activity of Ghiberti as a painter and his impact on other 15th century painters, in particular Fra Angelico
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      PaintingItalian Renaissance ArtFra AngelicoGothic
Publishes a painting on copper of the Repentant Magdalen ascribed by the author to Georges de La Tour.
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      PaintingFrance17th century EuropeCopper
An introductory overview of Sassetta's altarpiece for the church of San Francesco in Borgo Sansepolcro, contrasting him with Piero della Francesca and Roberto Longhi's imagined response of the latter to the former's art.
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      Piero della FrancescaAltarpieces of the Italian Renaissance and the pre-RenaissanceSassettaSaint Francis Assisi
Antonello da Messina: Sicily’s Renaissance Master: the catalogue of th exhibition held at The Metropolitan Museum of Art, New York in 2005, with my introductory essay
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      PaintingItalian Renaissance ArtAntonello da Messina








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