1. Effect of online video infotainment on audience attention. (2023). Wang, Jing ; Dai, Xinran.
   In: Palgrave Communications.
   RePEc:pal:palcom:v:10:y:2023:i:1:d:10.1057_s41599-023-01921-6.

   Full description at Econpapers || Download paper

1. Aguiar, L. (2017). Let the music play? Free streaming and its effects on digital music consumption. Information Economics and Policy, 41, 1-14.

2. Aguiar, L., & Martens, B. (2016). Digital music consumption on the internet: Evidence from clickstream data. Information Economics and Policy, 34, 27-43.

3. Aly-Tovar, R., Bacache-Beauvallet, M., Bourreau, M., & Moreau, F. (2020). Why would artists favor free streaming? Journal of Cultural Economics, 44(2), 255-280.

4. Budzinski, O., & Gaenssle, S. (2018). The economics of social media (super-) stars: an empirical investigation of stardom and success on YouTube. Journal of Media Economics, 31(3-4), 75-95.

5. Crosby, P., Lenten, L. J., & McKenzie, J. (2018). Social media followers as music fans: Analysis of a music poll event. Economics letters, 168, 85-89.

6. Mortimer, J. H., Nosko, C., & Sorensen, A. (2012). Supply responses to digital distribution: Recorded music and live performances. Information Economics and Policy, 24(1), 3-14.

7. Peukert, C. (2019). The next wave of digital technological change and the cultural industries. Journal of Cultural Economics, 43(2), 189-210.

8. Wlömert, N., & Papies, D. (2016). On-demand streaming services and music industry revenues—Insights from Spotify's market entry. International Journal of Research in Marketing, 33(2), 314-327. Graphs

1. Displacement and complementarity in the recorded music industry: evidence from France. (2024). Verboven, Frank ; Nicolle, Ambre ; Ivaldi, Marc ; Zhang, Jiekai.
   In: Journal of Cultural Economics.
   RePEc:kap:jculte:v:48:y:2024:i:1:d:10.1007_s10824-023-09471-0.

   Full description at Econpapers || Download paper

2. .

   Full description at Econpapers || Download paper

3. The impact of licensed and unlicensed free goods: an empirical analysis of music, video, and book industries in Japan. (2023). Tanaka, Tatsuo ; Oshima, Hidetaka ; Iyanaga, Kotaro ; Sakaguchi, Hirohide ; Yamaguchi, Shinichi.
   In: SN Business & Economics.
   RePEc:spr:snbeco:v:3:y:2023:i:3:d:10.1007_s43546-023-00439-y.

   Full description at Econpapers || Download paper

4. Displacement and Complementary in the recorded music industry: evidence from France. (2023). Zhang, Jiekai ; Verboven, Frank ; Nicolle, Ambre ; Ivaldi, Marc.
   In: Post-Print.
   RePEc:hal:journl:hal-04020859.

   Full description at Econpapers || Download paper

5. Competition for Exclusivity and Customer Lock-in: Evidence from Copyright Enforcement in China. (2023). Liu, Youming.
   In: Staff Working Papers.
   RePEc:bca:bocawp:23-43.

   Full description at Econpapers || Download paper

6. .

   Full description at Econpapers || Download paper

7. Online video sharing and revenues during the Pandemic. Evidence from musical stream data. (2022). Mourelatos, Haris.
   In: GLO Discussion Paper Series.
   RePEc:zbw:glodps:1050pre.

   Full description at Econpapers || Download paper

8. Online video sharing and revenues during the Pandemic. Evidence from musical stream data. (2022). Mourelatos, Haris.
   In: GLO Discussion Paper Series.
   RePEc:zbw:glodps:1050.

   Full description at Econpapers || Download paper

9. Digitalization, copyright and innovation in the creative industries: an agent-based model. (2022). Martinelli, Arianna ; Russo, Emanuele ; Palagi, Elisa ; Nuvolari, Alessandro.
   In: LEM Papers Series.
   RePEc:ssa:lemwps:2022/03.

   Full description at Econpapers || Download paper

10. Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2022). Christensen, Finn.
    In: International Journal of Industrial Organization.
    RePEc:eee:indorg:v:85:y:2022:i:c:s0167718722000492.

    Full description at Econpapers || Download paper

11. Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2021). Christensen, Finn .
    In: Working Papers.
    RePEc:tow:wpaper:2021-01.

    Full description at Econpapers || Download paper

12. Commodification 2.0: How Does Spotify Provide Its Services for Free?. (2021). Yalcintas, Altug ; Kasap, Orun.
    In: Review of Radical Political Economics.
    RePEc:sae:reorpe:v:53:y:2021:i:1:p:157-172.

    Full description at Econpapers || Download paper

13. It takes two, baby! Feature artist collaborations and streaming demand for music. (2021). Mckenzie, Jordi ; Lenten, Liam ; Crosby, Paul.
    In: Journal of Cultural Economics.
    RePEc:kap:jculte:v:45:y:2021:i:3:d:10.1007_s10824-020-09396-y.

    Full description at Econpapers || Download paper

14. Platforms, Power, and Promotion: Evidence from Spotify Playlists. (2021). Waldfogel, Joel ; Aguiar, Luis.
    In: Journal of Industrial Economics.
    RePEc:bla:jindec:v:69:y:2021:i:3:p:653-691.

    Full description at Econpapers || Download paper

15. The economic impact of streaming beyond GDP. (2020). Haskel, Jonathan ; Goodridge, Peter ; Edquist, Harald.
    In: ITS Conference, Online Event 2020.
    RePEc:zbw:itso20:224851.

    Full description at Econpapers || Download paper

16. Business models for streaming platforms: Content acquisition, advertising and users. (2020). Carroni, Elias ; Paolini, Dimitri.
    In: Information Economics and Policy.
    RePEc:eee:iepoli:v:52:y:2020:i:c:s0167624520301219.

    Full description at Econpapers || Download paper

17. Business models for streaming platforms: content acquisition, advertising and users. (2020). Carroni, Elias ; Paolini, D.
    In: Working Paper CRENoS.
    RePEc:cns:cnscwp:202001.

    Full description at Econpapers || Download paper

18. Cyclical phenomena in technological change. (2020). Coccia, Mario.
    In: Papers.
    RePEc:arx:papers:2010.03168.

    Full description at Econpapers || Download paper

19. The business model of a streaming platform. (2019). Paolini, Dimitri ; Carroni, Elias.
    In: Working Paper CRENoS.
    RePEc:cns:cnscwp:201902.

    Full description at Econpapers || Download paper

20. Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists. (2018). Waldfogel, Joel ; Aguiar, Luis.
    In: JRC Working Papers on Digital Economy.
    RePEc:ipt:decwpa:2018-04.

    Full description at Econpapers || Download paper

21. Changing Their Tune: How Consumers’ Adoption of Online Streaming Affects Music Consumption and Discovery. (2018). Bronnenberg, Bart J ; Knox, George ; Datta, Hannes.
    In: Marketing Science.
    RePEc:inm:ormksc:v:37:y:2018:i:1:p:5-21.

    Full description at Econpapers || Download paper

22. Pricing of Digital Video Supply Chain: Free versus Paid Service on the Direct Distribution Channel. (2018). Mo, Jeonghoon ; Kim, Yunhyoung.
    In: Sustainability.
    RePEc:gam:jsusta:v:11:y:2018:i:1:p:46-:d:192346.

    Full description at Econpapers || Download paper

23. As streaming reaches flood stage, does it stimulate or depress music sales?. (2018). Waldfogel, Joel ; Aguiar, Luis.
    In: International Journal of Industrial Organization.
    RePEc:eee:indorg:v:57:y:2018:i:c:p:278-307.

    Full description at Econpapers || Download paper

24. The Rise of Streaming Music and Implications for Music Production. (2017). Walter, Jason ; Jason, Walter ; Scott, Hiller R.
    In: Review of Network Economics.
    RePEc:bpj:rneart:v:16:y:2017:i:4:p:351-385:n:2.

    Full description at Econpapers || Download paper

Report date: 2025-02-26 21:15:38 || Missing content? Let us know