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Tiziana Andina

Università degli Studi di Torino, Philosophy, Faculty Member

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Address: Dipartimento di Filosofia e Scienze della Educazione
Università di Torino
Via San Ottavio, 20
10124 Torino
Italia

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Universidade de Lisboa

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Graduate Center of the City University of New York

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Papers by Tiziana Andina

postille a Ferraris

Alternando registri stilistici diversi, passando dal continentale più letterario all’analitico pi... more Alternando registri stilistici diversi, passando dal continentale più letterario all’analitico più duro, Maurizio Ferraris ha mostrato che il miglior filosofo possibile è quello che li contiene tutti. I suoi allievi, che qui raccolgono parte di quelle tracce, ne sono la prova: pezzi autonomi di una biblioteca vivente che ha lasciato liberi i suoi volumi di aprirsi alle pagine che preferivano

Storie dell'ontologia

Rivista di Estetica, 2003

Ermeneutica, estetica, ontologia. A partire da Maurizio Ferraris

Brill Research Perspectives in Art and Law, 2017

What is art?' is one of the classic questions that philosophy has addressed over the ages, from t... more What is art?' is one of the classic questions that philosophy has addressed over the ages, from the ancients to today. Taking as its starting point debates over the various definitions of art found in history, this article presents and discusses some of the major theories offered by both the analytic and continental traditions. It then looks at the theoretical reasons that led twentieth-century philosophy to reopen the question of definition, and in many cases inquire into the ontology of art itself. Finally, a series of considerations are addressed to help shift the problem of definition onto a new plane, one that is able to respond to the challenges of the performing and participatory arts, which more than any other form of art present particularly unconventional ontologies.

The Philosophy of Art: The Question of Definition: From Hegel to Post-Dantian Theories

The British Journal of Aesthetics, 2014

States and Transgenerational Actions

There is a class of actions that, from a metaphysical point of view, has as its necessary conditi... more There is a class of actions that, from a metaphysical point of view, has as its necessary condition some form of cooperation between different generations. This article aims to analyse the metaphysical structure of this class of actions and to show that they are a necessary condition for the existence of social reality.

Storie dell'ontologia

Rivista di estetica, 2003

The Domain of Social Ontology

An Ontology for Social Reality, 2016

Veicoli semantici che sono opere d'arte

Aisthesis Pratiche Linguaggi E Saperi Dell Estetico, 2012

Transgenerational actions and responsibility

Journal of Critical Realism

The German philosopher Hans Jonas aspires to a provide a re-foundation of ethics based on an anal... more The German philosopher Hans Jonas aspires to a provide a re-foundation of ethics based on an analysis of the contemporary world as well as on a prediction about the fate of globalized humanity. Through a discussion of the fundamental concepts of Jonas' work, the essay shows that the central themes of his research, which are still very relevant today, should be addressed by moving from the ethical level to that of ontology-and social ontology in particular. To this end, the paper offers a definition of transgenerational action that aims to replace Jonas' use of prevision. The transgenerational action is here considered as a particular type of social action: that which enables societies to exist over time. Finally, the essay proposes an essential taxonomy of transgenerational actions, showing how working on this notion might lead to a consciously utopian and positive social model, as opposed to the deflationary one Jonas wished for

Il mondo dell arte come istituzione sociale

Rivista di estetica, 2012

... Il mondo dell arte come istituzione sociale. Autores: Tiziana Andina; Localización: Rivista d... more

Essere Maurizio Ferraris

Rivista di estetica, 2015

Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teo... more Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teorico di Maurizio Ferraris. Utilizzando una cifra narrativa di carattere autobiografico, l'articolo ripercorre taluni momenti della filosofia ferrarisiana cercando di evidenziare alcune cifre caratteristiche.

Introduction. Chinese Contemporary Art: Between Deconstruction and Construction

by Erica Onnis and Tiziana Andina

The Philosophy and Art of Wang Guangyi, 2019

RdE65-04_Andina.pdf

Is judgement still possible in art? The present paper tries to answer this question, exploring th... more Is judgement still possible in art? The present paper tries to answer this question, exploring the two-main forms of judgement in the domain of art: the ontological-artistic judgment (regarding the identity of works of art) and the aesthetic judgement (regarding their aesthetic properties). Arguing that the most philosophically interesting cases are those in which judgment seems impossible, the article explores the elements necessary for the formulation of the two judgements that make up the domain of art.

NORMATIVITY AND BEAUTY IN CONTEMPORARY ARTS

Our intuitions related to art are generally associated to ideas such as creativity, freedom of ex... more Our intuitions related to art are generally associated to ideas such as creativity, freedom of expression, experimentation. The fact that so many artists (especially writers, but also musicians, painters, performance artists) are or have been people with training in legal disciplines should be taken into account when considering the apparently extrinsic relationship between art and law. The question we have to answer is the following.
When we make a judgment of taste looking, say, at the Mona Lisa, what does
that mean exactly? What do we mean when we say that “the Mona Lisa is beautiful and an absolute masterpiece of Western art”? This statement contains a judgment of taste (Mona Lisa is beautiful) and an artistic judgment (it is a masterpiece of Western art). In what follows I will show that: i) the two judgments are different, ii) both judgments have normative nature, but the normativity of the judgment of taste refers to different elements from the artistic judgment and, finally, iii) contemporary visual arts require the formulation of an artistic judgment rather than a judgment of taste.

Our intuitions related to art are generally associated to ideas such as creativity, freedom of ex... more Our intuitions related to art are generally associated to ideas such as creativity, freedom of expression, experimentation. However, the fact that so many artists (especially writers, but also musicians, painters, performance artists) are or have been people with training in legal disciplines should be taken into account when considering the apparently extrinsic relationship between art and law. It may be that this is just a coincidence, or it may be that art, whatever the definition we decide to take, really shares something profound with the law. The paper explore some of the main intersections between arts and law.

АКТУАЛЬНОСТЬ ЭСТЕТИКИ Б. КРОЧЕ WHAT STILL STADNS OF CROCES AESTHETIC

Основные положения эстетики Кроче включают два пункта: 1) интуитивное знание не зависит от логиче... more Основные положения эстетики Кроче включают два пункта: 1) интуитивное знание не зависит от логического; 2) интуитивное знание дано в искусстве, а логическое – в философии. В данной статье я сначала приведу некоторые доводы в пользу значимости некото-рых элементов теории Кроче для современной эстетики, а затем покажу, что, несмотря на справедливость его первого утверждения (1), второе (2) нельзя обосновать в рамках его теории. И, наконец, на основе предыдущих умозаключений, я представлю обосно-вание различия между эстетикой и философией искусства. The fundamental thesis of Benedetto Croce's Aesthetic consists of two main points: (i) intuitive knowledge is independent of logical knowledge, (ii) intuitive knowledge is given in art, while logical knowledge in philosophy. After illustrating some theoretical elements that make Croce's aesthetic a focal point in contemporary aesthetics, in the present article I will show how, given the validity of the first part of Croce's thesis (i), the second part of his thesis (ii) is not defensible in the terms proposed by him. Finally, on the basis on the previous analyses, I shall offer some

Una definizione di contemporaneo

Essere Maurizio Ferraris

Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teo... more Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teorico di Maurizio Ferraris. Utilizzando una cifra narrativa di carattere autobiografico, l'articolo ripercorre taluni momenti della filosofia ferrarisiana cercando di evidenziare alcune cifre caratteristiche. Ho conosciuto Maurizio Ferraris oramai oltre quindici anni fa. Considerando le turbolenze a cui, in genere, sono soggetti i rapporti accademici, credo sia un rapporto tutto sommato lungo, anche se non sempre è stato semplice. Anzi, a ben pensarci, direi che semplice non lo è stato quasi mai. In tanti anni, le ragioni della navigazione a volte burrascosa sono state diverse: differenze di caratteri e di stili, ma anche divergenze nel merito delle cose di cui ci occupiamo che, per quanto non sia allieva diretta di Maurizio, hanno una radice comune. Anzitutto l'ermeneutica, che è stata la scuola di formazione di entrambi, e poi interessi teorici simili: dal pensiero di Nietzsche, all'estetica che Ferraris ha interpretato come filosofia della sensibilità richiamandosi alle radici baumgarteniane della disciplina, mentre a me interessano soprattutto le questioni metafisiche e on-tologiche poste dalle opere d'arte. Dunque non tanto l'estetica come antefatto della epistemologia, ma piuttosto la filosofia dell'arte che in taluni casi, e per talune questioni, può essere strumento della filosofia generale. Subito dopo essermi laureata discutendo una tesi che aveva a oggetto la ricezione del pensiero di Nietzsche nella filosofia anglo-americana, ricordo che discussi con Gianni Vattimo i modi per trarre un articolo da quell'elaborato: la ricezione nordamericana di Nietzsche era in effetti questione per lo più ignorata nel contesto europeo. Vattimo chiamò Valerio Verra per informarsi se Cultura

Dialogo tra un epistemologo e un filosofo che amava Aristotele

Rivista Di Estetica, 2003

Scese da un taxi con la solita fretta controllata. Era abituato ad arrivare di corsa alle confere... more

postille a Ferraris

Alternando registri stilistici diversi, passando dal continentale più letterario all’analitico pi... more Alternando registri stilistici diversi, passando dal continentale più letterario all’analitico più duro, Maurizio Ferraris ha mostrato che il miglior filosofo possibile è quello che li contiene tutti. I suoi allievi, che qui raccolgono parte di quelle tracce, ne sono la prova: pezzi autonomi di una biblioteca vivente che ha lasciato liberi i suoi volumi di aprirsi alle pagine che preferivano

Storie dell'ontologia

Rivista di Estetica, 2003

Ermeneutica, estetica, ontologia. A partire da Maurizio Ferraris

Brill Research Perspectives in Art and Law, 2017

What is art?' is one of the classic questions that philosophy has addressed over the ages, from t... more What is art?' is one of the classic questions that philosophy has addressed over the ages, from the ancients to today. Taking as its starting point debates over the various definitions of art found in history, this article presents and discusses some of the major theories offered by both the analytic and continental traditions. It then looks at the theoretical reasons that led twentieth-century philosophy to reopen the question of definition, and in many cases inquire into the ontology of art itself. Finally, a series of considerations are addressed to help shift the problem of definition onto a new plane, one that is able to respond to the challenges of the performing and participatory arts, which more than any other form of art present particularly unconventional ontologies.

The Philosophy of Art: The Question of Definition: From Hegel to Post-Dantian Theories

The British Journal of Aesthetics, 2014

States and Transgenerational Actions

There is a class of actions that, from a metaphysical point of view, has as its necessary conditi... more There is a class of actions that, from a metaphysical point of view, has as its necessary condition some form of cooperation between different generations. This article aims to analyse the metaphysical structure of this class of actions and to show that they are a necessary condition for the existence of social reality.

Storie dell'ontologia

Rivista di estetica, 2003

The Domain of Social Ontology

An Ontology for Social Reality, 2016

Veicoli semantici che sono opere d'arte

Aisthesis Pratiche Linguaggi E Saperi Dell Estetico, 2012

Transgenerational actions and responsibility

Journal of Critical Realism

The German philosopher Hans Jonas aspires to a provide a re-foundation of ethics based on an anal... more The German philosopher Hans Jonas aspires to a provide a re-foundation of ethics based on an analysis of the contemporary world as well as on a prediction about the fate of globalized humanity. Through a discussion of the fundamental concepts of Jonas' work, the essay shows that the central themes of his research, which are still very relevant today, should be addressed by moving from the ethical level to that of ontology-and social ontology in particular. To this end, the paper offers a definition of transgenerational action that aims to replace Jonas' use of prevision. The transgenerational action is here considered as a particular type of social action: that which enables societies to exist over time. Finally, the essay proposes an essential taxonomy of transgenerational actions, showing how working on this notion might lead to a consciously utopian and positive social model, as opposed to the deflationary one Jonas wished for

Il mondo dell arte come istituzione sociale

Rivista di estetica, 2012

... Il mondo dell arte come istituzione sociale. Autores: Tiziana Andina; Localización: Rivista d... more

Essere Maurizio Ferraris

Rivista di estetica, 2015

Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teo... more Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teorico di Maurizio Ferraris. Utilizzando una cifra narrativa di carattere autobiografico, l'articolo ripercorre taluni momenti della filosofia ferrarisiana cercando di evidenziare alcune cifre caratteristiche.

Introduction. Chinese Contemporary Art: Between Deconstruction and Construction

by Erica Onnis and Tiziana Andina

The Philosophy and Art of Wang Guangyi, 2019

RdE65-04_Andina.pdf

Is judgement still possible in art? The present paper tries to answer this question, exploring th... more Is judgement still possible in art? The present paper tries to answer this question, exploring the two-main forms of judgement in the domain of art: the ontological-artistic judgment (regarding the identity of works of art) and the aesthetic judgement (regarding their aesthetic properties). Arguing that the most philosophically interesting cases are those in which judgment seems impossible, the article explores the elements necessary for the formulation of the two judgements that make up the domain of art.

NORMATIVITY AND BEAUTY IN CONTEMPORARY ARTS

Our intuitions related to art are generally associated to ideas such as creativity, freedom of ex... more Our intuitions related to art are generally associated to ideas such as creativity, freedom of expression, experimentation. The fact that so many artists (especially writers, but also musicians, painters, performance artists) are or have been people with training in legal disciplines should be taken into account when considering the apparently extrinsic relationship between art and law. The question we have to answer is the following.
When we make a judgment of taste looking, say, at the Mona Lisa, what does
that mean exactly? What do we mean when we say that “the Mona Lisa is beautiful and an absolute masterpiece of Western art”? This statement contains a judgment of taste (Mona Lisa is beautiful) and an artistic judgment (it is a masterpiece of Western art). In what follows I will show that: i) the two judgments are different, ii) both judgments have normative nature, but the normativity of the judgment of taste refers to different elements from the artistic judgment and, finally, iii) contemporary visual arts require the formulation of an artistic judgment rather than a judgment of taste.

Our intuitions related to art are generally associated to ideas such as creativity, freedom of ex... more Our intuitions related to art are generally associated to ideas such as creativity, freedom of expression, experimentation. However, the fact that so many artists (especially writers, but also musicians, painters, performance artists) are or have been people with training in legal disciplines should be taken into account when considering the apparently extrinsic relationship between art and law. It may be that this is just a coincidence, or it may be that art, whatever the definition we decide to take, really shares something profound with the law. The paper explore some of the main intersections between arts and law.

АКТУАЛЬНОСТЬ ЭСТЕТИКИ Б. КРОЧЕ WHAT STILL STADNS OF CROCES AESTHETIC

Основные положения эстетики Кроче включают два пункта: 1) интуитивное знание не зависит от логиче... more Основные положения эстетики Кроче включают два пункта: 1) интуитивное знание не зависит от логического; 2) интуитивное знание дано в искусстве, а логическое – в философии. В данной статье я сначала приведу некоторые доводы в пользу значимости некото-рых элементов теории Кроче для современной эстетики, а затем покажу, что, несмотря на справедливость его первого утверждения (1), второе (2) нельзя обосновать в рамках его теории. И, наконец, на основе предыдущих умозаключений, я представлю обосно-вание различия между эстетикой и философией искусства. The fundamental thesis of Benedetto Croce's Aesthetic consists of two main points: (i) intuitive knowledge is independent of logical knowledge, (ii) intuitive knowledge is given in art, while logical knowledge in philosophy. After illustrating some theoretical elements that make Croce's aesthetic a focal point in contemporary aesthetics, in the present article I will show how, given the validity of the first part of Croce's thesis (i), the second part of his thesis (ii) is not defensible in the terms proposed by him. Finally, on the basis on the previous analyses, I shall offer some

Una definizione di contemporaneo

Essere Maurizio Ferraris

Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teo... more Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teorico di Maurizio Ferraris. Utilizzando una cifra narrativa di carattere autobiografico, l'articolo ripercorre taluni momenti della filosofia ferrarisiana cercando di evidenziare alcune cifre caratteristiche. Ho conosciuto Maurizio Ferraris oramai oltre quindici anni fa. Considerando le turbolenze a cui, in genere, sono soggetti i rapporti accademici, credo sia un rapporto tutto sommato lungo, anche se non sempre è stato semplice. Anzi, a ben pensarci, direi che semplice non lo è stato quasi mai. In tanti anni, le ragioni della navigazione a volte burrascosa sono state diverse: differenze di caratteri e di stili, ma anche divergenze nel merito delle cose di cui ci occupiamo che, per quanto non sia allieva diretta di Maurizio, hanno una radice comune. Anzitutto l'ermeneutica, che è stata la scuola di formazione di entrambi, e poi interessi teorici simili: dal pensiero di Nietzsche, all'estetica che Ferraris ha interpretato come filosofia della sensibilità richiamandosi alle radici baumgarteniane della disciplina, mentre a me interessano soprattutto le questioni metafisiche e on-tologiche poste dalle opere d'arte. Dunque non tanto l'estetica come antefatto della epistemologia, ma piuttosto la filosofia dell'arte che in taluni casi, e per talune questioni, può essere strumento della filosofia generale. Subito dopo essermi laureata discutendo una tesi che aveva a oggetto la ricezione del pensiero di Nietzsche nella filosofia anglo-americana, ricordo che discussi con Gianni Vattimo i modi per trarre un articolo da quell'elaborato: la ricezione nordamericana di Nietzsche era in effetti questione per lo più ignorata nel contesto europeo. Vattimo chiamò Valerio Verra per informarsi se Cultura

Dialogo tra un epistemologo e un filosofo che amava Aristotele

Rivista Di Estetica, 2003

Scese da un taxi con la solita fretta controllata. Era abituato ad arrivare di corsa alle confere... more

An Ontology for Social Reality

This book explores the complex domain of social reality, asking what this reality is, how it is c... more This book explores the complex domain of social reality, asking what this reality is, how it is composed and what its dynamics are in both theoretical and practical terms. Through the examination of some of the most important contemporary theories of social ontology, the book discusses the fundamentals of the discipline and lays the foundations for its development in the political sphere. By analyzing the notion of State and the redesign of ontology, the author argues in favor of a realist conception of the State and shows the reasons why this promotes a better understanding of the dynamics of power and the actualization of a greater justice between generations. This book captures the relationship between different generations within the same political context, and presents it as a necessary condition for the re-definition of the concepts of State and meta-State.

Il problema della percezione nella filosofia di Nietzsche

Progetto grafico copertina: Massimiliano L. CAPPUCCIO. Impaginazione a cura di: Claudio BONALDI e... more

Ontologia sociale. Transgenerazionalità, potere, giustizia

La realtà sociale è un dominio complesso, che ci interessa direttamente e quotidianamente. Perciò... more La realtà sociale è un dominio complesso, che ci interessa direttamente e quotidianamente. Perciò domandarsi che cos’è, come si compone e quali sono le sue dinamiche, è importante non solo in prospettiva teorica, ma anche sotto il profilo pratico. Che cos’è una promessa? Perché i patti ci vincolano al loro rispetto? Che cosa sono i patti tra le generazioni?
Attraverso l’esame di alcune tra le più importanti teorie dell’ontologia sociale contemporanea, l’autrice discute i fondamenti della disciplina e pone le basi per un suo sviluppo nella sfera politica. Analizzando il concetto di Stato, e ridisegnandone l’ontologia, argomenta in favore di una concezione realista dello Stato, mostra le ragioni per cui essa favorisce una migliore comprensione delle dinamiche di potere e l’attualizzazione di una maggiore giustizia tra le generazioni.

Ermeneutica, estetica, ontologia. A partire da Maurizio Ferraris

by Tiziana Andina and Carola Barbero

Bridging the Analytical Continental Divide. A Companion to Contemporary Western Philosophy

The Philosophy of Art: The Question of Definition From Hegel to Post-Dantian Theories

Filosofia Contemporanea. Uno sguardo globale

Arthur Danto: un filosofo pop

Arthur Danto: Philosopher of Pop

Filosofie dell'arte. Da Hegel a Danto

Provate a immaginare di entrare in una sala cinematografica in cui viene proiettato un film che p... more Provate a immaginare di entrare in una sala cinematografica in cui viene proiettato un film che parla del tempo, e di accorgervi che il tempo del film coincide con il tempo della vita degli spettatori. Magia? Suggestione? Semplicemente un'opera d'arte: The Clock. Ma cosa vuol dire che è un'opera d'arte? E, soprattutto, quando è arte? Questo saggio discute alcune delle risposte che sono state date dalla tradizione misurandole con le sfide aperte dall'arte contemporanea.

Confini sfumati. I problemi dell'arte, le soluzioni della percezione

Il presente volume è stato stampato con il contributo del MIUR, fondi di ricerca scientifi ca PRI... more Il presente volume è stato stampato con il contributo del MIUR, fondi di ricerca scientifi ca PRIN, 2006 INDICE DEI NOMI p. 197 Truth is more of a stranger than fi ction Mark Twain RINGRAZIAMENTI "Le idee sono tali in quanto tu puoi comunicarle agli altri, … se le tieni per te non servono a nulla, anzi, non sono nemmeno idee".

Prendere le misure della normalità

Animati da una ironica combinatoria narrativa, i contes philosophiques di Gonçalo M. Tavares inse... more

Cercasi occhio capace di distinguere corpi semantici

1POJBNP DIF VOB HBMMFSJB ElBSUF BMMB NPEB FTQPOHB RVBUUSP SJMMP P UVU UF JOEJTDFSOJCJMJ -B QSJNB ... more 1POJBNP DIF VOB HBMMFSJB ElBSUF BMMB NPEB FTQPOHB RVBUUSP SJMMP P UVU UF JOEJTDFSOJCJMJ -B QSJNB SFBMJ BUB EBM EFTJHOFS BNFSJDBOP BNFT )BS WFZ TlJOUJUPMB TDBUPMB EJ EFUFSTJWP M UJ UPMP SFBMJTUJDP BUUSBWFSTP MB SJMMP EJ TFHOBUB EB )BSWFZ VOB B JFOEB DPN NFSDJBMJ B JM QSPQSJP EFUFSTJWP -B TFDPOEB SJMMP P JOEJTUJOHVJCJMF EBMMB QSJNB TlJOUJUPMB SJMMP P FE VOlPQFSB EJ OEZ 8BSIPM M HBMMFSJTUB DIF IB PSHBOJ BUP MlFTQP TJ JPOF BNB FWJEFO JBSF J MFHBNJ USB MlBSUF F MB GJMPTPGJB 1FS RVFTUP QSP QSJP BDDBOUP BMMF OVNFSPTF SJMMP P EJ 8BSIPM JNQJMBUF RVBTJ GPTTF SP TDBUPMF JO VO FNQPSJP FTQPOF BM USF SJMMP P JOEJTUJOHVJCJMJ EBMMF QSJ NF EVF 4POP MF SJMM P DIF MlBSUJTUB .JLF JEMP IB JOUJUPMBUP /PU 8BSIPM /PO TPMP MF SJMMP EJ JEMP TPOP JOEJ TDFSOJCJMJ EB RVFMMF EJ )BSWFZ F EJ 8BSIPM NB MB TUFTTB EJTQPTJ JPOF EFMMB TVB PQFSB JOEJTUJOHVJCJMF EB RVFMMB EFMMlPQFSB EJ 8BSIPM OGJOF EB VMUJNP BCCJBNP MF SJMMP P DPNNJTTJPOBUF EB 1POUVT )VMU O EJ SFUUPSF EFM .PEFSOB .VTFFU EJ 4UPD DPMNB FTFNQMBSJ GJSNBUJ OEZ 8BSIPM F JOUJUPMBUJ SJMMP P DIF WF EJBNP BDDBUBTUBUJ QSPQSJP BDDBOUP B RVFMMJ EJ .JLF JEMP -B EPNBOEB EVORVF RVFTUB J RVBU USP FTFNQMBSJ EJ SJMMP P JOEJTDFSOJ CJMJ a a f a F lll BMMlVTDJUB EFM QSJNP OVNFSP EFMMB SJWJTUB JNVUI OFM TFUUFNCSF BMMlVMUJNB NPTUSB EFMMB (BMMFSJB JNVU TDSJUUB TFO B MB MFUUFSB I QFS EJGGFSFO JBSMB EBMMB SJWJTUB QBTTBSPOP TPMP VOEJDJ NFTJ .B TUBUP VO QFSJPEP JOUFOTP F GFDPOEP QFS J EVF QSJODJQBMJ QSPNPUPSJ EJ RVFTUB

Arthur Danto, il gesto dell'arte

C'è del metodo in quella passione

Demetrio Paparoni, Cristo e l'impronta dell'arte, Skira, 2015

Roberta De Monticelli, Al di qua del bene e del male, Einaudi, 2015

Identity and Conservation of Contemporary Artworks: Duties and Responsibility International Summer School_ July, 3-9, 2017

by Tiziana Andina and alessandra donati

M.A. Philosophy Curriculum University of Turin

New English-Speaking Philosophy M.A. Curriculum in Turin Starting from October 2016, the Universi... more New English-Speaking Philosophy M.A. Curriculum in Turin Starting from October 2016, the University of Turin will offer a new MA program in philosophy taught in English: the Philosophy International Curriculum. The program aims at providing thorough insight into a comprehensive range of philosophical problems and at developing the distinctive transferable skills arising from an advanced philosophical education. A core curriculum on classical texts and issues is available, along with courses reaching out to forefront debates not only in current philosophy but also in foundational issues concerning contemporary politics, arts, and the sciences. The International Curriculum aims to promote the integration of students in an international research and working environment. It provides students with theoretical expertise both in the fields of metaphysics and ontology, philosophy of language and mind, logic and philosophy of science, aesthetics and philosophy of art, and in the areas of practical philosophy, in connection with – as in the Italian tradition of studies – the history of philosophical and scientific thought. The curriculum is an important opportunity to acquire useful skills for teaching, research, and any employment opportunity requiring the argumentation and critical analysis typical of a philosophical training, as well as knowledge related to the intersection between philosophy and the sciences of the mind. The new curriculum is addressed to international students but it is also open to Italian students, as well as to Erasmus mobility from European Countries. Each course adds up to 6 ECTS credits but for Philosophical Arguments that amounts to 12 ECTS credits. Students must gain 60 ECTS credits per year, including 30 credits reserved to the dissertation.

Identity and Conservation of Contemporary Artworks: Duties and Responsibility - International Summer School 12 -18 settembre 2016 Venaria

by alessandra donati and Tiziana Andina

http://www.contemporartlaw.com/about-us/

Brill Research Perspectives in Art and Law. An International Journal

The interdisciplinary English language journal Art and Law, aims to gather outstanding contributi... more The interdisciplinary English language journal Art and Law, aims to gather outstanding contributions to the fascinating debate at the intersection of art and law. The focus of the journal involves all the aspects philosophical, juridical, sociological, technological and cultural characterizing the relationship between art and law.

Brill Research Perspectives in Art and Law

by Tiziana Andina, Werner Gephart, and alessandra donati

The interdisciplinary English language journal Art and Law, aims to gather outstanding contributi... more The interdisciplinary English language journal Art and Law, aims to gather outstanding contributions to the fascinating debate at the intersection of art and law. The focus of the journal involves all the aspects (philosophical, juridical, sociological, technological and cultural) characterizing the relationship between art and law.

Brill Research Perspectives in Art and Law

by alessandra donati and Tiziana Andina

Brill Research Perspectives in Art and Law The editorial Project. Brill Research Perspectives bu... more Brill Research Perspectives in Art and Law

The editorial Project. Brill Research Perspectives builds on existing product types familiar to librarians and end-users (researchers and students) — it combines the peer-review of journals, the high usage of reference works, and the pedagogy of textbooks. In addition, the business model is based on the tried and true format of a serial publication with both subscription and site-license sales models. Brill Research Perspectives follows the successful formula of NOW’s Foundations and Trends™ which was the first product that combined the verification of the peer-review process and the synthesis of information found in reference works delivered on a real time basis.

The A&L Journal. On behalf of the University of Turin and of the Käte Hamburger Kolleg „Recht als Kultur“, the interdisciplinary journal Brill Research Perspectives in Art and Law aims to gather outstanding contributions to the fascinating debate at the intersection of art and law. The focus of the journal involves all the aspects (philosophical, juridical, sociological, technological and cultural) characterizing the relationship between law and art as well as the questions common to the two fields (e.g. normativity).

Chief-Editors: Prof. Tiziana Andina (University of Turin), Prof. Gianmaria Ajani (University of Turin), Werner Gephart (University of Bonn).

Assistant Editors: Dr. Angela Condello (University of Roma Tre), Dr. Enrico Terrone (Collége d’Etudes Mondiale)

Editorial Board: Prof. Emanuele Conte (University of Roma Tre), Prof. David Davies (McGill University), Prof. Alessandra Donati (University of Milano Bicocca), Prof. Thomas Dreier (Karlsruhe Institute for Technology (KIT), University of Freiburg), Prof. Maurizio Ferraris (University of Turin), Prof. Pierpaolo Forte (Director of Museo Madre, Naples and University of Sannio), Prof. Peter Goodrich (Cardozo School of Law), Prof. Desmond Manderson (Australian National University), Prof. Greta Olson (Justus-Liebig-Universität Giessen), Dr. Sabine N. Meyer (University of Osnabrueck), Dr. Stewart Motha (Birkbeck Law School, London), Prof. Andreas Philippopoulos-Mihalopoulos (Westminster School of Law, London), Prof. Eva Schürman (Otto-von-Guericke-Universität Magdeburg), Prof. Peter Schneck (University of Osnabrueck), Prof. Reinold Schmücker (University of Münster), Prof. John Searle (University of California, Berkeley), Prof Alberto Voltolini (University of Turin).

"Discrimination in Philosophy", Index, Rivista di Estetica N.S. 64, (1/2017), anno LVII

by Tiziana Andina and Vera Tripodi

Our practices of knowledge attribution, acquisition, and justification can systematically disadva... more Our practices of knowledge attribution, acquisition, and justification can systematically disadvantage women and other subordinated groups: by excluding them from inquiry; denying them epistemicauthority, denigrating their modes of knowledge; producing theories that portray them as inferior,deviant; producing social theories that make gendered power relations invisible;reinforcing genderbias and social hierarchies.
Can we remedy these forms of injustice? This issue of the Rivista di estetica addresses what needs to change in our knowledge practices; how we can challenge the narrowness of what is understood as philosophical knowledge; how the concept of knowledge should be considered in connection with notions such as trust, reliance, testimony, authority, credibility; how to revisit theways in which we measure quality and ability and what we should do in order to promote diversity and pluralism in knowledge.

International Conference "The Age of Art. Aesthetics and grammar of contemporary artistic languages"

by Mariagrazia Portera, Fabrizio Desideri, Tiziana Andina, Beryl Graham, Emanuele Arielli, and Pietro Montani

International Conference "The Age of Art. Aesthetics and grammar of contemporary artistic languag... more International Conference "The Age of Art. Aesthetics and grammar of contemporary artistic languages"
Università di Firenze
Dipartimento di Lettere e Filosofia
7-8-9 November 2019

Thursday 7 November 2019, Dipartimento di Lettere e Filosofia, Sala del Consiglio, via della Pergola 58-60

Chair: Alessandro Nigro (Firenze)
14.30-15.00: Welcome and greetings
15.00-15.30: Fabrizio Desideri (Firenze), Opening remarks
15.30-16.30: Carole Talon-Hugon (Nice Sophia Antipolis), Art Under Control
16.30-17.30: Sandro Scarrocchia (Politecnico di Milano), Sulla nozione di "grammatica storica" in rapporto ad Alois Riegl e alla Wiener Schule der Kunstgeschichte
17.30-17.45: Coffee Break
17.45-18.15: Hyun Höchsmann (ECNU, Shanghai), Elective Affinities –Alois Riegl and Walter Benjamin
18.15-18.45: Zsolt Bátori – Borbála Jász (Budapest), Architectural Language

Friday 8 November 2019, Dipartimento di Lettere e Filosofia, Sala del Consiglio, via della Pergola 58-60

Chair: Emanuele Arielli (Venezia)
09.00-10.00: Diarmuid Costello (Warwick), Photography as an Art
10.00-11.00: Beryl Graham (Sunderland), An Aesthetics of Interaction and Participation? New Media Art, and Histories of Exhibitions
11.00-11.30: Coffee break
11.30-12.30: Pietro Montani (Roma), Rules of Interactivity
12.30-13.00: Sanja Bojanic (Rijeka), New materiality and old syntax (under the skin of Ed Atkins)
13.00-13.30: General discussion
13.30-14.30: Lunch

Chair: Andrea Borsari (Bologna)
15.00-16.00: Annette Jael Lehmann (Berlin), Wider Frameworks. Blurting in A & L and other Projects by Art & Language
16.00-17.00: Andrea Mecacci (Firenze), Pop Goes Hyperreal
17.00-17.15: Coffee break
17.15-17.45: Emanuele Arielli (Venezia), Aesthetic irreproducibility in contemporary art practices
17.45-18.15: Matthew William Rowe (London), The Artistic Language of Conceptual Art
18.15-18.45: Marta Rosa (Firenze), The Great Challenge of Performance Art: Creating an Ontology

Saturday 9 November 2019, Biblioteca Umanistica, Sala Comparetti, Piazza Brunelleschi, 4

Chair: Tiziana Andina (Torino)
09.00-10.00: Andrew Benjamin (London), Meaning, Movement and the Body: Grammar and Gesture
10.00-10.30: Virgilio Sieni (Firenze), Sul Gesto
10.30-10.45: Coffee break
10.45-11.15: Davide Dal Sasso (Torino), The Revealed Grammars and the Evolution of Contemporary Artistic Practices
11.15-11.45: Gabriele Marino (Torino), The age of Internet memes: Forms and contents of the leading contemporary visual language
11.45-13.30: Roundtable “Interactions: il pubblico nell’età dell’arte. Linguaggi artistici contemporanei e nuove forme di fruizione”, with Tiziana Andina (Torino), Pina De Luca (Salerno), Roberto Diodato (Milano), Luca Farulli (Firenze), Andrea Viliani (Museo Madre - Napoli).
13.30-14.30: Lunch

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