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Il Coro Canta Il Cinema: Adagio

The document appears to be musical sheet music. It contains musical notation including notes, rhythms, dynamics, and Italian musical terms. The sheet music seems to set a text to music that describes waking up with a loved one, being comforted in the night, and wanting to feel their love once more. The sheet music contains repetition of the themes in the text across multiple verses set to music.

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Angelo Palmisano
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0% found this document useful (0 votes)
96 views20 pages

Il Coro Canta Il Cinema: Adagio

The document appears to be musical sheet music. It contains musical notation including notes, rhythms, dynamics, and Italian musical terms. The sheet music seems to set a text to music that describes waking up with a loved one, being comforted in the night, and wanting to feel their love once more. The sheet music contains repetition of the themes in the text across multiple verses set to music.

Uploaded by

Angelo Palmisano
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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IL CORO CANTA IL CINEMA

Angelo PALMISANO

      
  
Adagio A tempo

   

  
I woke and you were there be

          
  
I woke and you were there be

         

  
I woke and you were there be

         
I woke and you were there be

           
 
28

  
side me in the night you touched me and calmed my fear turned dark ness

                
side me in the night you touched me and calmed my fear turned dark ness

                
side me in the night you touched me and calmed my fear turned dark ness

     
          

side me in the night you touched me and calmed my fear turned dark ness
     
2

    
37 A tempo

   

in to light I woke and saw you there

      
in to  
 
light Uh

          

 
in to light Uh uh

        
 
in to light Uh uh

       
        
54

 

be side me as be fore my heart leapt to fin you near to

          
uh uh uh uh

         
uh uh uh uh

     
    
uh uh uh uh
     
3

     
cresc.
 
  
63


 
feel you close once more to feel your love once more

 
cresc.

       
 
uh uh uh uh

   
cresc.

     
 
uh uh uh uh

      
cresc.

  
uh uh uh uh

    
  
              
80


I woke and you were there be side me in the night you


                   

 
I woke and you were there be side me in the night you

                    

I
      
woke and you were there be side me in the night you

         
   
I woke and you were there be side me in the night you
4

            
 
dim.

  
89

 
touched me and calmed my fear to feel you close once more to

  
dim.

                
touched me and calmed my fear to feel you close once more to


                 
dim.

   
touched me and calmed my fear to feel you close once more to

     
       
dim.

 
touched me and calmed my fear to feel you close once more to

2. Pinocchio - Biricchinata

      

Vivace
    
97

  
Molto rall.

 

feel your love once more.

          
 

  

feel your love once more.


         

  
feel your love once more.

       
  
feel your love more.
        
5

                     
144

            
 pa

pa pa pa pa pa pa pa pa pa pa pa

                     
 
 pa pa       
 
pa pa pa pa pa pa pa pa pa pa

                  


Per chè per chè per chè so no mo

               
 
bom bom bom bom bom bom bom bom bom bom bom bom bom bom

            
                

151

               
  
pa pa pa pa pa pa pa pa pa pa pa pa pa pa pa

     
                         
              
pa pa pa pa pa pa pa pa pa pa pa pa pa pa pa

              


nel lo per chè per chè per chè son sen za cuo re nè cer vel per

            
bom bom bom bom bom bom bom bom bom bom bom bom
              
6

              
157

               
  
pa pa pa pa pa pa pa pa pa pa pa pa pa pa pa

                            
  
            
                       
pa pa pa pa pa pa pa pa pa pa pa pa pa pa pa

         

       
chè son li be ro gio con do per chè per chè son na to gi ra

     
bom bom bom bom bom bom bom bom bom bom bom bom

                
  
163

     
 
pa A tut tu que sti cen to più per chè, per chè io cer co na ri

        
             
 
 
pa A tut tu que sti cen to più per chè, per chè io cer co na ri

            


mon do bom bom bom bom bom bom bom bom bom

       
   
bom bom bom bom bom bom bom bom bom bom

 
7

                
169

 
spo sta che per chè e ur la no, stril la no, cor ron no mi vo glio no bi

                  

  
spo sta che per chè e ur la no, stril la no, cor ron no mi vo glio no bi

         
    

bom bom bom bom bom stril la no, cor ron no mi vo glio no bi

               
bom bom bom bom bom stril la no, cor ron no mi vo glio no bi

                
   
175


dien te, do ci le, ti mi do e co me bu rat ti no mi vor

                    

 
dien te, do ci le, ti mi do e co me bu rat ti no mi vor

               
dien te, do ci le, ti mi do e co me bu rat ti no mi vor

             
 
dien te, do ci le, ti mi do e co me bu rat ti no mi vor
8
  
              
181

    
  
reb be ro qui ri dar è vie ta to schia maz zar, è proi bi to bron to lar. Lo

 
              
    
reb be ro qui ri dar bom bom bom bom bom bom bom lar. Lo

                

 
reb be ro bom bom bom è vie ta to schia maz zar, è proi bi to bron to lar. Lo

                
reb be ro bom bom bom bom bom bom bom bom bom bom bom Lo

                     
   
188

       
                     
so, lo so so no mo nel lo lo so lo so lo so son sen za cuo re nè cer

           

                     
so, lo so so no mo nel lo lo so lo so lo so son sen za cuo re nè cer

           

                             
so, lo so so no mo nel lo lo so lo so lo so son sen za cuo re nè cer

  
so, lo so so no mo nel lo lo so lo so lo so son sen za cuo re nè cer
                       
9

       
195

   
                       
vel lo so lo so son gi ra mon do per chè per chè son li be ro gio

           

                       
vel lo so lo so son gi ra mon do per chè per chè son li be ro gio

           
    
                         
vel lo so lo so son gi ra mon do per chè per chè son li be ro gio

   
vel lo so lo so son gi ra mon do per chè per chè son li be ro gio

 
                           
202

 
con do a tut ti que sti cen to più per chè per chè io cer co na ri spo sta che per

     
                   

 
con do a tut ti que sti cen to più per chè per chè io cer co na ri spo sta che per

            


con do bom bom bom bom bom bom bom bom bom bom bom

        
    
con do bom bom bom bom bom bom bom bom bom bom bom

10

                 


209


chè e ur la no, stril la no, cor ron no mi vo glio no bi dien te,

                 



chè e ur la no, stril la no, cor ron no mi vo glio no bi dien te,

          
   
bom bom bom stril la no, cor ron no vo glio no bi dien te,

               
bom bom bom stril la no, cor ron no mi vo glio no bi dien te,

              
   
215

  


do ci le ti mi do e co me bu rat ti no mi vor reb be ro

                  
  
  
do ci le ti mi do e co me bu rat ti no mi vor reb be ro

             
do ci le ti mi do co me bu rat ti no mi vor reb be ro

           
   
do ci le ti mi do co me bu rat ti no mi vor reb be ro
  
11

              
221

    
  
qui ri dar è vie ta to schia maz zar è proi bi to bron to lar.

            
  
 bom 
   
qui ri dar bom bom bom è proi bi to bron to lar.

                  

 
bom bom bom è vie ta to schia maz zar è proi bi to bron to lar.

                 
bom bom bom bom bom bom bom è proi bi to bron to lar.

Allegro moderato

   
3. Amarcord

      
228

     

   
A mar cord veut dire je me sou

            

   
A mar cord veut dire je me sou

            
  A     
mar cord veut dire je me sou

      
A mar cord veut dire je me sou
 
12

           
249

  

 
viens mais tu es de ja' trop loin A mar

              

 
viens mais tu es de ja' trop loin A mar

             

         
viens mais tu es de ja' trop loin A mar

      
viens mais tu es de ja' trop loin A mar

      
   
255

     


cord nous nous ai mois si bien mais l'ou bli n'a

              

 
cord nous nous ai mois si bien mais l'ou bli n'a

           

     
cord nous nous si bien mais l'ou bli n'a

       
cord nous nous si bien mais l'ou bli n'a
      13

       
260

  
    
peur de rien. A mar

      
     
  
peur de rien. A mar

    
       

  A
  
peur de rien. mar

       
 
peur de rien. A mar

        
         
283

cord veut dire je me sou viens mais tu es de ja' trop

                 

             
cord veut dire je me sou viens mais tu es de ja' trop

 

           
cord veut dire sou viens mais tu es de ja' trop

    
cord veut dire sou viens mais tu es de ja' trop
14
   
     
       
289


loin. A mar cord nous nous ai mios si bien mais l'ou

                

A          
loin. mar cord nous nous ai mios si bien mais l'ou

 
 

loin. A mar cord nous nous si bien mais l'ou

             
loin. A mar cord nous nous si bien mais l'ou

       
Molto maestoso

      
295


  
bli n'a peur de rien.

           

         
bli n'a peur de rien.

     

     
bli n'a peur de rien.

        
bli n'a peur de rien.
  
Allegro moderato 15

         
310


  
Smile with out a rea son why

          

 
Smile with out a rea son why

     

 
     

          
325


Smile no mat ter what they

           
      
Smile no mat ter what they


       


      
love as if you were a child Smile no mat ter what they

       
love as if you were a child Smile no mat ter what they
   
16
 
   
           
331

tell you don't li sten to a word they say cause life is beau ti ful that

     
                 
tell you don't li sten to a word they say cause life is beau ti ful that

                      

         
tell you they say cause life is beau ti ful that

         
 
tell you they say cause life is beau ti ful that


           
335



way!! Smile with out a rea son why

            
way!! Smile with out a rea son why

      
way!!  love

      

way!!  love

      
17

   
341



Smile no mat ter what they

           
       
Smile no mat ter what they


       


      
as if you were a child Smile no mat ter what they

       
as if you were a child Smile no mat ter what they


                        
346

tell you don't li sten to a word they say cause life is beau ti ful that

     
                 
tell you don't li sten to a word they say cause life is beau ti ful that

                      

         
tell you they say cause life is beau ti ful that

         
 
tell you they say cause life is beau ti ful that

18

        
350

 

way!! Oh Oh

         

way!! Oh Oh

         

    
way!! Oh Oh

    

way!! Oh Oh


              
357


Here in his eyes for e ver

                  

            

          
            
19

   
363


more I will al ways be as close as you re mem ber from be fore

      


     

Now

      

    
369

     

                     

that you're out there on your own re mem ber what is real and what we dream is love a

     
20


     
374

  

Oh Oh

        

Oh Oh

       
   
lone. Oh Oh

    
Oh Oh

       
   
Più vivace
  
381


                       

            

           

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