Play Analysis A Doll's House: TH TH
Play Analysis A Doll's House: TH TH
Play Analysis A Doll's House: TH TH
A Doll’s House
A doll’s house was originally written in Norwegian by Henrik Ibsen. It was first performed on
December 21, 1879 at the Royal Theatre in Denmark. It is considered as modern drama; a type
of drama that refers to plays written in the 19th and 20th century and is often focused on
Dr. Rank: a rich family friend who is secretly inlove with Nora
Theme
The play portrays the sacrificial role of women as seen in the various decisions of the female
characters like Mrs. Linde, who married a wealthy man to support her family instead of marrying
believe that parents are responsible for the morality and immorality of their children for they are
This belief is quoted by Torvald (Nora’s husband) saying: “Nearly all young criminals had lying
mothers”. Torvald also disallows Nora to take care of their children upon learning of her secret.
Symbols
The role of Nora as being “decorative” resonates with the Christmas tree as adding charm to the
Torvald’s household. Nora is viewed by her husband not as his equal/partner but rather, as a doll
to be admired. He treats Nora like a child in a way that is both kind and condescending.
Nora
The protagonist herself is a symbol. She symbolizes a doll (hence the title) because her husband
is in control of her life and would not let her do anything without his consent
Dramatic Techniques
Irony
Torvald sees her wife as a child who cannot do anything except being a “plain housewife” where
in fact she is a busy woman who works hard to pay a loan that was used to save Torvald’s life.
Torvald also condemns Nora for keeping the loan a secret when she only hid it to not burden his
husband.
Conflict
The playwright incorporated external and internal conflicts to keep the audience engaged.
External conflicts are portrayed between Nora and Torvald (Torvald refusing Nora to take care
of their children) or Nora and Krogstad (the latter blackmailing Nora to tell her secret to her
husband).
The internal conflicts allow the audience to understand personal motives as shown in Nora’s
struggle whether to tell or not to tell her husband about her borrowing a large amount of money.
Foreshadowing
The protagonist’s (Nora) dialogues/actions often drops clues about her future decisions in subtle
suggestions. At the start of the play, she eats macaroons (which Torvald dislikes), this
foreshadows her rebellion towards her husband at the end of the play.
In the beginning of Act Two, Nora converses with a Nurse about the Helmer children:
Nurse: “You see, they are so accustomed to have their mamma with them.”
Nora: “Yes, but, nurse, I shall not be able to be so much with them now as I was before.”
This dialogue suggests Nora abandoning her children at the end of the play.
Drama
&
Poetry
AB English III-I