Patternpedia: An Encyclopedia of All Things Pattern Design
Patternpedia: An Encyclopedia of All Things Pattern Design
AN ENCYCLOPEDIA OF ALL
T H I N G S PAT T E R N D E S I G N
With descriptions and illustrative images of
over 130 pattern categories, classic motifs and
historic pattern styles.
BY BÄRBEL DRESSLER
But most of all, I hope this guide will give you inspiration and spark new
ideas that you can use in your design process and work, when designing
new patterns and collections.
In these pages you will find definitions and descriptions, often including
a bit of history and illustrative images of classic pattern types, historical
styles and motifs in alphabetic order.
Enjoy!
/ Bärbel
All patterns, illustrations and images are by Bärbel Dressler ©2022 Bear Bell Productions AB unless stated otherwise.
A BORIGINAL patterns
Aboriginal patterns are based on art and design by the indigenous
people of Australia. Very generally described their patterns are abstract,
with symbols and motifs of specific and sacred meaning, such as places,
landmarks, natural phenomena, people and traditions that are important
for their culture and community. See also Ethnic and Folk Art.
ABSTRACT patterns
Abstract patterns include motifs and shapes that can’t be described as
any recognizable object or figure. Witchetty grubs, NT Australia. Alamy images.
ACANTHUS motif
The Acanthus leaf is a frequently used ornament in architecture, art and design and comes in many different
forms, looks and styles; leaf, tendril and scroll. The Acanthus was first used in ancient Greece as an ornamentation
of the corinthian column, but became the favorite motif of ancient Roman art and design. It’s a common motif
in many design styles following the classical era; in Byzantine, Romanesque, Gothic, Renaissance, Damask,
Neo classicism, Arts and Crafts, Art Nouveau and Art Deco.
In my Drawing the Acanthus class on Skillshare you will learn Click here to watch the
more about the history of this classical motif, its anatomy and how to course introduction video
draw it in various angles, turnovers and scrolls.
AFRICAN patterns
There are many different African pattern styles and pattern types, formed by cultural traditions, the local
materials and techniques for applying the motifs. For example strip weaving, stamping, painting and different
types of resist-dye. But despite the differences they also have many unifying elements, for example geometric
shapes with symbolic meaning. The motifs are often telling a story or proverbs that are unique for the people
creating them. Here are some examples of iconic African patterns and styles:
Adire eleko. Alamy images. Bogolanfini / Mud cloth. Kente cloth. Adinkra.
Image: Wikimedia commons. Image: Wikimedia commons. Image: Wikimedia commons.
ALLOVER patterns
An allover pattern has repeated motifs that are distrib-
uted in an even and somewhat dense layout where the
motifs are sometimes intertwining, as opposed to a spot
pattern where the motifs are separated and with more
spacing. An allover can have any type of repeat layout or
direction.
Allover Spot
ANIMAL patterns
Animal patterns are patterns depicting the
patterns of animal fur or skin, like zebra
stripes, leopard fur or snake scales.
ANTHEMION motif
The Anthemion is an ancient Greek interpretation of
the Palmette from ancient Egyptian art, with leaves
radiating from a parent stem. Versions of the
Anthemion with petals curving inwards are said to
depict a stylized honeysuckle plant. See also Palmette.
ARABESQUE style
Arabesque or Islimi, is an elaborate and ornamental
pattern style deriving from - or inspired by - Islamic
art and design. It includes biomorphic motifs, scrolling,
interlacing and overlapping foliage, tendrils, stylized
plants and florals, often combined with geometric
elements. The motifs are often repeated by mirroring
or rotating to create a pattern tile.
ARGYLE pattern
An Argyle pattern has lozenge shapes in combination
with crossing dashed lines arranged in a diagonal layout.
It’s a type of tartan pattern and derives from the tartan
of Clan Campbell of Argyll in western Scotland.
Argyle patterns are often used for kilts and plaids,
knitted sweaters, vests and socks.
ARTS AND CRAFTS style
The Arts and Crafts movement and its design style emerged in England
around 1860, with William Morris as its front figure. The style became
extremely popular and spread to most of Europe and North America.
The Arts and Crafts style was influenced by a wide range of historical and
ethnic art and design from all over the world, like Islamic, Ottoman, Indian,
Japanese and other asian styles. But it was the principles of Medieval and
Gothic art and craft that formed the style the most.
Arts and Crafts patterns are typically complex and layered, with motifs
from the English nature and gardens, with trailing branches, leaves and
flowers. Within the style you find several types of pattern compositions,
like realistically growing, trailing or scrolled plants, stylized serpentine
designs, mirrored, interlocking and diaper compositions.
BLENDER patterns
A blender is what we call a pattern in a collection that’s
often smaller in scale and simple in design. Its purpose
is to add balance to the collection and tie the different
patterns together as well as providing some breathing
space between more complex and busy designs.
A blender can for example be a stripe, polka dot, mini
check or foulard. See also Hero and Coordinating
patterns.
BORDER patterns
A border pattern only repeats the motifs in one direction; horizontally or vertically and is used to frame or crown
other designs, for example the edges of a scarf or bandanna, for wall decor and rugs. There are many classical
border patterns; like the Meander, Crow step, Running dog, Egg and Dart, Leaf and Dart, Bead and Reel,
Anthemion and Lotus, but als Paisley. See also the Ancient Egyptian, Greek and Roman and Paisley styles.
BOTANICAL patterns
Botanical patterns have motifs showing herbs, garden
plants and other botanical objects, depicted in a more or
less realistic way, often as a full plant study inspired by
scientific botanical illustrations.
BOTEH motif
The Boteh originated in ancient Persia and consist of a spray
of floral elements in a drop-shaped motif, with a tilting top.
It became a popular motif in the Mughal empire where it
developed into a full plant, root and all, partly inspired by
European botanical illustrations. Later it evolved into the
droplet motif that we today know as the Paisley in western
design.
BRICK repeat
A type of layout where the repeated
motifs are arranged in rows and
where every second row is shifted
half a distance horizontally.
BOUQUET patterns
Bouquet patterns have floral motifs arranged
in groups resembling composed bouquets of
C AMOUFLAGE patterns
An abstract, allover pattern of irregular shapes and
designed to imitate and blend in with specific surroundings,
varying flowers and leaves, either as seen from originally created for army and military use.
above, without visible stalks, or as seen from
the sides, with bound or gathered stalks.
See also Sprig and Spray.
Chinoiserie Toile de Jouy textile. Alamy images. Geometric/Fret style Handpainted wallpaper. Alamy images.
CIRCLE patterns
Overlapping circles is a classic pattern type that can
be found in many different styles around the world,
with one of the earliest examples in ancient Egypt.
The composition is made with circles that are
overlapping in a symmetrical, diagonal structure.
CONTEMPORARY patterns
Contemporary patterns have motifs that are depicting or
representing current subjects, themes, objects, concepts
or events. For example, instead of creating a traditional
Toile de Jouy pattern with motifs based on rococo art
or depicting 18th century people and events, you can
create motifs showing modern environments, buildings,
people and items.
CONVERSATIONAL patterns
Conversational patterns are composed of motifs that are
recognizable objects, items; people, animals, vehicles, buildings
and places. They are often meant to be fun, light-hearted and
based on a specific theme. They can be narrative too and tell a
little story. Conversational patterns are used for many types of
purposes and products, for example kitchen textiles, quilting
fabric and clothes.
COORDINATING patterns CORAL patterns
A coordinating pattern complements and supports the Coral patterns have motifs that resemble corals or coral
hero pattern, is generally smaller in scale and has less growth. Coral patterns were often used as a textured
complexity compared to the hero patterns. background layer in 18th and 19th century Chintzes
and other printed cotton designs.
DIRECTIONAL patterns
A directional pattern is a pattern that is supposed to be viewed
from one or two directions in order for the motifs to look correct
and make sense. The opposite is called non-directional, or tossed
and this type of patterns can be viewed from any direction.
Trailing Floral and figurative patterns are often one-directional
patterns.
DITSY patterns
Ditsy patterns have motifs that can be cute, eccentric,
whimsical and even silly. Motifs are usually flowers,
circles, zig-zags, doodles and other simple elements.
It’s a small scaled pattern where the motifs are arranged
in an allover and scattered layout and at a distant it
almost looks like a solid color. The floral patterns of
Liberty London are often referred to as ditsy patterns.
DOCUMENTARY patterns
A documentary pattern is a pattern that is based on historical findings, like fragments of fabric, wallpaper, murals
or old design sketches and are then reproduced, often using a different or modern technology.
ETHNIC patterns
Patterns inspired by art created by people of a specific nationality, region or
culture. Examples of Ethnic pattern styles are Aboriginal patterns, Native
American and patterns by people from the Pacific South islands. If you want
to create an ethnic inspired pattern it’s important that you don’t try to copy
or mimic the work of an indigenous people, to avoid and prevent harmful
cultural appropriation. Instead find inspiration from many different sources
to reference and create your own mix and original work.
FIGURATIVE patterns
Figurative patterns are a type of conversational or
narrative patterns that include people or animals. Toile
de Jouy patterns, with bucolic scenes with courting cou-
ples and people working or playing in the countryside
are examples of figurative patterns.
FLAME STITCH style
Flame stitch is originally a type of embroidery technique
and style that is thought to have first developed in Italy
in the 1500s.
The stitches create a characteristic chevron pattern in a
wave-like composition, with layers of multiple zig-zags
in different colors, arranged in way that it creates a
gradient effect resembling flames.
FLORAL patterns
The term Floral patterns refers to any pattern that uses
flowers, buds, seed pods, leaves and other plant elements,
even marine plants. Floral motifs are the most common
and popular motif types used in surface pattern design.
There are several sub-categories of floral patterns
depending on their type of composition, for example
trailing/continual florals, bouquet florals, Sprig and
Spray florals (see also).
FOLIAGE patterns
Foliage patterns have compositions of motifs consisting
of branches, twigs and leaves. The foliage motifs can
make up the whole pattern or in combination with
others, like flowers, birds, trellises, trees and so on.
FRET patterns
Are ancient and made of bands and other
shapes with right angles. They are often border
patterns and can be found in many different
styles all over the world, for example in ancient
Greek, Aztec and Chinese patterns.
G EOMETRIC patterns
A geometric pattern is a pattern
that is using motifs of geometric
shapes, like stripes, circles, dots,
ellipses, triangles, rectangles,
squares and different types of
polygons like hexagons, rhombuses
and octagons.
GINGHAM style
The Gingham pattern came to Europe from Malaysia in the 17th century
and was originally a stripe pattern. When the Europeans and Americans
started their own Gingham manufacturing, they added their own touch and
design to it and it’s thought that it was the mills in Manchester, England
that first made a checked version in the 18th century.
A Gingham is typically a small to medium scaled pattern, made up with
crossing stripes, usually in a bright color on white background. Where the
stripes cross, they create a darker shade (called fall-on), which is the
number one characteristic of a Gingham pattern. Gingham pattens are
traditionally red and white or blue and white and often used for table cloths,
aprons, curtains and baby bedding.
HARLEQUIN patterns
A Harlequin pattern is made with diamond shaped motifs
arranged in a diagonal grid. The diamonds typically have
multiple colors and dark or white outlines. The name
Harlequin comes from a character in Commedia dell’arte,
which was a 16th century Italian theater movement. The
Harlequin characters were witty, mischievous clowns who
wore costumes sewn together from fabric scraps and over
time it evolved into a diamond pattern called Harlequin.
HERATI style
The Herati pattern style has origins in ancient Persia and the city of
Herat in today’s Afghanistan and is commonly used on rugs and tapestries.
It’s characterized by a flower inside a diamond shape, surrounded by four
Acanthus leaves, that look a bit like fish and some believe the design meant
to symbolize the Persian myth that the world was supported by four
swimming fish, which is why this pattern is sometimes called Mahi,
meaning fish design.
HERRINGBONE patterns
A Herringbone pattern is a type of chevron pattern, but
where the v-shapes are created by blocks arranged and
repeated in a layout that resembles the bones of a fish.
The blocks can be rectangles or so called parallelograms.
Herringbone patterns are often used for wallpaper,
coats and jackets, but are also common for tiling and
parquet floors.
HOUNDSTOOTH patterns
A Houndstooth pattern is a classic pattern characterized by a
four-pointed shape that is said to resemble a dog tooth.
It’s considered a type of check pattern and is traditionally done in
black and white.
The first to wear houndstooth clothes are said to be shepherds in
the Scottish Highlands, who appreciated how the speckled design
would hide spots and stains.
I KAT style
Ikat is originally a resist-tie-dye technique where the
threads are tied to protect parts of them from the dye,
which cretes colored sections of the yarn that creates
a geometric pattern when woven into the fabric, which
creates the typical blurred shapes that have become a
characteristic of the style. Ikat patterns are often used
for home textiles like upholstery, cushions and pillows,
but was also commonly used for 18th century dress.
INCA style
The patterns of the Inca Empire are characterized by a
checkerboard composition in alternating and contrasting
colors, where the squares includes geometric and stylized
figures and shapes with a symbolic meaning. Typical
motifs were checkerboard, frets, stepped pyramids,
eight-pointed-stars and geometrically stylized animals
like fish, llamas and condors.
In my Indian Floral class on Skillshare you will learn more about Click here to watch the
the history of this classical style, how to draw its characteristic course introduction video
motifs and compose them into flowing, decorative patterns.
INSULAR style
Insular patterns are characterized by intricate interlacing bands that are
looped, braided and knotted in complex geometric patterns. The style
developed in Ireland and the British islands, which is how this style got its
name (Insular = island) during the 4th century, probably with influence
from mediterranean and Norse/Viking art from the same era. Insular motifs
and patterns were used by monks for decorating illuminated manuscripts,
metalwork and stone carvings, especially stone crosses. See also Interlacing
patterns below and Celtic- and Everlasting knot.
INTERLACING patterns
Interlacing is a decorative style found in medieval art and design,
characterized by intricate bands that are looped, braided and knotted
in complex geometric patterns in a flat composition. Interlacing motifs
and patterns can be found in many places and cultures during the early
Middle Ages, for example in Islamic and Norse/Viking art, but specifically
The book of Durrow.
Image: Wikimedia commons.
ISLAMIC patterns
Islamic patterns are a category of symmetric
patterns with geometric shapes that are
repeated in a way to create an infinite
impression. They are also tightly connected
to the Islamic history, culture, art and
architecture. See also Arabesque.
Wooden ceiling. Image: The Met museum.
ITCHIMATSU patterns
Is essentially the same as a checkerboard pattern but where one
color is slightly overlapping in the corners creating a smaller
check inside. It can also have other designs inside the checks.
This is a very popular Japanese pattern used for Kimonos. The
actor Sanokawa Ichimatsu used this design for his Hakama on
stage, which is how this specific check pattern style got its name.
IZNIK style
Iznik artwork and patterns are found on ceramics like
tiles and pottery from the last part of the 15th century
J ACOBEAN style
Refers to an embroidery style during the reign of
King James I of England in the last part of the 17th
in modern day Turkey. The Iznik style is characterized century. The style was highly influenced by the patterns
by stylized flowers and leaves in red, green and blue on and motifs that could be found on the printed cottons
an off white or blue ground, often in a symmetrical imported from India, with flowers, plants and animals.
layout. The style has visible influences from Ottoman, A popular motif was the Tree of Life.
Arabesque, Chinese, Indian and Mughal floral art and See also Indian Floral.
design. Typical motifs are Tulips, Carnations and
Acanthus-like leaves.
K ILIM style
Kilim is originally a tapestry-woven rug or textile
with origins in Turkey and its neighboring regions. Its
characteristic designs of diagonally aligned geometric
shapes and stylized almost abstract figures in rich,
brilliant colors, have also become synonymous with this
type of pattern style. Similar weaving techniques and
patterns are also made by the indigenous peoples of
North, Central and South America.
L ANDSCAPE patterns
A landscape pattern is a pictorial pattern depicting trees, forests,
orchards, parks, fields, mountains, hills and other elements seen in nature.
LATTICEWORK patterns
Latticework patterns refers to
patterns with criss-crossing or
An important characteristic is a pictorial and zoomed out perspective as interlaced stripes or lines that
opposed to more up-close views of foliage or botanical motifs and patterns. creates a grid-like look.
A landscape pattern can include houses, fences and other man made See also Basket weave and Trellis.
elements as well, but is dominated by nature motifs.
LEAF AND DART patterns
Also known as the Rais de ceur. A classical border pattern originating in ancient Greece, often used in architecture,
on friezes and borders. It consistas of a heart shaped leaf alternated with a pointy arrow, representing a spear.
MEANDER patterns
Also Greek Key, is an ancient Greek border pattern
consisting of meandering continuous straight lines and
right angles resembling a labyrinth.
MEDALLION motif and patterns MOSAIC patterns
A medallion is a symmetrical motif where A Mosaic pattern is a pattern that consists of small geometric and
motif elements have been rotated and/or colored shapes resembling mosaic stones or glass, with geometric
mirrored to create a composed medallion-like shapes, objects or figurative motifs. Examples of mosaic design are
motif. Example where a medallion motif is stained glass windows, products from Tiffany, or ancient Roman
used is in Damask and Roundel patterns. floors and wall decorations.
N AUTICAL patterns
A nautical pattern is a pattern including motifs
depicting all kinds of objects of a nautical theme, such
NON-DIRECTIONAL patterns
A non-directional pattern is a pattern with motifs that
can be viewed from any direction. An example of non-
as sailing, navigation, boats, flags, ropes and knots. directional is a pattern where the motifs are arranged in
a tossed or scattered layout.
O GEE motif and patterns
An Ogee originally refers to an S-shaped or curved
line or profile where the ends point in opposite directions.
When mirrored it creates an onion-like shape that is also
called an ogee and can be used for creating a classic Ogee
pattern and that have been used in many different Asian
and Western styles, from Ottoman textiles to Moroccan
tiles.
P AISLEY style
An ancient pattern style with Persian origins, and
characterized by a teardrop shaped motif decorated with
stylized organic shapes and objects like flowers, buds and
leaves, in combination with more abstract geometrical
shapes. Paisley patterns became popular in the early
1800 Europe with cashmere shawls and domestic
manufacturing was quickly established, with a center in
the Scottish town Paisley, which coined its western name.
Paisley patterns can have varying compositions; from
simple, small scaled foulards, to complex allover patterns
with intertwining, layered and mirrored motifs.
In my Paisley class on Skillshare you’ll learn about the history Watch the course
behind the style and how to create 3 different types of Paisley patterns. introduction video >>
PETÍTE patterns
A petíte pattern is basically a pattern with
small motifs arranged in a composition with
lots of negative space. This concept is often
used for simpler, small scaled patterns used
for home decor and apparel. In a fabric
pattern collection it could be categorized as
a blender pattern.
PLAID patterns
A plaid pattern has crossing bands
and stripes of different width that
create squares and rectangles.
Where the stripes overlap they can
create a third or stronger color.
It’s often used for clothes like
shirts, pajamas, coats and scarves,
but also home textiles like
blankets, pillows and bedding.
See also Tattersall and Tartans.
POLKA DOT patterns
A Polka dot is a classic pattern that consists of an array of fairly
large, equally sized and evenly distributed filled circles. It’s
traditionally made with the dots in a bright cheerful color on a
white or off-white background - or reverse. The name “polka”
comes from the Czech word pulka which means ”little step” and
refers to the polka dance that became extremely popular in Europe
and America during the 19th century.
S CALE patterns
A scale (or fish scale pattern is a classic pattern
type that has been used frequently throughout
SCALLOP patterns
A scallop (or clamshell) pattern has overlapping arched
motifs, facing upwards, arranged in an allover brick
history and within different styles. It’s characteristics layout. See also Seigaiha and Scale.
are rounded or diamond motifs facing downwards and
overlapping each other as in the scales of a fish,
arranged in a brick layout. Scale patterns can be found
in ancient Egyptian design and patterns around the
world. See also Scallop patterns.
STRIPE patterns
A stripe pattern is a pattern category with either
horizontal, vertical or diagonal lines or bands. There
are many different styles of striped patterns which are
characterized by the width of the stripes, how they are
arranged, directed and composed, scale and color.
Awning stripes Balanced stripes
SUZANI style
Suzani is a type of embroidered folk art textile created by ethnic groups
from Tajikistan, Uzbekistan, Kazakhstan and other central Asian countries
and was traditionally made as part of the dowry. Suzani patterns are
characterized by stylized flowers, leaves and branches in rich colors, with
visible influences from Indian Floral, Paisley, Ottoman designs. The name
Suzane is from the Persian word Suzan, meaning needle.
Suzani textile. Image: Wikimedia commons.
T ARTAN style and patterns
A tartan pattern is a plaid pattern style of criss-
crossing bands and stripes of different sizes, originating
TATTERSALL style and patterns
A Tattersall pattern is a fairly small scaled plaid
pattern made of thin and evenly spaced lines, typically
from the woven fabrics used by in the Scottish in two alternating colors on a light background. The
Highlands and the Gaelic culture. There are many name comes from the Tattersall’s horse market, which
different Tartan patterns, traditionally each designated is a race-horse auction house. During the 18th century
and representing a Scottish clan. Tattersall’s sold horse blankets with this type of plaid
pattern. Today Tattersalls patterns are commonly used
for shirts and waistcoats.
TESSELATING patterns
A tessellating pattern is a kind of allover
mosaic pattern made with geometric shapes
or figures without overlaps or spacing.
Checks, hexagons, triangles, scales, ogees
and diamonds are examples of tesselating
patterns.
U RBAN patterns
An urban pattern is a pattern with motifs depicting
houses, buildings, streets and other objects found in a
Z IGZAG patterns
A zigzag pattern is a type of stripe pattern but
where the stripes are angled into continuous v-shapes,
city, as opposed to a rural landscape pattern. as opposed to a chevron where the v-shapes are
Pattern by Evolution member Sylvia Bell, @sylvia.bell.designs separated. Examples of Zigzag patterns are the Flame
Stitch and Herringbone.
Hi! I’m Bärbel
PAT T E R N D E S I G N E R A N D T E A C H E R
OF BEAR BELL PRODUCTIONS