A Psychoanalytic-Feminist Analysis of Cinderella
A Psychoanalytic-Feminist Analysis of Cinderella
A Psychoanalytic-Feminist Analysis of Cinderella
The classic tale, Cinderella, on paper, just seems to be an innocent love story all about a
girl whose dreams come true and falls for a prince. But, if we view it from a psychoanalytic-
feminist criticism, the representations of the story become clear as day. Like most fairytales that
were written across the past centuries, the story sets up the ideologies of a patriarchal society.
There are about thousands of versions of the Cinderella around the world. Although the
titles and characters vary among different countries and eras, the storylines, themes, and motifs
are mostly similar. In general, you have a mistreated young woman, forced to do menial work,
cast out and unloved by her family. She has an opportunity to marry well and escape her
situation, but she gets this chance only because she was mistaken for a person of higher-status, so
she has to get the man who may marry her to recognize her in her low-status form, which often
Focusing on the more commonly known version, the first detail that immediately catches
your eye, is the abuse Cinderella experiences from her stepmother and stepsisters, forcing her to
carry out tasks that conform to the traditional roles of women. She lives in an attic in huge house
they live in and wears rags. She is now established as an innocent personage in desperate need
for an escape. Then, out of nowhere, the fairy godmother arrives and changes her clothes, which
then also alters her entire appearance. The fairy godmother is enforcing the idea that men are
only attracted to women who are presentably beautiful, well-dressed and put together.
The story goes on and she finally gets to the ball and is immediately noticed by the prince
because of her beauty. While they dance through the night, the prince “falls in love” with her,
which points out the irony that has never said a single word to her. He seems enamored by her
appearance, pointing out that beauty matters to him. They then start to drift from the hall, away
from all the other men who pose a potential threat to the prince if they ask Cinderella to dance,
and end up in the garden. By now the clock strikes twelve, she flees the hall, and conveniently
leaves a shoe behind. This shoe is the prince’s only way to find his “true love”, when in truth he
doesn’t even know her name and how she really looks like, by letting her put on the glass slipper
Cinderella’s acceptance of the prince’s proposal isn’t because she is “in love” with him, but
because is her only escape from her abusive life in that house with her step-mother and sisters.
She could not have fallen for a man she danced with one night, without saying a word. She is just
looking for a way of escape and so resides in the prince for it. On the other hand, the prince is
more in love with Cinderella’s beauty than anything else. At the ball he takes her away from the
other men who could take her from him and now marries her, marking her, his property.
Cinderella is not just the fairytale most of us grew up with, know, and love. It is a story
that plainly exhibits the control and power of the patriarchy. The story line also plays in the
beliefs behind the dependence of women on men for escape. By evaluating the fairy tales such as
this one, we can see that these stories show the underlying ideologies and the oppression of
women.