Alice Guillermo A.

Icon – is physically the meaning

that is represented. For instance, a
- a Palanca Awardee— is a drawing of a bicycle represents an
researcher, art critic, actual bicycle.
professor, and renowned B. Index – demonstrates what it
writer. In her work titled represents. An index describes the
“Reading the Image,” she relationship between the
provided guidelines for signifier and the signified. Without
analyzing or interpreting the presence of the signified, a
images, whether from ads, signifier cannot exist. In this case,
paintings, or text. we sometimes use smoke to
- She said that art should be represent fire.
placed in society and history C. Symbol – has no similarity
because the two are always between the signifier and the
signified. One should learn the
connected."
link among both, culturally. A
the basic documentary information of symbol is not logically related to
artwork includes the following: what it stands for. It is often linked
to the idea that it embodies over
A. Title of the work time. For example, the alphabet
B. Artist and letters alone do not mean
C. Medium and technique anything.
D. Dimensions/measurement
E. Date of the work B. Iconic Plane
F. Provenance
- The iconic plane remains a part of
FOUR PLANES OF ANALYSIS the semiotic method because it is still
based on a significant relationship.
A. Basic Semiotic Plane
- The image is an "iconic sign,” which
- Semiotics is the study of signs. means beyond its narrow association
According to Umberto Eco, with religious icons in the Byzantine
"Semiotics is concerned with style;
everything that can be taken as
a sign." C. Contextual Plane
- the signified or the mental
construct is a symbol's idea or - In the contextual plane, you put the
meaning. It implies the work in context and its relationship to
examination of time, society. It is often helpful to know
convention, and practice.
society's history and economic, political, and cultural conditions;

national and world art and literature; mythologies; philosophies; and different
cultures and world views.

D. Evaluative Plane

- An art critic should determine what is considered a value in your nation. Is it

depicted in the artwork? What are the underlying social issues conveyed in the
painting? It is concerned with an analysis of a work's values. It is impossible to
determine without learning the piece.

ART HISTORY

- According to Britannica.com (Accessed 2021), Art history, also known as

Art Historiography, is the historical study of visual arts focused on
identifying, classifying, describing, assessing, interpreting, and
comprehending art products.

ART CHIEF ARTISTS

HISTORICAL
PERIODS / CHARACTERISTICS ANS MAJOR
EVENTS
MOVEMENTS WORKS
 Lascaux Cave  Ice Age ends (10,000
Cave painting, B.C.–8,000 B.C.);
Stone Age Painting,
fertility goddesses,
(30,000 B.C.–  Woman of  New Stone Age and first
and megalithic
2,500 B.C.) Willendorf, and permanent settlements
structures
 Stonehenge (8,000 B.C.–2,500 B.C.)
 Sumerians invent writing
 Standard of Ur, (3,400 B.C.);
Mesopotamian Warrior art and
 Gate of Ishtar, and  Hammurabi writes his
(3,500 B.C.– narration in stone
539 B.C.) relief  Stele of Hammurabi’s law code (1,780 B.C.);
Code  Abraham founds
monotheism
 Narmer unites
Art with an afterlife  Imhotep, Upper/lower Egypt
Egyptian (3,100 focus, such as  Step Pyramid, (3,100 B.C.);
B.C.–30 B.C.) pyramids and tomb  Great Pyramids, and  Rameses II battles the
painting  Bust of Nefertiti Hittites (1,274 B.C.);
 Cleopatra dies (30 B.C.)
Greek and Greek idealism:  Parthenon,  Athens defeats Persia at
Hellenistic (850 balance, perfect  Myron, Marathon (490 B.C.);
B.C.–31 B.C.) proportions;  Phidias,  Peloponnesian Wars (431
 ART CHIEF ARTISTS
HISTORICAL
PERIODS / CHARACTERISTICS ANS MAJOR
EVENTS
MOVEMENTS WORKS
B.C.–404 B.C.);
architectural
 Polykleitos, and  Alexander the Great’s
orders (Doric, Ionic,
and Corinthian)  Praxiteles conquests (336 B.C.–323
B.C.)
 Julius Caesar
 Augustus of assassinated (44 B.C.);
Roman realism: Primaporta,  Augustus proclaimed
Roman (500
practical and down to  Colosseum, Emperor (27 B.C.);
B.C.– A.D. 476)
earth; the arch  Trajan’s Column, and Diocletian splits Empire
 Pantheon (A.D. 292);
 Rome falls (A.D. 476)
 Birth of Buddha (563
B.C.);
 Gu Kaizhi,
Indian, Chinese,  Silk Road opens (1st
Serene, meditative  Li Cheng,
and Japanese century B.C.);
art, and arts of the  Guo Xi,
(653 B.C.–A.D.  Buddhism spreads to
floating world  Hokusai, and
1900) China (1st–2nd centuries
 Hiroshige
A.D.) and Japan (5th
century A.D.)
DIFFERENT ART MOVEMENTS - Throughout Egyptian culture,
the principle of cohesion called
Cave Art ma'at, which was conceived at
- Art in a cave generally reveals the dawn of life and embraced
various paintings and the cosmos, was created. Ma’at
engravings from the Ice Ages, represents the beautiful
which is sometime between universe of gods; all Egyptian
40,000 and 14,000 years ago, in sculptures focus on a perfect
caves and shelters. Most cave equilibrium.
arts comprise red or black dye - Considering that these gods
artworks. gave every excellent gift to
- Relics were made from iron humanity, these artworks had
oxides (hematite), while blacks been invented and developed
were made from manganese for use.
and charcoal dioxide. - Egyptian sculptures have also
been practical first and
foremost.

Egyptian Art Greek Art

 - Much of this human civilization - It featured a range of things
has been integrated into our from glass mosaics, wall
collective consciousness. Greek paintings, and metalwork.
art includes images of epic Byzantine art is traditional and
wars, scholarly philosophers, primarily religious.
gleaming white buildings, - Most byzantine artworks are
- and limbless nudes (we now associated with lower levels of
understand sculptures and even realism. Byzantine paintings
those that accessorize statues, are white, with little to no
such as the Parthenon) thanks shadows to a hint of 3D, and
to its remarkable archaeological the themes are generally
places, seriousand somber.
- the well-known literary sources
and the impacts of the Example:
Hollywood (e.g., the Clash of Hagia Sophia, built in 537 AD
the Titans). (Kirchmair, 2020)

Roman Art Chinese Painting

- Ancient Greek art was - Chinese painting is among the
rediscovered from the 17th world’s oldest continuing forms
century onward. Roman art has of art. In China today,
suffered slightly from a traditional painting is
reputation crisis. recognized as “guóhuà,” which
- Art criticism also discovered means “ethnic” or “local
that many of the most painting” in contrast to Western
significant Roman artworks decorative arts, which grew
were simply duplicates or popular in China in the 20th
influenced by Greek originals For Chinese painting, the two
that were earlier and mostly primary methods are as
destroyed. Roman art's follows:
popularity, which succeeded in - “Gongbi,” which means
the middle ages and the “thorough,” uses specific
Renaissance for all brushstrokes that precisely
Romanesque items, started to identify details.
decline. The meaning of what it - Ink and wash painting in
truly is another issue with Chinese, as one of the Chinese
Roman art. Scholar-of-Scientific class
“Four Arts,” is also commonly
Medieval Period classified as water-colored
painting or brush painting.
 - This style is often called the France, Northern Italy, Spain,
“xieyi” style. Portugal, and then to Austria,
Southern Germany, and Russia.
- The Baroque style developed in
the 1730s to a much more
glamorous style known as
Renaissance Art rocaille or rococo, which
- In the context of religious appeared in France and Central
practices, many Renaissance Europe until the middle of the
artworks portrayed religious 18th century.
images, including the theme of
Example:
the Virgin Mary or Our Lady,
“The greatest Baroque project was the
and were seen by contemporary
completion of St. Peter's Basilica,”
audiences.
which was built over the early
- These artworks are still
Christian “Old” St. Peter’s Basilica.
considered good but used and
seen primarily as objects of
Rococo Art
devotion. Many Renaissance
- In the 18th century, Rococo
artworks were painted as
architecture, drawing,
altarpieces for inclusion in the
sculpture, and decorative arts
Catholic rituals and donated by
became popular in Europe. The
patrons who sponsored the
extravagant and lively Rococo
mass themselves.
first emerged in inner design
and decoration in reaction to
Example:
the baroque period's firmness.
“The painting Mona Lisa by Leonardo
The word” saloon” in French
Da Vinci is one of the most famous
means a living room;
and recognized paintings in history”
- Rococo salons refer to central
(Monk, 2021) because of the
rooms in the Rococo style. The
enigmatic smile.
concept of a “salon” is an era of
light that has turned the lounge
Baroque style
into a main space for
- contrast, motion, exuberant
aristocracy where guests may
details, profound light, scale,
entertain themselves and
and excitement are used to
engage in intellectual
build a feeling of admiration.
conversation.
This style originated in Rome at
the beginning of the 17th
Neoclassical art
century and spread quickly to
 - refers to simplification with its within an oeuvre of his works that
focus on asymmetry, bright were created between 1885 and 1890.
colors, and decoration. With the
growing popularity of the Neo-Impressionism
Grand Tour, the collection of - Various artists have initiated
antiquities as mementos seemed and resurrected the original
to be popular. trend of expressionism at the
- This collecting practice laid the beginning of the 20th However,
groundwork for many brilliant Georg Baselitz, who led the
art pieces and extended the rebirth that overtook German
traditional Renaissance across art in the 1970s, was
Europe and America. inaugurating the most
prominent return to
Example: expressionism.
The Cathedral of Vilnius is the main - During the 1980s, this revival
Roman Catholic Cathedral of was a part of the global return
Lithuania. to the sensuality of painting and
sparseness of minimalism and
Impressionism reproduction, which was not
- may be the most important stylistic or remote.
movement. In the 1860s, a
group of young artists DIFFERENT ART MOVEMENTS
decided to paint what they (Part 2)
could see, think, and feel
vividly. They did not want to Symbolism
portray the history, mythology, - In contrast to impressionism,
or the life of great men and which emphasizes the realities
visual appearances; they did not of a painting's generated
seek perfection. surface, symbolism implies
ideas through symbols and
Post-Impressionism stresses the meaning behind
- Post-impressionism includes a shapes, lines, forms, and paints.
wide variety of different artistic
styles that respond to the Art Nouveau
impressionist movement - Art Nouveau sought to
optically. modernize the design and avoid
diverse historical styles that are
Example: previously common.
The Starry Night, which is one of Van - Artists were influenced by
Gogh’s most well-known works, sits organic and geometric shapes
 that emerged in elegant designs - The objects are represented as
that brought together flowing, complex arrangements of
natural forms resembling plants masses and planes where
and blooms. background and foreground
combined instead of
Fauvism constructed shapes in an
- The Fauves were a loosely illusionist vacuum.
associated community of
French painters with common Futurism
interests. Many of these - The Futurists concentrated on
painters were the pupils of change and progressivism and
Gustave Moreau. attempted to eradicate and
- He was a symbolist that replace conventional artistic
admired the older artists’ focus conceptions with a robust
on self-thought, such as Henri affirmation of the era of
Matisse, Albert Marquet, and technology.
Georges Rouault. - Emphasis was on developing a
creative and vibrant future
Example: vision and artists integrating
Matisse’s "Le Bonheur de Vivre (The urban landscape representation
Joy of Life)" is characterized by and emerging technology, such
unnatural colors and simplified forms. as trains, cars, and aircraft, in
their depictions.
Expressionism
- Expressionism has emerged as Dadaism
an answer to the widespread
concern over the increasing - Dada's aesthetics is
division between humankind characterized by the spiteful
and the world and ridicule of materialism and
- the lost feelings of legitimacy nationalism that strongly
and spirituality in different influenced artists in several
cities around the globe at the urban areas, including Berlin,
same time. Hannover, Paris, New York,
and Cologne. The trend
Cubism disappeared from the
- Through a focus on the development of surrealism, but
underlying nature of the shape, its concepts became the
Paul Cezanne utilized several foundation of different styles of
points of view to fragment contemporary and modern
photos into forms. artworks.
 - The De Stijl transformation in
Surrealism the Netherlands involves an
abstract wall-down aesthetic
- Surrealists attempted to concentrating on important
incorporate the unconscious to design content such as
open creativity. Surrealists geometric shapes and primary
assumed that the rational brain colors.
was disdainful for rationality
and literary realism and
- The decreased quality of De
strongly influenced by Stijl art was seen as a universal
psychoanalysis, and the force of visual style suitable to
creativity was suppressed by contemporary days in a new,
tabus. spiritualized global order as a
reaction in part to the
- Inspired by Karl Marx, they decorative exaggerations of Art
believed that the psyche would Deco.
have the strength to expose and Pop Art
spur revolution on
contradictions in the daily
- The subjects were not
world. conventional “great art” but
spiritual, mythological, and
Constructivism historical stories; instead,
- It drew inspiration from modern artists depicted
Cubism, surrealism, and ordinary artifacts and characters
futurism. However, in essence, to lift popular culture to the
it was a completely new level of fine art.
approach to create objects, - Pop art may have become one
which attempted to remove of the most recognized forms of
through composition visual art due to the
conventional artistic introduction of advertising
considerations and substitute images.
them for “construction.”
- Constructivism required Example:
rigorous scientific study of new Roy Lichtenstein’s “Whaam!” is a
materials and intended to large, two-canvas painting similar to a
develop innovations for mass comic book strip of a rocket explosion
manufacturing that suited the in the sky.
aims of a new, communist state.
Minimalism
- Modern art prefers sleek over
De Stijl “dramatic;” minimalist works
are mostly made of recycled
 resources and stressed abstract - Installation art is a term that is
expressionism’s anonymity. widely used to characterize
- Artists avoided the open-ended artworks found in 3D interior
metaphors and emotional spaces because “install”
substance instead of the denotes inside something else.
materiality of their art. - His artwork is also site-
specific; it was built to provide
an architectural, abstract, or
Conceptual Art social connection, whether
- Conceptual art is a trend that temporal or permanent, with
rewards concepts about the space or environment.
visual or formal components of
pieces of art. Conceptualism
has adopted many forms,
including performance, events,
and ephemera instead of a GENRES OF MUSIC
firmly unified movement.
A. Baroque Music - known for its
Example: grand, dramatic, and energetic
Ewa Partum’s Active Poetry in 1971 spirit, as well as its stylistic
is an example of conceptual art. Ewa diversity. It prevailed during the
Partum used performance as a means period from approximately 1600 to
of creating her poetry. around 1750. Some of the notable
composers that use this genre are as
Photorealism follows:
- Photorealists (also known as
hyperrealists or superrealists) 1. Johann Sebastian Bach- was
refer to artists who rely heavily trained in Eisenach by his father,
on photographs and often similar to other composers born to a
project them onto canvas to musical family. Given that this father
reproduce images correctly and died in 1695, he visited the schools in
accurately. Eisenach, Ohrdruf, and Lüneburg with
his pupil Ohrdruf and his uncle
Example: Johann Christoph. In 1703, Bach was
Brooklyn-born photorealist Robert appointed as an organist in Arnstadt,
Cottingham is best known for his where he remained until 1707 and
depiction of urban American then in Mühlhausen for one year.
landscapes and typefaces,
2. Antonio Vivaldi- was born in
Installation Art Venice and raised as a child in music
but became an ordained priest in dad’s place at 18. Couperin has been a
1703. Although he had the moniker nonconformist from the beginning of
“Il Prete Rosso” (meaning red priest) his life. Couperin divided his works
because of his red hair, his pictorial into orders instead o the more
surname soon became the only traditional suites of his clavichord
remnant of his priesthood as he music publications and often avoided
withdrew from his vocation. standard dance movements to favor
the evocative bits of character.
3. George Fredric Handel-
showed considerable musical promise
in Halle, similar to his friend 6. Johann Pachelbel- was a German
Telemann but was encouraged instead composer who was “known for his
to study law. He became a violinist at works for organ and one of the great
the Hamburg Opera House a year organ masters of the generation before
later, and he was admitted in 1702 to Johann Sebastian Bach. Pachelbel
the University of Halle. His first two studied music at Altdorf and
operas, “Almira” and “Nero,” were Regensburg and held posts as an
produced in this town in 1705, and the organist in Vienna, Stuttgart, and
operas “Daphne” and “Florindo” were other cities. In 1695, he was appointed
produced in 1708. Handel then moved organist at the St. Sebalduskirche in
to Italy. The first operas he created Nürnberg, where he remained until his
there include “Rodrigo in Venice” death. He also taught organ; one of his
(1707) and “Agrippina in Florence” pupils was Johann Christoph Bach,
(1708). who gave his younger brother Johann
Sebastian Bach his first formal
4. Arcangelo Corelli- was born in keyboard lessons.” (Encyclopaedia
Fusignano and studied composition Britannica, 2020)
and violin in Bologna, which is close
7. Franz Peter Schubert- was an
to his hometown. After 1675, Corelli
Austrian composer of the late
engaged in the concerts of some of
Classical and early Romantic eras.
Rome’s most prominent artistic
Despite his short lifetime, Schubert
patrons; among them was Queen
left behind a vast oeuvre, including
Christina of Sweden.
more than 600 secular vocal works, 7
complete symphonies, sacred music,
5. François Couperin (1668)- was
operas, incidental music, and a large
born in Paris and was the son of the
body of piano and chamber music.
Parisian organist Charles Couperin
(1638–1679). Couperin finally
B. Classical Music – produced or
became a clapping player on
enraptured in Western traditions,
Versailles when he took over his
both liturgical (religious) and age. Although his life was short,
secular. “This article is about the Mozart advanced significantly with
wider time span from the pre-6th more than 600 compositions from the
century AD to this day, which classical period. He was even more
includes the classical and other flamboyant in his compositional style
periods; however, more precisely, it is and frequently blamed for “too many
also used to refer to the period 1750 to notes” during his lifetime.
1820 (the Classical period). The key
norms of this era, which is known as 3. Antonio Salieri- People
the traditional practice age, were speculated that Salieri poisoned
codified between 1550 and 1900.” Mozart because he envied Mozart’s
(Excellence Reporter, 2020) artistic talent. The famous
Kapellmeister was Salieri, who was
1. Franz Joseph Haydn- was a best known for his work on the opera.
great composer who reflected the However, Salieri began suddenly
essence of classical composition. composing operas in 1804 and then
However, his work was always true to played music for the church. Salieri
form, although it was not as became Haydn’s friend and taught
glamorous as that of Mozart, who was Ludwig van Beethoven to compose
younger than him. In contrast to most music.
composers, Haydn had “trustworthy
and reliable” employment with 4. Muzio Clementi- was a
musicians from the royal Esterhazy dominant and articulate proponent of
house responsible for directing, the piano as “the father of
teaching, performance, and pianoforte." Clementi was a
management. During this period, musician, a composer, a writer, a
Haydn wrote several musical pieces teacher, a builder, and even an
for the orchestra. He is often called instrument maker.
“father of the symphony” or the
“father of the string quartet” by his 5. Ludwig van Beethoven- was a
astonishing work, including more than German composer and pianist whose
100 symphonies and 60 quartet lines. music ranked among the most
performed of the classical music
2. Wolfgang Amadeus Mozart- repertoire; he remained one of the
was born in 1756, and at the age of most admired composers in the
five, he became a musical prodigy history of Western music. His works
who started composing. His father spanned the transition from the
took his sister with him to tours classical period to the romantic era in
shortly after his talent was noticed. classical music.
Mozart died suddenly at 35 years of
 6. Luigi Boccherini- stayed with popularizing major orchestral works
Haydn. Musicologists occasionally for the piano.
refer to Boccherini as the “wife of
Haydn.” Unfortunately, the music of 3. Giuseppe Verdi- was a famous
Boccherini never surpassed Haydn’s Italian composer, including
popularity. He died in poverty. Jerusalem, Rigoletto, and Aida, for his
operas. He is one of the most famous
C. Romantic Music – The theory of romantic composers because his
romanticism is an intellectual and operas reach his psyche and lift
artistic literary movement that became intense emotion.
popular in Europe from about 1800 to
1910. In the context of romantic 4. Clara Wieck Schumann- was
literature, poetry, art, and philosophy, another great female composer in the
romantic composers sought to make Romantic period. She was a prolific
music that was individual, emotional, German composer and pianist. Clara
dramatic, and often programmatic. started to visit numerous towns at the
Romantic art is generally inspired by age of 8 and continued to act for more
nonmusical stimuli such as nature, than 60 years.
literature, poetry, or plastic art (or was
tried to evoke them elsewhere). 5. Carl Maria von Weber- was a
German composer, conductor,
1. Frederic Chopin- was a Polish virtuoso pianist, guitarist, “and critic
pianist and composer (born Fryderyk who was one of the first significant
Franciszek Chopin) known for his composers of the Romantic era. He is
piano pieces. He specialized in etude, best known for his operas. He was a
mazurka, night-time, waltz, and crucial figure in the development of
Polish. He charged large amounts for romantic opera.”
private education because of his
popularity and his propensity to work 6. Wilhelm Richard Wagner- was a
exclusively in intimate settings for German composer, theatre director,
social elites. polemicist, and conductor who is
mainly known for his operas. In
2. Franz Joseph Liszt- is probably contrast to most opera composers,
one of the greatest pianists to have Wagner wrote the libretto and the
ever lived; he was a Hungarian music for each of his stage works.
composer and pianist. He was a leader
and a prominent figure of the New 7. Jacques Offenbach- was a
German School. He was recognized German-born French composer,
for many aspects, including the cellist, and impresario during the
capacity of transcribing and Romantic period. “He is remembered
for his nearly 100 operettas of the (already heavily emphasized by
1850s to the 1870s and his Wagner and his successors). Only the
uncompleted opera, ‘The Tales of definition itself of "rock" has been
Hoffmann.’” (Wikipedia, n.d.) redefined.

8. Johannes Brahms- was a 1. Claude Debussy- was a French

German composer, pianist, and composer born on August 22, 1862
conductor during the Romantic and died on March 25, 1918.
period. He was born in Hamburg into Although he opposed the concept
a Lutheran family. Brahms spent strongly, he is known as the first
much of his professional life in impressionist composer. In the late
Vienna. 19th and early 20th year, he became
the most popular composer.
9. Pyotr Ilyich Tchaikovsky- was a
Russian composer during the 2. Arnold Schoenberg-
Romantic period. He was the first Schoenberg's approach became one of
Russian composer whose music made the most influential in harmonic
a lasting impression internationally. thought in the 20th century. Several
He was honored in 1884 by Tsar composers from Europe and the USA
Alexander III and awarded a lifetime from at least three centuries enlarged
pension. (Wikipedia, n.d.) his imagination knowingly, while
others responded intensely.
10. Richard Georg Strauss- was a
German composer, conductor, pianist, 3. Joseph-Maurice Ravel- was a
and violinist. Considered a leading French composer, pianist, and
composer of the late Romantic and director. He and his elder
early modern eras, he is a successor of contemporary Claude Debussy are
Richard Wagner and Franz Liszt. frequently associated with
(Wikipedia, n.d.) impressionism, although they opposed
the term. Ravel was considered the
D. Modern Music – The defining best living composer in France in the
characteristic of contemporary music 1920s and 1930s.
(including modern art in general) is
the breakdown of all conventional 4. John Cage- was one of the most
aesthetics that unleashes complete prominent composers of the 20th
freedom in any esthetic dimension, century and was a pioneer in the body
including melody, rhythm, and of music that he described as forte
chord growth. Most composers (see which includes over 16 percussion
tonality) completely rejected the scores from 1930 to 1950. In his
tradition of major-minor tonality fifties, he introduced new methods of
composition, incorporating elements instruments, crafting gestures,
of chance and attempts to isolate the and crafting strategies.
variable from the phase of
composition. Crafting a Poem

5. Philip Glass- was born in 1. Seizing Inspiration. Look for an

Baltimore on January 31, 1937. He idea that will spark and inspire you to
trained for the Philip GLASS write a poem.
Ensemble with Nadia Boulanger and
Ravi Shankar. His first opera, 2. Fleshing it out. Expand the idea.
“Einstein on the Beach,” earned him
praise and eventually received Oscar 3. Structure and form. Think of the
awards for scoring the films “Kundun: idea that will suit your ideas, such as
The Hours” and “Notes on a structured, free verse, fragmented
Scandal.” Glass is known to work verse, couplet, and sonnet.
with artists from a range of
backgrounds with his distinctive 4. Start to put everything in place in
modern minimalism. the poem. You may now begin the
actual writing of poetry.
SOUL-MAKING
- Soul creation is an alternate 5. Voice and Imagery. Pay attention
way to learn and explore the to the poetic devices that you will use
extent and the actual meaning in the poem.
of what we do in our daily
lives. It intends to enhance the 6. Word Choice. Choose the
artist and creativity in us. It is appropriate words that will help
actively exploring and using convey the meaning you want to
creativity and imagination. It is communicate with the reader.
a type of craft that turns short
memories into pictures, and 7. Concept and Clarity. Ensure that
signs connect to people who words and devices used are working
understand cultural identity and together to communicate the idea you
embody sensitivity and want to share with the readers.
tranquility. Imagination plays a
significant role in art creation 8. Line Length. Consider the line
as an inspiration. It may be an length of your poem concerning the
inherent or acquired talent or a form that you choose.
mixture. Soul creation has
several forms, such as crafting 9. Rhythm and Sound. Examine the
images, crafting tales, crafting tensions, delays, tone replay,
progression, and action throughout the your readers in your story. Now, you
poem. How does our choice of words cannot stop; you play with their
lead to the rhythm and sounds that emotions. Making this too “standard”
best express the poem's tone, mood, will make your readers slip right out
and tenor? Support the poem by of the hook once more.
alliteration? Rhymes slanting? Close
to rhymes? Rhymes exactly? 4. Mining the Depths. You have got
Assumption? the characters to come to life. It refers
to the small information that adds life
10. Read it aloud. The presentation to the character. Anchor this
of a poem shows its flaws and powers information with incidents in real life
in a manner that no visual analysis similar to providing evidence at the
can do. trial in adequate detail. Names,
positions, thoughts, feelings, and
Crafting Stories emotions build information before
you feel like you testify.
1. Show Do Not Tell. You begin the
cycle of making them look after until 5. Make It Memorable. Powerful
they are in your shoes to ensure that writing gives the reader a positive
the story is much less likely to be memory that reminds them of you, the
abandoned at an early stage. author. Your intention is to make your
reader remember you, regardless of
2. Shock and Surprise. Start with whether you are a novelist or a social
something you were not waiting for media marketer.
your readers. Marketers are doing a
lot of this, trying to shock the Crafting Instruments
audience. However, when you write a - The transformation of any
short story or a novel, this aspect is discovered or used material into
important. Make it shocking and a musical instrument allows
unexpected where you need it to hook you to discover harmony and
your readers. balance to produce a beautiful
Writing is compelling, real, and and magical tone.
grudgeful. Writing pulls no punches.
If you want to keep your readers on Crafting Movements
the hook, they must relate to the story.
1. Select the right music. Choose
3. Raise the Stakes. What can be the music to which you want to dance and
worst thing your character can do relax while you watch it again and
right now? Even if that is not true, again! Choose an album with a strong
you must increase the investment of rhythm.
 friends; you can even dress in a mask
2. Start creating the dance step. Just or a lobby.
as you plan out writing a story with
the first words you write, you would
do the same with a dance routine. SEVEN (7) DA VINCIAN
Choose the way you will be standing PRINCIPLES
when the music begins. The intro of
the song usually sets the tone for the 1. CURIOSITA (curiosity)- An
rest of the song. (Bedinghaus, 2019) insatiable curiosity about life and a
constant desire for continuing
3. Plan the chorus part. Your best knowledge.
option is every time the chorus is
playing should follow the same series 2. DIMONSTRATZIONE
of moves. Pick the best movements, (independent thinking)- A
the most dramatic. Repeating is an dedication to creativity, patience, and
integral element of every a desire to learn from failures of the
choreographic work. Yes, the public past. It is the scientific approach used
understands consistency, thereby in everyday life.
creating a sense of ease and warmth
with the public and performers. 3. SENSAZIONE (refine your
senses)- Continuous sensory
4. Plan the ending. Prepare the big enhancement as a way of enlivening
finale. You may take a firm stand on memory. They ought to be mindful of
the new comments. Keep the finish what is happening around them to be
spot for a couple of seconds. creative. Effective communication is
one of the key business subjects. We
5. Practice more. When the dance is listen passively frequently in industry
performed, the moves will be and ignore critical knowledge that
memorized. Then, the dance is more may motivate a new idea.
intuitive by repetitive practice. You
may notice your pattern is also 4. SFUMATO (embrace
changing while dancing. The more uncertainty)- The word is translated
you do, the better the work will be. into smoke. We can embrace
uncertainty, confusion, and
6. Be ready for the performance. vulnerability. As the old saying goes,
When you are confident and believe uncertainty and transition are the only
like you have choreographed a full two inevitable things in life.
dance, it is time to show it. Make your
mini recital at home for family and 5. ARTE/SCIENZA (art & science,
whole brain-thinking)- Developing a
balance between creativity and reality. narrative is to change events'
Creativity without rationality is a sequence. You have a new version of
daydream, and reality is dull without the same past with a different case
creativity. The contrast between art sequence. The narrative translates the
and science, as well as whole-brain story into facts, or better,
thought, are other words for this. understanding for the receiver (the
viewer or the reader). Every story
6. CORPORALITA (mind-body incident is a unit of information
care)-The aim is to keep the body provided by the viewer. A story is
safe and the mind balanced. Have you paradoxical since it tries to express
ever seen a completely sick artistic the facts by covering them.
person? While here and there are
several examples, they are rare. One Appropriation – Appropriations in
of Da Vinci’s core ideas is that our art and art history refer to artists' work
bodies stay fit to keep our minds fit. utilizing prior artifacts or pictures of
Fit minds give efficient and effective painting with no initial
ideas. transformation. Art of appropriation
poses questions of authenticity,
7. CONNESSIONE originality, and authorship, and it
interconnectedness)- This is a clear belongs to the long-standing
realization that all events and Modernist art tradition, which
phenomena are related. When we questions art itself. In the 1985 book,
talked early, it is not just a matter of The Avant-Garde originalité and
coming up with something brand Other Modernist Myths, the American
different, often finding the similarities writer Rosalind Krauss assisted artists
in how to use old material in new in adapting the 1934 article by the
ways. German philosopher Walter
Benjamin, The Practice of Art in the
NARRATIVES, Age of Mechanical Reproduction.
APPROPRIATION, Since the 1980s, artists have used
BORROWING, AND appropriation extensively.
OWNERSHIP
Borrowing – Artists have also copied
Narrative – Narrative means the other artists' works to learn about the
choice of events to be linked and to methods and processes of art. This
relate – so, instead of a story itself, it tradition has been widely practiced in
is a depiction of the particular art schools in recent years. While this
manifestation of the story. The easiest type of work has usually only ever
way to remind people of the been considered a learning activity,
distinction between a story and a other artists have taken pictures or
forms from their work, which they Copyright Ownership – Physical
can appreciate by reproducing and possession varied greatly from
using. ownership of copyright. Copyright is
generally the artist or author's
Ownership – Many artists' copying of property but may vary based on
art was a vexing problem in modern conditions such as occupations or
years; nevertheless, such a form of licensing agreements. You can get
copying was popular in art history. rights if you purchase original artwork
We may choose to name certain or you have a deal. When a fee is
relations in an inspiration: Homer charged for a painting, portrait, or
influenced Virgil, the Virgil graving, the person commissioning
influenced Dante, the Homer replied the work shall have the copyright until
James Joyce or the Valàsquez reaction an agreement is made.
art, but with a certain appropriation.
Simple forgery and legitimized
examples of where an artist (Virgil FIVE ACTS OF CULTURAL
and company) steals from the other APPROPRIATION
(and problem cases, which are better
solved by copyright rather than by the Cultural Appropriation – According
aesthetics book) exist. The other to the critics of the custom, cultural
things are generally best settled by appropriation is distinct from
tradition as well, although they acculturation, assimilation, or even
include the concept of ownership, as cultural fusion because it is a form of
though someone who owns the art colonization. When members of a
would want to exploit it majority society borrow cultural
commercially. features from a community of
marginalized communities, such
Copyright – All work of art, elements are incorporated without
including but not limited to photos, their background and, occasionally,
drawings, sketches, maps, diagrams, against express wishes.
caricatures (static not moving
animations), logos, engravings, 1. Object Appropriation – Physical
sketches, designs, and architectural artworks will be the first kind of item
models, can be liable to copyright. with which we will be dealing. It
Copyright extends to any work of refers to the appropriation of those
creative quality. Works of decorative items as appropriations for objects.
art, including sculpture, stones, Object appropriation occurs when the
pottery, woodwork, and jewelry, also ownership of a physical piece of art
receive security protection. (e.g., a statue or a drawing) is passed
from members of a particular group to appropriation is similar to style
the people of the other. appropriation, but only simple motifs
are appropriated. Such appropriation
2. Content Appropriation. The can be referred to as motif
second type of item that could be appropriation. It happens when artists,
appropriated is intangible. It might be without the production of pieces, are
a musical composition, a story, or a inspired by the art of a society other
poem. Content appropriation is going than theirs. For example, in
to be the mark for this kind of Demoiselles d'Avignon (1907),
possession. When this kind of Picasso appropriated ideas from
appropriation occurs, the artist has African carving, but his paintings are
made significant reuse of an idea first not African. Similarly, Henri
expressed in an artist’s work from Matisse’s The Green Stripe (1905) is
another culture. A musician who sings a Fauvian painting, but it consciously
songs from another culture has incorporates specific African art
engaged in the appropriation of motifs.
content.
5. Subject Appropriation. A final
3. Style Appropriation. Something appropriation that differs from the
less than an entire expression of an other types can be identified. In
artistic idea can be appropriated. various discussions on cultural
Often artists do not only replicate appropriation, questions have been
works from another culture but also raised about externals portraying
take something from that culture. individuals or entities from another
Generally, for works of another society in their artworks. The cultural
culture, artists produce works with council, which is the arts support
stylistic elements. A musician body of the Canadian federal
appropriating African American government, acknowledges the
culture may not be part of that culture portrayal of cultures other than the
but can compose original jazz and individual, in fiction or nonfiction, as
blues. Anything similar may affect the a means of appropriation. No creative
culturally traditional Australians who item of cultural identity is
paint in the style of native peoples. appropriated if this appropriation
This form of operation is a occurs. Instead, artists are dealing
subcategory that can be considered with a topic, that is, another culture or
style appropriation. its members. This is called subject
appropriation because it appropriates
4. Motif Appropriation. Another a matter. Subject appropriation is
type of content appropriation can be occasionally called “voice
identified. This method of appropriation,” especially where
outsiders represented the first person’s
lives.