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    Quiz 1.lesson 4.gamaba - Musa

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    Juhany Musa
    T'nalak weaving and Inabel weaving are two traditional Philippine textile arts that have undergone appropriation and transformation. For t'nalak weaving, examples include it being sold as souvenir items in Manila shops, inspiring a high fashion label, being used for the Philippine representative's costume at Miss World, and becoming the focus of a local festival. Inabel weaving has also been appropriated, such as being featured in fashion shows to celebrate the work of a national treasure weaver, being used for children's clothing designs, and inspiring more weavers in a community through the work of one weaver. The traditional techniques and designs have thus reached new audiences and taken on new meanings

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    Quiz 1.lesson 4.gamaba - Musa

    Uploaded by

    Juhany Musa
    83 views1 page
    T'nalak weaving and Inabel weaving are two traditional Philippine textile arts that have undergone appropriation and transformation. For t'nalak weaving, examples include it being sold as souvenir items in Manila shops, inspiring a high fashion label, being used for the Philippine representative's costume at Miss World, and becoming the focus of a local festival. Inabel weaving has also been appropriated, such as being featured in fashion shows to celebrate the work of a national treasure weaver, being used for children's clothing designs, and inspiring more weavers in a community through the work of one weaver. The traditional techniques and designs have thus reached new audiences and taken on new meanings

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    Quiz 1.Lesson 4.Gamaba - Musa

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    T'nalak weaving and Inabel weaving are two traditional Philippine textile arts that have undergone appropriation and transformation. For t'nalak weaving, examples include it being sold as souvenir items in Manila shops, inspiring a high fashion label, being used for the Philippine representative's costume at Miss World, and becoming the focus of a local festival. Inabel weaving has also been appropriated, such as being featured in fashion shows to celebrate the work of a national treasure weaver, being used for children's clothing designs, and inspiring more weavers in a community through the work of one weaver. The traditional techniques and designs have thus reached new audiences and taken on new meanings

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    83 views1 page

    Quiz 1.lesson 4.gamaba - Musa

    Uploaded by

    Juhany Musa
    T'nalak weaving and Inabel weaving are two traditional Philippine textile arts that have undergone appropriation and transformation. For t'nalak weaving, examples include it being sold as souvenir items in Manila shops, inspiring a high fashion label, being used for the Philippine representative's costume at Miss World, and becoming the focus of a local festival. Inabel weaving has also been appropriated, such as being featured in fashion shows to celebrate the work of a national treasure weaver, being used for children's clothing designs, and inspiring more weavers in a community through the work of one weaver. The traditional techniques and designs have thus reached new audiences and taken on new meanings

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    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    of 1

    Quiz 1. Lesson 4.

    GAMABA
    Select a form in which any of the Manlilikha ng Bayan practice. Give specific examples of how that form
    has undergone APPROPRIATION or transformation - both internally or by the community itself, and
    externally by outside forces, or both – to create new meanings and appeal to different publics.

    Example:
    FORM Examples of APPROPRIATION
    1. t’nalak weaving a. t’nalak as souvenir items (wallets, bags,
    and tshirst) sold in Manila – based shops like
    Kultura or Island Souvenirs.
    b. t’nalak and other traditional textiles as
    inspiration for the high – end fashion label Filip +
    Inna (http://filipinna.com/about-us/)
    c. t’nalak as a “national costume” designed
    by Ivan Raborar for the Philippine representative
    for
    Miss World 2014
    d. t’nalak as a full- blown festival initiated
    by the local government of South Catobato.
    2.Inabel weaving

    Examples of appropriation
    A. Inabel It’s typically used for blankets, bed sheets, or curtains

    B.Inabel It featured the designs of Edgar Madamba inspired by 1950s fashion — flowing skirts and tight
    tops in romantic reds, soothing blues, and dramatic grays and blacks

    C.This traditional fabric recently took centerstage at a benefit fashion show held at Sitio Remedios,
    Heritage Resort in Currimao, Ilocos Norte.

    D.The benefit fashion show was spearheaded by art patron and philantropist Dr. Joven Cuanang to
    celebrate the textiles made by a living national treasure: 93-year old Magdalena Gamayo, a Gawad
    Manlilikha ng Bayan (GAMABA) awardee for Inabel weaving.

    E.Meanwhile, host and former reporter Niña Corpuz has started designing children’s clothing. Her first
    collection is divided into three sets: Summer Sun, which highlights the bright colors of Inabel; Summer
    blues with muted blues; and Summer Moon, which bring a touch of classic dark tones to children’s
    clothing.

    F.Gamaya inspired her neighbors in a poor barangay in Pinili, Ilocos Norte, to take an interest in
    traditional weaving. Of the three initial weavers a few years ago, there are now 15, Of them a 13-year-
    old girl.

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