Ishioma Chapter Three

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CHAPTER THREE

METHODOLOGY
Introduction

This chapter outlines the research design and methods used to examine Nigeria's use of cultural

diplomacy in building its reputation and influence internationally. It describes the study's approach

to collecting, analyzing, and interpreting data, with attention to ensuring both validity and

reliability. The chapter presents the research design, study area, population and sampling, data

sources, methods of data collection, validity and reliability of instruments, ethical considerations,

and methods of data analysis.

3.1 Research Design

The study adopts a mixed-method approach, combining qualitative and quantitative methodologies

to offer a comprehensive understanding of Nigeria’s cultural diplomacy efforts. The qualitative

component provides an in-depth analysis of the strategies, challenges, and impact of cultural

diplomacy, while the quantitative component examines patterns and perceptions of Nigeria's

international image. This approach leverages the strengths of both data types, allowing for robust

analysis and cross-verification (triangulation) to enhance credibility.

In this study, qualitative data will be collected through interviews with Nigerian cultural and

diplomatic stakeholders, such as officials from the Ministry of Foreign Affairs and representatives

from the Nigerian creative industries. These insights will help capture the practical aspects of

cultural diplomacy. For the quantitative component, surveys will be distributed to international

respondents, assessing their perceptions of Nigeria’s cultural diplomacy. This mixed-method

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approach, aligned with an exploratory-descriptive design, is suitable for exploring the relatively

under-researched field of Nigeria’s cultural diplomacy.

3.2 Study Area

This research focuses on Nigeria's cultural diplomacy efforts and their influence on global

perceptions of the country: A study of Lagos State. While the qualitative component targets

Nigerian diplomatic and cultural stakeholders within Nigeria and at various international missions,

the quantitative component will involve a diverse international population. The study spans various

regions globally to capture a range of perceptions and the broader influence of Nigerian culture

across different cultural and geographical contexts.

3.3 Population and Sampling

The study's population comprises of Ministry of Foreign Affairs (e.g., Department of Culture and

Tourism), Lagos State, Ministry of Information and Culture, Lagos State, Nigerian representatives

stationed in embassies and consulates globally, Lagos State, Nollywood, music, fashion, and arts

industries, Lagos State, Nollywood, music, fashion, and arts industries, Lagos State, Experts in

international relations, cultural diplomacy, and African studies, Lagos State, Academics and

Researchers, Lagos State.

The population of the study consists of individuals and groups directly or indirectly involved in or
impacted by Nigeria's cultural diplomacy efforts. These individuals are categorized into distinct
groups based on their roles, expertise, and relevance to the study.

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Table 3.1: Population of the Study

S/No Various agency No of Respondents


1 Ministry of Foreign Affairs (e.g., Department of Culture and 500
Tourism), Lagos State
2 Ministry of Information and Culture, Lagos State 270
3 Nigerian representatives stationed in embassies and consulates 265
globally, Lagos State
4 Nollywood, music, fashion, and arts industries, Lagos State. 350
5 Experts in international relations, cultural diplomacy, and 650
African studies, Lagos State
6 Academics and Researchers, Lagos State. 1000
Total 3,035

3.4 Sampling Techniques

The sample of this study was drawn from the total number of the population from the agency in

Lagos state. A total number of 3,035 from this agency i.e. Ministry of Foreign Affairs (e.g.,

Department of Culture and Tourism), Lagos State, Ministry of Information and Culture, Lagos

State, Nigerian representatives stationed in embassies and consulates globally, Lagos State,

Nollywood, music, fashion, and arts industries, Lagos State, Nollywood, music, fashion, and arts

industries, Lagos State, Experts in international relations, cultural diplomacy, and African studies,

Lagos State, Academics and Researchers, Lagos State. The proportionate sampling technique was

employed in the study since the number of agencies are not the same. The proportion of the

participants in the population was reflected in the sample as thus:

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Table 3.2: Distribution of Respondents

S/No Agency Population Sample Size


1 Ministry of Foreign Affairs (e.g., Department of 500 60
Culture and Tourism), Lagos State
2 Ministry of Information and Culture, Lagos State 270 40
3 Nigerian representatives stationed in embassies and 265 30
consulates globally, Lagos State
4 Nollywood, music, fashion, and arts industries, Lagos 350 40
State.
5 Experts in international relations, cultural diplomacy, 650 70
and African studies, Lagos State
6 Academics and Researchers, Lagos State. 1000 100
Total 3,035 340

3.5 Sources of Data

Data for this research will be sourced from both primary and secondary sources. Primary data will

come from semi-structured questionnaires, interviews and online surveys, while secondary data

will include existing literature on cultural diplomacy, Nigeria’s foreign policy, and related global

perceptions in Lagos State. This combination provides a thorough understanding of the subject

matter. The primary instrument for data collection will be a survey, designed to gather quantitative

data.

The quantitative data will be collected through structured surveys distributed online. The survey

will feature Likert scale and multiple-choice questions assessing respondents’ perceptions of

Nigerian cultural diplomacy and the specific cultural forms they have engaged with, such as

Nollywood films or Afrobeat music. Using online platforms like social media and academic

networks will help reach a diverse international audience.

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3.6 Methods of Data Collection

Data collection will involve structured questionnaire, interviews and self-administered surveys.

Semi-structured interviews with Nigerian stakeholders allow for open-ended responses, enabling

participants to share detailed experiences. These interviews may be conducted in person or online,

based on participants' availability.

3.7 Validity and Reliability of the Instruments

To ensure validity and reliability, the research instruments will be carefully designed and pre-

tested. The interview guide and survey questions will be reviewed to confirm their relevance and

clarity in addressing the research objectives. For reliability, a pilot survey will be conducted to

refine survey questions, ensuring consistency in responses across different groups. Triangulation

through the mixed-method approach further enhances reliability, as findings from qualitative and

quantitative data sources will be cross-verified.

3.8 Ethical Considerations

Ethical considerations are integral to this study, as it involves human participants. Informed

consent will be obtained from all participants, who will be fully briefed on the study’s objectives

and procedures. Confidentiality and anonymity will be assured, with personal information and

responses securely stored and used only for research purposes. Participants have the right to

withdraw at any point without consequences. Additionally, ethical approval will be sought from a

relevant review board to ensure compliance with ethical standards.

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3.9 Methods of Data Analysis

Data from surveys will be analyzed using descriptive statistics to summarize general trends, such

as the most common Nigerian cultural forms engaged with by respondents. Inferential statistics,

including correlation and regression analyses, will be used to explore relationships between

exposure to Nigerian culture and perceptions of Nigeria’s image. This analysis will help identify

factors that influence the effectiveness of Nigeria’s cultural diplomacy and support the study’s

conclusions.

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